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Color name
HEX #38C222

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38C222 it is the complementary color #C73DDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38C222. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38C222 shade: #3DC21D, #4ED430, #5FE643, #70F856 and #81FF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38C222. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38C222 shade: #38C222, #27B00F, #169E00, #058C00 and #007A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38C222 shade: #38C322, #63C322, #8FC322, #BAC322 and #C3A022

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38C222 shade: #38C322, #22C337, #22C362, #22C38E and #22C3B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38C222 shade matches the following richer shades: #38C322 and #2BD50F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38C222 shade: #38C322, #45B034, #539D47, #608B5A and #6E786C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38C222 shade: #90C322, #65C322, #3AC322, #22C335 and #22C360

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38C222 shade: #247C16, #2EA01C, #38C322, #4ADB33 and #69E156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38C222 shade: #38C222, #22BBC3 and #C3227A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38C222 shade: #38C222, #223AC3 and #C3223A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38C222 shade: #38C222, #22BBC3, #AA22C3 and #C32A22

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38C222 shade: #38C222, #228AC3, #AA22C3 and #C35A22

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

Complementary color

CMYK 10 / 72 / 0 / 13

HEX #C73DDD

RGB 199 61 221

HSL 291.75, 0.7%, 0.55%

LAB 52.62, 73.45, -54.62

 

CMYK 69 / 0 / 85 / 24

HEX #3DC21D

RGB 61 194 29

HSL 108.36, 0.74%, 0.44%

LAB 69.23, -63.01, 64.28

 

CMYK 63 / 0 / 77 / 17

HEX #4ED430

RGB 78 212 48

HSL 109.02, 0.66%, 0.51%

LAB 75.4, -64.4, 65

 

CMYK 59 / 0 / 71 / 10

HEX #5FE643

RGB 95 230 67

HSL 109.69, 0.77%, 0.58%

LAB 81.53, -65.34, 64.89

 

CMYK 55 / 0 / 65 / 3

HEX #70F856

RGB 112 248 86

HSL 110.37, 0.92%, 0.65%

LAB 87.61, -65.96, 64.29

 

CMYK 49 / 0 / 59 / 0

HEX #81FF69

RGB 129 255 105

HSL 110.4, 1%, 0.71%

LAB 90.42, -62.29, 59.76

 

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

CMYK 78 / 0 / 91 / 31

HEX #27B00F

RGB 39 176 15

HSL 111.06, 0.84%, 0.37%

LAB 62.94, -61.63, 61.43

 

CMYK 86 / 0 / 100 / 38

HEX #169E00

RGB 22 158 0

HSL 111.65, 1%, 0.31%

LAB 56.71, -58.73, 58.37

 

CMYK 96 / 0 / 100 / 45

HEX #058C00

RGB 5 140 0

HSL 117.86, 1%, 0.27%

LAB 50.44, -54.82, 53.29

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 71 / 0 / 83 / 24

HEX #38C322

RGB 56 195 34

HSL 111.8, 0.7%, 0.45%

LAB 69.46, -64.02, 63.22

 

CMYK 49 / 0 / 83 / 24

HEX #63C322

RGB 99 195 34

HSL 95.78, 0.7%, 0.45%

LAB 70.73, -53.7, 64.85

 

CMYK 27 / 0 / 83 / 24

HEX #8FC322

RGB 143 195 34

HSL 79.38, 0.7%, 0.45%

LAB 72.88, -38.45, 67.58

 

CMYK 5 / 0 / 83 / 24

HEX #BAC322

RGB 186 195 34

HSL 63.35, 0.7%, 0.45%

LAB 75.81, -20.89, 71.26

 

CMYK 0 / 18 / 83 / 24

HEX #C3A022

RGB 195 160 34

HSL 46.96, 0.7%, 0.45%

LAB 67.17, 1.13, 64.19

 

CMYK 71 / 0 / 83 / 24

HEX #38C322

RGB 56 195 34

HSL 111.8, 0.7%, 0.45%

LAB 69.46, -64.02, 63.22

 

CMYK 83 / 0 / 72 / 24

HEX #22C337

RGB 34 195 55

HSL 127.83, 0.7%, 0.45%

LAB 69.22, -65.69, 56.19

 

CMYK 83 / 0 / 50 / 24

HEX #22C362

RGB 34 195 98

HSL 143.85, 0.7%, 0.45%

LAB 69.65, -60.43, 37.61

 

CMYK 83 / 0 / 27 / 24

HEX #22C38E

RGB 34 195 142

HSL 160.25, 0.7%, 0.45%

LAB 70.4, -51.82, 15.66

 

CMYK 83 / 0 / 5 / 24

HEX #22C3B9

RGB 34 195 185

HSL 176.27, 0.7%, 0.45%

LAB 71.47, -40.68, -6.17

 

CMYK 71 / 0 / 83 / 24

HEX #38C322

RGB 56 195 34

HSL 111.8, 0.7%, 0.45%

LAB 69.46, -64.02, 63.22

 

CMYK 80 / 0 / 93 / 16

HEX #2BD50F

RGB 43 213 15

HSL 111.52, 0.87%, 0.45%

LAB 74.91, -72.03, 71.49

 

