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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #388216 it is the complementary color #C77DE9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #388216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #388216 shade: #3D8211, #4E9424, #5FA637, #70B84A and #81CA5D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #388216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #388216 shade: #388216, #277003, #165E00, #054C00 and #003A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #388216 shade: #388216, #558216, #728216, #827516 and #825816

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #388216 shade: #388216, #1B8216, #16822E, #16824B and #168269

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #388216 shade matches the following richer shades: #388216 and #338F09

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #388216 shade: #388216, #3C7622, #416A2E, #465D3B and #4A5147

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #388216 shade: #728216, #558216, #388216, #1B8216 and #16822D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #388216 shade: #193C0A, #295F10, #388216, #47A61C and #56C922

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #388216 shade: #388216, #168276 and #821664

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #388216 shade: #388216, #163882 and #821638

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #388216 shade: #388216, #168276, #601682 and #821622

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #388216 shade: #388216, #166E82, #601682 and #822A16

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

Complementary color

CMYK 15 / 46 / 0 / 9

HEX #C77DE9

RGB 199 125 233

HSL 281.11, 0.71%, 0.7%

LAB 63.91, 46.96, -43.44

 

CMYK 53 / 0 / 87 / 49

HEX #3D8211

RGB 61 130 17

HSL 96.64, 0.77%, 0.29%

LAB 48.26, -40.86, 48.53

 

CMYK 47 / 0 / 76 / 42

HEX #4E9424

RGB 78 148 36

HSL 97.5, 0.61%, 0.36%

LAB 55, -41.65, 49.14

 

CMYK 43 / 0 / 67 / 35

HEX #5FA637

RGB 95 166 55

HSL 98.38, 0.5%, 0.43%

LAB 61.64, -42.06, 48.73

 

CMYK 39 / 0 / 60 / 28

HEX #70B84A

RGB 112 184 74

HSL 99.27, 0.44%, 0.51%

LAB 68.18, -42.25, 47.85

 

CMYK 36 / 0 / 54 / 21

HEX #81CA5D

RGB 129 202 93

HSL 100.18, 0.51%, 0.58%

LAB 74.63, -42.29, 46.77

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 65 / 0 / 97 / 56

HEX #277003

RGB 39 112 3

HSL 100.18, 0.95%, 0.23%

LAB 41.26, -40.8, 45.45

 

CMYK 77 / 0 / 100 / 63

HEX #165E00

RGB 22 94 0

HSL 105.96, 1%, 0.18%

LAB 34.35, -38.39, 40.52

 

CMYK 93 / 0 / 100 / 70

HEX #054C00

RGB 5 76 0

HSL 116.05, 1%, 0.15%

LAB 27.3, -35.08, 34.71

 

CMYK 100 / 0 / 100 / 77

HEX #003A00

RGB 0 58 0

HSL 120, 1%, 0.11%

LAB 20.15, -30.03, 27.52

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 35 / 0 / 83 / 49

HEX #558216

RGB 85 130 22

HSL 85, 0.71%, 0.3%

LAB 49.44, -32.12, 48.64

 

CMYK 12 / 0 / 83 / 49

HEX #728216

RGB 114 130 22

HSL 68.89, 0.71%, 0.3%

LAB 51.38, -19.84, 51.12

 

CMYK 0 / 10 / 83 / 49

HEX #827516

RGB 130 117 22

HSL 52.78, 0.71%, 0.3%

LAB 48.92, -5.4, 49.48

 

CMYK 0 / 32 / 83 / 49

HEX #825816

RGB 130 88 22

HSL 36.67, 0.71%, 0.3%

LAB 40.87, 11.43, 42.31

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 79 / 0 / 83 / 49

HEX #1B8216

RGB 27 130 22

HSL 117.22, 0.71%, 0.3%

LAB 47.31, -48.59, 45.9

 

CMYK 83 / 0 / 65 / 49

HEX #16822E

RGB 22 130 46

HSL 133.33, 0.71%, 0.3%

LAB 47.41, -47.06, 36.42

 

CMYK 83 / 0 / 42 / 49

HEX #16824B

RGB 22 130 75

HSL 149.44, 0.71%, 0.3%

LAB 47.81, -42.32, 21.73

 

