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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39212A it is the complementary color #C6DED5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39212A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39212A shade: #3E2125, #4F3338, #60454B, #71575E and #826971

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39212A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39212A shade: #39212A, #280F17, #170004 and #060000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39212A shade: #3A212A, #3A2124 and #3A2121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39212A shade: #3A212A, #3A2131, #3A2138, #35213A and #2F213A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39212A shade matches the following richer shades: #3A212A, #411A28, #491227, #500B25 and #570323

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39212A shade: #3A212A, #32282C, #2B302E, #243730 and #1C3F32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39212A shade: #3A2138, #3A2131, #3A212B, #3A2124 and #3A2521

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39212A shade: #050304, #201217, #3A212A, #54303E and #6E3F51

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39212A shade: #39212A, #3A3521 and #21343A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39212A shade: #39212A, #2B3A21 and #212B3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39212A shade: #39212A, #3A3521, #213A30 and #21263A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39212A shade: #39212A, #373A21, #213A30 and #24213A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

Complementary color

CMYK 11 / 0 / 4 / 13

HEX #C6DED5

RGB 198 222 213

HSL 157.5, 0.27%, 0.82%

LAB 86.53, -9.66, 1.7

 

CMYK 0 / 47 / 40 / 76

HEX #3E2125

RGB 62 33 37

HSL 351.72, 0.31%, 0.19%

LAB 16.73, 14.54, 3.37

 

CMYK 0 / 35 / 29 / 69

HEX #4F3338

RGB 79 51 56

HSL 349.29, 0.22%, 0.25%

LAB 24.69, 13.48, 2.02

 

CMYK 0 / 28 / 22 / 62

HEX #60454B

RGB 96 69 75

HSL 346.67, 0.16%, 0.32%

LAB 32.37, 12.63, 0.97

 

CMYK 0 / 23 / 17 / 56

HEX #71575E

RGB 113 87 94

HSL 343.85, 0.13%, 0.39%

LAB 39.81, 11.94, 0.08

 

CMYK 0 / 19 / 13 / 49

HEX #826971

RGB 130 105 113

HSL 340.8, 0.11%, 0.46%

LAB 47.03, 11.35, -0.71

 

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

CMYK 0 / 63 / 43 / 84

HEX #280F17

RGB 40 15 23

HSL 340.8, 0.45%, 0.11%

LAB 7.72, 14.2, 0.26

 

CMYK 0 / 100 / 83 / 91

HEX #170004

RGB 23 0 4

HSL 349.57, 1%, 0.05%

LAB 1.72, 7.94, 1.09

 

CMYK 0 / 100 / 100 / 98

HEX #060000

RGB 6 0 0

HSL 0, 1%, 0.01%

LAB 0.35, 1.57, 0.55

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 43 / 38 / 77

HEX #3A2124

RGB 58 33 36

HSL 352.8, 0.27%, 0.18%

LAB 16.08, 12.53, 3.07

 

CMYK 0 / 43 / 43 / 77

HEX #3A2121

RGB 58 33 33

HSL 0, 0.27%, 0.18%

LAB 15.99, 12.06, 5.08

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 43 / 16 / 77

HEX #3A2131

RGB 58 33 49

HSL 321.6, 0.27%, 0.18%

LAB 16.55, 14.92, -5.49

 

CMYK 0 / 43 / 3 / 77

HEX #3A2138

RGB 58 33 56

HSL 304.8, 0.27%, 0.18%

LAB 16.86, 16.43, -9.95

 

CMYK 9 / 43 / 0 / 77

HEX #35213A

RGB 53 33 58

HSL 288, 0.27%, 0.18%

LAB 16.26, 14.94, -12.34

 

CMYK 19 / 43 / 0 / 77

HEX #2F213A

RGB 47 33 58

HSL 273.6, 0.27%, 0.18%

LAB 15.47, 12.63, -13.62

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 60 / 38 / 75

HEX #411A28

RGB 65 26 40

HSL 338.46, 0.43%, 0.18%

LAB 15.57, 20.74, -0.39

 

CMYK 0 / 75 / 47 / 71

HEX #491227

RGB 73 18 39

HSL 337.09, 0.6%, 0.18%

LAB 15.46, 27.99, 0.37

 

CMYK 0 / 86 / 54 / 69

HEX #500B25

RGB 80 11 37

HSL 337.39, 0.76%, 0.18%

LAB 15.89, 32.92, 2.63

 

CMYK 0 / 97 / 60 / 66

HEX #570323

RGB 87 3 35

HSL 337.14, 0.93%, 0.18%

LAB 16.57, 37.32, 5.27

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 20 / 12 / 80

HEX #32282C

RGB 50 40 44

HSL 336, 0.11%, 0.18%

LAB 17.36, 5.49, -0.87

 

