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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C151 it is the complementary color #C73EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C151 shade: #3DC14C, #4ED35F, #5FE572, #70F785 and #81FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C151 shade: #38C151, #27AF3E, #169D2B, #058B18 and #007905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C151 shade: #38C151, #44C138, #69C138, #8EC138 and #B3C138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C151 shade: #38C151, #38C176, #38C19B, #38C1C0 and #389DC1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C151 shade matches the following richer shades: #38C151, #24D544 and #0FEA37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C151 shade: #38C151, #4CAD5E, #60996A, #748577 and #897084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C151 shade: #6AC138, #45C138, #38C14F, #38C173 and #38C198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C151 shade: #258136, #2EA143, #38C151, #55CD6B and #75D787

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C151 shade: #38C151, #388FC1 and #C13858

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C151 shade: #38C151, #4F38C1 and #C14F38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C151 shade: #38C151, #388FC1, #C138AA and #C16A38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C151 shade: #38C151, #3866C1, #C138AA and #C19338

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

Complementary color

CMYK 0 / 69 / 13 / 22

HEX #C73EAE

RGB 199 62 174

HSL 310.95, 0.55%, 0.51%

LAB 50.27, 65.49, -31.23

 

CMYK 68 / 0 / 61 / 24

HEX #3DC14C

RGB 61 193 76

HSL 126.82, 0.52%, 0.5%

LAB 69.22, -58.96, 47.66

 

CMYK 63 / 0 / 55 / 17

HEX #4ED35F

RGB 78 211 95

HSL 127.67, 0.6%, 0.57%

LAB 75.47, -59.61, 46.37

 

CMYK 59 / 0 / 50 / 10

HEX #5FE572

RGB 95 229 114

HSL 128.51, 0.72%, 0.64%

LAB 81.67, -59.97, 45.02

 

CMYK 55 / 0 / 46 / 3

HEX #70F785

RGB 112 247 133

HSL 129.33, 0.89%, 0.7%

LAB 87.8, -60.13, 43.7

 

CMYK 49 / 0 / 40 / 0

HEX #81FF98

RGB 129 255 152

HSL 130.95, 1%, 0.75%

LAB 90.99, -56.23, 38.65

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 78 / 0 / 65 / 31

HEX #27AF3E

RGB 39 175 62

HSL 130.15, 0.64%, 0.42%

LAB 62.88, -58.07, 46.58

 

CMYK 86 / 0 / 73 / 38

HEX #169D2B

RGB 22 157 43

HSL 129.33, 0.75%, 0.35%

LAB 56.54, -56.24, 47.6

 

CMYK 96 / 0 / 83 / 45

HEX #058B18

RGB 5 139 24

HSL 128.51, 0.93%, 0.28%

LAB 50.17, -53.51, 47.89

 

CMYK 100 / 0 / 96 / 53

HEX #007905

RGB 0 121 5

HSL 122.48, 1%, 0.24%

LAB 43.78, -49.44, 46.81

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 65 / 0 / 71 / 24

HEX #44C138

RGB 68 193 56

HSL 114.74, 0.55%, 0.49%

LAB 69.22, -59.57, 56.02

 

CMYK 46 / 0 / 71 / 24

HEX #69C138

RGB 105 193 56

HSL 98.54, 0.55%, 0.49%

LAB 70.48, -49.8, 57.71

 

CMYK 26 / 0 / 71 / 24

HEX #8EC138

RGB 142 193 56

HSL 82.34, 0.55%, 0.49%

LAB 72.35, -36.85, 60.21

 

CMYK 7 / 0 / 71 / 24

HEX #B3C138

RGB 179 193 56

HSL 66.13, 0.55%, 0.49%

LAB 74.83, -21.96, 63.5

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 71 / 0 / 39 / 24

HEX #38C176

RGB 56 193 118

HSL 147.15, 0.55%, 0.49%

LAB 69.67, -53.39, 27.49

 

CMYK 71 / 0 / 20 / 24

HEX #38C19B

RGB 56 193 155

HSL 163.36, 0.55%, 0.49%

LAB 70.42, -45.37, 8.7

 

CMYK 71 / 0 / 1 / 24

HEX #38C1C0

RGB 56 193 192

HSL 179.56, 0.55%, 0.49%

LAB 71.41, -35.52, -10.04

 

CMYK 71 / 19 / 0 / 24

HEX #389DC1

RGB 56 157 193

HSL 195.77, 0.55%, 0.49%

LAB 60.61, -17.22, -26.99

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 83 / 0 / 68 / 16

HEX #24D544

RGB 36 213 68

HSL 130.85, 0.71%, 0.49%

LAB 75.06, -69.76, 57.38

 

