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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C657 it is the complementary color #C739A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C657. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C657 shade: #3DC652, #4ED865, #5FEA78, #70FC8B and #81FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C657. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C657 shade: #38C657, #27B444, #16A231, #05901E and #007E0B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C657 shade: #38C657, #3FC638, #65C638, #8CC638 and #B2C638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C657 shade: #38C657, #38C67D, #38C6A4, #38C2C6 and #389CC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C657 shade matches the following richer shades: #38C657, #23DB4B and #0EF040

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C657 shade: #38C657, #4CB262, #619D6E, #75897A and #8A7485

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C657 shade: #65C638, #3FC638, #38C657, #38C67D and #38C6A3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C657 shade: #25863B, #2FA649, #38C657, #58CF72 and #78D98D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C657 shade: #38C657, #388BC6 and #C63852

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C657 shade: #38C657, #5738C6 and #C65738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C657 shade: #38C657, #388BC6, #C638A7 and #C67338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C657 shade: #38C657, #3860C6, #C638A7 and #C69E38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

Complementary color

CMYK 0 / 71 / 16 / 22

HEX #C739A8

RGB 199 57 168

HSL 313.1, 0.56%, 0.5%

LAB 49.37, 66.38, -29.1

 

CMYK 69 / 0 / 59 / 22

HEX #3DC652

RGB 61 198 82

HSL 129.2, 0.55%, 0.51%

LAB 70.86, -59.96, 46.84

 

CMYK 64 / 0 / 53 / 15

HEX #4ED865

RGB 78 216 101

HSL 130, 0.64%, 0.58%

LAB 77.08, -60.61, 45.49

 

CMYK 59 / 0 / 49 / 8

HEX #5FEA78

RGB 95 234 120

HSL 130.79, 0.77%, 0.65%

LAB 83.25, -60.98, 44.12

 

CMYK 56 / 0 / 45 / 1

HEX #70FC8B

RGB 112 252 139

HSL 131.57, 0.96%, 0.71%

LAB 89.36, -61.14, 42.78

 

CMYK 49 / 0 / 38 / 0

HEX #81FF9E

RGB 129 255 158

HSL 133.81, 1%, 0.75%

LAB 91.08, -55.28, 35.82

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 78 / 0 / 62 / 29

HEX #27B444

RGB 39 180 68

HSL 132.34, 0.64%, 0.43%

LAB 64.56, -59.03, 45.82

 

CMYK 86 / 0 / 70 / 36

HEX #16A231

RGB 22 162 49

HSL 131.57, 0.76%, 0.36%

LAB 58.26, -57.25, 47

 

CMYK 97 / 0 / 79 / 44

HEX #05901E

RGB 5 144 30

HSL 130.79, 0.93%, 0.29%

LAB 51.92, -54.61, 47.64

 

CMYK 100 / 0 / 91 / 51

HEX #007E0B

RGB 0 126 11

HSL 125.24, 1%, 0.25%

LAB 45.56, -50.68, 47.07

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 68 / 0 / 72 / 22

HEX #3FC638

RGB 63 198 56

HSL 117.04, 0.56%, 0.5%

LAB 70.68, -62.25, 57.49

 

CMYK 49 / 0 / 72 / 22

HEX #65C638

RGB 101 198 56

HSL 100.99, 0.56%, 0.5%

LAB 71.85, -52.96, 59.06

 

CMYK 29 / 0 / 72 / 22

HEX #8CC638

RGB 140 198 56

HSL 84.51, 0.56%, 0.5%

LAB 73.71, -39.84, 61.53

 

CMYK 10 / 0 / 72 / 22

HEX #B2C638

RGB 178 198 56

HSL 68.45, 0.56%, 0.5%

LAB 76.15, -24.82, 64.76

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 72 / 0 / 37 / 22

HEX #38C67D

RGB 56 198 125

HSL 149.15, 0.56%, 0.5%

LAB 71.36, -53.95, 26.06

 

CMYK 72 / 0 / 17 / 22

HEX #38C6A4

RGB 56 198 164

HSL 165.63, 0.56%, 0.5%

LAB 72.17, -45.27, 6.32

 

CMYK 72 / 2 / 0 / 22

HEX #38C2C6

RGB 56 194 198

HSL 181.69, 0.56%, 0.5%

LAB 71.89, -34.25, -12.59

 

CMYK 72 / 21 / 0 / 22

HEX #389CC6

RGB 56 156 198

HSL 197.75, 0.56%, 0.5%

LAB 60.51, -15.03, -29.94

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 84 / 0 / 66 / 14

HEX #23DB4B

RGB 35 219 75

HSL 133.04, 0.72%, 0.5%

LAB 77, -70.98, 56.67

 

