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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #393D96 it is the complementary color #C6C269. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #393D96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #393D96 shade: #3E3D91, #4F4FA4, #6061B7, #7173CA and #8285DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #393D96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #393D96 shade: #393D96, #282B83, #171970, #06075D and #00004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #393D96 shade: #393D97, #4E3997, #683997, #813997 and #973994

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #393D96 shade: #393D97 and #393997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #393D96 shade matches the following richer shades: #393D97, #282EA8, #171EB9 and #060FCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #393D96 shade: #393D97, #4A4D86, #5B5C75, #6C6B64 and #7D7B53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #393D96 shade: #397097, #395797, #393E97, #4D3997 and #663997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #393D96 shade: #22255B, #2E3179, #393D97, #4449B5 and #6064C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #393D96 shade: #393D96, #973989 and #639739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #393D96 shade: #393D96, #97393E and #3E9739

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #393D96 shade: #393D96, #973989, #979239 and #399747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #393D96 shade: #393D96, #97396D, #979239 and #399763

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

Complementary color

CMYK 0 / 2 / 47 / 22

HEX #C6C269

RGB 198 194 105

HSL 57.42, 0.45%, 0.59%

LAB 77.05, -10.99, 44.97

 

CMYK 57 / 58 / 0 / 43

HEX #3E3D91

RGB 62 61 145

HSL 240.71, 0.41%, 0.4%

LAB 30.41, 25.84, -46.49

 

CMYK 52 / 52 / 0 / 36

HEX #4F4FA4

RGB 79 79 164

HSL 240, 0.35%, 0.48%

LAB 37.72, 24.19, -46.14

 

CMYK 48 / 47 / 0 / 28

HEX #6061B7

RGB 96 97 183

HSL 239.31, 0.38%, 0.55%

LAB 44.88, 22.83, -45.82

 

CMYK 44 / 43 / 0 / 21

HEX #7173CA

RGB 113 115 202

HSL 238.65, 0.46%, 0.62%

LAB 51.88, 21.69, -45.56

 

CMYK 41 / 40 / 0 / 13

HEX #8285DD

RGB 130 133 221

HSL 238.02, 0.57%, 0.69%

LAB 58.73, 20.72, -45.35

 

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

CMYK 69 / 67 / 0 / 49

HEX #282B83

RGB 40 43 131

HSL 238.02, 0.53%, 0.34%

LAB 23.06, 28.89, -49.84

 

CMYK 79 / 78 / 0 / 56

HEX #171970

RGB 23 25 112

HSL 238.65, 0.66%, 0.26%

LAB 15.73, 31.53, -49.79

 

CMYK 94 / 92 / 0 / 64

HEX #06075D

RGB 6 7 93

HSL 239.31, 0.88%, 0.19%

LAB 8.83, 33.86, -48.71

 

CMYK 100 / 100 / 0 / 71

HEX #00004A

RGB 0 0 74

HSL 240, 1%, 0.15%

LAB 4.47, 29.36, -42.91

 

CMYK 62 / 60 / 0 / 41

HEX #393D97

RGB 57 61 151

HSL 237.45, 0.45%, 0.41%

LAB 30.5, 26.97, -50.04

 

CMYK 48 / 62 / 0 / 41

HEX #4E3997

RGB 78 57 151

HSL 253.4, 0.45%, 0.41%

LAB 31.3, 33.65, -48.66

 

CMYK 31 / 62 / 0 / 41

HEX #683997

RGB 104 57 151

HSL 270, 0.45%, 0.41%

LAB 34.2, 39.64, -43.84

 

CMYK 15 / 62 / 0 / 41

HEX #813997

RGB 129 57 151

HSL 285.96, 0.45%, 0.41%

LAB 37.53, 45.93, -38.32

 

CMYK 0 / 62 / 2 / 41

HEX #973994

RGB 151 57 148

HSL 301.91, 0.45%, 0.41%

LAB 40.64, 51.1, -31.36

 

CMYK 62 / 60 / 0 / 41

HEX #393D97

RGB 57 61 151

HSL 237.45, 0.45%, 0.41%

LAB 30.5, 26.97, -50.04

 

CMYK 62 / 62 / 0 / 41

HEX #393997

RGB 57 57 151

HSL 240, 0.45%, 0.41%

LAB 29.49, 29.58, -51.69

 

CMYK 62 / 60 / 0 / 41

HEX #393D97

RGB 57 61 151

HSL 237.45, 0.45%, 0.41%

LAB 30.5, 26.97, -50.04

 

CMYK 76 / 73 / 0 / 34

HEX #282EA8

RGB 40 46 168

HSL 237.19, 0.62%, 0.41%

LAB 27.39, 40.21, -65.49

 

CMYK 88 / 84 / 0 / 27

HEX #171EB9

RGB 23 30 185

HSL 237.41, 0.78%, 0.41%

LAB 25.6, 53.32, -78.65

 

CMYK 97 / 93 / 0 / 21

HEX #060FCA

RGB 6 15 202

HSL 237.24, 0.94%, 0.41%

LAB 25.7, 63.24, -88.54

 