CMYK 83 / 0 / 19 / 49

HEX #168269

RGB 22 130 105

HSL 166.11, 0.71%, 0.3%

LAB 48.46, -35.18, 5.36

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 64 / 0 / 94 / 44

HEX #338F09

RGB 51 143 9

HSL 101.19, 0.88%, 0.3%

LAB 52.25, -48.79, 53.5

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 49 / 0 / 71 / 54

HEX #3C7622

RGB 60 118 34

HSL 101.43, 0.55%, 0.3%

LAB 44.28, -35.09, 38.76

 

CMYK 39 / 0 / 57 / 58

HEX #416A2E

RGB 65 106 46

HSL 101, 0.39%, 0.3%

LAB 40.62, -26.52, 28.9

 

CMYK 25 / 0 / 37 / 64

HEX #465D3B

RGB 70 93 59

HSL 100.59, 0.22%, 0.3%

LAB 36.83, -15.87, 16.8

 

CMYK 9 / 0 / 12 / 68

HEX #4A5147

RGB 74 81 71

HSL 102, 0.07%, 0.3%

LAB 33.55, -4.97, 4.93

 

CMYK 12 / 0 / 83 / 49

HEX #728216

RGB 114 130 22

HSL 68.89, 0.71%, 0.3%

LAB 51.38, -19.84, 51.12

 

CMYK 35 / 0 / 83 / 49

HEX #558216

RGB 85 130 22

HSL 85, 0.71%, 0.3%

LAB 49.44, -32.12, 48.64

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 79 / 0 / 83 / 49

HEX #1B8216

RGB 27 130 22

HSL 117.22, 0.71%, 0.3%

LAB 47.31, -48.59, 45.9

 

CMYK 83 / 0 / 65 / 49

HEX #16822D

RGB 22 130 45

HSL 132.78, 0.71%, 0.3%

LAB 47.4, -47.18, 36.88

 

CMYK 58 / 0 / 83 / 76

HEX #193C0A

RGB 25 60 10

HSL 102, 0.71%, 0.14%

LAB 21.8, -23.27, 25.49

 

CMYK 57 / 0 / 83 / 63

HEX #295F10

RGB 41 95 16

HSL 101.01, 0.71%, 0.22%

LAB 35.39, -32.9, 36.73

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 57 / 0 / 83 / 35

HEX #47A61C

RGB 71 166 28

HSL 101.3, 0.71%, 0.38%

LAB 60.51, -51.18, 56.79

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 83 / 0 / 9 / 49

HEX #168276

RGB 22 130 118

HSL 173.33, 0.71%, 0.3%

LAB 48.81, -31.48, -1.74

 

CMYK 0 / 83 / 23 / 49

HEX #821664

RGB 130 22 100

HSL 316.67, 0.71%, 0.3%

LAB 30.01, 51.07, -18.24

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 83 / 57 / 0 / 49

HEX #163882

RGB 22 56 130

HSL 221.11, 0.71%, 0.3%

LAB 25.6, 17.27, -45.12

 

CMYK 0 / 83 / 57 / 49

HEX #821638

RGB 130 22 56

HSL 341.11, 0.71%, 0.3%

LAB 28.39, 46.31, 8.51

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 83 / 0 / 9 / 49

HEX #168276

RGB 22 130 118

HSL 173.33, 0.71%, 0.3%

LAB 48.81, -31.48, -1.74

 

CMYK 26 / 83 / 0 / 49

HEX #601682

RGB 96 22 130

HSL 281.11, 0.71%, 0.3%

LAB 25.78, 48.99, -44.5

 

CMYK 0 / 83 / 74 / 49

HEX #821622

RGB 130 22 34

HSL 353.33, 0.71%, 0.3%

LAB 27.94, 44.91, 22.58

 

CMYK 57 / 0 / 83 / 49

HEX #388216

RGB 56 130 22

HSL 101.11, 0.71%, 0.3%

LAB 48.09, -42.12, 46.91

 

CMYK 83 / 15 / 0 / 49

HEX #166E82

RGB 22 110 130

HSL 191.11, 0.71%, 0.3%

LAB 42.66, -17.32, -18.13

 

CMYK 26 / 83 / 0 / 49

HEX #601682

RGB 96 22 130

HSL 281.11, 0.71%, 0.3%

LAB 25.78, 48.99, -44.5

 

CMYK 0 / 68 / 83 / 49

HEX #822A16

RGB 130 42 22

HSL 11.11, 0.71%, 0.3%

LAB 30.54, 36.82, 32.63

 

Description

Color code: HEX #388216 | qconv.com Color code: HEX #388216 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 130 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 130 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 83 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 83% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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