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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38A5AD it is the complementary color #C75A52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38A5AD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38A5AD shade: #3DA5A8, #4EB7BB, #5FC9CE, #70DBE1 and #81EDF4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38A5AD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38A5AD shade: #38A5AD, #27939A, #168187, #056F74 and #005D61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38A5AD shade: #38A5AD, #3885AD, #3866AD, #3846AD and #4938AD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38A5AD shade: #38A5AD, #3885AD, #3866AD, #3846AD and #3838AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38A5AD shade matches the following richer shades: #38A5AD, #25B5BF, #13C5D2 and #00D5E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38A5AD shade: #38A5AD, #4A959A, #5D8588, #6F7575 and #826563

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38A5AD shade: #38AD76, #38AD95, #38A5AD, #3886AD and #3867AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38A5AD shade: #24696E, #2E878E, #38A5AD, #4ABCC4 and #69C7CE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38A5AD shade: #38A5AD, #5738AD and #AD8638

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38A5AD shade: #38A5AD, #AD38A5 and #A5AD38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38A5AD shade: #38A5AD, #5738AD, #AD4038 and #8EAD38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38A5AD shade: #38A5AD, #7A38AD, #AD4038 and #6AAD38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

Complementary color

CMYK 0 / 55 / 59 / 22

HEX #C75A52

RGB 199 90 82

HSL 4.1, 0.51%, 0.55%

LAB 51.91, 42.86, 25.84

 

CMYK 64 / 2 / 0 / 34

HEX #3DA5A8

RGB 61 165 168

HSL 181.68, 0.47%, 0.45%

LAB 62.28, -28.35, -10.39

 

CMYK 58 / 2 / 0 / 27

HEX #4EB7BB

RGB 78 183 187

HSL 182.2, 0.44%, 0.52%

LAB 68.81, -28.76, -11.14

 

CMYK 54 / 2 / 0 / 19

HEX #5FC9CE

RGB 95 201 206

HSL 182.7, 0.53%, 0.59%

LAB 75.24, -29.03, -11.82

 

CMYK 50 / 3 / 0 / 12

HEX #70DBE1

RGB 112 219 225

HSL 183.19, 0.65%, 0.66%

LAB 81.59, -29.21, -12.46

 

CMYK 47 / 3 / 0 / 4

HEX #81EDF4

RGB 129 237 244

HSL 183.65, 0.84%, 0.73%

LAB 87.86, -29.32, -13.05

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 75 / 5 / 0 / 40

HEX #27939A

RGB 39 147 154

HSL 183.65, 0.6%, 0.38%

LAB 55.72, -26.84, -12.34

 

CMYK 84 / 4 / 0 / 47

HEX #168187

RGB 22 129 135

HSL 183.19, 0.72%, 0.31%

LAB 49.03, -25.67, -11.41

 

CMYK 96 / 4 / 0 / 55

HEX #056F74

RGB 5 111 116

HSL 182.7, 0.92%, 0.24%

LAB 42.25, -24.03, -10.34

 

CMYK 100 / 4 / 0 / 62

HEX #005D61

RGB 0 93 97

HSL 182.47, 1%, 0.19%

LAB 35.38, -21.6, -9.04

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 68 / 23 / 0 / 32

HEX #3885AD

RGB 56 133 173

HSL 200.51, 0.51%, 0.45%

LAB 52.55, -10.67, -28.09

 

CMYK 68 / 41 / 0 / 32

HEX #3866AD

RGB 56 102 173

HSL 216.41, 0.51%, 0.45%

LAB 43.3, 7.98, -42.62

 

CMYK 68 / 60 / 0 / 32

HEX #3846AD

RGB 56 70 173

HSL 232.82, 0.51%, 0.45%

LAB 34.47, 28.76, -56.84

 

CMYK 58 / 68 / 0 / 32

HEX #4938AD

RGB 73 56 173

HSL 248.72, 0.51%, 0.45%

LAB 32.4, 40.15, -60.18

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 68 / 23 / 0 / 32

HEX #3885AD

RGB 56 133 173

HSL 200.51, 0.51%, 0.45%

LAB 52.55, -10.67, -28.09

 

CMYK 68 / 41 / 0 / 32

HEX #3866AD

RGB 56 102 173

HSL 216.41, 0.51%, 0.45%

LAB 43.3, 7.98, -42.62

 

CMYK 68 / 60 / 0 / 32

HEX #3846AD

RGB 56 70 173

HSL 232.82, 0.51%, 0.45%

LAB 34.47, 28.76, -56.84

 

CMYK 68 / 68 / 0 / 32

HEX #3838AD

RGB 56 56 173

HSL 240, 0.51%, 0.45%

LAB 31.08, 37.64, -62.38

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 81 / 5 / 0 / 25

HEX #25B5BF

RGB 37 181 191

HSL 183.9, 0.68%, 0.45%

LAB 67.43, -32.18, -15.5

 