CMYK 94 / 0 / 73 / 6

HEX #0EF040

RGB 14 240 64

HSL 133.27, 0.89%, 0.5%

LAB 83.33, -79.34, 67.35

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 57 / 0 / 45 / 30

HEX #4CB262

RGB 76 178 98

HSL 132.94, 0.4%, 0.5%

LAB 65.17, -47.08, 32.13

 

CMYK 38 / 0 / 30 / 38

HEX #619D6E

RGB 97 157 110

HSL 133, 0.24%, 0.5%

LAB 59.69, -29.85, 18.6

 

CMYK 15 / 0 / 11 / 46

HEX #75897A

RGB 117 137 122

HSL 135, 0.08%, 0.5%

LAB 55.15, -10.32, 5.63

 

CMYK 0 / 16 / 4 / 46

HEX #8A7485

RGB 138 116 133

HSL 313.64, 0.09%, 0.5%

LAB 51.37, 11.7, -6.1

 

CMYK 49 / 0 / 72 / 22

HEX #65C638

RGB 101 198 56

HSL 100.99, 0.56%, 0.5%

LAB 71.85, -52.96, 59.06

 

CMYK 68 / 0 / 72 / 22

HEX #3FC638

RGB 63 198 56

HSL 117.04, 0.56%, 0.5%

LAB 70.68, -62.25, 57.49

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 72 / 0 / 37 / 22

HEX #38C67D

RGB 56 198 125

HSL 149.15, 0.56%, 0.5%

LAB 71.36, -53.95, 26.06

 

CMYK 72 / 0 / 18 / 22

HEX #38C6A3

RGB 56 198 163

HSL 165.21, 0.56%, 0.5%

LAB 72.14, -45.52, 6.82

 

CMYK 72 / 0 / 56 / 47

HEX #25863B

RGB 37 134 59

HSL 133.61, 0.57%, 0.34%

LAB 49.2, -44.4, 32.17

 

CMYK 72 / 0 / 56 / 35

HEX #2FA649

RGB 47 166 73

HSL 133.11, 0.56%, 0.42%

LAB 60.21, -52.35, 38.44

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 57 / 0 / 45 / 19

HEX #58CF72

RGB 88 207 114

HSL 133.11, 0.55%, 0.58%

LAB 74.77, -53.21, 36.33

 

CMYK 45 / 0 / 35 / 15

HEX #78D98D

RGB 120 217 141

HSL 132.99, 0.56%, 0.66%

LAB 79.35, -44.72, 28.78

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 72 / 30 / 0 / 22

HEX #388BC6

RGB 56 139 198

HSL 204.93, 0.56%, 0.5%

LAB 55.46, -5.5, -37.81

 

CMYK 0 / 72 / 59 / 22

HEX #C63852

RGB 198 56 82

HSL 349.01, 0.56%, 0.5%

LAB 46.24, 57.26, 18.34

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 56 / 72 / 0 / 22

HEX #5738C6

RGB 87 56 198

HSL 253.1, 0.56%, 0.5%

LAB 35.85, 49.89, -69.23

 

CMYK 0 / 56 / 72 / 22

HEX #C65738

RGB 198 87 56

HSL 13.1, 0.56%, 0.5%

LAB 50.81, 42.36, 39.15

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 72 / 30 / 0 / 22

HEX #388BC6

RGB 56 139 198

HSL 204.93, 0.56%, 0.5%

LAB 55.46, -5.5, -37.81

 

CMYK 0 / 72 / 16 / 22

HEX #C638A7

RGB 198 56 167

HSL 313.1, 0.56%, 0.5%

LAB 49.04, 66.33, -29.04

 

CMYK 0 / 42 / 72 / 22

HEX #C67338

RGB 198 115 56

HSL 24.93, 0.56%, 0.5%

LAB 56.64, 27.85, 45.53

 

CMYK 72 / 0 / 56 / 22

HEX #38C657

RGB 56 198 87

HSL 133.1, 0.56%, 0.5%

LAB 70.81, -60.18, 44.43

 

CMYK 72 / 52 / 0 / 22

HEX #3860C6

RGB 56 96 198

HSL 223.1, 0.56%, 0.5%

LAB 43.19, 21, -57.37

 

CMYK 0 / 72 / 16 / 22

HEX #C638A7

RGB 198 56 167

HSL 313.1, 0.56%, 0.5%

LAB 49.04, 66.33, -29.04

 

CMYK 0 / 20 / 72 / 22

HEX #C69E38

RGB 198 158 56

HSL 43.1, 0.56%, 0.5%

LAB 67.09, 4.4, 56.37

 

Description

Color code: HEX #38C657 | qconv.com Color code: HEX #38C657 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 198 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 198 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 56 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 56% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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