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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E9A5 it is the complementary color #C7165A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E9A5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E9A5 shade: #3DE9A0, #4EFBB3, #5FFFC6, #70FFD9 and #81FFEC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E9A5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E9A5 shade: #38E9A5, #27D792, #16C57F, #05B36C and #00A159

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E9A5 shade: #39E9A5, #39E976, #39E947, #5BE939 and #8AE939

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E9A5 shade: #39E9A5, #39E9D4, #39CDE9, #399EE9 and #396FE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E9A5 shade matches the following richer shades: #39E9A5 and #27FAA9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E9A5 shade: #39E9A5, #4BD7A1, #5DC59D, #6EB399 and #80A295

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E9A5 shade: #39E945, #39E974, #39E9A2, #39E9D1 and #39D1E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E9A5 shade: #14BB7B, #18E093, #39E9A5, #5EEDB6 and #83F1C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E9A5 shade: #38E9A5, #395CE9 and #E95C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E9A5 shade: #38E9A5, #A239E9 and #E9A239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E9A5 shade: #38E9A5, #395CE9, #E9397F and #E9C539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E9A5 shade: #38E9A5, #4B39E9, #E9397F and #D7E939

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

Complementary color

CMYK 0 / 89 / 55 / 22

HEX #C7165A

RGB 199 22 90

HSL 336.95, 0.8%, 0.43%

LAB 43.44, 67.06, 9.57

 

CMYK 74 / 0 / 31 / 9

HEX #3DE9A0

RGB 61 233 160

HSL 154.53, 0.8%, 0.58%

LAB 82.81, -59.49, 23.38

 

CMYK 69 / 0 / 29 / 2

HEX #4EFBB3

RGB 78 251 179

HSL 155.03, 0.96%, 0.65%

LAB 88.86, -60.06, 22

 

CMYK 63 / 0 / 22 / 0

HEX #5FFFC6

RGB 95 255 198

HSL 158.63, 1%, 0.69%

LAB 90.79, -54.89, 15.02

 

CMYK 56 / 0 / 15 / 0

HEX #70FFD9

RGB 112 255 217

HSL 164.06, 1%, 0.72%

LAB 91.67, -47.54, 6.55

 

CMYK 49 / 0 / 7 / 0

HEX #81FFEC

RGB 129 255 236

HSL 170.95, 1%, 0.75%

LAB 92.68, -39.65, -1.74

 

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

CMYK 82 / 0 / 32 / 16

HEX #27D792

RGB 39 215 146

HSL 156.48, 0.69%, 0.5%

LAB 76.74, -58.1, 22.3

 

CMYK 89 / 0 / 36 / 23

HEX #16C57F

RGB 22 197 127

HSL 156, 0.8%, 0.43%

LAB 70.62, -56.77, 23.94

 

CMYK 97 / 0 / 40 / 30

HEX #05B36C

RGB 5 179 108

HSL 155.52, 0.95%, 0.36%

LAB 64.45, -54.97, 25.72

 

CMYK 100 / 0 / 45 / 37

HEX #00A159

RGB 0 161 89

HSL 153.17, 1%, 0.32%

LAB 58.24, -52.53, 27.67

 

CMYK 76 / 0 / 29 / 9

HEX #39E9A5

RGB 57 233 165

HSL 156.82, 0.8%, 0.57%

LAB 82.84, -58.94, 20.83

 

CMYK 76 / 0 / 49 / 9

HEX #39E976

RGB 57 233 118

HSL 140.8, 0.8%, 0.57%

LAB 82.09, -67.51, 43.44

 

CMYK 76 / 0 / 70 / 9

HEX #39E947

RGB 57 233 71

HSL 124.77, 0.8%, 0.57%

LAB 81.62, -73.08, 63.26

 

CMYK 61 / 0 / 76 / 9

HEX #5BE939

RGB 91 233 57

HSL 108.41, 0.8%, 0.57%

LAB 82.27, -67.97, 68.96

 

CMYK 41 / 0 / 76 / 9

HEX #8AE939

RGB 138 233 57

HSL 92.39, 0.8%, 0.57%

LAB 83.95, -55.02, 71.17

 

CMYK 76 / 0 / 29 / 9

HEX #39E9A5

RGB 57 233 165

HSL 156.82, 0.8%, 0.57%

LAB 82.84, -58.94, 20.83

 

CMYK 76 / 0 / 9 / 9

HEX #39E9D4

RGB 57 233 212

HSL 172.84, 0.8%, 0.57%

LAB 83.91, -47.69, -2.27

 

CMYK 76 / 12 / 0 / 9

HEX #39CDE9

RGB 57 205 233

HSL 189.55, 0.8%, 0.57%

LAB 76.32, -28.87, -24.84

 

CMYK 76 / 32 / 0 / 9

HEX #399EE9

RGB 57 158 233

HSL 205.57, 0.8%, 0.57%

LAB 62.68, -4.01, -46.01

 

CMYK 76 / 52 / 0 / 9

HEX #396FE9

RGB 57 111 233

HSL 221.59, 0.8%, 0.57%

LAB 49.64, 24.42, -66.86

 

CMYK 76 / 0 / 29 / 9

HEX #39E9A5

RGB 57 233 165

HSL 156.82, 0.8%, 0.57%

LAB 82.84, -58.94, 20.83

 