CMYK 71 / 0 / 83 / 24

HEX #38C322

RGB 56 195 34

HSL 111.8, 0.7%, 0.45%

LAB 69.46, -64.02, 63.22

 

CMYK 61 / 0 / 70 / 31

HEX #45B034

RGB 69 176 52

HSL 111.77, 0.54%, 0.45%

LAB 63.81, -53.71, 51.94

 

CMYK 47 / 0 / 55 / 38

HEX #539D47

RGB 83 157 71

HSL 111.63, 0.38%, 0.45%

LAB 58.42, -40.4, 37.56

 

CMYK 31 / 0 / 35 / 45

HEX #608B5A

RGB 96 139 90

HSL 112.65, 0.21%, 0.45%

LAB 53.7, -24.9, 21.63

 

CMYK 8 / 0 / 10 / 53

HEX #6E786C

RGB 110 120 108

HSL 110, 0.05%, 0.45%

LAB 49.29, -6.19, 5.31

 

CMYK 26 / 0 / 83 / 24

HEX #90C322

RGB 144 195 34

HSL 79.01, 0.7%, 0.45%

LAB 72.94, -38.07, 67.66

 

CMYK 48 / 0 / 83 / 24

HEX #65C322

RGB 101 195 34

HSL 95.03, 0.7%, 0.45%

LAB 70.81, -53.1, 64.95

 

CMYK 70 / 0 / 83 / 24

HEX #3AC322

RGB 58 195 34

HSL 111.06, 0.7%, 0.45%

LAB 69.5, -63.66, 63.28

 

CMYK 83 / 0 / 73 / 24

HEX #22C335

RGB 34 195 53

HSL 127.08, 0.7%, 0.45%

LAB 69.2, -65.86, 56.91

 

CMYK 83 / 0 / 51 / 24

HEX #22C360

RGB 34 195 96

HSL 143.11, 0.7%, 0.45%

LAB 69.62, -60.74, 38.57

 

CMYK 71 / 0 / 82 / 51

HEX #247C16

RGB 36 124 22

HSL 111.76, 0.7%, 0.29%

LAB 45.43, -44.92, 44.19

 

CMYK 71 / 0 / 83 / 37

HEX #2EA01C

RGB 46 160 28

HSL 111.82, 0.7%, 0.37%

LAB 57.85, -54.86, 54.09

 

CMYK 71 / 0 / 83 / 24

HEX #38C322

RGB 56 195 34

HSL 111.8, 0.7%, 0.45%

LAB 69.46, -64.02, 63.22

 

CMYK 66 / 0 / 77 / 14

HEX #4ADB33

RGB 74 219 51

HSL 111.79, 0.7%, 0.53%

LAB 77.49, -67.34, 66.05

 

CMYK 53 / 0 / 62 / 12

HEX #69E156

RGB 105 225 86

HSL 111.8, 0.7%, 0.61%

LAB 80.47, -59.41, 56.38

 

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

CMYK 83 / 4 / 0 / 24

HEX #22BBC3

RGB 34 187 195

HSL 182.98, 0.7%, 0.45%

LAB 69.34, -34.05, -14.82

 

CMYK 0 / 83 / 37 / 24

HEX #C3227A

RGB 195 34 122

HSL 327.2, 0.7%, 0.45%

LAB 44.45, 66.46, -8.98

 

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

CMYK 83 / 70 / 0 / 24

HEX #223AC3

RGB 34 58 195

HSL 231.06, 0.7%, 0.45%

LAB 32.49, 41.97, -73.13

 

CMYK 0 / 83 / 70 / 24

HEX #C3223A

RGB 195 34 58

HSL 351.06, 0.7%, 0.45%

LAB 42.84, 61.71, 28.58

 

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

CMYK 83 / 4 / 0 / 24

HEX #22BBC3

RGB 34 187 195

HSL 182.98, 0.7%, 0.45%

LAB 69.34, -34.05, -14.82

 

CMYK 13 / 83 / 0 / 24

HEX #AA22C3

RGB 170 34 195

HSL 290.68, 0.7%, 0.45%

LAB 43.7, 71.37, -54.24

 

CMYK 0 / 78 / 83 / 24

HEX #C32A22

RGB 195 42 34

HSL 2.98, 0.7%, 0.45%

LAB 43.32, 58.67, 42.9

 

CMYK 71 / 0 / 82 / 24

HEX #38C222

RGB 56 194 34

HSL 111.75, 0.7%, 0.45%

LAB 69.14, -63.7, 62.93

 

CMYK 83 / 29 / 0 / 24

HEX #228AC3

RGB 34 138 195

HSL 201.24, 0.7%, 0.45%

LAB 54.51, -8.53, -37.65

 

CMYK 13 / 83 / 0 / 24

HEX #AA22C3

RGB 170 34 195

HSL 290.68, 0.7%, 0.45%

LAB 43.7, 71.37, -54.24

 

CMYK 0 / 54 / 83 / 24

HEX #C35A22

RGB 195 90 34

HSL 20.87, 0.7%, 0.45%

LAB 50.72, 38.84, 49.72

 

Description

Color code: HEX #38C222 | qconv.com Color code: HEX #38C222 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 194 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 194 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 82 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 82% 24% C M Y K

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Provide designers and agencies with accurate color values.

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