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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #393256 it is the complementary color #C6CDA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #393256. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #393256 shade: #3E3251, #4F4464, #605677, #71688A and #827A9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #393256. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #393256 shade: #393256, #282043, #170E30, #06001D and #00000A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #393256 shade: #393256, #433256, #4D3256, #563256 and #56324C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #393256 shade: #393256 and #323256

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #393256 shade matches the following richer shades: #393256, #332761, #2C1C6D, #251178 and #1E0683

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #393256 shade: #393256, #403E4B, #474940, #4E5435 and #555F2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #393256 shade: #323F56, #323556, #393256, #433256 and #4C3256

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #393256 shade: #171422, #28233C, #393256, #4B4270 and #5C518A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #393256 shade: #393256, #563249 and #3A5632

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #393256 shade: #393256, #563932 and #325639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #393256 shade: #393256, #563249, #505632 and #325640

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #393256 shade: #393256, #56323E, #505632 and #32564B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

Complementary color

CMYK 3 / 0 / 18 / 20

HEX #C6CDA9

RGB 198 205 169

HSL 71.67, 0.26%, 0.73%

LAB 81.03, -8.58, 17.14

 

CMYK 23 / 38 / 0 / 68

HEX #3E3251

RGB 62 50 81

HSL 263.23, 0.24%, 0.26%

LAB 23.34, 12.82, -16.96

 

CMYK 21 / 32 / 0 / 61

HEX #4F4464

RGB 79 68 100

HSL 260.63, 0.19%, 0.33%

LAB 31.15, 12.09, -17.07

 

CMYK 19 / 28 / 0 / 53

HEX #605677

RGB 96 86 119

HSL 258.18, 0.16%, 0.4%

LAB 38.68, 11.47, -17.23

 

CMYK 18 / 25 / 0 / 46

HEX #71688A

RGB 113 104 138

HSL 255.88, 0.14%, 0.47%

LAB 45.97, 10.95, -17.44

 

CMYK 17 / 22 / 0 / 38

HEX #827A9D

RGB 130 122 157

HSL 253.71, 0.15%, 0.55%

LAB 53.06, 10.5, -17.67

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 40 / 52 / 0 / 74

HEX #282043

RGB 40 32 67

HSL 253.71, 0.35%, 0.19%

LAB 14.9, 13.61, -20.88

 

CMYK 52 / 71 / 0 / 81

HEX #170E30

RGB 23 14 48

HSL 255.88, 0.55%, 0.12%

LAB 6.41, 14.55, -20.94

 

CMYK 79 / 100 / 0 / 89

HEX #06001D

RGB 6 0 29

HSL 252.41, 1%, 0.06%

LAB 1.15, 7.2, -14.58

 

CMYK 100 / 100 / 0 / 96

HEX #00000A

RGB 0 0 10

HSL 240, 1%, 0.02%

LAB 0.2, 1.39, -3.79

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 22 / 42 / 0 / 66

HEX #433256

RGB 67 50 86

HSL 268.33, 0.26%, 0.27%

LAB 24.15, 15.96, -18.96

 

CMYK 10 / 42 / 0 / 66

HEX #4D3256

RGB 77 50 86

HSL 285, 0.26%, 0.27%

LAB 25.35, 19.51, -16.99

 

CMYK 0 / 42 / 0 / 66

HEX #563256

RGB 86 50 86

HSL 300, 0.26%, 0.27%

LAB 26.54, 22.76, -15.07

 

CMYK 0 / 42 / 12 / 66

HEX #56324C

RGB 86 50 76

HSL 316.67, 0.26%, 0.27%

LAB 26.1, 20.69, -9.13

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 42 / 42 / 0 / 66

HEX #323256

RGB 50 50 86

HSL 240, 0.26%, 0.27%

LAB 22.41, 10.29, -21.81

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 47 / 60 / 0 / 62

HEX #332761

RGB 51 39 97

HSL 252.41, 0.43%, 0.27%

LAB 20.12, 21.78, -32.73

 

CMYK 60 / 74 / 0 / 57

HEX #2C1C6D

RGB 44 28 109

HSL 251.85, 0.59%, 0.27%

LAB 17.78, 31.35, -44.41

 

CMYK 69 / 86 / 0 / 53

HEX #251178

RGB 37 17 120

HSL 251.65, 0.75%, 0.27%

LAB 16.26, 39.86, -54.06

 

