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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E401 it is the complementary color #C71BFE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E401. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E401 shade: #3DE400, #4EF60F, #5FFF22, #70FF35 and #81FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E401. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E401 shade: #38E401, #27D200, #16C000, #05AE00 and #009C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E401 shade: #38E401, #75E401, #B2E401, #E4D801 and #E49B01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E401 shade: #38E401, #01E407, #01E444, #01E481 and #01E4BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E401 shade matches the following richer shades: #38E401

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E401 shade: #38E401, #41D113, #4BBF26, #54AC38 and #5E9A4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E401 shade: #B3E401, #76E401, #39E401, #01E404 and #01E441

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E401 shade: #239200, #2EBB00, #38E401, #4AFD10 and #69FE3A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E401 shade: #38E401, #01E4D8 and #E40194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E401 shade: #38E401, #0139E4 and #E40139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E401 shade: #38E401, #01E4D8, #AB01E4 and #E4010C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E401 shade: #38E401, #01ABE4, #AB01E4 and #E43901

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

Complementary color

CMYK 22 / 89 / 0 / 0

HEX #C71BFE

RGB 199 27 254

HSL 285.46, 0.99%, 0.55%

LAB 51.93, 87.54, -74.28

 

CMYK 73 / 0 / 100 / 11

HEX #3DE400

RGB 61 228 0

HSL 103.95, 1%, 0.45%

LAB 79.89, -74.13, 77.12

 

CMYK 68 / 0 / 94 / 4

HEX #4EF60F

RGB 78 246 15

HSL 103.64, 0.93%, 0.51%

LAB 85.79, -76.37, 80.72

 

CMYK 63 / 0 / 87 / 0

HEX #5FFF22

RGB 95 255 34

HSL 103.44, 1%, 0.57%

LAB 88.95, -75.31, 80.83

 

CMYK 56 / 0 / 79 / 0

HEX #70FF35

RGB 112 255 53

HSL 102.48, 1%, 0.6%

LAB 89.5, -70.64, 77.2

 

CMYK 49 / 0 / 72 / 0

HEX #81FF48

RGB 129 255 72

HSL 101.31, 1%, 0.64%

LAB 90.16, -65.08, 72.26

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 81 / 0 / 100 / 18

HEX #27D200

RGB 39 210 0

HSL 108.86, 1%, 0.41%

LAB 73.88, -71.92, 72.19

 

CMYK 89 / 0 / 100 / 25

HEX #16C000

RGB 22 192 0

HSL 113.13, 1%, 0.38%

LAB 67.92, -68.47, 67.35

 

CMYK 97 / 0 / 100 / 32

HEX #05AE00

RGB 5 174 0

HSL 118.28, 1%, 0.34%

LAB 61.92, -64.46, 62.49

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 49 / 0 / 100 / 11

HEX #75E401

RGB 117 228 1

HSL 89.34, 0.99%, 0.45%

LAB 81.44, -61.33, 78.92

 

CMYK 22 / 0 / 100 / 11

HEX #B2E401

RGB 178 228 1

HSL 73.22, 0.99%, 0.45%

LAB 84.46, -40.14, 82.56

 

CMYK 0 / 5 / 100 / 11

HEX #E4D801

RGB 228 216 1

HSL 56.83, 0.99%, 0.45%

LAB 84.8, -13.92, 84.43

 

CMYK 0 / 32 / 100 / 11

HEX #E49B01

RGB 228 155 1

HSL 40.7, 0.99%, 0.45%

LAB 69.43, 17.76, 73.65

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 100 / 0 / 97 / 11

HEX #01E407

RGB 1 228 7

HSL 121.59, 0.99%, 0.45%

LAB 79.33, -79.04, 75.82

 

CMYK 100 / 0 / 70 / 11

HEX #01E444

RGB 1 228 68

HSL 137.71, 0.99%, 0.45%

LAB 79.56, -76.08, 62.06

 

CMYK 100 / 0 / 43 / 11

HEX #01E481

RGB 1 228 129

HSL 153.83, 0.99%, 0.45%

LAB 80.22, -67.94, 35.6

 

CMYK 100 / 0 / 16 / 11

HEX #01E4BF

RGB 1 228 191

HSL 170.22, 0.99%, 0.45%

LAB 81.43, -54.36, 5.15

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 69 / 0 / 91 / 18

HEX #41D113

RGB 65 209 19

HSL 105.47, 0.83%, 0.45%

LAB 74.04, -67.34, 70.37

 

