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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B26F it is the complementary color #C74D90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B26F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B26F shade: #3DB26A, #4EC47D, #5FD690, #70E8A3 and #81FAB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B26F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B26F shade: #38B26F, #27A05C, #168E49, #057C36 and #006A23

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B26F shade: #38B26F, #38B24E, #43B238, #63B238 and #84B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B26F shade: #38B26F, #38B290, #38B2B1, #3892B2 and #3871B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B26F shade matches the following richer shades: #38B26F, #25C56D and #12D86B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B26F shade: #38B26F, #4B9F71, #5E8C73, #717974 and #846676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B26F shade: #42B238, #38B24E, #38B26F, #38B28F and #38B2B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B26F shade: #247348, #2E925B, #38B26F, #4DC683 and #6CD099

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B26F shade: #38B26F, #3863B2 and #B23E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B26F shade: #38B26F, #6F38B2 and #B26F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B26F shade: #38B26F, #3863B2, #B2387B and #B28738

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B26F shade: #38B26F, #383EB2, #B2387B and #B2AC38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

Complementary color

CMYK 0 / 61 / 28 / 22

HEX #C74D90

RGB 199 77 144

HSL 327.05, 0.52%, 0.54%

LAB 51.23, 55.3, -12.02

 

CMYK 66 / 0 / 40 / 30

HEX #3DB26A

RGB 61 178 106

HSL 143.08, 0.49%, 0.47%

LAB 64.86, -48.95, 27.47

 

CMYK 60 / 0 / 36 / 23

HEX #4EC47D

RGB 78 196 125

HSL 143.9, 0.5%, 0.54%

LAB 71.27, -49.18, 26.04

 

CMYK 56 / 0 / 33 / 16

HEX #5FD690

RGB 95 214 144

HSL 144.71, 0.59%, 0.61%

LAB 77.6, -49.22, 24.71

 

CMYK 52 / 0 / 30 / 9

HEX #70E8A3

RGB 112 232 163

HSL 145.5, 0.72%, 0.67%

LAB 83.86, -49.15, 23.49

 

CMYK 48 / 0 / 27 / 2

HEX #81FAB6

RGB 129 250 182

HSL 146.28, 0.92%, 0.74%

LAB 90.05, -49.02, 22.34

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 76 / 0 / 43 / 37

HEX #27A05C

RGB 39 160 92

HSL 146.28, 0.61%, 0.39%

LAB 58.36, -48.31, 26.31

 

CMYK 85 / 0 / 49 / 44

HEX #168E49

RGB 22 142 73

HSL 145.5, 0.73%, 0.32%

LAB 51.83, -47.21, 28.02

 

CMYK 96 / 0 / 56 / 51

HEX #057C36

RGB 5 124 54

HSL 144.71, 0.92%, 0.25%

LAB 45.24, -45.43, 29.85

 

CMYK 100 / 0 / 67 / 58

HEX #006A23

RGB 0 106 35

HSL 139.81, 1%, 0.21%

LAB 38.6, -42.46, 31.69

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 56 / 30

HEX #38B24E

RGB 56 178 78

HSL 130.82, 0.52%, 0.46%

LAB 64.35, -54.35, 41.01

 

CMYK 62 / 0 / 69 / 30

HEX #43B238

RGB 67 178 56

HSL 114.59, 0.52%, 0.46%

LAB 64.42, -54.54, 50.97

 

CMYK 44 / 0 / 69 / 30

HEX #63B238

RGB 99 178 56

HSL 98.85, 0.52%, 0.46%

LAB 65.58, -45.65, 52.55

 

CMYK 26 / 0 / 69 / 30

HEX #84B238

RGB 132 178 56

HSL 82.62, 0.52%, 0.46%

LAB 67.3, -33.86, 54.88

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 19 / 30

HEX #38B290

RGB 56 178 144

HSL 163.28, 0.52%, 0.46%

LAB 65.51, -41.65, 7.71

 

CMYK 69 / 0 / 1 / 30

HEX #38B2B1

RGB 56 178 177

HSL 179.51, 0.52%, 0.46%

LAB 66.41, -32.79, -9.25

 

CMYK 69 / 18 / 0 / 30

HEX #3892B2

RGB 56 146 178

HSL 195.74, 0.52%, 0.46%

LAB 56.7, -16.22, -24.54

 

CMYK 69 / 37 / 0 / 30

HEX #3871B2

RGB 56 113 178

HSL 211.97, 0.52%, 0.46%

LAB 46.8, 2.91, -40

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 81 / 0 / 45 / 23

HEX #25C56D

RGB 37 197 109

HSL 147, 0.68%, 0.46%

LAB 70.48, -58.97, 33.13

 

