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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3895DF it is the complementary color #C76A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3895DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3895DF shade: #3D95DA, #4EA7ED, #5FB9FF, #70CBFF and #81DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3895DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3895DF shade: #3895DF, #2783CC, #1671B9, #055FA6 and #004D93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3895DF shade: #3995DE, #3969DE, #393CDE, #6339DE and #8F39DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3895DF shade: #3995DE, #3969DE, #393CDE and #3939DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3895DF shade matches the following richer shades: #3995DE and #2797F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3895DF shade: #3995DE, #4C93CC, #5E91B9, #718FA7 and #838D94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3895DF shade: #39DECE, #39C3DE, #3997DE, #396BDE and #393FDE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3895DF shade: #1B6BAA, #2181CD, #3995DE, #5DA8E4 and #80BBEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3895DF shade: #3895DF, #A239DE and #D9DE39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3895DF shade: #3895DF, #DE3997 and #97DE39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3895DF shade: #3895DF, #A239DE, #DE8139 and #76DE39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3895DF shade: #3895DF, #D339DE, #DE8139 and #44DE39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

Complementary color

CMYK 0 / 47 / 84 / 22

HEX #C76A20

RGB 199 106 32

HSL 26.59, 0.72%, 0.45%

LAB 54.61, 32.13, 54.2

 

CMYK 72 / 32 / 0 / 15

HEX #3D95DA

RGB 61 149 218

HSL 206.37, 0.68%, 0.55%

LAB 59.48, -3.59, -42.73

 

CMYK 67 / 30 / 0 / 7

HEX #4EA7ED

RGB 78 167 237

HSL 206.42, 0.82%, 0.62%

LAB 66.04, -4.88, -42.89

 

CMYK 63 / 27 / 0 / 0

HEX #5FB9FF

RGB 95 185 255

HSL 206.25, 1%, 0.69%

LAB 72.46, -6.24, -42.57

 

CMYK 56 / 20 / 0 / 0

HEX #70CBFF

RGB 112 203 255

HSL 201.82, 1%, 0.72%

LAB 78.1, -12.78, -33.77

 

CMYK 49 / 13 / 0 / 0

HEX #81DDFF

RGB 129 221 255

HSL 196.19, 1%, 0.75%

LAB 83.76, -18.55, -25.03

 

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

CMYK 81 / 36 / 0 / 20

HEX #2783CC

RGB 39 131 204

HSL 206.55, 0.68%, 0.48%

LAB 52.98, -0.65, -45.17

 

CMYK 88 / 39 / 0 / 27

HEX #1671B9

RGB 22 113 185

HSL 206.5, 0.79%, 0.41%

LAB 46.29, 1.67, -44.92

 

CMYK 97 / 43 / 0 / 35

HEX #055FA6

RGB 5 95 166

HSL 206.46, 0.94%, 0.34%

LAB 39.53, 4.59, -44.59

 

CMYK 100 / 48 / 0 / 42

HEX #004D93

RGB 0 77 147

HSL 208.57, 1%, 0.29%

LAB 32.73, 8.34, -44.09

 

CMYK 74 / 33 / 0 / 13

HEX #3995DE

RGB 57 149 222

HSL 206.55, 0.71%, 0.55%

LAB 59.56, -2.71, -44.84

 

CMYK 74 / 53 / 0 / 13

HEX #3969DE

RGB 57 105 222

HSL 222.55, 0.71%, 0.55%

LAB 47.3, 24.19, -64.46

 

CMYK 74 / 73 / 0 / 13

HEX #393CDE

RGB 57 60 222

HSL 238.91, 0.71%, 0.55%

LAB 36.7, 51.71, -81.8

 

CMYK 55 / 74 / 0 / 13

HEX #6339DE

RGB 99 57 222

HSL 255.27, 0.71%, 0.55%

LAB 39.33, 57.87, -77.35

 

CMYK 36 / 74 / 0 / 13

HEX #8F39DE

RGB 143 57 222

HSL 271.27, 0.71%, 0.55%

LAB 44.29, 64.6, -69.03

 

CMYK 74 / 33 / 0 / 13

HEX #3995DE

RGB 57 149 222

HSL 206.55, 0.71%, 0.55%

LAB 59.56, -2.71, -44.84

 

CMYK 74 / 53 / 0 / 13

HEX #3969DE

RGB 57 105 222

HSL 222.55, 0.71%, 0.55%

LAB 47.3, 24.19, -64.46

 

CMYK 74 / 73 / 0 / 13

HEX #393CDE

RGB 57 60 222

HSL 238.91, 0.71%, 0.55%

LAB 36.7, 51.71, -81.8

 

CMYK 74 / 74 / 0 / 13

HEX #3939DE

RGB 57 57 222

HSL 240, 0.71%, 0.55%

LAB 36.12, 53.34, -82.75

 

CMYK 74 / 33 / 0 / 13

HEX #3995DE

RGB 57 149 222

HSL 206.55, 0.71%, 0.55%

LAB 59.56, -2.71, -44.84

 

CMYK 84 / 37 / 0 / 5

HEX #2797F1

RGB 39 151 241

HSL 206.73, 0.88%, 0.55%

LAB 60.71, 1.19, -53.57

 

