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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B25E it is the complementary color #C74DA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B25E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B25E shade: #3DB259, #4EC46C, #5FD67F, #70E892 and #81FAA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B25E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B25E shade: #38B25E, #27A04B, #168E38, #057C25 and #006A12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B25E shade: #38B25E, #38B23D, #54B238, #74B238 and #95B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B25E shade: #38B25E, #38B27F, #38B2A0, #38A3B2 and #3882B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B25E shade matches the following richer shades: #38B25E, #25C557 and #12D84F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B25E shade: #38B25E, #4B9F65, #5E8C6C, #717973 and #84667A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B25E shade: #54B238, #38B23C, #38B25C, #38B27D and #38B29D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B25E shade: #24733D, #2E924D, #38B25E, #4DC672 and #6CD08B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B25E shade: #38B25E, #3875B2 and #B23844

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B25E shade: #38B25E, #5C38B2 and #B25C38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B25E shade: #38B25E, #3875B2, #B2388D and #B27538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B25E shade: #38B25E, #3850B2, #B2388D and #B29938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

Complementary color

CMYK 0 / 61 / 19 / 22

HEX #C74DA1

RGB 199 77 161

HSL 318.69, 0.52%, 0.54%

LAB 51.86, 57.63, -21.11

 

CMYK 66 / 0 / 50 / 30

HEX #3DB259

RGB 61 178 89

HSL 134.36, 0.49%, 0.47%

LAB 64.61, -51.8, 35.93

 

CMYK 60 / 0 / 45 / 23

HEX #4EC46C

RGB 78 196 108

HSL 135.25, 0.5%, 0.54%

LAB 71, -52.13, 34.48

 

CMYK 56 / 0 / 41 / 16

HEX #5FD67F

RGB 95 214 127

HSL 136.13, 0.59%, 0.61%

LAB 77.32, -52.24, 33.09

 

CMYK 52 / 0 / 37 / 9

HEX #70E892

RGB 112 232 146

HSL 137, 0.72%, 0.67%

LAB 83.56, -52.21, 31.78

 

CMYK 48 / 0 / 34 / 2

HEX #81FAA5

RGB 129 250 165

HSL 137.85, 0.92%, 0.74%

LAB 89.75, -52.09, 30.55

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 76 / 0 / 53 / 37

HEX #27A04B

RGB 39 160 75

HSL 137.85, 0.61%, 0.39%

LAB 58.11, -51.21, 34.87

 

CMYK 85 / 0 / 61 / 44

HEX #168E38

RGB 22 142 56

HSL 137, 0.73%, 0.32%

LAB 51.61, -49.87, 36.46

 

CMYK 96 / 0 / 70 / 51

HEX #057C25

RGB 5 124 37

HSL 136.13, 0.92%, 0.25%

LAB 45.06, -47.72, 37.89

 

CMYK 100 / 0 / 83 / 58

HEX #006A12

RGB 0 106 18

HSL 130.19, 1%, 0.21%

LAB 38.47, -44.19, 38.68

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 0 / 66 / 30

HEX #38B23D

RGB 56 178 61

HSL 122.46, 0.52%, 0.46%

LAB 64.18, -56.38, 48.55

 

CMYK 53 / 0 / 69 / 30

HEX #54B238

RGB 84 178 56

HSL 106.23, 0.52%, 0.46%

LAB 64.97, -50.19, 51.73

 

CMYK 35 / 0 / 69 / 30

HEX #74B238

RGB 116 178 56

HSL 90.49, 0.52%, 0.46%

LAB 66.4, -39.85, 53.66

 

CMYK 16 / 0 / 69 / 30

HEX #95B238

RGB 149 178 56

HSL 74.26, 0.52%, 0.46%

LAB 68.4, -27.07, 56.36

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 0 / 29 / 30

HEX #38B27F

RGB 56 178 127

HSL 154.92, 0.52%, 0.46%

LAB 65.13, -45.61, 16.51

 

CMYK 69 / 0 / 10 / 30

HEX #38B2A0

RGB 56 178 160

HSL 171.15, 0.52%, 0.46%

LAB 65.92, -37.53, -0.55

 

CMYK 69 / 8 / 0 / 30

HEX #38A3B2

RGB 56 163 178

HSL 187.38, 0.52%, 0.46%

LAB 61.87, -25.13, -16.63

 

CMYK 69 / 27 / 0 / 30

HEX #3882B2

RGB 56 130 178

HSL 203.61, 0.52%, 0.46%

LAB 51.86, -7.25, -32.03

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 81 / 0 / 56 / 23

HEX #25C557

RGB 37 197 87

HSL 138.75, 0.68%, 0.46%

LAB 70.19, -62.42, 43.61

 

