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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #392681 it is the complementary color #C6D97E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #392681. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #392681 shade: #3E267C, #4F388F, #604AA2, #715CB5 and #826EC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #392681. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #392681 shade: #392681, #28146E, #17025B, #060048 and #000035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #392681 shade: #392681, #522681, #6A2681, #81267F and #812667

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #392681 shade: #392681 and #262681

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #392681 shade matches the following richer shades: #392681, #31198F and #290B9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #392681 shade: #392681, #413473, #494166, #514F58 and #595D4B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #392681 shade: #264581, #262C81, #382681, #512681 and #692681

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #392681 shade: #1D1342, #2B1D61, #392681, #4730A1 and #5539C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #392681 shade: #392681, #81265D and #388126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #392681 shade: #392681, #813826 and #268138

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #392681 shade: #392681, #81265D, #6F8126 and #26814B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #392681 shade: #392681, #812641, #6F8126 and #268166

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

Complementary color

CMYK 9 / 0 / 42 / 15

HEX #C6D97E

RGB 198 217 126

HSL 72.53, 0.54%, 0.67%

LAB 83.51, -20.35, 42.61

 

CMYK 50 / 69 / 0 / 51

HEX #3E267C

RGB 62 38 124

HSL 256.74, 0.53%, 0.32%

LAB 23.22, 33.48, -45.07

 

CMYK 45 / 61 / 0 / 44

HEX #4F388F

RGB 79 56 143

HSL 255.86, 0.44%, 0.39%

LAB 30.58, 32.06, -44.92

 

CMYK 41 / 54 / 0 / 36

HEX #604AA2

RGB 96 74 162

HSL 255, 0.37%, 0.46%

LAB 37.83, 30.73, -44.69

 

CMYK 38 / 49 / 0 / 29

HEX #715CB5

RGB 113 92 181

HSL 254.16, 0.38%, 0.54%

LAB 44.94, 29.55, -44.47

 

CMYK 35 / 45 / 0 / 22

HEX #826EC8

RGB 130 110 200

HSL 253.33, 0.45%, 0.61%

LAB 51.91, 28.51, -44.27

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 64 / 82 / 0 / 57

HEX #28146E

RGB 40 20 110

HSL 253.33, 0.69%, 0.25%

LAB 15.89, 35.59, -48.19

 

CMYK 75 / 98 / 0 / 64

HEX #17025B

RGB 23 2 91

HSL 254.16, 0.96%, 0.18%

LAB 8.83, 36.82, -47.33

 

CMYK 92 / 100 / 0 / 72

HEX #060048

RGB 6 0 72

HSL 245, 1%, 0.14%

LAB 4.58, 29.17, -41.31

 

CMYK 100 / 100 / 0 / 79

HEX #000035

RGB 0 0 53

HSL 240, 1%, 0.1%

LAB 2.32, 16.32, -31.29

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 36 / 71 / 0 / 49

HEX #522681

RGB 82 38 129

HSL 269.01, 0.54%, 0.33%

LAB 26.05, 39.08, -43.52

 

CMYK 18 / 71 / 0 / 49

HEX #6A2681

RGB 106 38 129

HSL 284.84, 0.54%, 0.33%

LAB 29.5, 44.54, -37.79

 

CMYK 0 / 71 / 2 / 49

HEX #81267F

RGB 129 38 127

HSL 301.32, 0.54%, 0.33%

LAB 33.1, 49.71, -30.57

 

CMYK 0 / 71 / 20 / 49

HEX #812667

RGB 129 38 103

HSL 317.14, 0.54%, 0.33%

LAB 31.88, 45.8, -17.29

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 71 / 71 / 0 / 49

HEX #262681

RGB 38 38 129

HSL 240, 0.54%, 0.33%

LAB 21.52, 31.15, -51.11

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 66 / 83 / 0 / 44

HEX #31198F

RGB 49 25 143

HSL 252.2, 0.7%, 0.33%

LAB 21.33, 44.34, -60.18

 

CMYK 74 / 93 / 0 / 39

HEX #290B9C

RGB 41 11 156

HSL 252.41, 0.87%, 0.33%

LAB 20.48, 52.68, -69.63

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 43 / 55 / 0 / 55

HEX #413473

RGB 65 52 115

HSL 252.38, 0.38%, 0.33%

LAB 26.21, 22.56, -34.51

 