CMYK 74 / 33 / 0 / 13

HEX #3995DE

RGB 57 149 222

HSL 206.55, 0.71%, 0.55%

LAB 59.56, -2.71, -44.84

 

CMYK 63 / 28 / 0 / 20

HEX #4C93CC

RGB 76 147 204

HSL 206.72, 0.56%, 0.55%

LAB 58.75, -4.82, -36

 

CMYK 49 / 22 / 0 / 27

HEX #5E91B9

RGB 94 145 185

HSL 206.37, 0.39%, 0.55%

LAB 58.16, -5.86, -26.13

 

CMYK 32 / 14 / 0 / 35

HEX #718FA7

RGB 113 143 167

HSL 206.67, 0.23%, 0.55%

LAB 57.99, -4.61, -16.06

 

CMYK 11 / 5 / 0 / 42

HEX #838D94

RGB 131 141 148

HSL 204.71, 0.07%, 0.55%

LAB 58.05, -2.14, -4.97

 

CMYK 74 / 0 / 7 / 13

HEX #39DECE

RGB 57 222 206

HSL 174.18, 0.71%, 0.55%

LAB 80.5, -44.56, -4.12

 

CMYK 74 / 12 / 0 / 13

HEX #39C3DE

RGB 57 195 222

HSL 189.82, 0.71%, 0.55%

LAB 73.01, -27.37, -23.96

 

CMYK 74 / 32 / 0 / 13

HEX #3997DE

RGB 57 151 222

HSL 205.82, 0.71%, 0.55%

LAB 60.14, -3.86, -43.93

 

CMYK 74 / 52 / 0 / 13

HEX #396BDE

RGB 57 107 222

HSL 221.82, 0.71%, 0.55%

LAB 47.83, 22.92, -63.6

 

CMYK 74 / 72 / 0 / 13

HEX #393FDE

RGB 57 63 222

HSL 237.82, 0.71%, 0.55%

LAB 37.3, 50.04, -80.81

 

CMYK 84 / 37 / 0 / 33

HEX #1B6BAA

RGB 27 107 170

HSL 206.43, 0.73%, 0.39%

LAB 43.73, -0.06, -40.24

 

CMYK 84 / 37 / 0 / 20

HEX #2181CD

RGB 33 129 205

HSL 206.51, 0.72%, 0.47%

LAB 52.32, 0.39, -46.78

 

CMYK 74 / 33 / 0 / 13

HEX #3995DE

RGB 57 149 222

HSL 206.55, 0.71%, 0.55%

LAB 59.56, -2.71, -44.84

 

CMYK 59 / 26 / 0 / 11

HEX #5DA8E4

RGB 93 168 228

HSL 206.67, 0.71%, 0.63%

LAB 66.47, -5.76, -37.24

 

CMYK 45 / 20 / 0 / 8

HEX #80BBEA

RGB 128 187 234

HSL 206.6, 0.72%, 0.71%

LAB 73.59, -6.78, -29.36

 

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

CMYK 27 / 74 / 0 / 13

HEX #A239DE

RGB 162 57 222

HSL 278.18, 0.71%, 0.55%

LAB 46.82, 67.94, -64.81

 

CMYK 2 / 0 / 74 / 13

HEX #D9DE39

RGB 217 222 57

HSL 61.82, 0.71%, 0.55%

LAB 85.65, -20.29, 74.47

 

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

CMYK 0 / 74 / 32 / 13

HEX #DE3997

RGB 222 57 151

HSL 325.82, 0.71%, 0.55%

LAB 52.61, 69.92, -13.72

 

CMYK 32 / 0 / 74 / 13

HEX #97DE39

RGB 151 222 57

HSL 85.82, 0.71%, 0.55%

LAB 81.36, -46.13, 68.89

 

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

CMYK 27 / 74 / 0 / 13

HEX #A239DE

RGB 162 57 222

HSL 278.18, 0.71%, 0.55%

LAB 46.82, 67.94, -64.81

 

CMYK 0 / 42 / 74 / 13

HEX #DE8139

RGB 222 129 57

HSL 26.18, 0.71%, 0.55%

LAB 62.95, 30.34, 52.65

 

CMYK 47 / 0 / 74 / 13

HEX #76DE39

RGB 118 222 57

HSL 97.82, 0.71%, 0.55%

LAB 79.83, -57, 66.89

 

CMYK 75 / 33 / 0 / 13

HEX #3895DF

RGB 56 149 223

HSL 206.59, 0.72%, 0.55%

LAB 59.58, -2.48, -45.36

 

CMYK 5 / 74 / 0 / 13

HEX #D339DE

RGB 211 57 222

HSL 296, 0.71%, 0.55%

LAB 54.08, 77.29, -52.75

 

CMYK 0 / 42 / 74 / 13

HEX #DE8139

RGB 222 129 57

HSL 26.18, 0.71%, 0.55%

LAB 62.95, 30.34, 52.65

 

CMYK 69 / 0 / 74 / 13

HEX #44DE39

RGB 68 222 57

HSL 116, 0.71%, 0.55%

LAB 78.33, -69.03, 64.89

 

Description

Color code: HEX #3895DF | qconv.com Color code: HEX #3895DF | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 149 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 149 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 33 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 33% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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