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Color name
HEX #392F68

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #392F68 it is the complementary color #C6D097. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #392F68. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #392F68 shade: #3E2F63, #4F4176, #605389, #71659C and #8277AF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #392F68. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #392F68 shade: #392F68, #281D55, #170B42, #06002F and #00001C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #392F68 shade: #392F69, #492F69, #582F69, #682F69 and #692F5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #392F68 shade: #392F69 and #2F2F69

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #392F68 shade matches the following richer shades: #392F69, #312375, #291682 and #210A8E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #392F68 shade: #392F69, #413B5D, #494850, #515444 and #596038

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #392F68 shade: #2F4469, #2F3569, #392F69, #482F69 and #582F69

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #392F68 shade: #1A1530, #2A224D, #392F69, #493C86 and #5849A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #392F68 shade: #392F68, #692F54 and #3C692F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #392F68 shade: #392F68, #69392F and #2F6939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #392F68 shade: #392F68, #692F54, #5F692F and #2F6944

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #392F68 shade: #392F68, #692F42, #5F692F and #2F6956

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

Complementary color

CMYK 5 / 0 / 27 / 18

HEX #C6D097

RGB 198 208 151

HSL 70.53, 0.38%, 0.7%

LAB 81.48, -12.75, 27.24

 

CMYK 37 / 53 / 0 / 61

HEX #3E2F63

RGB 62 47 99

HSL 257.31, 0.36%, 0.29%

LAB 23.53, 20.09, -28.5

 

CMYK 33 / 45 / 0 / 54

HEX #4F4176

RGB 79 65 118

HSL 255.85, 0.29%, 0.36%

LAB 31.23, 18.99, -28.33

 

CMYK 30 / 39 / 0 / 46

HEX #605389

RGB 96 83 137

HSL 254.44, 0.25%, 0.43%

LAB 38.69, 18.08, -28.23

 

CMYK 28 / 35 / 0 / 39

HEX #71659C

RGB 113 101 156

HSL 253.09, 0.22%, 0.5%

LAB 45.93, 17.31, -28.2

 

CMYK 26 / 32 / 0 / 31

HEX #8277AF

RGB 130 119 175

HSL 251.79, 0.26%, 0.58%

LAB 52.99, 16.64, -28.22

 

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

CMYK 53 / 66 / 0 / 67

HEX #281D55

RGB 40 29 85

HSL 251.79, 0.49%, 0.22%

LAB 15.41, 21.81, -32.38

 

CMYK 65 / 83 / 0 / 74

HEX #170B42

RGB 23 11 66

HSL 253.09, 0.71%, 0.15%

LAB 7.36, 23.5, -32.45

 

CMYK 87 / 100 / 0 / 82

HEX #06002F

RGB 6 0 47

HSL 247.66, 1%, 0.09%

LAB 2.2, 14.6, -26.98

 

CMYK 100 / 100 / 0 / 89

HEX #00001C

RGB 0 0 28

HSL 240, 1%, 0.05%

LAB 0.76, 5.32, -14.39

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 30 / 55 / 0 / 59

HEX #492F69

RGB 73 47 105

HSL 266.9, 0.38%, 0.3%

LAB 25.17, 25.06, -29.71

 

CMYK 16 / 55 / 0 / 59

HEX #582F69

RGB 88 47 105

HSL 282.41, 0.38%, 0.3%

LAB 27.1, 29.57, -26.53

 

CMYK 1 / 55 / 0 / 59

HEX #682F69

RGB 104 47 105

HSL 298.97, 0.38%, 0.3%

LAB 29.4, 34.5, -22.74

 

CMYK 0 / 55 / 14 / 59

HEX #692F5A

RGB 105 47 90

HSL 315.52, 0.38%, 0.3%

LAB 28.84, 31.97, -13.91

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 55 / 55 / 0 / 59

HEX #2F2F69

RGB 47 47 105

HSL 240, 0.38%, 0.3%

LAB 22.5, 18.06, -34.13

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 58 / 70 / 0 / 54

HEX #312375

RGB 49 35 117

HSL 250.24, 0.54%, 0.3%

LAB 20.59, 30.59, -44.96

 

CMYK 68 / 83 / 0 / 49

HEX #291682

RGB 41 22 130

HSL 250.56, 0.71%, 0.3%

LAB 18.61, 40.99, -56.52

 

CMYK 77 / 93 / 0 / 44

HEX #210A8E

RGB 33 10 142

HSL 250.45, 0.87%, 0.3%

LAB 17.89, 48.7, -65.29

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 30 / 37 / 0 / 64

HEX #413B5D

RGB 65 59 93

HSL 250.59, 0.22%, 0.3%

LAB 26.85, 11.22, -19.34

 

