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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #389BFE it is the complementary color #C76401. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #389BFE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #389BFE shade: #3D9BF9, #4EADFF, #5FBFFF, #70D1FF and #81E3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #389BFE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #389BFE shade: #389BFE, #2789EB, #1677D8, #0565C5 and #0053B2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #389BFE shade: #399BFE, #3966FE, #4039FE, #7539FE and #AB39FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #389BFE shade: #399BFE, #3966FE and #3939FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #389BFE shade matches the following richer shades: #399BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #389BFE shade: #399BFE, #499BED, #599BDD, #699BCD and #799BBD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #389BFE shade: #39FEF7, #39D0FE, #399BFE, #3967FE and #3F39FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #389BFE shade: #0172E3, #1086FD, #399BFE, #62B0FE and #8BC4FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #389BFE shade: #389BFE, #C239FE and #EAFE39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #389BFE shade: #389BFE, #FE399B and #9BFE39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #389BFE shade: #389BFE, #C239FE, #FE9B39 and #74FE39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #389BFE shade: #389BFE, #FE39FE, #FE9B39 and #39FE39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

Complementary color

CMYK 0 / 50 / 99 / 22

HEX #C76401

RGB 199 100 1

HSL 30, 0.99%, 0.39%

LAB 53.23, 34.74, 61.4

 

CMYK 76 / 38 / 0 / 2

HEX #3D9BF9

RGB 61 155 249

HSL 210, 0.94%, 0.61%

LAB 62.74, 3.84, -54.71

 

CMYK 69 / 32 / 0 / 0

HEX #4EADFF

RGB 78 173 255

HSL 207.8, 1%, 0.65%

LAB 68.55, -2.24, -48.74

 

CMYK 63 / 25 / 0 / 0

HEX #5FBFFF

RGB 95 191 255

HSL 204, 1%, 0.69%

LAB 74.14, -9.5, -39.96

 

CMYK 56 / 18 / 0 / 0

HEX #70D1FF

RGB 112 209 255

HSL 199.3, 1%, 0.72%

LAB 79.76, -15.9, -31.2

 

CMYK 49 / 11 / 0 / 0

HEX #81E3FF

RGB 129 227 255

HSL 193.33, 1%, 0.75%

LAB 85.42, -21.56, -22.51

 

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

CMYK 83 / 42 / 0 / 8

HEX #2789EB

RGB 39 137 235

HSL 210, 0.83%, 0.54%

LAB 56.41, 7.31, -57.11

 

CMYK 90 / 45 / 0 / 15

HEX #1677D8

RGB 22 119 216

HSL 210, 0.82%, 0.47%

LAB 49.88, 10.01, -56.93

 

CMYK 97 / 49 / 0 / 23

HEX #0565C5

RGB 5 101 197

HSL 210, 0.95%, 0.4%

LAB 43.32, 13.28, -56.65

 

CMYK 100 / 53 / 0 / 30

HEX #0053B2

RGB 0 83 178

HSL 212.02, 1%, 0.35%

LAB 36.74, 17.26, -56.19

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 78 / 60 / 0 / 0

HEX #3966FE

RGB 57 102 254

HSL 226.29, 0.99%, 0.61%

LAB 48.92, 37.64, -79.76

 

CMYK 75 / 78 / 0 / 0

HEX #4039FE

RGB 64 57 254

HSL 242.13, 0.99%, 0.61%

LAB 39.87, 63.68, -94.64

 

CMYK 54 / 78 / 0 / 0

HEX #7539FE

RGB 117 57 254

HSL 258.27, 0.99%, 0.61%

LAB 44.04, 68.63, -87.62

 

CMYK 33 / 78 / 0 / 0

HEX #AB39FE

RGB 171 57 254

HSL 274.72, 0.99%, 0.61%

LAB 50.38, 76.13, -76.98

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 78 / 60 / 0 / 0

HEX #3966FE

RGB 57 102 254

HSL 226.29, 0.99%, 0.61%

LAB 48.92, 37.64, -79.76

 

CMYK 78 / 78 / 0 / 0

HEX #3939FE

RGB 57 57 254

HSL 240, 0.99%, 0.61%

LAB 39.5, 63.24, -95.27

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 69 / 35 / 0 / 7

HEX #499BED

RGB 73 155 237

HSL 210, 0.82%, 0.61%

LAB 62.49, 1.2, -48.5

 

CMYK 60 / 30 / 0 / 13

HEX #599BDD

RGB 89 155 221

HSL 210, 0.66%, 0.61%

LAB 62.33, -1.43, -39.86

 