CMYK 92 / 0 / 63 / 15

HEX #12D84F

RGB 18 216 79

HSL 138.48, 0.85%, 0.46%

LAB 75.95, -70.86, 53.82

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 53 / 0 / 36 / 38

HEX #4B9F65

RGB 75 159 101

HSL 138.57, 0.36%, 0.46%

LAB 59.19, -38.84, 22.71

 

CMYK 33 / 0 / 23 / 45

HEX #5E8C6C

RGB 94 140 108

HSL 138.26, 0.2%, 0.46%

LAB 54.26, -22.79, 12.2

 

CMYK 7 / 0 / 5 / 53

HEX #717973

RGB 113 121 115

HSL 135, 0.03%, 0.46%

LAB 50.01, -4.23, 2.25

 

CMYK 0 / 23 / 8 / 48

HEX #84667A

RGB 132 102 122

HSL 320, 0.13%, 0.46%

LAB 46.73, 15.57, -6.53

 

CMYK 53 / 0 / 69 / 30

HEX #54B238

RGB 84 178 56

HSL 106.23, 0.52%, 0.46%

LAB 64.97, -50.19, 51.73

 

CMYK 69 / 0 / 66 / 30

HEX #38B23C

RGB 56 178 60

HSL 121.97, 0.52%, 0.46%

LAB 64.17, -56.48, 48.96

 

CMYK 69 / 0 / 48 / 30

HEX #38B25C

RGB 56 178 92

HSL 137.7, 0.52%, 0.46%

LAB 64.53, -52.29, 34.29

 

CMYK 69 / 0 / 30 / 30

HEX #38B27D

RGB 56 178 125

HSL 153.93, 0.52%, 0.46%

LAB 65.09, -46.05, 17.55

 

CMYK 69 / 0 / 12 / 30

HEX #38B29D

RGB 56 178 157

HSL 169.67, 0.52%, 0.46%

LAB 65.84, -38.32, 1

 

CMYK 69 / 0 / 47 / 55

HEX #24733D

RGB 36 115 61

HSL 138.99, 0.52%, 0.3%

LAB 42.72, -36.76, 23.03

 

CMYK 68 / 0 / 47 / 43

HEX #2E924D

RGB 46 146 77

HSL 138.6, 0.52%, 0.38%

LAB 53.68, -44.42, 28.33

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 61 / 0 / 42 / 22

HEX #4DC672

RGB 77 198 114

HSL 138.35, 0.51%, 0.54%

LAB 71.68, -52.14, 32.28

 

CMYK 48 / 0 / 33 / 18

HEX #6CD08B

RGB 108 208 139

HSL 138.6, 0.52%, 0.62%

LAB 76.17, -44.45, 25.46

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 34 / 0 / 30

HEX #3875B2

RGB 56 117 178

HSL 210, 0.52%, 0.46%

LAB 47.98, 0.47, -38.13

 

CMYK 0 / 69 / 62 / 30

HEX #B23844

RGB 178 56 68

HSL 354.1, 0.52%, 0.46%

LAB 42.32, 50, 21.11

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 48 / 69 / 0 / 30

HEX #5C38B2

RGB 92 56 178

HSL 257.7, 0.52%, 0.46%

LAB 34.64, 44.94, -59.42

 

CMYK 0 / 48 / 69 / 30

HEX #B25C38

RGB 178 92 56

HSL 17.7, 0.52%, 0.46%

LAB 48.77, 31.97, 36.01

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 34 / 0 / 30

HEX #3875B2

RGB 56 117 178

HSL 210, 0.52%, 0.46%

LAB 47.98, 0.47, -38.13

 

CMYK 0 / 69 / 21 / 30

HEX #B2388D

RGB 178 56 141

HSL 318.2, 0.52%, 0.46%

LAB 44.54, 57.61, -20.72

 

CMYK 0 / 34 / 69 / 30

HEX #B27538

RGB 178 117 56

HSL 30, 0.52%, 0.46%

LAB 54.53, 18.22, 42.49

 

CMYK 69 / 0 / 47 / 30

HEX #38B25E

RGB 56 178 94

HSL 138.69, 0.52%, 0.46%

LAB 64.56, -51.97, 33.3

 

CMYK 69 / 55 / 0 / 30

HEX #3850B2

RGB 56 80 178

HSL 228.2, 0.52%, 0.46%

LAB 37.47, 24.05, -54.95

 

CMYK 0 / 69 / 21 / 30

HEX #B2388D

RGB 178 56 141

HSL 318.2, 0.52%, 0.46%

LAB 44.54, 57.61, -20.72

 

CMYK 0 / 14 / 69 / 30

HEX #B29938

RGB 178 153 56

HSL 47.7, 0.52%, 0.46%

LAB 63.78, -1.7, 52.36

 

Description

Color code: HEX #38B25E | qconv.com Color code: HEX #38B25E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 178 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 178 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 47 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 47% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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