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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #38F9A8 it is the complementary color #C70657. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #38F9A8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #38F9A8 shade: #3DF9A3, #4EFFB6, #5FFFC9, #70FFDC and #81FFEF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #38F9A8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #38F9A8 shade: #38F9A8, #27E795, #16D582, #05C36F and #00B15C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #38F9A8 shade: #39F8A8, #39F874, #39F840, #64F839 and #98F839

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #38F9A8 shade: #39F8A8, #39F8DC, #39E1F8, #39AEF8 and #397AF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #38F9A8 shade matches the following richer shades: #39F8A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #38F9A8 shade: #39F8A8, #49E8A5, #5AD7A3, #6AC7A0 and #7BB69D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #38F9A8 shade: #39F83F, #39F872, #39F8A5, #39F8D8 and #39E5F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #38F9A8 shade: #06D880, #11F796, #39F8A8, #61FAB9 and #89FBCB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #38F9A8 shade: #38F9A8, #3965F8 and #F85939

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #38F9A8 shade: #38F9A8, #A539F8 and #F8A539

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #38F9A8 shade: #38F9A8, #3965F8, #F8398C and #F8CC39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #38F9A8 shade: #38F9A8, #4539F8, #F8398C and #ECF839

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

Complementary color

CMYK 0 / 97 / 56 / 22

HEX #C70657

RGB 199 6 87

HSL 334.82, 0.94%, 0.4%

LAB 42.7, 68.77, 10.43

 

CMYK 76 / 0 / 35 / 2

HEX #3DF9A3

RGB 61 249 163

HSL 152.55, 0.94%, 0.61%

LAB 87.67, -64.79, 28.47

 

CMYK 69 / 0 / 29 / 0

HEX #4EFFB6

RGB 78 255 182

HSL 155.25, 1%, 0.65%

LAB 90.1, -60.97, 22.18

 

CMYK 63 / 0 / 21 / 0

HEX #5FFFC9

RGB 95 255 201

HSL 159.75, 1%, 0.69%

LAB 90.86, -54.23, 13.57

 

CMYK 56 / 0 / 14 / 0

HEX #70FFDC

RGB 112 255 220

HSL 165.31, 1%, 0.72%

LAB 91.74, -46.85, 5.1

 

CMYK 49 / 0 / 6 / 0

HEX #81FFEF

RGB 129 255 239

HSL 172.38, 1%, 0.75%

LAB 92.76, -38.94, -3.18

 

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

CMYK 83 / 0 / 35 / 9

HEX #27E795

RGB 39 231 149

HSL 154.38, 0.8%, 0.53%

LAB 81.7, -63.31, 27.48

 

CMYK 90 / 0 / 39 / 16

HEX #16D582

RGB 22 213 130

HSL 153.93, 0.81%, 0.46%

LAB 75.68, -61.88, 29.15

 

CMYK 97 / 0 / 43 / 24

HEX #05C36F

RGB 5 195 111

HSL 153.47, 0.95%, 0.39%

LAB 69.62, -59.99, 30.94

 

CMYK 100 / 0 / 48 / 31

HEX #00B15C

RGB 0 177 92

HSL 151.19, 1%, 0.35%

LAB 63.52, -57.49, 32.87

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 77 / 0 / 53 / 3

HEX #39F874

RGB 57 248 116

HSL 138.53, 0.93%, 0.6%

LAB 86.64, -72.74, 49.97

 

CMYK 77 / 0 / 74 / 3

HEX #39F840

RGB 57 248 64

HSL 122.2, 0.93%, 0.6%

LAB 86.19, -78.12, 70.35

 

CMYK 60 / 0 / 77 / 3

HEX #64F839

RGB 100 248 57

HSL 106.49, 0.93%, 0.6%

LAB 87.07, -70.93, 73.67

 

CMYK 39 / 0 / 77 / 3

HEX #98F839

RGB 152 248 57

HSL 90.16, 0.93%, 0.6%

LAB 88.97, -56.37, 76.15

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 77 / 0 / 11 / 3

HEX #39F8DC

RGB 57 248 220

HSL 171.2, 0.93%, 0.6%

LAB 88.53, -51.91, 0.28

 

CMYK 77 / 9 / 0 / 3

HEX #39E1F8

RGB 57 225 248

HSL 187.23, 0.93%, 0.6%

LAB 82.65, -33.9, -23.2

 

CMYK 77 / 30 / 0 / 3

HEX #39AEF8

RGB 57 174 248

HSL 203.25, 0.93%, 0.6%

LAB 67.96, -7.78, -45.91

 

CMYK 77 / 51 / 0 / 3

HEX #397AF8

RGB 57 122 248

HSL 219.58, 0.93%, 0.6%

LAB 53.56, 23.02, -68.88

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 69 / 0 / 29 / 9

HEX #49E8A5

RGB 73 232 165

HSL 154.72, 0.78%, 0.6%

LAB 82.83, -56.38, 20.86

 

