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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38B295 it is the complementary color #C74D6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38B295. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38B295 shade: #3DB290, #4EC4A3, #5FD6B6, #70E8C9 and #81FADC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38B295. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38B295 shade: #38B295, #27A082, #168E6F, #057C5C and #006A49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38B295 shade: #38B295, #38B274, #38B253, #3DB238 and #5EB238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38B295 shade: #38B295, #38AEB2, #388DB2, #386CB2 and #384BB2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38B295 shade matches the following richer shades: #38B295, #25C59F and #12D8A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38B295 shade: #38B295, #4B9F8B, #5E8C81, #717977 and #84666D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38B295 shade: #38B252, #38B273, #38B293, #38B0B2 and #388FB2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38B295 shade: #247360, #2E927B, #38B295, #4DC6A9 and #6CD0B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38B295 shade: #38B295, #383EB2 and #B26338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38B295 shade: #38B295, #9338B2 and #B29338

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38B295 shade: #38B295, #383EB2, #B23856 and #B2AC38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38B295 shade: #38B295, #5638B2, #B23856 and #93B238

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

Complementary color

CMYK 0 / 61 / 47 / 22

HEX #C74D6A

RGB 199 77 106

HSL 345.74, 0.52%, 0.54%

LAB 50.09, 51.01, 9.1

 

CMYK 66 / 0 / 19 / 30

HEX #3DB290

RGB 61 178 144

HSL 162.56, 0.49%, 0.47%

LAB 65.63, -40.82, 7.9

 

CMYK 60 / 0 / 17 / 23

HEX #4EC4A3

RGB 78 196 163

HSL 163.22, 0.5%, 0.54%

LAB 72.06, -41.05, 6.77

 

CMYK 56 / 0 / 15 / 16

HEX #5FD6B6

RGB 95 214 182

HSL 163.87, 0.59%, 0.61%

LAB 78.41, -41.15, 5.74

 

CMYK 52 / 0 / 13 / 9

HEX #70E8C9

RGB 112 232 201

HSL 164.5, 0.72%, 0.67%

LAB 84.68, -41.16, 4.79

 

CMYK 48 / 0 / 12 / 2

HEX #81FADC

RGB 129 250 220

HSL 165.12, 0.92%, 0.74%

LAB 90.87, -41.1, 3.91

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 76 / 0 / 19 / 37

HEX #27A082

RGB 39 160 130

HSL 165.12, 0.61%, 0.39%

LAB 59.14, -39.8, 6.37

 

CMYK 85 / 0 / 22 / 44

HEX #168E6F

RGB 22 142 111

HSL 164.5, 0.73%, 0.32%

LAB 52.58, -38.83, 7.77

 

CMYK 96 / 0 / 26 / 51

HEX #057C5C

RGB 5 124 92

HSL 163.87, 0.92%, 0.25%

LAB 45.93, -37.37, 9.38

 

CMYK 100 / 0 / 31 / 58

HEX #006A49

RGB 0 106 73

HSL 161.32, 1%, 0.21%

LAB 39.22, -35.08, 11.27

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 69 / 0 / 35 / 30

HEX #38B274

RGB 56 178 116

HSL 149.51, 0.52%, 0.46%

LAB 64.92, -47.94, 22.18

 

CMYK 69 / 0 / 53 / 30

HEX #38B253

RGB 56 178 83

HSL 133.28, 0.52%, 0.46%

LAB 64.41, -53.66, 38.65

 

CMYK 66 / 0 / 69 / 30

HEX #3DB238

RGB 61 178 56

HSL 117.54, 0.52%, 0.46%

LAB 64.26, -55.86, 50.75

 

CMYK 47 / 0 / 69 / 30

HEX #5EB238

RGB 94 178 56

HSL 101.31, 0.52%, 0.46%

LAB 65.36, -47.23, 52.26

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 69 / 2 / 0 / 30

HEX #38AEB2

RGB 56 174 178

HSL 181.97, 0.52%, 0.46%

LAB 65.22, -30.58, -11.58

 

CMYK 69 / 21 / 0 / 30

HEX #388DB2

RGB 56 141 178

HSL 198.2, 0.52%, 0.46%

LAB 55.18, -13.48, -26.87

 

CMYK 69 / 39 / 0 / 30

HEX #386CB2

RGB 56 108 178

HSL 214.43, 0.52%, 0.46%

LAB 45.33, 6.02, -42.32

 

CMYK 69 / 58 / 0 / 30

HEX #384BB2

RGB 56 75 178

HSL 230.66, 0.52%, 0.46%

LAB 36.15, 27.31, -57.08

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 81 / 0 / 19 / 23

HEX #25C59F

RGB 37 197 159

HSL 165.75, 0.68%, 0.46%

LAB 71.44, -48.26, 7.94

 

