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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C75E it is the complementary color #C738A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C75E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C75E shade: #3DC759, #4ED96C, #5FEB7F, #70FD92 and #81FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C75E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C75E shade: #38C75E, #27B54B, #16A338, #059125 and #007F12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C75E shade: #38C65E, #38C638, #5FC638, #85C638 and #ACC638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C75E shade: #38C65E, #38C684, #38C6AB, #38BCC6 and #3895C6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C75E shade matches the following richer shades: #38C65E, #23DB54 and #0EF04A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C75E shade: #38C65E, #4CB267, #619D71, #75897B and #8A7484

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C75E shade: #60C638, #3AC638, #38C65B, #38C681 and #38C6A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C75E shade: #25863F, #2FA64E, #38C65E, #58CF78 and #78D992

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C75E shade: #38C75E, #3886C6 and #C6384D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C75E shade: #38C75E, #5B38C6 and #C65B38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C75E shade: #38C75E, #3886C6, #C638A3 and #C67838

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C75E shade: #38C75E, #385BC6, #C638A3 and #C6A338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

Complementary color

CMYK 0 / 72 / 19 / 22

HEX #C738A1

RGB 199 56 161

HSL 315.94, 0.56%, 0.5%

LAB 48.94, 65.74, -25.63

 

CMYK 69 / 0 / 55 / 22

HEX #3DC759

RGB 61 199 89

HSL 132.17, 0.55%, 0.51%

LAB 71.26, -59.41, 44.04

 

CMYK 64 / 0 / 50 / 15

HEX #4ED96C

RGB 78 217 108

HSL 132.95, 0.65%, 0.58%

LAB 77.48, -60, 42.62

 

CMYK 60 / 0 / 46 / 8

HEX #5FEB7F

RGB 95 235 127

HSL 133.71, 0.78%, 0.65%

LAB 83.64, -60.32, 41.23

 

CMYK 56 / 0 / 42 / 1

HEX #70FD92

RGB 112 253 146

HSL 134.47, 0.97%, 0.72%

LAB 89.75, -60.46, 39.88

 

CMYK 49 / 0 / 35 / 0

HEX #81FFA5

RGB 129 255 165

HSL 137.14, 1%, 0.75%

LAB 91.19, -54.13, 32.48

 

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

CMYK 78 / 0 / 59 / 29

HEX #27B54B

RGB 39 181 75

HSL 135.21, 0.65%, 0.43%

LAB 64.95, -58.49, 43.06

 

CMYK 87 / 0 / 66 / 36

HEX #16A338

RGB 22 163 56

HSL 134.47, 0.76%, 0.36%

LAB 58.65, -56.82, 44.45

 

CMYK 97 / 0 / 74 / 43

HEX #059125

RGB 5 145 37

HSL 133.71, 0.93%, 0.29%

LAB 52.31, -54.34, 45.5

 

CMYK 100 / 0 / 86 / 50

HEX #007F12

RGB 0 127 18

HSL 128.5, 1%, 0.25%

LAB 45.94, -50.64, 45.69

 

CMYK 72 / 0 / 53 / 22

HEX #38C65E

RGB 56 198 94

HSL 136.06, 0.56%, 0.5%

LAB 70.9, -59.2, 41.19

 

CMYK 72 / 0 / 72 / 22

HEX #38C638

RGB 56 198 56

HSL 120, 0.56%, 0.5%

LAB 70.53, -63.51, 57.29

 

CMYK 52 / 0 / 72 / 22

HEX #5FC638

RGB 95 198 56

HSL 103.52, 0.56%, 0.5%

LAB 71.63, -54.69, 58.76

 

CMYK 33 / 0 / 72 / 22

HEX #85C638

RGB 133 198 56

HSL 87.46, 0.56%, 0.5%

LAB 73.32, -42.4, 61.02

 

CMYK 13 / 0 / 72 / 22

HEX #ACC638

RGB 172 198 56

HSL 70.99, 0.56%, 0.5%

LAB 75.73, -27.29, 64.2

 

CMYK 72 / 0 / 53 / 22

HEX #38C65E

RGB 56 198 94

HSL 136.06, 0.56%, 0.5%

LAB 70.9, -59.2, 41.19

 

CMYK 72 / 0 / 33 / 22

HEX #38C684

RGB 56 198 132

HSL 152.11, 0.56%, 0.5%

LAB 71.48, -52.55, 22.54

 

CMYK 72 / 0 / 14 / 22

HEX #38C6AB

RGB 56 198 171

HSL 168.59, 0.56%, 0.5%

LAB 72.34, -43.5, 2.77

 

CMYK 72 / 5 / 0 / 22

HEX #38BCC6

RGB 56 188 198

HSL 184.23, 0.56%, 0.5%

LAB 70.09, -31.4, -15.3

 

CMYK 72 / 25 / 0 / 22

HEX #3895C6

RGB 56 149 198

HSL 200.7, 0.56%, 0.5%

LAB 58.43, -11.18, -33.18

 

CMYK 72 / 0 / 53 / 22

HEX #38C65E

RGB 56 198 94

HSL 136.06, 0.56%, 0.5%

LAB 70.9, -59.2, 41.19

 

CMYK 84 / 0 / 62 / 14

HEX #23DB54

RGB 35 219 84

HSL 135.98, 0.72%, 0.5%

LAB 77.08, -70, 52.99

 