CMYK 9 / 10 / 0 / 69

HEX #494850

RGB 73 72 80

HSL 247.5, 0.05%, 0.3%

LAB 30.95, 2.23, -4.62

 

CMYK 4 / 0 / 19 / 67

HEX #515444

RGB 81 84 68

HSL 71.25, 0.11%, 0.3%

LAB 35.02, -4.43, 8.96

 

CMYK 7 / 0 / 42 / 62

HEX #596038

RGB 89 96 56

HSL 70.5, 0.26%, 0.3%

LAB 39.2, -9.89, 21.94

 

CMYK 55 / 35 / 0 / 59

HEX #2F4469

RGB 47 68 105

HSL 218.28, 0.38%, 0.3%

LAB 28.79, 3.65, -24.12

 

CMYK 55 / 50 / 0 / 59

HEX #2F3569

RGB 47 53 105

HSL 233.79, 0.38%, 0.3%

LAB 24.23, 13.89, -31.36

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 31 / 55 / 0 / 59

HEX #482F69

RGB 72 47 105

HSL 265.86, 0.38%, 0.3%

LAB 25.05, 24.77, -29.91

 

CMYK 16 / 55 / 0 / 59

HEX #582F69

RGB 88 47 105

HSL 282.41, 0.38%, 0.3%

LAB 27.1, 29.57, -26.53

 

CMYK 46 / 56 / 0 / 81

HEX #1A1530

RGB 26 21 48

HSL 251.11, 0.39%, 0.14%

LAB 8.73, 10.7, -17.21

 

CMYK 45 / 56 / 0 / 70

HEX #2A224D

RGB 42 34 77

HSL 251.16, 0.39%, 0.22%

LAB 16.37, 16.13, -25.41

 

CMYK 46 / 55 / 0 / 59

HEX #392F69

RGB 57 47 105

HSL 250.34, 0.38%, 0.3%

LAB 23.41, 20.57, -32.61

 

CMYK 46 / 55 / 0 / 47

HEX #493C86

RGB 73 60 134

HSL 250.54, 0.38%, 0.38%

LAB 30.33, 25.37, -39.8

 

CMYK 46 / 55 / 0 / 36

HEX #5849A2

RGB 88 73 162

HSL 250.11, 0.38%, 0.46%

LAB 36.83, 29.41, -46.33

 

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

CMYK 0 / 55 / 20 / 59

HEX #692F54

RGB 105 47 84

HSL 321.72, 0.38%, 0.3%

LAB 28.58, 30.93, -10.38

 

CMYK 43 / 0 / 55 / 59

HEX #3C692F

RGB 60 105 47

HSL 106.55, 0.38%, 0.3%

LAB 40.03, -27.74, 27.59

 

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

CMYK 0 / 46 / 55 / 59

HEX #69392F

RGB 105 57 47

HSL 10.34, 0.38%, 0.3%

LAB 29.75, 20.1, 15.52

 

CMYK 55 / 0 / 46 / 59

HEX #2F6939

RGB 47 105 57

HSL 130.34, 0.38%, 0.3%

LAB 39.59, -30.38, 21.34

 

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

CMYK 0 / 55 / 20 / 59

HEX #692F54

RGB 105 47 84

HSL 321.72, 0.38%, 0.3%

LAB 28.58, 30.93, -10.38

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 0 / 35 / 59

HEX #2F6944

RGB 47 105 68

HSL 141.72, 0.38%, 0.3%

LAB 39.79, -28.26, 15.19

 

CMYK 45 / 55 / 0 / 59

HEX #392F68

RGB 57 47 104

HSL 250.53, 0.38%, 0.3%

LAB 23.35, 20.25, -32.08

 

CMYK 0 / 55 / 37 / 59

HEX #692F42

RGB 105 47 66

HSL 340.34, 0.38%, 0.3%

LAB 27.93, 28.19, 0.53

 

CMYK 10 / 0 / 55 / 59

HEX #5F692F

RGB 95 105 47

HSL 70.34, 0.38%, 0.3%

LAB 42.37, -13.34, 30.95

 

CMYK 55 / 0 / 18 / 59

HEX #2F6956

RGB 47 105 86

HSL 160.34, 0.38%, 0.3%

LAB 40.21, -24.06, 4.96

 

Description

Color code: HEX #392F68 | qconv.com Color code: HEX #392F68 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 47 green and 104 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 47 104 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 55 magenta, none yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 55% 0% 59% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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