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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38830F it is the complementary color #C77CF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38830F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38830F shade: #3D830A, #4E951D, #5FA730, #70B943 and #81CB56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38830F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38830F shade: #38830F, #277100, #165F00, #054D00 and #003B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38830F shade: #38840F, #58840F, #77840F, #84710F and #84510F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38830F shade: #38840F, #19840F, #0F8425, #0F8444 and #0F8464

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38830F shade matches the following richer shades: #38840F and #359003

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38830F shade: #38840F, #3C781B, #3F6C27, #436033 and #46543F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38830F shade: #78840F, #59840F, #3A840F, #1B840F and #0F8423

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38830F shade: #193A06, #285F0B, #38840F, #48A913 and #58CE18

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38830F shade: #38830F, #0F8470 and #840F69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38830F shade: #38830F, #0F3A84 and #840F3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38830F shade: #38830F, #0F8470, #590F84 and #840F23

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38830F shade: #38830F, #0F7484, #590F84 and #841F0F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

Complementary color

CMYK 17 / 48 / 0 / 6

HEX #C77CF0

RGB 199 124 240

HSL 278.79, 0.79%, 0.71%

LAB 64.04, 48.96, -47.11

 

CMYK 53 / 0 / 92 / 49

HEX #3D830A

RGB 61 131 10

HSL 94.71, 0.86%, 0.28%

LAB 48.57, -41.52, 50.36

 

CMYK 48 / 0 / 81 / 42

HEX #4E951D

RGB 78 149 29

HSL 95.5, 0.67%, 0.35%

LAB 55.28, -42.49, 51.77

 

CMYK 43 / 0 / 71 / 35

HEX #5FA730

RGB 95 167 48

HSL 96.3, 0.55%, 0.42%

LAB 61.9, -43.05, 51.83

 

CMYK 39 / 0 / 64 / 27

HEX #70B943

RGB 112 185 67

HSL 97.12, 0.47%, 0.49%

LAB 68.42, -43.34, 51.21

 

CMYK 36 / 0 / 58 / 20

HEX #81CB56

RGB 129 203 86

HSL 97.95, 0.53%, 0.57%

LAB 74.86, -43.47, 50.26

 

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

CMYK 65 / 0 / 100 / 56

HEX #277100

RGB 39 113 0

HSL 99.29, 1%, 0.22%

LAB 41.6, -41.29, 46.47

 

CMYK 77 / 0 / 100 / 63

HEX #165F00

RGB 22 95 0

HSL 106.11, 1%, 0.19%

LAB 34.71, -38.74, 40.81

 

CMYK 94 / 0 / 100 / 70

HEX #054D00

RGB 5 77 0

HSL 116.1, 1%, 0.15%

LAB 27.68, -35.41, 35.03

 

CMYK 100 / 0 / 100 / 77

HEX #003B00

RGB 0 59 0

HSL 120, 1%, 0.12%

LAB 20.55, -30.36, 27.97

 

CMYK 58 / 0 / 89 / 48

HEX #38840F

RGB 56 132 15

HSL 98.97, 0.8%, 0.29%

LAB 48.73, -43.23, 49.37

 

CMYK 33 / 0 / 89 / 48

HEX #58840F

RGB 88 132 15

HSL 82.56, 0.8%, 0.29%

LAB 50.23, -32.14, 51.25

 

CMYK 10 / 0 / 89 / 48

HEX #77840F

RGB 119 132 15

HSL 66.67, 0.8%, 0.29%

LAB 52.35, -18.86, 53.89

 

CMYK 0 / 14 / 89 / 48

HEX #84710F

RGB 132 113 15

HSL 50.26, 0.8%, 0.29%

LAB 47.94, -2.41, 50.74

 

CMYK 0 / 39 / 89 / 48

HEX #84510F

RGB 132 81 15

HSL 33.85, 0.8%, 0.29%

LAB 39.28, 16.28, 43.62

 

CMYK 58 / 0 / 89 / 48

HEX #38840F

RGB 56 132 15

HSL 98.97, 0.8%, 0.29%

LAB 48.73, -43.23, 49.37

 

CMYK 81 / 0 / 89 / 48

HEX #19840F

RGB 25 132 15

HSL 114.87, 0.8%, 0.29%

LAB 47.94, -49.92, 48.36

 

CMYK 89 / 0 / 72 / 48

HEX #0F8425

RGB 15 132 37

HSL 131.28, 0.8%, 0.29%

LAB 47.93, -49.51, 40.98

 

CMYK 89 / 0 / 48 / 48

HEX #0F8444

RGB 15 132 68

HSL 147.18, 0.8%, 0.29%

LAB 48.29, -45.13, 26.2

 

CMYK 89 / 0 / 24 / 48

HEX #0F8464

RGB 15 132 100

HSL 163.59, 0.8%, 0.29%

LAB 48.91, -38.01, 8.92

 

CMYK 58 / 0 / 89 / 48

HEX #38840F

RGB 56 132 15

HSL 98.97, 0.8%, 0.29%

LAB 48.73, -43.23, 49.37

 

CMYK 63 / 0 / 98 / 44

HEX #359003

RGB 53 144 3

HSL 98.72, 0.96%, 0.29%

LAB 52.63, -48.82, 54.86

 