CMYK 49 / 24 / 0 / 20

HEX #699BCD

RGB 105 155 205

HSL 210, 0.5%, 0.61%

LAB 62.38, -2.94, -30.81

 

CMYK 36 / 18 / 0 / 26

HEX #799BBD

RGB 121 155 189

HSL 210, 0.34%, 0.61%

LAB 62.66, -3.26, -21.35

 

CMYK 78 / 0 / 3 / 0

HEX #39FEF7

RGB 57 254 247

HSL 177.87, 0.99%, 0.61%

LAB 90.99, -47.27, -10.13

 

CMYK 78 / 18 / 0 / 0

HEX #39D0FE

RGB 57 208 254

HSL 194.01, 0.99%, 0.61%

LAB 77.96, -23.74, -33.57

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 78 / 59 / 0 / 0

HEX #3967FE

RGB 57 103 254

HSL 225.99, 0.99%, 0.61%

LAB 49.16, 37.02, -79.36

 

CMYK 75 / 78 / 0 / 0

HEX #3F39FE

RGB 63 57 254

HSL 241.83, 0.99%, 0.61%

LAB 39.81, 63.62, -94.74

 

CMYK 100 / 50 / 0 / 11

HEX #0172E3

RGB 1 114 227

HSL 210, 0.99%, 0.45%

LAB 48.99, 16.74, -64.59

 

CMYK 94 / 47 / 0 / 1

HEX #1086FD

RGB 16 134 253

HSL 210.13, 0.98%, 0.53%

LAB 56.34, 14.7, -67.2

 

CMYK 78 / 39 / 0 / 0

HEX #399BFE

RGB 57 155 254

HSL 210.15, 0.99%, 0.61%

LAB 62.9, 5.18, -57.19

 

CMYK 61 / 31 / 0 / 0

HEX #62B0FE

RGB 98 176 254

HSL 210, 0.99%, 0.69%

LAB 70.04, -1.06, -45.82

 

CMYK 45 / 23 / 0 / 0

HEX #8BC4FE

RGB 139 196 254

HSL 210.26, 0.98%, 0.77%

LAB 77.36, -3.46, -34.28

 

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

CMYK 24 / 78 / 0 / 0

HEX #C239FE

RGB 194 57 254

HSL 281.73, 0.99%, 0.61%

LAB 53.55, 79.85, -71.69

 

CMYK 8 / 0 / 78 / 0

HEX #EAFE39

RGB 234 254 57

HSL 66.09, 0.99%, 0.61%

LAB 95.44, -28.58, 83.84

 

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

CMYK 0 / 78 / 39 / 0

HEX #FE399B

RGB 254 57 155

HSL 330.15, 0.99%, 0.61%

LAB 58.38, 78.26, -6.85

 

CMYK 39 / 0 / 78 / 0

HEX #9BFE39

RGB 155 254 57

HSL 90.15, 0.99%, 0.61%

LAB 90.85, -57.74, 77.95

 

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

CMYK 24 / 78 / 0 / 0

HEX #C239FE

RGB 194 57 254

HSL 281.73, 0.99%, 0.61%

LAB 53.55, 79.85, -71.69

 

CMYK 0 / 39 / 78 / 0

HEX #FE9B39

RGB 254 155 57

HSL 29.85, 0.99%, 0.61%

LAB 72.77, 29.79, 63.69

 

CMYK 54 / 0 / 78 / 0

HEX #74FE39

RGB 116 254 57

HSL 102.03, 0.99%, 0.61%

LAB 89.34, -69.09, 76

 

CMYK 78 / 39 / 0 / 0

HEX #389BFE

RGB 56 155 254

HSL 210, 0.99%, 0.61%

LAB 62.88, 5.08, -57.23

 

CMYK 0 / 78 / 0 / 0

HEX #FE39FE

RGB 254 57 254

HSL 300, 0.99%, 0.61%

LAB 62.64, 90.5, -56.6

 

CMYK 0 / 39 / 78 / 0

HEX #FE9B39

RGB 254 155 57

HSL 29.85, 0.99%, 0.61%

LAB 72.77, 29.79, 63.69

 

CMYK 78 / 0 / 78 / 0

HEX #39FE39

RGB 57 254 57

HSL 120, 0.99%, 0.61%

LAB 87.99, -80.33, 74.24

 

Description

Color code: HEX #389BFE | qconv.com Color code: HEX #389BFE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 155 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 155 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 39 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 39% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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