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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B81C it is the complementary color #C747E3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B81C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B81C shade: #3DB817, #4ECA2A, #5FDC3D, #70EE50 and #81FF63

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B81C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B81C shade: #38B81C, #27A609, #169400, #058200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B81C shade: #38BA1B, #63BA1B, #8DBA1B, #B8BA1B and #BA911B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B81C shade: #38BA1B, #1BBA2A, #1BBA54, #1BBA7F and #1BBAAA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B81C shade matches the following richer shades: #38BA1B and #2DCB0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B81C shade: #38BA1B, #43A92D, #4E973E, #59864F and #647561

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B81C shade: #8DBA1B, #63BA1B, #38BA1B, #1BBA29 and #1BBA53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B81C shade: #227211, #2D9616, #38BA1B, #43DD21 and #61E345

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B81C shade: #38B81C, #1BB7BA and #BA1B78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B81C shade: #38B81C, #1B38BA and #BA1B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B81C shade: #38B81C, #1BB7BA, #9D1BBA and #BA1E1B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B81C shade: #38B81C, #1B88BA, #9D1BBA and #BA4E1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

Complementary color

CMYK 12 / 69 / 0 / 11

HEX #C747E3

RGB 199 71 227

HSL 289.23, 0.74%, 0.58%

LAB 54.23, 70.94, -55.43

 

CMYK 67 / 0 / 88 / 28

HEX #3DB817

RGB 61 184 23

HSL 105.84, 0.78%, 0.41%

LAB 66.01, -60.01, 62.76

 

CMYK 61 / 0 / 79 / 21

HEX #4ECA2A

RGB 78 202 42

HSL 106.5, 0.66%, 0.48%

LAB 72.25, -61.39, 63.79

 

CMYK 57 / 0 / 72 / 14

HEX #5FDC3D

RGB 95 220 61

HSL 107.17, 0.69%, 0.55%

LAB 78.44, -62.31, 63.87

 

CMYK 53 / 0 / 66 / 7

HEX #70EE50

RGB 112 238 80

HSL 107.85, 0.82%, 0.62%

LAB 84.57, -62.9, 63.37

 

CMYK 49 / 0 / 61 / 0

HEX #81FF63

RGB 129 255 99

HSL 108.46, 1%, 0.69%

LAB 90.36, -62.89, 62.23

 

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

CMYK 77 / 0 / 95 / 35

HEX #27A609

RGB 39 166 9

HSL 108.54, 0.9%, 0.34%

LAB 59.64, -58.72, 59.54

 

CMYK 85 / 0 / 100 / 42

HEX #169400

RGB 22 148 0

HSL 111.08, 1%, 0.29%

LAB 53.33, -55.76, 55.67

 

CMYK 96 / 0 / 100 / 49

HEX #058200

RGB 5 130 0

HSL 117.69, 1%, 0.25%

LAB 46.97, -51.89, 50.51

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 47 / 0 / 85 / 27

HEX #63BA1B

RGB 99 186 27

HSL 92.83, 0.75%, 0.42%

LAB 67.91, -50.54, 64.04

 

CMYK 24 / 0 / 85 / 27

HEX #8DBA1B

RGB 141 186 27

HSL 76.98, 0.75%, 0.42%

LAB 70.08, -35.42, 66.76

 

CMYK 1 / 0 / 85 / 27

HEX #B8BA1B

RGB 184 186 27

HSL 60.75, 0.75%, 0.42%

LAB 73.15, -17.45, 70.57

 

CMYK 0 / 22 / 85 / 27

HEX #BA911B

RGB 186 145 27

HSL 44.53, 0.75%, 0.42%

LAB 62.31, 5.03, 61.7

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 85 / 0 / 77 / 27

HEX #1BBA2A

RGB 27 186 42

HSL 125.66, 0.75%, 0.42%

LAB 66.15, -64.7, 57.61

 

CMYK 85 / 0 / 55 / 27

HEX #1BBA54

RGB 27 186 84

HSL 141.51, 0.75%, 0.42%

LAB 66.51, -60.2, 40.6

 

CMYK 85 / 0 / 32 / 27

HEX #1BBA7F

RGB 27 186 127

HSL 157.74, 0.75%, 0.42%

LAB 67.19, -52.32, 19.28

 

CMYK 85 / 0 / 9 / 27

HEX #1BBAAA

RGB 27 186 170

HSL 173.96, 0.75%, 0.42%

LAB 68.21, -41.47, -2.77

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 78 / 0 / 95 / 20

HEX #2DCB0A

RGB 45 203 10

HSL 109.12, 0.91%, 0.42%

LAB 71.75, -68.97, 69.47

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 60 / 0 / 73 / 34

HEX #43A92D

RGB 67 169 45

HSL 109.35, 0.58%, 0.42%

LAB 61.45, -52.23, 52.16

 