CMYK 58 / 0 / 89 / 48

HEX #38840F

RGB 56 132 15

HSL 98.97, 0.8%, 0.29%

LAB 48.73, -43.23, 49.37

 

CMYK 50 / 0 / 78 / 53

HEX #3C781B

RGB 60 120 27

HSL 98.71, 0.63%, 0.29%

LAB 44.9, -36.51, 42.23

 

CMYK 42 / 0 / 64 / 58

HEX #3F6C27

RGB 63 108 39

HSL 99.13, 0.47%, 0.29%

LAB 41.1, -29.05, 33.02

 

CMYK 30 / 0 / 47 / 62

HEX #436033

RGB 67 96 51

HSL 98.67, 0.31%, 0.29%

LAB 37.48, -19.98, 22.3

 

CMYK 17 / 0 / 25 / 67

HEX #46543F

RGB 70 84 63

HSL 100, 0.14%, 0.29%

LAB 33.99, -10.01, 10.5

 

CMYK 9 / 0 / 89 / 48

HEX #78840F

RGB 120 132 15

HSL 66.15, 0.8%, 0.29%

LAB 52.43, -18.41, 53.99

 

CMYK 33 / 0 / 89 / 48

HEX #59840F

RGB 89 132 15

HSL 82.05, 0.8%, 0.29%

LAB 50.29, -31.74, 51.33

 

CMYK 56 / 0 / 89 / 48

HEX #3A840F

RGB 58 132 15

HSL 97.95, 0.8%, 0.29%

LAB 48.81, -42.64, 49.46

 

CMYK 80 / 0 / 89 / 48

HEX #1B840F

RGB 27 132 15

HSL 113.85, 0.8%, 0.29%

LAB 47.97, -49.62, 48.41

 

CMYK 89 / 0 / 73 / 48

HEX #0F8423

RGB 15 132 35

HSL 130.26, 0.8%, 0.29%

LAB 47.91, -49.7, 41.78

 

CMYK 57 / 0 / 90 / 77

HEX #193A06

RGB 25 58 6

HSL 98.08, 0.81%, 0.13%

LAB 21, -22.69, 26.25

 

CMYK 58 / 0 / 88 / 63

HEX #285F0B

RGB 40 95 11

HSL 99.29, 0.79%, 0.21%

LAB 35.32, -33.52, 38.27

 

CMYK 58 / 0 / 89 / 48

HEX #38840F

RGB 56 132 15

HSL 98.97, 0.8%, 0.29%

LAB 48.73, -43.23, 49.37

 

CMYK 57 / 0 / 89 / 34

HEX #48A913

RGB 72 169 19

HSL 98.8, 0.8%, 0.37%

LAB 61.48, -52.38, 59.78

 

CMYK 57 / 0 / 88 / 19

HEX #58CE18

RGB 88 206 24

HSL 98.9, 0.79%, 0.45%

LAB 73.73, -61.11, 69.52

 

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

CMYK 89 / 0 / 15 / 48

HEX #0F8470

RGB 15 132 112

HSL 169.74, 0.8%, 0.29%

LAB 49.22, -34.74, 2.36

 

CMYK 0 / 89 / 20 / 48

HEX #840F69

RGB 132 15 105

HSL 313.85, 0.8%, 0.29%

LAB 30.08, 53.86, -21.33

 

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

CMYK 89 / 56 / 0 / 48

HEX #0F3A84

RGB 15 58 132

HSL 217.95, 0.8%, 0.29%

LAB 26.14, 16.06, -45.49

 

CMYK 0 / 89 / 56 / 48

HEX #840F3A

RGB 132 15 58

HSL 337.95, 0.8%, 0.29%

LAB 28.25, 48.78, 7.03

 

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

CMYK 89 / 0 / 15 / 48

HEX #0F8470

RGB 15 132 112

HSL 169.74, 0.8%, 0.29%

LAB 49.22, -34.74, 2.36

 

CMYK 33 / 89 / 0 / 48

HEX #590F84

RGB 89 15 132

HSL 277.95, 0.8%, 0.29%

LAB 24.1, 50.35, -48.54

 

CMYK 0 / 89 / 73 / 48

HEX #840F23

RGB 132 15 35

HSL 349.74, 0.8%, 0.29%

LAB 27.76, 47.34, 21.81

 

CMYK 57 / 0 / 89 / 49

HEX #38830F

RGB 56 131 15

HSL 98.79, 0.79%, 0.29%

LAB 48.4, -42.84, 49.08

 

CMYK 89 / 12 / 0 / 48

HEX #0F7484

RGB 15 116 132

HSL 188.21, 0.8%, 0.29%

LAB 44.6, -20.48, -16.37

 

CMYK 33 / 89 / 0 / 48

HEX #590F84

RGB 89 15 132

HSL 277.95, 0.8%, 0.29%

LAB 24.1, 50.35, -48.54

 

CMYK 0 / 77 / 89 / 48

HEX #841F0F

RGB 132 31 15

HSL 8.21, 0.8%, 0.29%

LAB 29.21, 41.89, 35.21

 

Description

Color code: HEX #38830F | qconv.com Color code: HEX #38830F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 131 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 131 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 89 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 89% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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