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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C803 it is the complementary color #C737FC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C803. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C803 shade: #3DC800, #4EDA11, #5FEC24, #70FE37 and #81FF4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C803. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C803 shade: #38C803, #27B600, #16A400, #059200 and #008000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C803 shade: #38C803, #6DC803, #A3C803, #C8B903 and #C88403

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C803 shade: #38C803, #03C803, #03C838, #03C86D and #03C8A3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C803 shade matches the following richer shades: #38C803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C803 shade: #38C803, #3FB813, #47A724, #4F9734 and #568645

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C803 shade: #A4C803, #6FC803, #3BC803, #06C803 and #03C834

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C803 shade: #217701, #2CA002, #38C803, #43F103 and #5DFB22

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C803 shade: #38C803, #03C8B8 and #C8038A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C803 shade: #38C803, #033BC8 and #C8033B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C803 shade: #38C803, #03C8B8, #9003C8 and #C80313

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C803 shade: #38C803, #039EC8, #9003C8 and #C82D03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

Complementary color

CMYK 21 / 78 / 0 / 1

HEX #C737FC

RGB 199 55 252

HSL 283.86, 0.97%, 0.6%

LAB 53.92, 80.92, -69.94

 

CMYK 70 / 0 / 100 / 22

HEX #3DC800

RGB 61 200 0

HSL 101.7, 1%, 0.39%

LAB 71.08, -65.67, 70.11

 

CMYK 64 / 0 / 92 / 15

HEX #4EDA11

RGB 78 218 17

HSL 101.79, 0.86%, 0.46%

LAB 77.16, -67.63, 73.39

 

CMYK 60 / 0 / 85 / 7

HEX #5FEC24

RGB 95 236 36

HSL 102.3, 0.84%, 0.53%

LAB 83.21, -69.12, 75.43

 

CMYK 56 / 0 / 78 / 0

HEX #70FE37

RGB 112 254 55

HSL 102.81, 0.99%, 0.61%

LAB 89.21, -70.2, 76.39

 

CMYK 49 / 0 / 71 / 0

HEX #81FF4A

RGB 129 255 74

HSL 101.77, 1%, 0.65%

LAB 90.17, -64.95, 71.59

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 79 / 0 / 100 / 29

HEX #27B600

RGB 39 182 0

HSL 107.14, 1%, 0.36%

LAB 64.87, -63.79, 64.99

 

CMYK 87 / 0 / 100 / 36

HEX #16A400

RGB 22 164 0

HSL 111.95, 1%, 0.32%

LAB 58.72, -60.49, 59.98

 

CMYK 97 / 0 / 100 / 43

HEX #059200

RGB 5 146 0

HSL 117.95, 1%, 0.29%

LAB 52.5, -56.55, 54.94

 

CMYK 100 / 0 / 100 / 50

HEX #008000

RGB 0 128 0

HSL 120, 1%, 0.25%

LAB 46.23, -51.7, 49.9

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 46 / 0 / 99 / 22

HEX #6DC803

RGB 109 200 3

HSL 87.72, 0.97%, 0.4%

LAB 72.61, -53.33, 71.64

 

CMYK 19 / 0 / 99 / 22

HEX #A3C803

RGB 163 200 3

HSL 71.27, 0.97%, 0.4%

LAB 75.51, -33.45, 75.16

 

CMYK 0 / 8 / 99 / 22

HEX #C8B903

RGB 200 185 3

HSL 55.43, 0.97%, 0.4%

LAB 74.18, -10.35, 75.42

 

CMYK 0 / 34 / 99 / 22

HEX #C88403

RGB 200 132 3

HSL 39.29, 0.97%, 0.4%

LAB 60.59, 18, 65.84

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 99 / 0 / 99 / 22

HEX #03C803

RGB 3 200 3

HSL 120, 0.97%, 0.4%

LAB 70.41, -71.59, 68.96

 

CMYK 99 / 0 / 72 / 22

HEX #03C838

RGB 3 200 56

HSL 136.14, 0.97%, 0.4%

LAB 70.6, -69.09, 57.18

 

CMYK 99 / 0 / 46 / 22

HEX #03C86D

RGB 3 200 109

HSL 152.28, 0.97%, 0.4%

LAB 71.17, -62.12, 33.97

 

CMYK 99 / 0 / 19 / 22

HEX #03C8A3

RGB 3 200 163

HSL 168.73, 0.97%, 0.4%

LAB 72.21, -50.31, 6.85

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 66 / 0 / 90 / 28

HEX #3FB813

RGB 63 184 19

HSL 104, 0.81%, 0.4%

LAB 66.05, -59.73, 63.58

 

