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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C09E it is the complementary color #C73F61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C09E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C09E shade: #3DC099, #4ED2AC, #5FE4BF, #70F6D2 and #81FFE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C09E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C09E shade: #38C09E, #27AE8B, #169C78, #058A65 and #007852

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C09E shade: #38C19F, #38C17A, #38C155, #40C138 and #65C138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C09E shade: #38C19F, #38BEC1, #3899C1, #3874C1 and #384FC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C09E shade matches the following richer shades: #38C19F, #24D5A9 and #0FEAB3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C09E shade: #38C19F, #4CAD95, #60998B, #748580 and #897076

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C09E shade: #38C156, #38C17A, #38C19F, #38BFC1 and #389AC1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C09E shade: #25816A, #2EA185, #38C19F, #55CDAF and #75D7BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C09E shade: #38C09E, #383FC1 and #C16838

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C09E shade: #38C09E, #9F38C1 and #C19F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C09E shade: #38C09E, #383FC1, #C1385A and #C1BA38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C09E shade: #38C09E, #5A38C1, #C1385A and #9FC138

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

Complementary color

CMYK 0 / 68 / 51 / 22

HEX #C73F61

RGB 199 63 97

HSL 345, 0.55%, 0.51%

LAB 47.7, 56.08, 11.2

 

CMYK 68 / 0 / 20 / 25

HEX #3DC099

RGB 61 192 153

HSL 162.14, 0.52%, 0.5%

LAB 70.17, -44.68, 9.44

 

CMYK 63 / 0 / 18 / 18

HEX #4ED2AC

RGB 78 210 172

HSL 162.73, 0.59%, 0.56%

LAB 76.49, -45.01, 8.27

 

CMYK 58 / 0 / 16 / 11

HEX #5FE4BF

RGB 95 228 191

HSL 163.31, 0.71%, 0.63%

LAB 82.74, -45.18, 7.21

 

CMYK 54 / 0 / 15 / 4

HEX #70F6D2

RGB 112 246 210

HSL 163.88, 0.88%, 0.7%

LAB 88.93, -45.25, 6.22

 

CMYK 49 / 0 / 10 / 0

HEX #81FFE5

RGB 129 255 229

HSL 167.62, 1%, 0.75%

LAB 92.51, -41.28, 1.62

 

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

CMYK 78 / 0 / 20 / 32

HEX #27AE8B

RGB 39 174 139

HSL 164.44, 0.63%, 0.42%

LAB 63.81, -43.51, 8.01

 

CMYK 86 / 0 / 23 / 39

HEX #169C78

RGB 22 156 120

HSL 163.88, 0.75%, 0.35%

LAB 57.37, -42.44, 9.44

 

CMYK 96 / 0 / 27 / 46

HEX #058A65

RGB 5 138 101

HSL 163.31, 0.93%, 0.28%

LAB 50.86, -40.89, 11.07

 

CMYK 100 / 0 / 32 / 53

HEX #007852

RGB 0 120 82

HSL 161, 1%, 0.24%

LAB 44.29, -38.6, 12.95

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 71 / 0 / 37 / 24

HEX #38C17A

RGB 56 193 122

HSL 148.91, 0.55%, 0.49%

LAB 69.74, -52.62, 25.48

 

CMYK 71 / 0 / 56 / 24

HEX #38C155

RGB 56 193 85

HSL 132.7, 0.55%, 0.49%

LAB 69.21, -58.71, 43.47

 

CMYK 67 / 0 / 71 / 24

HEX #40C138

RGB 64 193 56

HSL 116.5, 0.55%, 0.49%

LAB 69.12, -60.39, 55.89

 

CMYK 48 / 0 / 71 / 24

HEX #65C138

RGB 101 193 56

HSL 100.29, 0.55%, 0.49%

LAB 70.31, -51.03, 57.49

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 71 / 2 / 0 / 24

HEX #38BEC1

RGB 56 190 193

HSL 181.31, 0.55%, 0.49%

LAB 70.54, -33.83, -11.89

 

CMYK 71 / 21 / 0 / 24

HEX #3899C1

RGB 56 153 193

HSL 197.52, 0.55%, 0.49%

LAB 59.41, -15.06, -28.84

 

CMYK 71 / 40 / 0 / 24

HEX #3874C1

RGB 56 116 193

HSL 213.72, 0.55%, 0.49%

LAB 48.49, 6.49, -45.99

 

CMYK 71 / 59 / 0 / 24

HEX #384FC1

RGB 56 79 193

HSL 229.93, 0.55%, 0.49%

LAB 38.35, 30.14, -62.33

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 83 / 0 / 21 / 16

HEX #24D5A9

RGB 36 213 169

HSL 165.08, 0.71%, 0.49%

LAB 76.57, -52.35, 9.89

 

