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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C694 it is the complementary color #C7396B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C694. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C694 shade: #3DC68F, #4ED8A2, #5FEAB5, #70FCC8 and #81FFDB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C694. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C694 shade: #38C694, #27B481, #16A26E, #05905B and #007E48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C694 shade: #38C694, #38C66E, #38C647, #4FC638 and #75C638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C694 shade: #38C694, #38C6BB, #38ACC6, #3885C6 and #385FC6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C694 shade matches the following richer shades: #38C694, #23DB9A and #0EF0A0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C694 shade: #38C694, #4CB28E, #619D88, #758982 and #8A747C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C694 shade: #38C646, #38C66C, #38C692, #38C6B8 and #38AFC6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C694 shade: #258664, #2FA67C, #38C694, #58CFA5 and #78D9B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C694 shade: #38C694, #384FC6 and #C65938

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C694 shade: #38C694, #9238C6 and #C69238

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C694 shade: #38C694, #384FC6, #C6386C and #C6AF38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C694 shade: #38C694, #4B38C6, #C6386C and #B3C638

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

Complementary color

CMYK 0 / 71 / 46 / 22

HEX #C7396B

RGB 199 57 107

HSL 338.87, 0.56%, 0.5%

LAB 47.14, 59.21, 4.3

 

CMYK 69 / 0 / 28 / 22

HEX #3DC68F

RGB 61 198 143

HSL 155.91, 0.55%, 0.51%

LAB 71.8, -49.46, 17.13

 

CMYK 64 / 0 / 25 / 15

HEX #4ED8A2

RGB 78 216 162

HSL 156.52, 0.64%, 0.58%

LAB 78.08, -49.8, 15.84

 

CMYK 59 / 0 / 23 / 8

HEX #5FEAB5

RGB 95 234 181

HSL 157.12, 0.77%, 0.65%

LAB 84.28, -49.97, 14.64

 

CMYK 56 / 0 / 21 / 1

HEX #70FCC8

RGB 112 252 200

HSL 157.71, 0.96%, 0.71%

LAB 90.43, -50.03, 13.54

 

CMYK 49 / 0 / 14 / 0

HEX #81FFDB

RGB 129 255 219

HSL 162.86, 1%, 0.75%

LAB 92.27, -43.54, 6.44

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 78 / 0 / 28 / 29

HEX #27B481

RGB 39 180 129

HSL 158.3, 0.64%, 0.43%

LAB 65.48, -48.37, 15.86

 

CMYK 86 / 0 / 32 / 36

HEX #16A26E

RGB 22 162 110

HSL 157.71, 0.76%, 0.36%

LAB 59.1, -47.26, 17.44

 

CMYK 97 / 0 / 37 / 44

HEX #05905B

RGB 5 144 91

HSL 157.12, 0.93%, 0.29%

LAB 52.66, -45.63, 19.21

 

CMYK 100 / 0 / 43 / 51

HEX #007E48

RGB 0 126 72

HSL 154.29, 1%, 0.25%

LAB 46.16, -43.21, 21.21

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 72 / 0 / 44 / 22

HEX #38C66E

RGB 56 198 110

HSL 142.82, 0.56%, 0.5%

LAB 71.11, -56.68, 33.5

 

CMYK 72 / 0 / 64 / 22

HEX #38C647

RGB 56 198 71

HSL 126.34, 0.56%, 0.5%

LAB 70.65, -62.09, 51.43

 

CMYK 60 / 0 / 72 / 22

HEX #4FC638

RGB 79 198 56

HSL 110.28, 0.56%, 0.5%

LAB 71.1, -58.83, 58.05

 

CMYK 41 / 0 / 72 / 22

HEX #75C638

RGB 117 198 56

HSL 94.23, 0.56%, 0.5%

LAB 72.53, -47.95, 59.97

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 72 / 0 / 6 / 22

HEX #38C6BB

RGB 56 198 187

HSL 175.35, 0.56%, 0.5%

LAB 72.77, -39.22, -5.3

 

CMYK 72 / 13 / 0 / 22

HEX #38ACC6

RGB 56 172 198

HSL 190.99, 0.56%, 0.5%

LAB 65.3, -23.46, -22.58

 

CMYK 72 / 33 / 0 / 22

HEX #3885C6

RGB 56 133 198

HSL 207.46, 0.56%, 0.5%

LAB 53.7, -1.99, -40.59

 

CMYK 72 / 52 / 0 / 22

HEX #385FC6

RGB 56 95 198

HSL 223.52, 0.56%, 0.5%

LAB 42.92, 21.64, -57.81

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 84 / 0 / 30 / 14

HEX #23DB9A

RGB 35 219 154

HSL 158.8, 0.72%, 0.5%

LAB 78.08, -58.21, 19.94

 