CMYK 94 / 0 / 69 / 6

HEX #0EF04A

RGB 14 240 74

HSL 135.93, 0.89%, 0.5%

LAB 83.39, -78.51, 63.88

 

CMYK 72 / 0 / 53 / 22

HEX #38C65E

RGB 56 198 94

HSL 136.06, 0.56%, 0.5%

LAB 70.9, -59.2, 41.19

 

CMYK 57 / 0 / 42 / 30

HEX #4CB267

RGB 76 178 103

HSL 135.88, 0.4%, 0.5%

LAB 65.24, -46.26, 29.63

 

CMYK 38 / 0 / 28 / 38

HEX #619D71

RGB 97 157 113

HSL 136, 0.24%, 0.5%

LAB 59.75, -29.28, 17.02

 

CMYK 15 / 0 / 10 / 46

HEX #75897B

RGB 117 137 123

HSL 138, 0.08%, 0.5%

LAB 55.18, -10.12, 5.09

 

CMYK 0 / 16 / 4 / 46

HEX #8A7484

RGB 138 116 132

HSL 316.36, 0.09%, 0.5%

LAB 51.34, 11.51, -5.56

 

CMYK 52 / 0 / 72 / 22

HEX #60C638

RGB 96 198 56

HSL 103.1, 0.56%, 0.5%

LAB 71.66, -54.41, 58.8

 

CMYK 71 / 0 / 72 / 22

HEX #3AC638

RGB 58 198 56

HSL 119.15, 0.56%, 0.5%

LAB 70.58, -63.17, 57.34

 

CMYK 72 / 0 / 54 / 22

HEX #38C65B

RGB 56 198 91

HSL 134.79, 0.56%, 0.5%

LAB 70.86, -59.63, 42.59

 

CMYK 72 / 0 / 35 / 22

HEX #38C681

RGB 56 198 129

HSL 150.85, 0.56%, 0.5%

LAB 71.43, -53.16, 24.05

 

CMYK 72 / 0 / 16 / 22

HEX #38C6A7

RGB 56 198 167

HSL 166.9, 0.56%, 0.5%

LAB 72.24, -44.52, 4.8

 

CMYK 72 / 0 / 53 / 47

HEX #25863F

RGB 37 134 63

HSL 136.08, 0.57%, 0.34%

LAB 49.26, -43.78, 30.16

 

CMYK 72 / 0 / 53 / 35

HEX #2FA64E

RGB 47 166 78

HSL 135.63, 0.56%, 0.42%

LAB 60.27, -51.63, 36.04

 

CMYK 72 / 0 / 53 / 22

HEX #38C65E

RGB 56 198 94

HSL 136.06, 0.56%, 0.5%

LAB 70.9, -59.2, 41.19

 

CMYK 57 / 0 / 42 / 19

HEX #58CF78

RGB 88 207 120

HSL 136.13, 0.55%, 0.58%

LAB 74.86, -52.24, 33.41

 

CMYK 45 / 0 / 33 / 15

HEX #78D992

RGB 120 217 146

HSL 136.08, 0.56%, 0.66%

LAB 79.44, -43.85, 26.31

 

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

CMYK 72 / 32 / 0 / 22

HEX #3886C6

RGB 56 134 198

HSL 207.04, 0.56%, 0.5%

LAB 53.99, -2.58, -40.13

 

CMYK 0 / 72 / 61 / 22

HEX #C6384D

RGB 198 56 77

HSL 351.13, 0.56%, 0.5%

LAB 46.14, 56.92, 21.27

 

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

CMYK 54 / 72 / 0 / 22

HEX #5B38C6

RGB 91 56 198

HSL 254.79, 0.56%, 0.5%

LAB 36.23, 50.48, -68.59

 

CMYK 0 / 54 / 72 / 22

HEX #C65B38

RGB 198 91 56

HSL 14.79, 0.56%, 0.5%

LAB 51.58, 40.38, 40.01

 

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

CMYK 72 / 32 / 0 / 22

HEX #3886C6

RGB 56 134 198

HSL 207.04, 0.56%, 0.5%

LAB 53.99, -2.58, -40.13

 

CMYK 0 / 72 / 18 / 22

HEX #C638A3

RGB 198 56 163

HSL 314.79, 0.56%, 0.5%

LAB 48.86, 65.77, -26.95

 

CMYK 0 / 39 / 72 / 22

HEX #C67838

RGB 198 120 56

HSL 27.04, 0.56%, 0.5%

LAB 57.77, 25.14, 46.74

 

CMYK 72 / 0 / 53 / 22

HEX #38C75E

RGB 56 199 94

HSL 135.94, 0.56%, 0.5%

LAB 71.21, -59.55, 41.58

 

CMYK 72 / 54 / 0 / 22

HEX #385BC6

RGB 56 91 198

HSL 225.21, 0.56%, 0.5%

LAB 41.85, 24.22, -59.55

 

CMYK 0 / 72 / 18 / 22

HEX #C638A3

RGB 198 56 163

HSL 314.79, 0.56%, 0.5%

LAB 48.86, 65.77, -26.95

 

CMYK 0 / 18 / 72 / 22

HEX #C6A338

RGB 198 163 56

HSL 45.21, 0.56%, 0.5%

LAB 68.38, 1.72, 57.67

 

Description

Color code: HEX #38C75E | qconv.com Color code: HEX #38C75E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 199 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 199 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 53 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 53% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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