CMYK 94 / 0 / 24 / 8

HEX #0FEAB3

RGB 15 234 179

HSL 164.93, 0.88%, 0.49%

LAB 83.02, -59.26, 13.73

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 56 / 0 / 14 / 32

HEX #4CAD95

RGB 76 173 149

HSL 165.15, 0.39%, 0.49%

LAB 64.64, -34.44, 3.76

 

CMYK 37 / 0 / 9 / 40

HEX #60998B

RGB 96 153 139

HSL 165.26, 0.23%, 0.49%

LAB 59.1, -22.02, 1.45

 

CMYK 13 / 0 / 4 / 48

HEX #748580

RGB 116 133 128

HSL 162.35, 0.07%, 0.49%

LAB 54.08, -7.23, 0.6

 

CMYK 0 / 18 / 14 / 46

HEX #897076

RGB 137 112 118

HSL 345.6, 0.1%, 0.49%

LAB 49.76, 10.86, 0.38

 

CMYK 71 / 0 / 55 / 24

HEX #38C156

RGB 56 193 86

HSL 133.14, 0.55%, 0.49%

LAB 69.22, -58.58, 43

 

CMYK 71 / 0 / 37 / 24

HEX #38C17A

RGB 56 193 122

HSL 148.91, 0.55%, 0.49%

LAB 69.74, -52.62, 25.48

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 71 / 1 / 0 / 24

HEX #38BFC1

RGB 56 191 193

HSL 180.88, 0.55%, 0.49%

LAB 70.84, -34.3, -11.44

 

CMYK 71 / 20 / 0 / 24

HEX #389AC1

RGB 56 154 193

HSL 197.08, 0.55%, 0.49%

LAB 59.71, -15.61, -28.38

 

CMYK 71 / 0 / 18 / 49

HEX #25816A

RGB 37 129 106

HSL 165, 0.55%, 0.33%

LAB 48.43, -32.47, 4.78

 

CMYK 71 / 0 / 17 / 37

HEX #2EA185

RGB 46 161 133

HSL 165.39, 0.56%, 0.41%

LAB 59.67, -38.49, 5.45

 

CMYK 71 / 0 / 18 / 24

HEX #38C19F

RGB 56 193 159

HSL 165.11, 0.55%, 0.49%

LAB 70.51, -44.39, 6.66

 

CMYK 59 / 0 / 15 / 20

HEX #55CDAF

RGB 85 205 175

HSL 165, 0.55%, 0.57%

LAB 75.26, -40.81, 4.92

 

CMYK 46 / 0 / 12 / 16

HEX #75D7BE

RGB 117 215 190

HSL 164.69, 0.55%, 0.65%

LAB 79.67, -34.8, 3.4

 

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

CMYK 71 / 67 / 0 / 24

HEX #383FC1

RGB 56 63 193

HSL 236.93, 0.55%, 0.49%

LAB 34.49, 40.21, -68.63

 

CMYK 0 / 46 / 71 / 24

HEX #C16838

RGB 193 104 56

HSL 21.02, 0.55%, 0.49%

LAB 53.52, 31.68, 41.94

 

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

CMYK 18 / 71 / 0 / 24

HEX #9F38C1

RGB 159 56 193

HSL 285.11, 0.55%, 0.49%

LAB 44.3, 61.87, -52.19

 

CMYK 0 / 18 / 71 / 24

HEX #C19F38

RGB 193 159 56

HSL 45.11, 0.55%, 0.49%

LAB 66.84, 1.67, 55.96

 

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

CMYK 71 / 67 / 0 / 24

HEX #383FC1

RGB 56 63 193

HSL 236.93, 0.55%, 0.49%

LAB 34.49, 40.21, -68.63

 

CMYK 0 / 71 / 53 / 24

HEX #C1385A

RGB 193 56 90

HSL 345.11, 0.55%, 0.49%

LAB 45.5, 56.34, 12.28

 

CMYK 0 / 4 / 71 / 24

HEX #C1BA38

RGB 193 186 56

HSL 56.93, 0.55%, 0.49%

LAB 74.02, -12.51, 63.09

 

CMYK 71 / 0 / 18 / 25

HEX #38C09E

RGB 56 192 158

HSL 165, 0.55%, 0.49%

LAB 70.18, -44.21, 6.73

 

CMYK 53 / 71 / 0 / 24

HEX #5A38C1

RGB 90 56 193

HSL 254.89, 0.55%, 0.49%

LAB 35.7, 48.89, -66.55

 

CMYK 0 / 71 / 53 / 24

HEX #C1385A

RGB 193 56 90

HSL 345.11, 0.55%, 0.49%

LAB 45.5, 56.34, 12.28

 

CMYK 18 / 0 / 71 / 24

HEX #9FC138

RGB 159 193 56

HSL 74.89, 0.55%, 0.49%

LAB 73.41, -30.18, 61.62

 

Description

Color code: HEX #38C09E | qconv.com Color code: HEX #38C09E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 192 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 192 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 18 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 18% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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