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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #388A5C it is the complementary color #C775A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #388A5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #388A5C shade: #3D8A57, #4E9C6A, #5FAE7D, #70C090 and #81D2A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #388A5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #388A5C shade: #388A5C, #277849, #166636, #055423 and #004210

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #388A5C shade: #38895B, #388945, #408938, #568938 and #6C8938

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #388A5C shade: #38895B, #388971, #388987, #387589 and #385F89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #388A5C shade matches the following richer shades: #38895B, #28995A, #18A858 and #09B856

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #388A5C shade: #38895B, #47795D, #576A5F, #675A61 and #764A63

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #388A5C shade: #408938, #388945, #38895B, #388971 and #388986

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #388A5C shade: #204F34, #2C6C48, #38895B, #44A66F and #59BB84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #388A5C shade: #388A5C, #385689 and #893A38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #388A5C shade: #388A5C, #5B3889 and #895B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #388A5C shade: #388A5C, #385689, #893866 and #896B38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #388A5C shade: #388A5C, #383D89, #893866 and #898438

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

Complementary color

CMYK 0 / 41 / 18 / 22

HEX #C775A3

RGB 199 117 163

HSL 326.34, 0.42%, 0.62%

LAB 59.44, 38.33, -10.78

 

CMYK 56 / 0 / 37 / 46

HEX #3D8A57

RGB 61 138 87

HSL 140.26, 0.39%, 0.39%

LAB 51.68, -35.86, 20.32

 

CMYK 50 / 0 / 32 / 39

HEX #4E9C6A

RGB 78 156 106

HSL 141.54, 0.33%, 0.46%

LAB 58.45, -35.74, 18.98

 

CMYK 45 / 0 / 28 / 32

HEX #5FAE7D

RGB 95 174 125

HSL 142.78, 0.33%, 0.53%

LAB 65.11, -35.54, 17.77

 

CMYK 42 / 0 / 25 / 25

HEX #70C090

RGB 112 192 144

HSL 144, 0.39%, 0.6%

LAB 71.66, -35.29, 16.66

 

CMYK 39 / 0 / 22 / 18

HEX #81D2A3

RGB 129 210 163

HSL 145.19, 0.47%, 0.66%

LAB 78.11, -35.04, 15.62

 

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

CMYK 68 / 0 / 39 / 53

HEX #277849

RGB 39 120 73

HSL 145.19, 0.51%, 0.31%

LAB 44.72, -35.93, 18.85

 

CMYK 78 / 0 / 47 / 60

HEX #166636

RGB 22 102 54

HSL 144, 0.65%, 0.24%

LAB 37.73, -35.35, 20.52

 

CMYK 94 / 0 / 58 / 67

HEX #055423

RGB 5 84 35

HSL 142.78, 0.89%, 0.17%

LAB 30.63, -34.06, 22.38

 

CMYK 100 / 0 / 76 / 74

HEX #004210

RGB 0 66 16

HSL 134.55, 1%, 0.13%

LAB 23.45, -31.06, 24.24

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 59 / 0 / 50 / 46

HEX #388945

RGB 56 137 69

HSL 129.63, 0.42%, 0.38%

LAB 50.88, -39.88, 29.11

 

CMYK 53 / 0 / 59 / 46

HEX #408938

RGB 64 137 56

HSL 114.07, 0.42%, 0.38%

LAB 51, -39.54, 36.01

 

CMYK 37 / 0 / 59 / 46

HEX #568938

RGB 86 137 56

HSL 97.78, 0.42%, 0.38%

LAB 52.01, -32.3, 37.45

 

CMYK 21 / 0 / 59 / 46

HEX #6C8938

RGB 108 137 56

HSL 81.48, 0.42%, 0.38%

LAB 53.35, -23.73, 39.33

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 59 / 0 / 18 / 46

HEX #388971

RGB 56 137 113

HSL 162.22, 0.42%, 0.38%

LAB 51.75, -30.79, 5.54

 

CMYK 59 / 0 / 1 / 46

HEX #388987

RGB 56 137 135

HSL 178.52, 0.42%, 0.38%

LAB 52.38, -24.83, -6.33

 

CMYK 59 / 15 / 0 / 46

HEX #387589

RGB 56 117 137

HSL 194.81, 0.42%, 0.38%

LAB 46.14, -13.51, -16.91

 

CMYK 59 / 31 / 0 / 46

HEX #385F89

RGB 56 95 137

HSL 211.11, 0.42%, 0.38%

LAB 39.29, -0.44, -27.49

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 74 / 0 / 41 / 40

HEX #28995A

RGB 40 153 90

HSL 146.55, 0.59%, 0.38%

LAB 56.06, -45.84, 24.37

 

CMYK 86 / 0 / 48 / 34

HEX #18A858

RGB 24 168 88

HSL 146.67, 0.75%, 0.38%

LAB 60.7, -53.71, 31.38

 