CMYK 28 / 36 / 0 / 60

HEX #494166

RGB 73 65 102

HSL 252.97, 0.22%, 0.33%

LAB 29.8, 12.51, -20.48

 

CMYK 8 / 10 / 0 / 65

HEX #514F58

RGB 81 79 88

HSL 253.33, 0.05%, 0.33%

LAB 34.08, 2.82, -4.98

 

CMYK 4 / 0 / 19 / 64

HEX #595D4B

RGB 89 93 75

HSL 73.33, 0.11%, 0.33%

LAB 38.66, -5.15, 9.83

 

CMYK 71 / 47 / 0 / 49

HEX #264581

RGB 38 69 129

HSL 219.56, 0.54%, 0.33%

LAB 30.04, 10.02, -37.28

 

CMYK 71 / 66 / 0 / 49

HEX #262C81

RGB 38 44 129

HSL 236.04, 0.54%, 0.33%

LAB 22.99, 27.21, -48.7

 

CMYK 57 / 71 / 0 / 49

HEX #382681

RGB 56 38 129

HSL 251.87, 0.54%, 0.33%

LAB 23.04, 33.93, -48.56

 

CMYK 37 / 71 / 0 / 49

HEX #512681

RGB 81 38 129

HSL 268.35, 0.54%, 0.33%

LAB 25.92, 38.86, -43.74

 

CMYK 19 / 71 / 0 / 49

HEX #692681

RGB 105 38 129

HSL 284.18, 0.54%, 0.33%

LAB 29.35, 44.3, -38.04

 

CMYK 56 / 71 / 0 / 74

HEX #1D1342

RGB 29 19 66

HSL 252.77, 0.55%, 0.17%

LAB 9.96, 19.47, -28.18

 

CMYK 56 / 70 / 0 / 62

HEX #2B1D61

RGB 43 29 97

HSL 252.35, 0.54%, 0.25%

LAB 16.77, 26.54, -38.18

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 56 / 70 / 0 / 37

HEX #4730A1

RGB 71 48 161

HSL 252.21, 0.54%, 0.41%

LAB 29.48, 40.7, -57.74

 

CMYK 56 / 70 / 0 / 24

HEX #5539C1

RGB 85 57 193

HSL 252.35, 0.54%, 0.49%

LAB 35.42, 47.59, -67.03

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 0 / 71 / 28 / 49

HEX #81265D

RGB 129 38 93

HSL 323.74, 0.54%, 0.33%

LAB 31.45, 44.36, -11.51

 

CMYK 57 / 0 / 71 / 49

HEX #388126

RGB 56 129 38

HSL 108.13, 0.54%, 0.33%

LAB 47.86, -40.54, 40.77

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 0 / 57 / 71 / 49

HEX #813826

RGB 129 56 38

HSL 11.87, 0.54%, 0.33%

LAB 33.21, 30.19, 26.26

 

CMYK 71 / 0 / 57 / 49

HEX #268138

RGB 38 129 56

HSL 131.87, 0.54%, 0.33%

LAB 47.49, -42.75, 31.65

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 0 / 71 / 28 / 49

HEX #81265D

RGB 129 38 93

HSL 323.74, 0.54%, 0.33%

LAB 31.45, 44.36, -11.51

 

CMYK 14 / 0 / 71 / 49

HEX #6F8126

RGB 111 129 38

HSL 71.87, 0.54%, 0.33%

LAB 50.94, -19.82, 44.94

 

CMYK 71 / 0 / 42 / 49

HEX #26814B

RGB 38 129 75

HSL 144.4, 0.54%, 0.33%

LAB 47.78, -39.5, 21.75

 

CMYK 56 / 71 / 0 / 49

HEX #392681

RGB 57 38 129

HSL 252.53, 0.54%, 0.33%

LAB 23.14, 34.11, -48.39

 

CMYK 0 / 71 / 50 / 49

HEX #812641

RGB 129 38 65

HSL 342.2, 0.54%, 0.33%

LAB 30.48, 41.07, 5.42

 

CMYK 14 / 0 / 71 / 49

HEX #6F8126

RGB 111 129 38

HSL 71.87, 0.54%, 0.33%

LAB 50.94, -19.82, 44.94

 

CMYK 71 / 0 / 21 / 49

HEX #268166

RGB 38 129 102

HSL 162.2, 0.54%, 0.33%

LAB 48.35, -33.36, 7.01

 

Description

Color code: HEX #392681 | qconv.com Color code: HEX #392681 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 38 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 38 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 71 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 71% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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