CMYK 91 / 6 / 0 / 18

HEX #13C5D2

RGB 19 197 210

HSL 184.08, 0.83%, 0.45%

LAB 72.71, -35.01, -17.94

 

CMYK 100 / 7 / 0 / 11

HEX #00D5E4

RGB 0 213 228

HSL 183.95, 1%, 0.45%

LAB 77.99, -37.43, -19.67

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 52 / 3 / 0 / 40

HEX #4A959A

RGB 74 149 154

HSL 183.75, 0.35%, 0.45%

LAB 57.35, -21.76, -9.79

 

CMYK 32 / 2 / 0 / 47

HEX #5D8588

RGB 93 133 136

HSL 184.19, 0.19%, 0.45%

LAB 52.82, -13.02, -6.08

 

CMYK 5 / 0 / 0 / 54

HEX #6F7575

RGB 111 117 117

HSL 180, 0.03%, 0.45%

LAB 48.74, -2.26, -0.79

 

CMYK 0 / 22 / 24 / 49

HEX #826563

RGB 130 101 99

HSL 3.87, 0.14%, 0.45%

LAB 45.57, 11.33, 5.59

 

CMYK 68 / 0 / 32 / 32

HEX #38AD76

RGB 56 173 118

HSL 151.79, 0.51%, 0.45%

LAB 63.37, -45.5, 19

 

CMYK 68 / 0 / 14 / 32

HEX #38AD95

RGB 56 173 149

HSL 167.69, 0.51%, 0.45%

LAB 64.08, -38.17, 2.88

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 68 / 23 / 0 / 32

HEX #3886AD

RGB 56 134 173

HSL 200, 0.51%, 0.45%

LAB 52.85, -11.24, -27.62

 

CMYK 68 / 40 / 0 / 32

HEX #3867AD

RGB 56 103 173

HSL 215.9, 0.51%, 0.45%

LAB 43.59, 7.34, -42.16

 

CMYK 67 / 5 / 0 / 57

HEX #24696E

RGB 36 105 110

HSL 184.05, 0.51%, 0.29%

LAB 40.58, -19.46, -9.16

 

CMYK 68 / 5 / 0 / 44

HEX #2E878E

RGB 46 135 142

HSL 184.38, 0.51%, 0.37%

LAB 51.68, -23.5, -11.47

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 62 / 4 / 0 / 23

HEX #4ABCC4

RGB 74 188 196

HSL 183.93, 0.51%, 0.53%

LAB 70.46, -29.35, -13.61

 

CMYK 49 / 3 / 0 / 19

HEX #69C7CE

RGB 105 199 206

HSL 184.16, 0.51%, 0.61%

LAB 75.02, -25.96, -12.12

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 50 / 68 / 0 / 32

HEX #5738AD

RGB 87 56 173

HSL 255.9, 0.51%, 0.45%

LAB 33.71, 42.58, -57.97

 

CMYK 0 / 23 / 68 / 32

HEX #AD8638

RGB 173 134 56

HSL 40, 0.51%, 0.45%

LAB 58.25, 6.51, 46.36

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 0 / 68 / 5 / 32

HEX #AD38A5

RGB 173 56 165

HSL 304.1, 0.51%, 0.45%

LAB 44.84, 59.97, -34.72

 

CMYK 5 / 0 / 68 / 32

HEX #A5AD38

RGB 165 173 56

HSL 64.1, 0.51%, 0.45%

LAB 68.15, -17.89, 56.48

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 50 / 68 / 0 / 32

HEX #5738AD

RGB 87 56 173

HSL 255.9, 0.51%, 0.45%

LAB 33.71, 42.58, -57.97

 

CMYK 0 / 63 / 68 / 32

HEX #AD4038

RGB 173 64 56

HSL 4.1, 0.51%, 0.45%

LAB 42.52, 44.08, 28.44

 

CMYK 18 / 0 / 68 / 32

HEX #8EAD38

RGB 142 173 56

HSL 75.9, 0.51%, 0.45%

LAB 66.46, -27.51, 54.22

 

CMYK 68 / 5 / 0 / 32

HEX #38A5AD

RGB 56 165 173

HSL 184.1, 0.51%, 0.45%

LAB 62.31, -27.66, -13.16

 

CMYK 29 / 68 / 0 / 32

HEX #7A38AD

RGB 122 56 173

HSL 273.85, 0.51%, 0.45%

LAB 37.81, 49.67, -51.13

 

CMYK 0 / 63 / 68 / 32

HEX #AD4038

RGB 173 64 56

HSL 4.1, 0.51%, 0.45%

LAB 42.52, 44.08, 28.44

 

CMYK 39 / 0 / 68 / 32

HEX #6AAD38

RGB 106 173 56

HSL 94.36, 0.51%, 0.45%

LAB 64.35, -41.22, 51.36

 

Description

Color code: HEX #38A5AD | qconv.com Color code: HEX #38A5AD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 165 green and 173 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 165 173 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 5 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 5% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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