CMYK 94 / 0 / 33 / 6

HEX #0EF0A0

RGB 14 240 160

HSL 158.76, 0.89%, 0.5%

LAB 84.46, -65.69, 25.56

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 57 / 0 / 20 / 30

HEX #4CB28E

RGB 76 178 142

HSL 158.82, 0.4%, 0.5%

LAB 66.01, -38.39, 9.59

 

CMYK 38 / 0 / 13 / 38

HEX #619D88

RGB 97 157 136

HSL 159, 0.24%, 0.5%

LAB 60.28, -24.46, 4.86

 

CMYK 15 / 0 / 5 / 46

HEX #758982

RGB 117 137 130

HSL 159, 0.08%, 0.5%

LAB 55.36, -8.68, 1.33

 

CMYK 0 / 16 / 10 / 46

HEX #8A747C

RGB 138 116 124

HSL 338.18, 0.09%, 0.5%

LAB 51.09, 10, -1.2

 

CMYK 72 / 0 / 65 / 22

HEX #38C646

RGB 56 198 70

HSL 125.92, 0.56%, 0.5%

LAB 70.64, -62.2, 51.85

 

CMYK 72 / 0 / 45 / 22

HEX #38C66C

RGB 56 198 108

HSL 141.97, 0.56%, 0.5%

LAB 71.09, -57.02, 34.48

 

CMYK 72 / 0 / 26 / 22

HEX #38C692

RGB 56 198 146

HSL 158.03, 0.56%, 0.5%

LAB 71.76, -49.54, 15.45

 

CMYK 72 / 0 / 7 / 22

HEX #38C6B8

RGB 56 198 184

HSL 174.08, 0.56%, 0.5%

LAB 72.69, -40.05, -3.79

 

CMYK 72 / 12 / 0 / 22

HEX #38AFC6

RGB 56 175 198

HSL 189.72, 0.56%, 0.5%

LAB 66.2, -24.99, -21.21

 

CMYK 72 / 0 / 25 / 47

HEX #258664

RGB 37 134 100

HSL 158.97, 0.57%, 0.34%

LAB 49.93, -36.27, 10.41

 

CMYK 72 / 0 / 25 / 35

HEX #2FA67C

RGB 47 166 124

HSL 158.82, 0.56%, 0.42%

LAB 61.07, -42.73, 12.48

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 57 / 0 / 20 / 19

HEX #58CFA5

RGB 88 207 165

HSL 158.82, 0.55%, 0.58%

LAB 75.71, -43.42, 10.94

 

CMYK 45 / 0 / 16 / 15

HEX #78D9B7

RGB 120 217 183

HSL 158.97, 0.56%, 0.66%

LAB 80.2, -36.54, 7.9

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 72 / 60 / 0 / 22

HEX #384FC6

RGB 56 79 198

HSL 230.28, 0.56%, 0.5%

LAB 38.74, 31.94, -64.59

 

CMYK 0 / 55 / 72 / 22

HEX #C65938

RGB 198 89 56

HSL 13.94, 0.56%, 0.5%

LAB 51.19, 41.37, 39.58

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 26 / 72 / 0 / 22

HEX #9238C6

RGB 146 56 198

HSL 278.03, 0.56%, 0.5%

LAB 42.79, 60.25, -57.63

 

CMYK 0 / 26 / 72 / 22

HEX #C69238

RGB 198 146 56

HSL 38.03, 0.56%, 0.5%

LAB 64.04, 10.92, 53.28

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 72 / 60 / 0 / 22

HEX #384FC6

RGB 56 79 198

HSL 230.28, 0.56%, 0.5%

LAB 38.74, 31.94, -64.59

 

CMYK 0 / 72 / 45 / 22

HEX #C6386C

RGB 198 56 108

HSL 338.03, 0.56%, 0.5%

LAB 46.87, 59.37, 3.26

 

CMYK 0 / 12 / 72 / 22

HEX #C6AF38

RGB 198 175 56

HSL 50.28, 0.56%, 0.5%

LAB 71.52, -4.65, 60.79

 

CMYK 72 / 0 / 25 / 22

HEX #38C694

RGB 56 198 148

HSL 158.87, 0.56%, 0.5%

LAB 71.8, -49.09, 14.44

 

CMYK 62 / 72 / 0 / 22

HEX #4B38C6

RGB 75 56 198

HSL 248.03, 0.56%, 0.5%

LAB 34.81, 48.23, -70.99

 

CMYK 0 / 72 / 45 / 22

HEX #C6386C

RGB 198 56 108

HSL 338.03, 0.56%, 0.5%

LAB 46.87, 59.37, 3.26

 

CMYK 10 / 0 / 72 / 22

HEX #B3C638

RGB 179 198 56

HSL 68.03, 0.56%, 0.5%

LAB 76.23, -24.41, 64.86

 

Description

Color code: HEX #38C694 | qconv.com Color code: HEX #38C694 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 198 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 198 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 25 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 25% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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