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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38933F it is the complementary color #C76CC0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38933F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38933F shade: #3D933A, #4EA54D, #5FB760, #70C973 and #81DB86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38933F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38933F shade: #38933F, #27812C, #166F19, #055D06 and #004B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38933F shade: #38933F, #499338, #629338, #7B9338 and #939338

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38933F shade: #38933F, #389357, #389370, #389389 and #388593

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38933F shade matches the following richer shades: #38933F, #27A431, #17B423 and #06C515

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38933F shade: #38933F, #48834D, #59725B, #696269 and #7A5177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38933F shade: #629338, #4A9338, #38933E, #389356 and #38936F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38933F shade: #215825, #2C7532, #38933F, #43B14B and #5CC164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38933F shade: #38933F, #387B93 and #933856

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38933F shade: #38933F, #3E3893 and #933E38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38933F shade: #38933F, #387B93, #93388D and #935038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38933F shade: #38933F, #385F93, #93388D and #936C38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

Complementary color

CMYK 0 / 46 / 4 / 22

HEX #C76CC0

RGB 199 108 192

HSL 304.62, 0.45%, 0.6%

LAB 58.67, 47.87, -28.58

 

CMYK 59 / 0 / 61 / 42

HEX #3D933A

RGB 61 147 58

HSL 117.98, 0.43%, 0.4%

LAB 54.2, -44.18, 38.73

 

CMYK 53 / 0 / 53 / 35

HEX #4EA54D

RGB 78 165 77

HSL 119.32, 0.36%, 0.47%

LAB 60.84, -44.41, 37.44

 

CMYK 48 / 0 / 48 / 28

HEX #5FB760

RGB 95 183 96

HSL 120.68, 0.38%, 0.55%

LAB 67.39, -44.43, 36.11

 

CMYK 44 / 0 / 43 / 21

HEX #70C973

RGB 112 201 115

HSL 122.02, 0.45%, 0.61%

LAB 73.84, -44.32, 34.81

 

CMYK 41 / 0 / 39 / 14

HEX #81DB86

RGB 129 219 134

HSL 123.33, 0.56%, 0.68%

LAB 80.21, -44.14, 33.56

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 70 / 0 / 66 / 49

HEX #27812C

RGB 39 129 44

HSL 123.33, 0.54%, 0.33%

LAB 47.38, -44.12, 37.42

 

CMYK 80 / 0 / 77 / 56

HEX #166F19

RGB 22 111 25

HSL 122.02, 0.67%, 0.26%

LAB 40.59, -42.74, 38.29

 

CMYK 95 / 0 / 94 / 64

HEX #055D06

RGB 5 93 6

HSL 120.68, 0.9%, 0.19%

LAB 33.72, -40.25, 37.98

 

CMYK 100 / 0 / 100 / 71

HEX #004B00

RGB 0 75 0

HSL 120, 1%, 0.15%

LAB 26.83, -35.58, 34.26

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 50 / 0 / 62 / 42

HEX #499338

RGB 73 147 56

HSL 108.79, 0.45%, 0.4%

LAB 54.63, -41.02, 40.28

 

CMYK 33 / 0 / 62 / 42

HEX #629338

RGB 98 147 56

HSL 92.31, 0.45%, 0.4%

LAB 55.84, -32.5, 41.97

 

CMYK 16 / 0 / 62 / 42

HEX #7B9338

RGB 123 147 56

HSL 75.82, 0.45%, 0.4%

LAB 57.43, -22.54, 44.18

 

CMYK 0 / 0 / 62 / 42

HEX #939338

RGB 147 147 56

HSL 60, 0.45%, 0.4%

LAB 59.3, -12.19, 46.77

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 0 / 41 / 42

HEX #389357

RGB 56 147 87

HSL 140.44, 0.45%, 0.4%

LAB 54.44, -40.94, 23.96

 

CMYK 62 / 0 / 24 / 42

HEX #389370

RGB 56 147 112

HSL 156.92, 0.45%, 0.4%

LAB 54.95, -35.67, 10.65

 

CMYK 62 / 0 / 7 / 42

HEX #389389

RGB 56 147 137

HSL 173.41, 0.45%, 0.4%

LAB 55.6, -29.24, -2.72

 

CMYK 62 / 10 / 0 / 42

HEX #388593

RGB 56 133 147

HSL 189.23, 0.45%, 0.4%

LAB 51.52, -19.14, -14.59

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 76 / 0 / 70 / 36

HEX #27A431

RGB 39 164 49

HSL 124.8, 0.62%, 0.4%

LAB 59.16, -55.79, 48.03

 

CMYK 87 / 0 / 81 / 29

HEX #17B423

RGB 23 180 35

HSL 124.59, 0.77%, 0.4%

LAB 64.12, -63.74, 57.81

 