CMYK 95 / 0 / 53 / 28

HEX #09B856

RGB 9 184 86

HSL 146.4, 0.91%, 0.38%

LAB 65.76, -60.39, 38.68

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 41 / 0 / 23 / 53

HEX #47795D

RGB 71 121 93

HSL 146.4, 0.26%, 0.38%

LAB 46.72, -23.67, 10.15

 

CMYK 18 / 0 / 10 / 58

HEX #576A5F

RGB 87 106 95

HSL 145.26, 0.1%, 0.38%

LAB 43, -9.56, 3.81

 

CMYK 0 / 13 / 6 / 60

HEX #675A61

RGB 103 90 97

HSL 327.69, 0.07%, 0.38%

LAB 39.68, 6.64, -2.08

 

CMYK 0 / 37 / 16 / 54

HEX #764A63

RGB 118 74 99

HSL 325.91, 0.23%, 0.38%

LAB 37.21, 22.69, -6.81

 

CMYK 53 / 0 / 59 / 46

HEX #408938

RGB 64 137 56

HSL 114.07, 0.42%, 0.38%

LAB 51, -39.54, 36.01

 

CMYK 59 / 0 / 50 / 46

HEX #388945

RGB 56 137 69

HSL 129.63, 0.42%, 0.38%

LAB 50.88, -39.88, 29.11

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 59 / 0 / 18 / 46

HEX #388971

RGB 56 137 113

HSL 162.22, 0.42%, 0.38%

LAB 51.75, -30.79, 5.54

 

CMYK 59 / 0 / 2 / 46

HEX #388986

RGB 56 137 134

HSL 177.78, 0.42%, 0.38%

LAB 52.35, -25.12, -5.79

 

CMYK 59 / 0 / 34 / 69

HEX #204F34

RGB 32 79 52

HSL 145.53, 0.42%, 0.22%

LAB 29.78, -23.24, 11.23

 

CMYK 59 / 0 / 33 / 58

HEX #2C6C48

RGB 44 108 72

HSL 146.25, 0.42%, 0.3%

LAB 40.78, -29.61, 14.15

 

CMYK 59 / 0 / 34 / 46

HEX #38895B

RGB 56 137 91

HSL 145.93, 0.42%, 0.38%

LAB 51.25, -35.85, 17.47

 

CMYK 59 / 0 / 33 / 35

HEX #44A66F

RGB 68 166 111

HSL 146.33, 0.42%, 0.46%

LAB 61.35, -41.62, 20.12

 

CMYK 52 / 0 / 29 / 27

HEX #59BB84

RGB 89 187 132

HSL 146.33, 0.42%, 0.54%

LAB 68.99, -41.53, 19.28

 

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

CMYK 59 / 37 / 0 / 46

HEX #385689

RGB 56 86 137

HSL 217.78, 0.42%, 0.38%

LAB 36.56, 5.28, -31.79

 

CMYK 0 / 58 / 59 / 46

HEX #893A38

RGB 137 58 56

HSL 1.48, 0.42%, 0.38%

LAB 35.26, 33.61, 18

 

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

CMYK 34 / 59 / 0 / 46

HEX #5B3889

RGB 91 56 137

HSL 265.93, 0.42%, 0.38%

LAB 31.48, 33.28, -39.7

 

CMYK 0 / 34 / 59 / 46

HEX #895B38

RGB 137 91 56

HSL 25.93, 0.42%, 0.38%

LAB 42.89, 14.97, 27.66

 

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

CMYK 59 / 37 / 0 / 46

HEX #385689

RGB 56 86 137

HSL 217.78, 0.42%, 0.38%

LAB 36.56, 5.28, -31.79

 

CMYK 0 / 59 / 26 / 46

HEX #893866

RGB 137 56 102

HSL 325.93, 0.42%, 0.38%

LAB 36.19, 39.92, -9.96

 

CMYK 0 / 22 / 59 / 46

HEX #896B38

RGB 137 107 56

HSL 37.78, 0.42%, 0.38%

LAB 47.13, 5.61, 32.76

 

CMYK 59 / 0 / 33 / 46

HEX #388A5C

RGB 56 138 92

HSL 146.34, 0.42%, 0.38%

LAB 51.6, -36.09, 17.37

 

CMYK 59 / 55 / 0 / 46

HEX #383D89

RGB 56 61 137

HSL 236.3, 0.42%, 0.38%

LAB 29.37, 21.85, -43.27

 

CMYK 0 / 59 / 26 / 46

HEX #893866

RGB 137 56 102

HSL 325.93, 0.42%, 0.38%

LAB 36.19, 39.92, -9.96

 

CMYK 0 / 4 / 59 / 46

HEX #898438

RGB 137 132 56

HSL 56.3, 0.42%, 0.38%

LAB 54.14, -8.54, 40.84

 

Description

Color code: HEX #388A5C | qconv.com Color code: HEX #388A5C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 138 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 138 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 33 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 33% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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