CMYK 57 / 0 / 78 / 35

HEX #47A724

RGB 71 167 36

HSL 103.97, 0.65%, 0.4%

LAB 60.87, -51.11, 54.76

 

CMYK 48 / 0 / 66 / 41

HEX #4F9734

RGB 79 151 52

HSL 103.64, 0.49%, 0.4%

LAB 56.13, -41.25, 43.85

 

CMYK 36 / 0 / 49 / 47

HEX #568645

RGB 86 134 69

HSL 104.31, 0.32%, 0.4%

LAB 51.22, -29.27, 29.83

 

CMYK 18 / 0 / 99 / 22

HEX #A4C803

RGB 164 200 3

HSL 70.96, 0.97%, 0.4%

LAB 75.58, -33.04, 75.23

 

CMYK 45 / 0 / 99 / 22

HEX #6FC803

RGB 111 200 3

HSL 87.11, 0.97%, 0.4%

LAB 72.69, -52.69, 71.75

 

CMYK 71 / 0 / 99 / 22

HEX #3BC803

RGB 59 200 3

HSL 102.94, 0.97%, 0.4%

LAB 71.04, -65.98, 69.74

 

CMYK 97 / 0 / 99 / 22

HEX #06C803

RGB 6 200 3

HSL 119.09, 0.97%, 0.4%

LAB 70.42, -71.47, 68.98

 

CMYK 99 / 0 / 74 / 22

HEX #03C834

RGB 3 200 52

HSL 134.92, 0.97%, 0.4%

LAB 70.58, -69.42, 58.59

 

CMYK 72 / 0 / 99 / 53

HEX #217701

RGB 33 119 1

HSL 103.73, 0.98%, 0.24%

LAB 43.54, -44.77, 47.71

 

CMYK 73 / 0 / 99 / 37

HEX #2CA002

RGB 44 160 2

HSL 104.05, 0.98%, 0.32%

LAB 57.73, -56.17, 59.04

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 72 / 0 / 99 / 5

HEX #43F103

RGB 67 241 3

HSL 103.87, 0.98%, 0.48%

LAB 84.02, -76.94, 80.22

 

CMYK 63 / 0 / 86 / 2

HEX #5DFB22

RGB 93 251 34

HSL 103.69, 0.96%, 0.56%

LAB 87.7, -74.47, 79.73

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 99 / 0 / 8 / 22

HEX #03C8B8

RGB 3 200 184

HSL 175.13, 0.97%, 0.4%

LAB 72.75, -44.62, -3.75

 

CMYK 0 / 99 / 31 / 22

HEX #C8038A

RGB 200 3 138

HSL 318.88, 0.97%, 0.4%

LAB 44.49, 73.69, -18.64

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 99 / 71 / 0 / 22

HEX #033BC8

RGB 3 59 200

HSL 222.94, 0.97%, 0.4%

LAB 32.52, 41.89, -76.03

 

CMYK 0 / 99 / 71 / 22

HEX #C8033B

RGB 200 3 59

HSL 342.94, 0.97%, 0.4%

LAB 42.25, 67.76, 27.48

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 99 / 0 / 8 / 22

HEX #03C8B8

RGB 3 200 184

HSL 175.13, 0.97%, 0.4%

LAB 72.75, -44.62, -3.75

 

CMYK 28 / 99 / 0 / 22

HEX #9003C8

RGB 144 3 200

HSL 282.94, 0.97%, 0.4%

LAB 38.14, 73.46, -66.37

 

CMYK 0 / 99 / 91 / 22

HEX #C80313

RGB 200 3 19

HSL 355.13, 0.97%, 0.4%

LAB 41.83, 66.62, 49.29

 

CMYK 72 / 0 / 99 / 22

HEX #38C803

RGB 56 200 3

HSL 103.86, 0.97%, 0.4%

LAB 70.98, -66.51, 69.66

 

CMYK 99 / 21 / 0 / 22

HEX #039EC8

RGB 3 158 200

HSL 192.79, 0.97%, 0.4%

LAB 60.47, -19.42, -31.19

 

CMYK 28 / 99 / 0 / 22

HEX #9003C8

RGB 144 3 200

HSL 282.94, 0.97%, 0.4%

LAB 38.14, 73.46, -66.37

 

CMYK 0 / 78 / 99 / 22

HEX #C82D03

RGB 200 45 3

HSL 12.79, 0.97%, 0.4%

LAB 44.47, 58.77, 56.16

 

Description

Color code: HEX #38C803 | qconv.com Color code: HEX #38C803 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 200 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 200 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 99 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 99% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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