CMYK 92 / 0 / 22 / 15

HEX #12D8A9

RGB 18 216 169

HSL 165.76, 0.85%, 0.46%

LAB 77.34, -54.63, 10.97

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 53 / 0 / 13 / 38

HEX #4B9F8B

RGB 75 159 139

HSL 165.71, 0.36%, 0.46%

LAB 60.03, -30.52, 2.69

 

CMYK 33 / 0 / 8 / 45

HEX #5E8C81

RGB 94 140 129

HSL 165.65, 0.2%, 0.46%

LAB 54.78, -18.2, 0.88

 

CMYK 7 / 0 / 2 / 53

HEX #717977

RGB 113 121 119

HSL 165, 0.03%, 0.46%

LAB 50.12, -3.4, 0.06

 

CMYK 0 / 23 / 17 / 48

HEX #84666D

RGB 132 102 109

HSL 346, 0.13%, 0.46%

LAB 46.33, 13.21, 0.7

 

CMYK 69 / 0 / 54 / 30

HEX #38B252

RGB 56 178 82

HSL 132.79, 0.52%, 0.46%

LAB 64.4, -53.8, 39.12

 

CMYK 69 / 0 / 35 / 30

HEX #38B273

RGB 56 178 115

HSL 149.02, 0.52%, 0.46%

LAB 64.9, -48.14, 22.7

 

CMYK 69 / 0 / 17 / 30

HEX #38B293

RGB 56 178 147

HSL 164.75, 0.52%, 0.46%

LAB 65.58, -40.9, 6.16

 

CMYK 69 / 1 / 0 / 30

HEX #38B0B2

RGB 56 176 178

HSL 180.98, 0.52%, 0.46%

LAB 65.83, -31.54, -10.67

 

CMYK 69 / 20 / 0 / 30

HEX #388FB2

RGB 56 143 178

HSL 197.21, 0.52%, 0.46%

LAB 55.79, -14.58, -25.94

 

CMYK 69 / 0 / 17 / 55

HEX #247360

RGB 36 115 96

HSL 165.57, 0.52%, 0.3%

LAB 43.48, -28.74, 3.58

 

CMYK 68 / 0 / 16 / 43

HEX #2E927B

RGB 46 146 123

HSL 166.2, 0.52%, 0.38%

LAB 54.63, -34.33, 3.87

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 61 / 0 / 15 / 22

HEX #4DC6A9

RGB 77 198 169

HSL 165.62, 0.51%, 0.54%

LAB 72.78, -40.67, 4.55

 

CMYK 48 / 0 / 12 / 18

HEX #6CD0B8

RGB 108 208 184

HSL 165.6, 0.52%, 0.62%

LAB 77.14, -35.09, 2.89

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 69 / 65 / 0 / 30

HEX #383EB2

RGB 56 62 178

HSL 237.05, 0.52%, 0.46%

LAB 32.92, 35.64, -62.35

 

CMYK 0 / 44 / 69 / 30

HEX #B26338

RGB 178 99 56

HSL 21.15, 0.52%, 0.46%

LAB 50.3, 28.19, 37.77

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 17 / 69 / 0 / 30

HEX #9338B2

RGB 147 56 178

HSL 284.75, 0.52%, 0.46%

LAB 41.6, 56.28, -47.82

 

CMYK 0 / 17 / 69 / 30

HEX #B29338

RGB 178 147 56

HSL 44.75, 0.52%, 0.46%

LAB 62.18, 1.56, 50.7

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 69 / 65 / 0 / 30

HEX #383EB2

RGB 56 62 178

HSL 237.05, 0.52%, 0.46%

LAB 32.92, 35.64, -62.35

 

CMYK 0 / 69 / 52 / 30

HEX #B23856

RGB 178 56 86

HSL 345.25, 0.52%, 0.46%

LAB 42.71, 51.37, 10.46

 

CMYK 0 / 3 / 69 / 30

HEX #B2AC38

RGB 178 172 56

HSL 57.05, 0.52%, 0.46%

LAB 68.94, -11.77, 57.62

 

CMYK 69 / 0 / 16 / 30

HEX #38B295

RGB 56 178 149

HSL 165.74, 0.52%, 0.46%

LAB 65.63, -40.4, 5.13

 

CMYK 52 / 69 / 0 / 30

HEX #5638B2

RGB 86 56 178

HSL 254.75, 0.52%, 0.46%

LAB 34.03, 43.87, -60.44

 

CMYK 0 / 69 / 52 / 30

HEX #B23856

RGB 178 56 86

HSL 345.25, 0.52%, 0.46%

LAB 42.71, 51.37, 10.46

 

CMYK 17 / 0 / 69 / 30

HEX #93B238

RGB 147 178 56

HSL 75.25, 0.52%, 0.46%

LAB 68.26, -27.89, 56.18

 

Description

Color code: HEX #38B295 | qconv.com Color code: HEX #38B295 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 178 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 178 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 16 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 16% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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