CMYK 58 / 0 / 24 / 16

HEX #5AD7A3

RGB 90 215 163

HSL 155.04, 0.61%, 0.6%

LAB 78.12, -46.88, 15.42

 

CMYK 47 / 0 / 20 / 22

HEX #6AC7A0

RGB 106 199 160

HSL 154.84, 0.45%, 0.6%

LAB 73.84, -36.83, 11.06

 

CMYK 32 / 0 / 14 / 29

HEX #7BB69D

RGB 123 182 157

HSL 154.58, 0.29%, 0.6%

LAB 69.54, -24.61, 6.67

 

CMYK 77 / 0 / 75 / 3

HEX #39F83F

RGB 57 248 63

HSL 121.88, 0.93%, 0.6%

LAB 86.19, -78.19, 70.66

 

CMYK 77 / 0 / 54 / 3

HEX #39F872

RGB 57 248 114

HSL 137.91, 0.93%, 0.6%

LAB 86.61, -73.01, 50.86

 

CMYK 77 / 0 / 33 / 3

HEX #39F8A5

RGB 57 248 165

HSL 153.93, 0.93%, 0.6%

LAB 87.35, -64.49, 27

 

CMYK 77 / 0 / 13 / 3

HEX #39F8D8

RGB 57 248 216

HSL 169.95, 0.93%, 0.6%

LAB 88.43, -52.93, 2.22

 

CMYK 77 / 8 / 0 / 3

HEX #39E5F8

RGB 57 229 248

HSL 185.97, 0.93%, 0.6%

LAB 83.8, -35.78, -21.45

 

CMYK 97 / 0 / 41 / 15

HEX #06D880

RGB 6 216 128

HSL 154.86, 0.95%, 0.44%

LAB 76.5, -63.95, 31.24

 

CMYK 93 / 0 / 39 / 3

HEX #11F796

RGB 17 247 150

HSL 154.7, 0.93%, 0.52%

LAB 86.43, -69.96, 33.25

 

CMYK 77 / 0 / 32 / 3

HEX #39F8A8

RGB 57 248 168

HSL 154.87, 0.93%, 0.6%

LAB 87.4, -63.89, 25.55

 

CMYK 61 / 0 / 26 / 2

HEX #61FAB9

RGB 97 250 185

HSL 154.51, 0.94%, 0.68%

LAB 89.12, -55.28, 19.36

 

CMYK 45 / 0 / 19 / 2

HEX #89FBCB

RGB 137 251 203

HSL 154.74, 0.93%, 0.76%

LAB 91.06, -43.33, 13.02

 

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

CMYK 77 / 59 / 0 / 3

HEX #3965F8

RGB 57 101 248

HSL 226.18, 0.93%, 0.6%

LAB 48.2, 36.12, -77.59

 

CMYK 0 / 64 / 77 / 3

HEX #F85939

RGB 248 89 57

HSL 10.05, 0.93%, 0.6%

LAB 59.34, 59.16, 50.19

 

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

CMYK 33 / 77 / 0 / 3

HEX #A539F8

RGB 165 57 248

HSL 273.93, 0.93%, 0.6%

LAB 49.13, 73.92, -75.7

 

CMYK 0 / 33 / 77 / 3

HEX #F8A539

RGB 248 165 57

HSL 33.93, 0.93%, 0.6%

LAB 74.29, 22.1, 64.89

 

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

CMYK 77 / 59 / 0 / 3

HEX #3965F8

RGB 57 101 248

HSL 226.18, 0.93%, 0.6%

LAB 48.2, 36.12, -77.59

 

CMYK 0 / 77 / 44 / 3

HEX #F8398C

RGB 248 57 140

HSL 333.93, 0.93%, 0.6%

LAB 56.86, 75.4, -0.39

 

CMYK 0 / 18 / 77 / 3

HEX #F8CC39

RGB 248 204 57

HSL 46.18, 0.93%, 0.6%

LAB 83.67, 1.77, 73.62

 

CMYK 78 / 0 / 33 / 2

HEX #38F9A8

RGB 56 249 168

HSL 154.82, 0.94%, 0.6%

LAB 87.69, -64.37, 25.94

 

CMYK 72 / 77 / 0 / 3

HEX #4539F8

RGB 69 57 248

HSL 243.77, 0.93%, 0.6%

LAB 39.53, 62.26, -91.84

 

CMYK 0 / 77 / 44 / 3

HEX #F8398C

RGB 248 57 140

HSL 333.93, 0.93%, 0.6%

LAB 56.86, 75.4, -0.39

 

CMYK 5 / 0 / 77 / 3

HEX #ECF839

RGB 236 248 57

HSL 63.77, 0.93%, 0.6%

LAB 94, -24.97, 82.6

 

Description

Color code: HEX #38F9A8 | qconv.com Color code: HEX #38F9A8 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 56 red, 249 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
56 249 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, none magenta, 33 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 0% 33% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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