CMYK 10 / 0 / 4 / 81

HEX #2B302E

RGB 43 48 46

HSL 156, 0.05%, 0.18%

LAB 19.33, -2.66, 0.53

 

CMYK 35 / 0 / 13 / 78

HEX #243730

RGB 36 55 48

HSL 157.89, 0.21%, 0.18%

LAB 21.29, -9.53, 1.94

 

CMYK 56 / 0 / 21 / 75

HEX #1C3F32

RGB 28 63 50

HSL 157.71, 0.38%, 0.18%

LAB 23.78, -16.44, 4.11

 

CMYK 0 / 43 / 3 / 77

HEX #3A2138

RGB 58 33 56

HSL 304.8, 0.27%, 0.18%

LAB 16.86, 16.43, -9.95

 

CMYK 0 / 43 / 16 / 77

HEX #3A2131

RGB 58 33 49

HSL 321.6, 0.27%, 0.18%

LAB 16.55, 14.92, -5.49

 

CMYK 0 / 43 / 26 / 77

HEX #3A212B

RGB 58 33 43

HSL 336, 0.27%, 0.18%

LAB 16.31, 13.74, -1.58

 

CMYK 0 / 43 / 38 / 77

HEX #3A2124

RGB 58 33 36

HSL 352.8, 0.27%, 0.18%

LAB 16.08, 12.53, 3.07

 

CMYK 0 / 36 / 43 / 77

HEX #3A2521

RGB 58 37 33

HSL 9.6, 0.27%, 0.18%

LAB 17.14, 9.34, 6.69

 

CMYK 0 / 40 / 20 / 98

HEX #050304

RGB 5 3 4

HSL 330, 0.25%, 0.02%

LAB 0.96, 0.66, -0.19

 

CMYK 0 / 44 / 28 / 87

HEX #201217

RGB 32 18 23

HSL 338.57, 0.28%, 0.1%

LAB 7.24, 8.15, -0.6

 

CMYK 0 / 43 / 28 / 77

HEX #3A212A

RGB 58 33 42

HSL 338.4, 0.27%, 0.18%

LAB 16.28, 13.56, -0.92

 

CMYK 0 / 43 / 26 / 67

HEX #54303E

RGB 84 48 62

HSL 336.67, 0.27%, 0.26%

LAB 24.79, 18.56, -1.78

 

CMYK 0 / 43 / 26 / 57

HEX #6E3F51

RGB 110 63 81

HSL 337.02, 0.27%, 0.34%

LAB 32.84, 23.08, -1.98

 

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

CMYK 0 / 9 / 43 / 77

HEX #3A3521

RGB 58 53 33

HSL 48, 0.27%, 0.18%

LAB 22.14, -1.42, 13.42

 

CMYK 43 / 10 / 0 / 77

HEX #21343A

RGB 33 52 58

HSL 194.4, 0.27%, 0.18%

LAB 20.38, -5.79, -6.22

 

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

CMYK 26 / 0 / 43 / 77

HEX #2B3A21

RGB 43 58 33

HSL 96, 0.27%, 0.18%

LAB 22.48, -11.73, 13.6

 

CMYK 43 / 26 / 0 / 77

HEX #212B3A

RGB 33 43 58

HSL 216, 0.27%, 0.18%

LAB 17.26, 0.32, -10.97

 

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

CMYK 0 / 9 / 43 / 77

HEX #3A3521

RGB 58 53 33

HSL 48, 0.27%, 0.18%

LAB 22.14, -1.42, 13.42

 

CMYK 43 / 0 / 17 / 77

HEX #213A30

RGB 33 58 48

HSL 156, 0.27%, 0.18%

LAB 22.17, -12.46, 3.18

 

CMYK 43 / 34 / 0 / 77

HEX #21263A

RGB 33 38 58

HSL 228, 0.27%, 0.18%

LAB 15.57, 3.89, -13.59

 

CMYK 0 / 42 / 26 / 78

HEX #39212A

RGB 57 33 42

HSL 337.5, 0.27%, 0.18%

LAB 16.13, 13.11, -1.15

 

CMYK 5 / 0 / 43 / 77

HEX #373A21

RGB 55 58 33

HSL 67.2, 0.27%, 0.18%

LAB 23.5, -6.11, 15.12

 

CMYK 43 / 0 / 17 / 77

HEX #213A30

RGB 33 58 48

HSL 156, 0.27%, 0.18%

LAB 22.17, -12.46, 3.18

 

CMYK 38 / 43 / 0 / 77

HEX #24213A

RGB 36 33 58

HSL 247.2, 0.27%, 0.18%

LAB 14.22, 8.58, -15.67

 

Description

Color code: HEX #39212A | qconv.com Color code: HEX #39212A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 33 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 33 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 26 yellow and 78 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 26% 78% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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