CMYK 97 / 0 / 89 / 23

HEX #06C515

RGB 6 197 21

HSL 124.71, 0.94%, 0.4%

LAB 69.49, -70.21, 65.88

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 45 / 0 / 41 / 49

HEX #48834D

RGB 72 131 77

HSL 125.08, 0.29%, 0.4%

LAB 49.67, -31.35, 23.34

 

CMYK 22 / 0 / 20 / 55

HEX #59725B

RGB 89 114 91

HSL 124.8, 0.12%, 0.4%

LAB 45.52, -14.14, 9.79

 

CMYK 0 / 7 / 0 / 59

HEX #696269

RGB 105 98 105

HSL 300, 0.03%, 0.4%

LAB 42.4, 4.2, -2.96

 

CMYK 0 / 34 / 2 / 52

HEX #7A5177

RGB 122 81 119

HSL 304.39, 0.2%, 0.4%

LAB 40.17, 23.8, -14.7

 

CMYK 33 / 0 / 62 / 42

HEX #629338

RGB 98 147 56

HSL 92.31, 0.45%, 0.4%

LAB 55.84, -32.5, 41.97

 

CMYK 50 / 0 / 62 / 42

HEX #4A9338

RGB 74 147 56

HSL 108.13, 0.45%, 0.4%

LAB 54.67, -40.72, 40.34

 

CMYK 62 / 0 / 58 / 42

HEX #38933E

RGB 56 147 62

HSL 123.96, 0.45%, 0.4%

LAB 54.09, -44.92, 36.61

 

CMYK 62 / 0 / 41 / 42

HEX #389356

RGB 56 147 86

HSL 139.78, 0.45%, 0.4%

LAB 54.43, -41.13, 24.49

 

CMYK 62 / 0 / 24 / 42

HEX #38936F

RGB 56 147 111

HSL 156.26, 0.45%, 0.4%

LAB 54.92, -35.9, 11.18

 

CMYK 63 / 0 / 58 / 65

HEX #215825

RGB 33 88 37

HSL 124.36, 0.45%, 0.24%

LAB 32.78, -30.04, 24.03

 

CMYK 62 / 0 / 57 / 54

HEX #2C7532

RGB 44 117 50

HSL 124.93, 0.45%, 0.32%

LAB 43.49, -37.52, 30

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 0 / 58 / 31

HEX #43B14B

RGB 67 177 75

HSL 124.36, 0.45%, 0.48%

LAB 64.28, -52.11, 42.42

 

CMYK 52 / 0 / 48 / 24

HEX #5CC164

RGB 92 193 100

HSL 124.75, 0.45%, 0.56%

LAB 70.41, -48.78, 37.86

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 16 / 0 / 42

HEX #387B93

RGB 56 123 147

HSL 195.82, 0.45%, 0.4%

LAB 48.4, -13.66, -19.35

 

CMYK 0 / 62 / 41 / 42

HEX #933856

RGB 147 56 86

HSL 340.22, 0.45%, 0.4%

LAB 37.3, 41.2, 2.03

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 58 / 62 / 0 / 42

HEX #3E3893

RGB 62 56 147

HSL 243.96, 0.45%, 0.4%

LAB 29.31, 29.76, -49.51

 

CMYK 0 / 58 / 62 / 42

HEX #933E38

RGB 147 62 56

HSL 3.96, 0.45%, 0.4%

LAB 37.72, 35.41, 21.51

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 16 / 0 / 42

HEX #387B93

RGB 56 123 147

HSL 195.82, 0.45%, 0.4%

LAB 48.4, -13.66, -19.35

 

CMYK 0 / 62 / 4 / 42

HEX #93388D

RGB 147 56 141

HSL 303.96, 0.45%, 0.4%

LAB 39.5, 49.24, -28.94

 

CMYK 0 / 46 / 62 / 42

HEX #935038

RGB 147 80 56

HSL 15.82, 0.45%, 0.4%

LAB 41.57, 25.69, 26.34

 

CMYK 62 / 0 / 57 / 42

HEX #38933F

RGB 56 147 63

HSL 124.62, 0.45%, 0.4%

LAB 54.1, -44.78, 36.13

 

CMYK 62 / 35 / 0 / 42

HEX #385F93

RGB 56 95 147

HSL 214.29, 0.45%, 0.4%

LAB 39.8, 3.06, -32.73

 

CMYK 0 / 62 / 4 / 42

HEX #93388D

RGB 147 56 141

HSL 303.96, 0.45%, 0.4%

LAB 39.5, 49.24, -28.94

 

CMYK 0 / 27 / 62 / 42

HEX #936C38

RGB 147 108 56

HSL 34.29, 0.45%, 0.4%

LAB 48.53, 9.57, 34.69

 

Description

Color code: HEX #38933F | qconv.com Color code: HEX #38933F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 147 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 147 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 57 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 57% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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