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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38E06A it is the complementary color #C71F95. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38E06A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38E06A shade: #3DE065, #4EF278, #5FFF8B, #70FF9E and #81FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38E06A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38E06A shade: #38E06A, #27CE57, #16BC44, #05AA31 and #00981E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38E06A shade: #38E06A, #38E03D, #60E038, #8EE038 and #BBE038

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38E06A shade: #38E06A, #38E097, #38E0C4, #38CEE0 and #38A0E0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38E06A shade matches the following richer shades: #38E06A and #25F262

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38E06A shade: #38E06A, #4BCD71, #5DBA79, #70A880 and #829588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38E06A shade: #62E038, #38E03B, #38E067, #38E094 and #38E0C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38E06A shade: #1AAB45, #20CE54, #38E06A, #5CE585 and #7FEB9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38E06A shade: #38E06A, #388FE0 and #E0384C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38E06A shade: #38E06A, #6738E0 and #E06738

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38E06A shade: #38E06A, #388FE0, #E038B0 and #E08938

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38E06A shade: #38E06A, #385CE0, #E038B0 and #E0BB38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

Complementary color

CMYK 0 / 84 / 25 / 22

HEX #C71F95

RGB 199 31 149

HSL 317.86, 0.73%, 0.45%

LAB 46.03, 71.03, -22.95

 

CMYK 73 / 0 / 55 / 12

HEX #3DE065

RGB 61 224 101

HSL 134.72, 0.72%, 0.56%

LAB 79.18, -66.35, 47.92

 

CMYK 68 / 0 / 50 / 5

HEX #4EF278

RGB 78 242 120

HSL 135.37, 0.86%, 0.63%

LAB 85.24, -67.12, 46.49

 

CMYK 63 / 0 / 45 / 0

HEX #5FFF8B

RGB 95 255 139

HSL 136.5, 1%, 0.69%

LAB 89.77, -65.82, 43.21

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9E

RGB 112 255 158

HSL 139.3, 1%, 0.72%

LAB 90.52, -59.28, 34.98

 

CMYK 49 / 0 / 31 / 0

HEX #81FFB1

RGB 129 255 177

HSL 142.86, 1%, 0.75%

LAB 91.4, -52.03, 26.73

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 81 / 0 / 58 / 19

HEX #27CE57

RGB 39 206 87

HSL 137.25, 0.68%, 0.48%

LAB 73.06, -65.13, 47.03

 

CMYK 88 / 0 / 64 / 26

HEX #16BC44

RGB 22 188 68

HSL 136.63, 0.79%, 0.41%

LAB 66.94, -63.33, 48.45

 

CMYK 97 / 0 / 71 / 33

HEX #05AA31

RGB 5 170 49

HSL 136, 0.94%, 0.34%

LAB 60.78, -60.82, 49.63

 

CMYK 100 / 0 / 80 / 40

HEX #00981E

RGB 0 152 30

HSL 131.84, 1%, 0.3%

LAB 54.61, -57.31, 50.23

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 75 / 0 / 73 / 12

HEX #38E03D

RGB 56 224 61

HSL 121.79, 0.73%, 0.55%

LAB 78.75, -71.28, 63.88

 

CMYK 57 / 0 / 75 / 12

HEX #60E038

RGB 96 224 56

HSL 105.71, 0.73%, 0.55%

LAB 79.66, -63.8, 66.78

 

CMYK 37 / 0 / 75 / 12

HEX #8EE038

RGB 142 224 56

HSL 89.29, 0.73%, 0.55%

LAB 81.48, -50.15, 69.17

 

CMYK 17 / 0 / 75 / 12

HEX #BBE038

RGB 187 224 56

HSL 73.21, 0.73%, 0.55%

LAB 84.05, -33.46, 72.52

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 75 / 0 / 33 / 12

HEX #38E097

RGB 56 224 151

HSL 153.93, 0.73%, 0.55%

LAB 79.83, -58.58, 23.95

 

CMYK 75 / 0 / 13 / 12

HEX #38E0C4

RGB 56 224 196

HSL 170, 0.73%, 0.55%

LAB 80.82, -48.16, 1.66

 

CMYK 75 / 8 / 0 / 12

HEX #38CEE0

RGB 56 206 224

HSL 186.43, 0.73%, 0.55%

LAB 76.29, -32.22, -20.05

 

CMYK 75 / 29 / 0 / 12

HEX #38A0E0

RGB 56 160 224

HSL 202.86, 0.73%, 0.55%

LAB 62.81, -8.39, -40.84

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 85 / 0 / 60 / 5

HEX #25F262

RGB 37 242 98

HSL 137.85, 0.89%, 0.55%

LAB 84.37, -75.21, 55.29

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 63 / 0 / 45 / 20

HEX #4BCD71

RGB 75 205 113

HSL 137.54, 0.57%, 0.55%

LAB 73.77, -55.4, 35.48

 