CMYK 84 / 0 / 32 / 2

HEX #27FAA9

RGB 39 250 169

HSL 156.97, 0.95%, 0.57%

LAB 87.81, -66.06, 25.56

 

CMYK 76 / 0 / 29 / 9

HEX #39E9A5

RGB 57 233 165

HSL 156.82, 0.8%, 0.57%

LAB 82.84, -58.94, 20.83

 

CMYK 65 / 0 / 25 / 16

HEX #4BD7A1

RGB 75 215 161

HSL 156.86, 0.64%, 0.57%

LAB 77.68, -50.13, 15.8

 

CMYK 53 / 0 / 20 / 23

HEX #5DC59D

RGB 93 197 157

HSL 156.92, 0.47%, 0.57%

LAB 72.69, -39.72, 10.98

 

CMYK 39 / 0 / 15 / 30

HEX #6EB399

RGB 110 179 153

HSL 157.39, 0.31%, 0.57%

LAB 67.91, -27.82, 6.44

 

CMYK 21 / 0 / 8 / 36

HEX #80A295

RGB 128 162 149

HSL 157.06, 0.15%, 0.57%

LAB 63.84, -14.43, 2.91

 

CMYK 76 / 0 / 70 / 9

HEX #39E945

RGB 57 233 69

HSL 124.09, 0.8%, 0.57%

LAB 81.61, -73.25, 63.98

 

CMYK 76 / 0 / 50 / 9

HEX #39E974

RGB 57 233 116

HSL 140.11, 0.8%, 0.57%

LAB 82.06, -67.81, 44.37

 

CMYK 76 / 0 / 30 / 9

HEX #39E9A2

RGB 57 233 162

HSL 155.8, 0.8%, 0.57%

LAB 82.78, -59.57, 22.3

 

CMYK 76 / 0 / 10 / 9

HEX #39E9D1

RGB 57 233 209

HSL 171.82, 0.8%, 0.57%

LAB 83.84, -48.48, -0.81

 

CMYK 76 / 10 / 0 / 9

HEX #39D1E9

RGB 57 209 233

HSL 188.18, 0.8%, 0.57%

LAB 77.49, -30.82, -23.06

 

CMYK 89 / 0 / 34 / 27

HEX #14BB7B

RGB 20 187 123

HSL 157.01, 0.81%, 0.41%

LAB 67.37, -54.06, 21.65

 

CMYK 89 / 0 / 34 / 12

HEX #18E093

RGB 24 224 147

HSL 156.9, 0.81%, 0.49%

LAB 79.39, -62.26, 25.36

 

CMYK 76 / 0 / 29 / 9

HEX #39E9A5

RGB 57 233 165

HSL 156.82, 0.8%, 0.57%

LAB 82.84, -58.94, 20.83

 

CMYK 60 / 0 / 23 / 7

HEX #5EEDB6

RGB 94 237 182

HSL 156.92, 0.8%, 0.65%

LAB 85.16, -51.19, 15.36

 

CMYK 46 / 0 / 17 / 5

HEX #83F1C7

RGB 131 241 199

HSL 157.09, 0.8%, 0.73%

LAB 87.9, -41.22, 10.56

 

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

CMYK 76 / 61 / 0 / 9

HEX #395CE9

RGB 57 92 233

HSL 228.07, 0.8%, 0.57%

LAB 44.81, 36.38, -74.72

 

CMYK 0 / 61 / 76 / 9

HEX #E95C39

RGB 233 92 57

HSL 11.93, 0.8%, 0.57%

LAB 57.34, 52.77, 47.34

 

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

CMYK 30 / 76 / 0 / 9

HEX #A239E9

RGB 162 57 233

HSL 275.8, 0.8%, 0.57%

LAB 47.61, 70.25, -69.76

 

CMYK 0 / 30 / 76 / 9

HEX #E9A239

RGB 233 162 57

HSL 35.8, 0.8%, 0.57%

LAB 71.87, 17.39, 61.96

 

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

CMYK 76 / 61 / 0 / 9

HEX #395CE9

RGB 57 92 233

HSL 228.07, 0.8%, 0.57%

LAB 44.81, 36.38, -74.72

 

CMYK 0 / 76 / 45 / 9

HEX #E9397F

RGB 233 57 127

HSL 336.14, 0.8%, 0.57%

LAB 53.8, 70.38, 2.56

 

CMYK 0 / 15 / 76 / 9

HEX #E9C539

RGB 233 197 57

HSL 47.73, 0.8%, 0.57%

LAB 80.49, -1, 70.16

 

CMYK 76 / 0 / 29 / 9

HEX #38E9A5

RGB 56 233 165

HSL 156.95, 0.8%, 0.57%

LAB 82.83, -59.05, 20.81

 

CMYK 68 / 76 / 0 / 9

HEX #4B39E9

RGB 75 57 233

HSL 246.14, 0.8%, 0.57%

LAB 38.38, 58.31, -85.24

 

CMYK 0 / 76 / 45 / 9

HEX #E9397F

RGB 233 57 127

HSL 336.14, 0.8%, 0.57%

LAB 53.8, 70.38, 2.56

 

CMYK 8 / 0 / 76 / 9

HEX #D7E939

RGB 215 233 57

HSL 66.14, 0.8%, 0.57%

LAB 88.46, -26.39, 77

 

Description

Color code: HEX #38E9A5 | qconv.com Color code: HEX #38E9A5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 233 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 233 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 29 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 29% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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