CMYK 92 / 0 / 50 / 15

HEX #12D86B

RGB 18 216 107

HSL 146.97, 0.85%, 0.46%

LAB 76.25, -67.11, 41.39

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 53 / 0 / 29 / 38

HEX #4B9F71

RGB 75 159 113

HSL 147.14, 0.36%, 0.46%

LAB 59.42, -36.47, 16.41

 

CMYK 33 / 0 / 18 / 45

HEX #5E8C73

RGB 94 140 115

HSL 147.39, 0.2%, 0.46%

LAB 54.42, -21.34, 8.42

 

CMYK 7 / 0 / 4 / 53

HEX #717974

RGB 113 121 116

HSL 142.5, 0.03%, 0.46%

LAB 50.03, -4.02, 1.7

 

CMYK 0 / 23 / 11 / 48

HEX #846676

RGB 132 102 118

HSL 328, 0.13%, 0.46%

LAB 46.6, 14.82, -4.32

 

CMYK 63 / 0 / 69 / 30

HEX #42B238

RGB 66 178 56

HSL 115.08, 0.52%, 0.46%

LAB 64.39, -54.77, 50.94

 

CMYK 69 / 0 / 56 / 30

HEX #38B24E

RGB 56 178 78

HSL 130.82, 0.52%, 0.46%

LAB 64.35, -54.35, 41.01

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 0 / 20 / 30

HEX #38B28F

RGB 56 178 143

HSL 162.79, 0.52%, 0.46%

LAB 65.49, -41.89, 8.23

 

CMYK 69 / 0 / 1 / 30

HEX #38B2B0

RGB 56 178 176

HSL 179.02, 0.52%, 0.46%

LAB 66.38, -33.08, -8.74

 

CMYK 69 / 0 / 37 / 55

HEX #247348

RGB 36 115 72

HSL 147.34, 0.52%, 0.3%

LAB 42.92, -34.59, 17

 

CMYK 68 / 0 / 38 / 43

HEX #2E925B

RGB 46 146 91

HSL 147, 0.52%, 0.38%

LAB 53.91, -41.81, 21

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 61 / 0 / 34 / 22

HEX #4DC683

RGB 77 198 131

HSL 146.78, 0.51%, 0.54%

LAB 71.96, -49.05, 23.8

 

CMYK 48 / 0 / 26 / 18

HEX #6CD099

RGB 108 208 153

HSL 147, 0.52%, 0.62%

LAB 76.44, -41.8, 18.45

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 44 / 0 / 30

HEX #3863B2

RGB 56 99 178

HSL 218.85, 0.52%, 0.46%

LAB 42.73, 11.71, -46.47

 

CMYK 0 / 65 / 69 / 30

HEX #B23E38

RGB 178 62 56

HSL 2.95, 0.52%, 0.46%

LAB 43.06, 46.74, 29.3

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 38 / 69 / 0 / 30

HEX #6F38B2

RGB 111 56 178

HSL 267.05, 0.52%, 0.46%

LAB 36.78, 48.59, -55.83

 

CMYK 0 / 38 / 69 / 30

HEX #B26F38

RGB 178 111 56

HSL 27.05, 0.52%, 0.46%

LAB 53.08, 21.57, 40.89

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 44 / 0 / 30

HEX #3863B2

RGB 56 99 178

HSL 218.85, 0.52%, 0.46%

LAB 42.73, 11.71, -46.47

 

CMYK 0 / 69 / 31 / 30

HEX #B2387B

RGB 178 56 123

HSL 327.05, 0.52%, 0.46%

LAB 43.83, 55.24, -10.82

 

CMYK 0 / 24 / 69 / 30

HEX #B28738

RGB 178 135 56

HSL 38.85, 0.52%, 0.46%

LAB 59.05, 8.17, 47.38

 

CMYK 69 / 0 / 38 / 30

HEX #38B26F

RGB 56 178 111

HSL 147.05, 0.52%, 0.46%

LAB 64.83, -48.93, 24.74

 

CMYK 69 / 65 / 0 / 30

HEX #383EB2

RGB 56 62 178

HSL 237.05, 0.52%, 0.46%

LAB 32.92, 35.64, -62.35

 

CMYK 0 / 69 / 31 / 30

HEX #B2387B

RGB 178 56 123

HSL 327.05, 0.52%, 0.46%

LAB 43.83, 55.24, -10.82

 

CMYK 0 / 3 / 69 / 30

HEX #B2AC38

RGB 178 172 56

HSL 57.05, 0.52%, 0.46%

LAB 68.94, -11.77, 57.62

 

Description

Color code: HEX #38B26F | qconv.com Color code: HEX #38B26F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 178 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 178 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 38 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 38% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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