CMYK 50 / 0 / 35 / 27

HEX #5DBA79

RGB 93 186 121

HSL 138.06, 0.4%, 0.55%

LAB 68.62, -42.18, 24.69

 

CMYK 33 / 0 / 24 / 34

HEX #70A880

RGB 112 168 128

HSL 137.14, 0.24%, 0.55%

LAB 64.17, -26.99, 14.94

 

CMYK 13 / 0 / 9 / 42

HEX #829588

RGB 130 149 136

HSL 138.95, 0.08%, 0.55%

LAB 59.91, -9.41, 4.58

 

CMYK 56 / 0 / 75 / 12

HEX #62E038

RGB 98 224 56

HSL 105, 0.73%, 0.55%

LAB 79.72, -63.3, 66.86

 

CMYK 75 / 0 / 74 / 12

HEX #38E03B

RGB 56 224 59

HSL 121.07, 0.73%, 0.55%

LAB 78.73, -71.43, 64.55

 

CMYK 75 / 0 / 54 / 12

HEX #38E067

RGB 56 224 103

HSL 136.79, 0.73%, 0.55%

LAB 79.12, -66.8, 46.9

 

CMYK 75 / 0 / 34 / 12

HEX #38E094

RGB 56 224 148

HSL 152.86, 0.73%, 0.55%

LAB 79.78, -59.19, 25.43

 

CMYK 75 / 0 / 14 / 12

HEX #38E0C1

RGB 56 224 193

HSL 168.93, 0.73%, 0.55%

LAB 80.74, -48.92, 3.14

 

CMYK 85 / 0 / 60 / 33

HEX #1AAB45

RGB 26 171 69

HSL 137.79, 0.74%, 0.39%

LAB 61.46, -57.44, 41.75

 

CMYK 84 / 0 / 59 / 19

HEX #20CE54

RGB 32 206 84

HSL 137.93, 0.73%, 0.47%

LAB 72.95, -66.21, 48.24

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 60 / 0 / 42 / 10

HEX #5CE585

RGB 92 229 133

HSL 137.96, 0.72%, 0.63%

LAB 81.84, -57.75, 35.94

 

CMYK 46 / 0 / 32 / 8

HEX #7FEB9F

RGB 127 235 159

HSL 137.78, 0.73%, 0.71%

LAB 85.22, -47.39, 27.47

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 75 / 36 / 0 / 12

HEX #388FE0

RGB 56 143 224

HSL 208.93, 0.73%, 0.55%

LAB 57.91, 1.38, -48.57

 

CMYK 0 / 75 / 66 / 12

HEX #E0384C

RGB 224 56 76

HSL 352.86, 0.73%, 0.55%

LAB 50.92, 64.61, 28.97

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 54 / 75 / 0 / 12

HEX #6738E0

RGB 103 56 224

HSL 256.79, 0.73%, 0.55%

LAB 39.74, 59.42, -77.81

 

CMYK 0 / 54 / 75 / 12

HEX #E06738

RGB 224 103 56

HSL 16.79, 0.73%, 0.55%

LAB 57.88, 44.34, 47.97

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 75 / 36 / 0 / 12

HEX #388FE0

RGB 56 143 224

HSL 208.93, 0.73%, 0.55%

LAB 57.91, 1.38, -48.57

 

CMYK 0 / 75 / 21 / 12

HEX #E038B0

RGB 224 56 176

HSL 317.14, 0.73%, 0.55%

LAB 53.83, 73.7, -26.55

 

CMYK 0 / 39 / 75 / 12

HEX #E08938

RGB 224 137 56

HSL 28.93, 0.73%, 0.55%

LAB 64.98, 26.88, 55.24

 

CMYK 75 / 0 / 53 / 12

HEX #38E06A

RGB 56 224 106

HSL 137.86, 0.73%, 0.55%

LAB 79.15, -66.38, 45.53

 

CMYK 75 / 59 / 0 / 12

HEX #385CE0

RGB 56 92 224

HSL 227.14, 0.73%, 0.55%

LAB 44.06, 33.04, -70.86

 

CMYK 0 / 75 / 21 / 12

HEX #E038B0

RGB 224 56 176

HSL 317.14, 0.73%, 0.55%

LAB 53.83, 73.7, -26.55

 

CMYK 0 / 17 / 75 / 12

HEX #E0BB38

RGB 224 187 56

HSL 46.79, 0.73%, 0.55%

LAB 77.09, 0.3, 67

 

Description

Color code: HEX #38E06A | qconv.com Color code: HEX #38E06A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 224 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 224 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 53 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 53% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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