CMYK 62 / 60 / 0 / 41

HEX #393D97

RGB 57 61 151

HSL 237.45, 0.45%, 0.41%

LAB 30.5, 26.97, -50.04

 

CMYK 45 / 43 / 0 / 47

HEX #4A4D86

RGB 74 77 134

HSL 237, 0.29%, 0.41%

LAB 34.97, 14.6, -32.38

 

CMYK 22 / 21 / 0 / 54

HEX #5B5C75

RGB 91 92 117

HSL 237.69, 0.13%, 0.41%

LAB 39.85, 5.49, -14.25

 

CMYK 0 / 1 / 7 / 58

HEX #6C6B64

RGB 108 107 100

HSL 52.5, 0.04%, 0.41%

LAB 45.11, -1, 4.05

 

CMYK 0 / 2 / 34 / 51

HEX #7D7B53

RGB 125 123 83

HSL 57.14, 0.2%, 0.41%

LAB 50.86, -5.93, 22.19

 

CMYK 62 / 26 / 0 / 41

HEX #397097

RGB 57 112 151

HSL 204.89, 0.45%, 0.41%

LAB 45.21, -5.78, -26.64

 

CMYK 62 / 42 / 0 / 41

HEX #395797

RGB 57 87 151

HSL 220.85, 0.45%, 0.41%

LAB 37.7, 9.82, -38.46

 

CMYK 62 / 59 / 0 / 41

HEX #393E97

RGB 57 62 151

HSL 236.81, 0.45%, 0.41%

LAB 30.76, 26.32, -49.62

 

CMYK 49 / 62 / 0 / 41

HEX #4D3997

RGB 77 57 151

HSL 252.77, 0.45%, 0.41%

LAB 31.2, 33.44, -48.82

 

CMYK 32 / 62 / 0 / 41

HEX #663997

RGB 102 57 151

HSL 268.72, 0.45%, 0.41%

LAB 33.95, 39.15, -44.25

 

CMYK 63 / 59 / 0 / 64

HEX #22255B

RGB 34 37 91

HSL 236.84, 0.46%, 0.25%

LAB 17.55, 17.02, -32.98

 

CMYK 62 / 60 / 0 / 53

HEX #2E3179

RGB 46 49 121

HSL 237.6, 0.45%, 0.33%

LAB 24.19, 22.22, -41.67

 

CMYK 62 / 60 / 0 / 41

HEX #393D97

RGB 57 61 151

HSL 237.45, 0.45%, 0.41%

LAB 30.5, 26.97, -50.04

 

CMYK 62 / 60 / 0 / 29

HEX #4449B5

RGB 68 73 181

HSL 237.35, 0.45%, 0.49%

LAB 36.61, 31.54, -58.07

 

CMYK 51 / 48 / 0 / 24

HEX #6064C2

RGB 96 100 194

HSL 237.55, 0.45%, 0.57%

LAB 46.31, 24.4, -49.92

 

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

CMYK 0 / 62 / 9 / 41

HEX #973989

RGB 151 57 137

HSL 308.94, 0.45%, 0.41%

LAB 40.1, 49.21, -25.52

 

CMYK 34 / 0 / 62 / 41

HEX #639739

RGB 99 151 57

HSL 93.19, 0.45%, 0.41%

LAB 57.15, -33.88, 43

 

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

CMYK 0 / 62 / 59 / 41

HEX #97393E

RGB 151 57 62

HSL 356.81, 0.45%, 0.41%

LAB 37.58, 39.83, 17.72

 

CMYK 59 / 0 / 62 / 41

HEX #3E9739

RGB 62 151 57

HSL 116.81, 0.45%, 0.41%

LAB 55.54, -45.6, 40.74

 

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

CMYK 0 / 62 / 9 / 41

HEX #973989

RGB 151 57 137

HSL 308.94, 0.45%, 0.41%

LAB 40.1, 49.21, -25.52

 

CMYK 0 / 3 / 62 / 41

HEX #979239

RGB 151 146 57

HSL 56.81, 0.45%, 0.41%

LAB 59.37, -9.82, 46.49

 

CMYK 62 / 0 / 53 / 41

HEX #399747

RGB 57 151 71

HSL 128.94, 0.45%, 0.41%

LAB 55.54, -44.99, 33.85

 

CMYK 62 / 59 / 0 / 41

HEX #393D96

RGB 57 61 150

HSL 237.42, 0.45%, 0.41%

LAB 30.42, 26.62, -49.56

 

CMYK 0 / 62 / 28 / 41

HEX #97396D

RGB 151 57 109

HSL 326.81, 0.45%, 0.41%

LAB 38.92, 44.93, -10.02

 

CMYK 0 / 3 / 62 / 41

HEX #979239

RGB 151 146 57

HSL 56.81, 0.45%, 0.41%

LAB 59.37, -9.82, 46.49

 

CMYK 62 / 0 / 34 / 41

HEX #399763

RGB 57 151 99

HSL 146.81, 0.45%, 0.41%

LAB 55.99, -40.07, 19.41

 

Description

Color code: HEX #393D96 | qconv.com Color code: HEX #393D96 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 61 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 61 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 59 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 59% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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