CMYK 61 / 0 / 80 / 25

HEX #4BBF26

RGB 75 191 38

HSL 105.49, 0.67%, 0.45%

LAB 68.68, -58.54, 61.58

 

CMYK 51 / 0 / 67 / 33

HEX #54AC38

RGB 84 172 56

HSL 105.52, 0.51%, 0.45%

LAB 63.07, -47.85, 49.71

 

CMYK 39 / 0 / 51 / 40

HEX #5E9A4B

RGB 94 154 75

HSL 105.57, 0.34%, 0.45%

LAB 58.04, -34.99, 35.2

 

CMYK 21 / 0 / 100 / 11

HEX #B3E401

RGB 179 228 1

HSL 72.95, 0.99%, 0.45%

LAB 84.52, -39.75, 82.64

 

CMYK 48 / 0 / 100 / 11

HEX #76E401

RGB 118 228 1

HSL 89.07, 0.99%, 0.45%

LAB 81.48, -61.03, 78.97

 

CMYK 75 / 0 / 100 / 11

HEX #39E401

RGB 57 228 1

HSL 105.2, 0.99%, 0.45%

LAB 79.82, -74.72, 76.95

 

CMYK 100 / 0 / 98 / 11

HEX #01E404

RGB 1 228 4

HSL 120.79, 0.99%, 0.45%

LAB 79.33, -79.09, 76.08

 

CMYK 100 / 0 / 71 / 11

HEX #01E441

RGB 1 228 65

HSL 136.92, 0.99%, 0.45%

LAB 79.54, -76.34, 63.13

 

CMYK 76 / 0 / 100 / 43

HEX #239200

RGB 35 146 0

HSL 105.62, 1%, 0.29%

LAB 52.86, -53.34, 55.38

 

CMYK 75 / 0 / 100 / 27

HEX #2EBB00

RGB 46 187 0

HSL 105.24, 1%, 0.37%

LAB 66.61, -64.26, 66.43

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 71 / 0 / 94 / 1

HEX #4AFD10

RGB 74 253 16

HSL 105.32, 0.98%, 0.53%

LAB 87.85, -79.13, 82.27

 

CMYK 59 / 0 / 77 / 0

HEX #69FE3A

RGB 105 254 58

HSL 105.61, 0.99%, 0.61%

LAB 89.01, -71.71, 75.28

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 100 / 0 / 5 / 11

HEX #01E4D8

RGB 1 228 216

HSL 176.83, 0.99%, 0.45%

LAB 82.08, -47.61, -7.14

 

CMYK 0 / 100 / 35 / 11

HEX #E40194

RGB 228 1 148

HSL 321.15, 0.99%, 0.45%

LAB 50.28, 80.55, -15.36

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 100 / 75 / 0 / 11

HEX #0139E4

RGB 1 57 228

HSL 225.2, 0.99%, 0.45%

LAB 35.07, 52.91, -87.97

 

CMYK 0 / 100 / 75 / 11

HEX #E40139

RGB 228 1 57

HSL 345.2, 0.99%, 0.45%

LAB 48.02, 74.56, 36.95

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 100 / 0 / 5 / 11

HEX #01E4D8

RGB 1 228 216

HSL 176.83, 0.99%, 0.45%

LAB 82.08, -47.61, -7.14

 

CMYK 25 / 100 / 0 / 11

HEX #AB01E4

RGB 171 1 228

HSL 284.93, 0.99%, 0.45%

LAB 44.63, 82.11, -71.72

 

CMYK 0 / 100 / 95 / 11

HEX #E4010C

RGB 228 1 12

HSL 357.09, 0.99%, 0.45%

LAB 47.68, 73.62, 58.37

 

CMYK 75 / 0 / 100 / 11

HEX #38E401

RGB 56 228 1

HSL 105.46, 0.99%, 0.45%

LAB 79.8, -74.87, 76.93

 

CMYK 100 / 25 / 0 / 11

HEX #01ABE4

RGB 1 171 228

HSL 195.07, 0.99%, 0.45%

LAB 65.54, -16.5, -38.82

 

CMYK 25 / 100 / 0 / 11

HEX #AB01E4

RGB 171 1 228

HSL 284.93, 0.99%, 0.45%

LAB 44.63, 82.11, -71.72

 

CMYK 0 / 75 / 100 / 11

HEX #E43901

RGB 228 57 1

HSL 14.8, 0.99%, 0.45%

LAB 51.18, 63.5, 62.93

 

Description

Color code: HEX #38E401 | qconv.com Color code: HEX #38E401 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 228 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 228 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 100 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 100% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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