CMYK 48 / 0 / 59 / 41

HEX #4E973E

RGB 78 151 62

HSL 109.21, 0.42%, 0.42%

LAB 56.19, -40.49, 39.27

 

CMYK 34 / 0 / 41 / 47

HEX #59864F

RGB 89 134 79

HSL 109.09, 0.26%, 0.42%

LAB 51.54, -26.71, 24.83

 

CMYK 15 / 0 / 17 / 54

HEX #647561

RGB 100 117 97

HSL 111, 0.09%, 0.42%

LAB 47.36, -10.47, 8.95

 

CMYK 24 / 0 / 85 / 27

HEX #8DBA1B

RGB 141 186 27

HSL 76.98, 0.75%, 0.42%

LAB 70.08, -35.42, 66.76

 

CMYK 47 / 0 / 85 / 27

HEX #63BA1B

RGB 99 186 27

HSL 92.83, 0.75%, 0.42%

LAB 67.91, -50.54, 64.04

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 85 / 0 / 78 / 27

HEX #1BBA29

RGB 27 186 41

HSL 125.28, 0.75%, 0.42%

LAB 66.14, -64.77, 57.93

 

CMYK 85 / 0 / 55 / 27

HEX #1BBA53

RGB 27 186 83

HSL 141.13, 0.75%, 0.42%

LAB 66.5, -60.35, 41.07

 

CMYK 70 / 0 / 85 / 55

HEX #227211

RGB 34 114 17

HSL 109.48, 0.74%, 0.26%

LAB 41.87, -42.09, 42.41

 

CMYK 70 / 0 / 85 / 41

HEX #2D9616

RGB 45 150 22

HSL 109.22, 0.74%, 0.34%

LAB 54.48, -52.03, 52.63

 

CMYK 70 / 0 / 85 / 27

HEX #38BA1B

RGB 56 186 27

HSL 109.06, 0.75%, 0.42%

LAB 66.55, -61.49, 62.32

 

CMYK 70 / 0 / 85 / 13

HEX #43DD21

RGB 67 221 33

HSL 109.15, 0.74%, 0.5%

LAB 77.88, -70.23, 71.12

 

CMYK 57 / 0 / 70 / 11

HEX #61E345

RGB 97 227 69

HSL 109.37, 0.74%, 0.58%

LAB 80.69, -63.67, 63.31

 

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

CMYK 85 / 2 / 0 / 27

HEX #1BB7BA

RGB 27 183 186

HSL 181.13, 0.75%, 0.42%

LAB 67.76, -35.42, -12.26

 

CMYK 0 / 85 / 35 / 27

HEX #BA1B78

RGB 186 27 120

HSL 324.91, 0.75%, 0.42%

LAB 42.12, 65.64, -11.42

 

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

CMYK 85 / 70 / 0 / 27

HEX #1B38BA

RGB 27 56 186

HSL 229.06, 0.75%, 0.42%

LAB 30.89, 39.52, -70.47

 

CMYK 0 / 85 / 70 / 27

HEX #BA1B38

RGB 186 27 56

HSL 349.06, 0.75%, 0.42%

LAB 40.42, 60.76, 26.45

 

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

CMYK 85 / 2 / 0 / 27

HEX #1BB7BA

RGB 27 183 186

HSL 181.13, 0.75%, 0.42%

LAB 67.76, -35.42, -12.26

 

CMYK 16 / 85 / 0 / 27

HEX #9D1BBA

RGB 157 27 186

HSL 289.06, 0.75%, 0.42%

LAB 40.41, 69.17, -54.38

 

CMYK 0 / 84 / 85 / 27

HEX #BA1E1B

RGB 186 30 27

HSL 1.13, 0.75%, 0.42%

LAB 40.32, 59.08, 43.1

 

CMYK 70 / 0 / 85 / 28

HEX #38B81C

RGB 56 184 28

HSL 109.23, 0.74%, 0.42%

LAB 65.91, -60.8, 61.51

 

CMYK 85 / 27 / 0 / 27

HEX #1B88BA

RGB 27 136 186

HSL 198.87, 0.75%, 0.42%

LAB 53.37, -11.24, -34.31

 

CMYK 16 / 85 / 0 / 27

HEX #9D1BBA

RGB 157 27 186

HSL 289.06, 0.75%, 0.42%

LAB 40.41, 69.17, -54.38

 

CMYK 0 / 58 / 85 / 27

HEX #BA4E1B

RGB 186 78 27

HSL 19.25, 0.75%, 0.42%

LAB 46.93, 41.1, 48.79

 

Description

Color code: HEX #38B81C | qconv.com Color code: HEX #38B81C | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 184 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 184 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 85 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 85% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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