CMYK 94 / 0 / 76 / 8

HEX #0FEA37

RGB 15 234 55

HSL 130.96, 0.88%, 0.49%

LAB 81.41, -78.29, 68.35

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 56 / 0 / 46 / 32

HEX #4CAD5E

RGB 76 173 94

HSL 131.13, 0.39%, 0.49%

LAB 63.53, -45.7, 32.12

 

CMYK 37 / 0 / 31 / 40

HEX #60996A

RGB 96 153 106

HSL 130.53, 0.23%, 0.49%

LAB 58.33, -28.98, 18.96

 

CMYK 13 / 0 / 11 / 48

HEX #748577

RGB 116 133 119

HSL 130.59, 0.07%, 0.49%

LAB 53.84, -9.07, 5.47

 

CMYK 0 / 18 / 4 / 46

HEX #897084

RGB 137 112 132

HSL 312, 0.1%, 0.49%

LAB 50.18, 13.48, -7.28

 

CMYK 45 / 0 / 71 / 24

HEX #6AC138

RGB 106 193 56

HSL 98.1, 0.55%, 0.49%

LAB 70.52, -49.48, 57.76

 

CMYK 64 / 0 / 71 / 24

HEX #45C138

RGB 69 193 56

HSL 114.31, 0.55%, 0.49%

LAB 69.25, -59.35, 56.06

 

CMYK 71 / 0 / 59 / 24

HEX #38C14F

RGB 56 193 79

HSL 130.07, 0.55%, 0.49%

LAB 69.14, -59.49, 46.18

 

CMYK 71 / 0 / 40 / 24

HEX #38C173

RGB 56 193 115

HSL 145.84, 0.55%, 0.49%

LAB 69.62, -53.94, 28.99

 

CMYK 71 / 0 / 21 / 24

HEX #38C198

RGB 56 193 152

HSL 162.04, 0.55%, 0.49%

LAB 70.35, -46.09, 10.23

 

CMYK 71 / 0 / 58 / 49

HEX #258136

RGB 37 129 54

HSL 131.09, 0.55%, 0.33%

LAB 47.44, -43.24, 32.61

 

CMYK 71 / 0 / 58 / 37

HEX #2EA143

RGB 46 161 67

HSL 130.96, 0.56%, 0.41%

LAB 58.49, -51.55, 39.3

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 59 / 0 / 48 / 20

HEX #55CD6B

RGB 85 205 107

HSL 131, 0.55%, 0.57%

LAB 73.97, -54.19, 38.79

 

CMYK 46 / 0 / 37 / 16

HEX #75D787

RGB 117 215 135

HSL 131.02, 0.55%, 0.65%

LAB 78.54, -45.7, 30.76

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 71 / 26 / 0 / 24

HEX #388FC1

RGB 56 143 193

HSL 201.9, 0.55%, 0.49%

LAB 56.42, -9.52, -33.48

 

CMYK 0 / 71 / 54 / 24

HEX #C13858

RGB 193 56 88

HSL 345.99, 0.55%, 0.49%

LAB 45.46, 56.18, 13.45

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 59 / 71 / 0 / 24

HEX #4F38C1

RGB 79 56 193

HSL 250.07, 0.55%, 0.49%

LAB 34.68, 47.25, -68.25

 

CMYK 0 / 59 / 71 / 24

HEX #C14F38

RGB 193 79 56

HSL 10.07, 0.55%, 0.49%

LAB 48.53, 44.34, 36.35

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 71 / 26 / 0 / 24

HEX #388FC1

RGB 56 143 193

HSL 201.9, 0.55%, 0.49%

LAB 56.42, -9.52, -33.48

 

CMYK 0 / 71 / 12 / 24

HEX #C138AA

RGB 193 56 170

HSL 310.07, 0.55%, 0.49%

LAB 48.35, 65.57, -31.95

 

CMYK 0 / 45 / 71 / 24

HEX #C16A38

RGB 193 106 56

HSL 21.9, 0.55%, 0.49%

LAB 53.95, 30.61, 42.42

 

CMYK 71 / 0 / 58 / 24

HEX #38C151

RGB 56 193 81

HSL 130.95, 0.55%, 0.49%

LAB 69.17, -59.23, 45.29

 

CMYK 71 / 47 / 0 / 24

HEX #3866C1

RGB 56 102 193

HSL 219.85, 0.55%, 0.49%

LAB 44.51, 15.31, -52.35

 

CMYK 0 / 71 / 12 / 24

HEX #C138AA

RGB 193 56 170

HSL 310.07, 0.55%, 0.49%

LAB 48.35, 65.57, -31.95

 

CMYK 0 / 24 / 71 / 24

HEX #C19338

RGB 193 147 56

HSL 39.85, 0.55%, 0.49%

LAB 63.75, 8.18, 52.81

 

Description

Color code: HEX #38C151 | qconv.com Color code: HEX #38C151 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 193 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 193 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 58 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 58% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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