CMYK 77 / 95 / 0 / 49

HEX #1E0683

RGB 30 6 131

HSL 251.52, 0.91%, 0.27%

LAB 15.72, 46.76, -61.99

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 15 / 17 / 0 / 71

HEX #403E4B

RGB 64 62 75

HSL 249.23, 0.09%, 0.27%

LAB 26.86, 3.94, -7.58

 

CMYK 3 / 0 / 12 / 71

HEX #474940

RGB 71 73 64

HSL 73.33, 0.07%, 0.27%

LAB 30.58, -2.73, 5.11

 

CMYK 7 / 0 / 37 / 67

HEX #4E5435

RGB 78 84 53

HSL 71.61, 0.23%, 0.27%

LAB 34.43, -8.25, 17.36

 

CMYK 11 / 0 / 56 / 63

HEX #555F2A

RGB 85 95 42

HSL 71.32, 0.39%, 0.27%

LAB 38.35, -12.81, 28.69

 

CMYK 42 / 27 / 0 / 66

HEX #323F56

RGB 50 63 86

HSL 218.33, 0.26%, 0.27%

LAB 26.46, 1.44, -15.49

 

CMYK 42 / 38 / 0 / 66

HEX #323556

RGB 50 53 86

HSL 235, 0.26%, 0.27%

LAB 23.33, 8.22, -20.37

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 22 / 42 / 0 / 66

HEX #433256

RGB 67 50 86

HSL 268.33, 0.26%, 0.27%

LAB 24.15, 15.96, -18.96

 

CMYK 12 / 42 / 0 / 66

HEX #4C3256

RGB 76 50 86

HSL 283.33, 0.26%, 0.27%

LAB 25.23, 19.15, -17.2

 

CMYK 32 / 41 / 0 / 87

HEX #171422

RGB 23 20 34

HSL 252.86, 0.26%, 0.11%

LAB 7.21, 5.44, -9.18

 

CMYK 33 / 42 / 0 / 76

HEX #28233C

RGB 40 35 60

HSL 252, 0.26%, 0.19%

LAB 15.38, 9.19, -15.23

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 33 / 41 / 0 / 56

HEX #4B4270

RGB 75 66 112

HSL 251.74, 0.26%, 0.35%

LAB 30.79, 15.37, -25.28

 

CMYK 33 / 41 / 0 / 46

HEX #5C518A

RGB 92 81 138

HSL 251.58, 0.26%, 0.43%

LAB 37.83, 18.4, -30.21

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 0 / 42 / 15 / 66

HEX #563249

RGB 86 50 73

HSL 321.67, 0.26%, 0.27%

LAB 25.98, 20.11, -7.32

 

CMYK 33 / 0 / 42 / 66

HEX #3A5632

RGB 58 86 50

HSL 106.67, 0.26%, 0.27%

LAB 33.53, -18.38, 17.7

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 0 / 34 / 42 / 66

HEX #563932

RGB 86 57 50

HSL 11.67, 0.26%, 0.27%

LAB 27.12, 11.87, 9.56

 

CMYK 42 / 0 / 34 / 66

HEX #325639

RGB 50 86 57

HSL 131.67, 0.26%, 0.27%

LAB 33.2, -20.06, 12.92

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 0 / 42 / 15 / 66

HEX #563249

RGB 86 50 73

HSL 321.67, 0.26%, 0.27%

LAB 25.98, 20.11, -7.32

 

CMYK 7 / 0 / 42 / 66

HEX #505632

RGB 80 86 50

HSL 70, 0.26%, 0.27%

LAB 35.19, -8.95, 20.16

 

CMYK 42 / 0 / 26 / 66

HEX #325640

RGB 50 86 64

HSL 143.33, 0.26%, 0.27%

LAB 33.36, -18.56, 8.81

 

CMYK 34 / 42 / 0 / 66

HEX #393256

RGB 57 50 86

HSL 251.67, 0.26%, 0.27%

LAB 23.08, 12.55, -20.72

 

CMYK 0 / 42 / 28 / 66

HEX #56323E

RGB 86 50 62

HSL 340, 0.26%, 0.27%

LAB 25.59, 18.14, -0.58

 

CMYK 7 / 0 / 42 / 66

HEX #505632

RGB 80 86 50

HSL 70, 0.26%, 0.27%

LAB 35.19, -8.95, 20.16

 

CMYK 42 / 0 / 13 / 66

HEX #32564B

RGB 50 86 75

HSL 161.67, 0.26%, 0.27%

LAB 33.65, -15.89, 2.33

 

Description

Color code: HEX #393256 | qconv.com Color code: HEX #393256 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 50 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 50 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 42 magenta, none yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 42% 0% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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