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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39447E it is the complementary color #C6BB81. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39447E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39447E shade: #3E4479, #4F568C, #60689F, #717AB2 and #828CC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39447E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39447E shade: #39447E, #28326B, #172058, #060E45 and #000032

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39447E shade: #38447E, #40387E, #53387E, #66387E and #79387E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39447E shade: #38447E and #38387E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39447E shade matches the following richer shades: #38447E, #2A398D, #1B2F9C and #0C25AB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39447E shade: #38447E, #474E6F, #565860, #656252 and #746C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39447E shade: #38697E, #38577E, #38447E, #3F387E and #52387E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39447E shade: #1F2545, #2C3462, #38447E, #45539B and #5665B3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39447E shade: #39447E, #7E387C and #607E38

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39447E shade: #39447E, #7E3844 and #447E38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39447E shade: #39447E, #7E387C, #7E7338 and #387E3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39447E shade: #39447E, #7E3867, #7E7338 and #387E50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

Complementary color

CMYK 0 / 6 / 35 / 22

HEX #C6BB81

RGB 198 187 129

HSL 50.43, 0.38%, 0.64%

LAB 75.53, -4.78, 30.82

 

CMYK 49 / 44 / 0 / 53

HEX #3E4479

RGB 62 68 121

HSL 233.9, 0.32%, 0.36%

LAB 30.73, 13.07, -31.1

 

CMYK 44 / 39 / 0 / 45

HEX #4F568C

RGB 79 86 140

HSL 233.11, 0.28%, 0.43%

LAB 38.22, 12.05, -30.9

 

CMYK 40 / 35 / 0 / 38

HEX #60689F

RGB 96 104 159

HSL 232.38, 0.25%, 0.5%

LAB 45.48, 11.24, -30.77

 

CMYK 37 / 31 / 0 / 30

HEX #717AB2

RGB 113 122 178

HSL 231.69, 0.3%, 0.57%

LAB 52.56, 10.58, -30.72

 

CMYK 34 / 29 / 0 / 23

HEX #828CC5

RGB 130 140 197

HSL 231.04, 0.37%, 0.64%

LAB 59.46, 10.02, -30.73

 

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

CMYK 63 / 53 / 0 / 58

HEX #28326B

RGB 40 50 107

HSL 231.04, 0.46%, 0.29%

LAB 22.98, 15.12, -34.69

 

CMYK 74 / 64 / 0 / 65

HEX #172058

RGB 23 32 88

HSL 231.69, 0.59%, 0.22%

LAB 15.06, 17.38, -35.04

 

CMYK 91 / 80 / 0 / 73

HEX #060E45

RGB 6 14 69

HSL 232.38, 0.84%, 0.15%

LAB 7.07, 20.34, -35.1

 

CMYK 100 / 100 / 0 / 80

HEX #000032

RGB 0 0 50

HSL 240, 1%, 0.1%

LAB 2.08, 14.62, -29.45

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 49 / 56 / 0 / 51

HEX #40387E

RGB 64 56 126

HSL 246.86, 0.38%, 0.36%

LAB 27.91, 23.21, -38.73

 

CMYK 34 / 56 / 0 / 51

HEX #53387E

RGB 83 56 126

HSL 263.14, 0.38%, 0.36%

LAB 29.85, 28.13, -35.53

 

CMYK 19 / 56 / 0 / 51

HEX #66387E

RGB 102 56 126

HSL 279.43, 0.38%, 0.36%

LAB 32.17, 33.5, -31.69

 

CMYK 4 / 56 / 0 / 51

HEX #79387E

RGB 121 56 126

HSL 295.71, 0.38%, 0.36%

LAB 34.8, 39.07, -27.36

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 56 / 56 / 0 / 51

HEX #38387E

RGB 56 56 126

HSL 240, 0.38%, 0.36%

LAB 27.23, 21.35, -39.87

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 70 / 60 / 0 / 45

HEX #2A398D

RGB 42 57 141

HSL 230.91, 0.54%, 0.36%

LAB 27.69, 23.51, -48.52

 

CMYK 83 / 70 / 0 / 39

HEX #1B2F9C

RGB 27 47 156

HSL 230.7, 0.7%, 0.36%

LAB 25.76, 34.16, -60.91

 

CMYK 93 / 78 / 0 / 33

HEX #0C25AB

RGB 12 37 171

HSL 230.57, 0.87%, 0.36%

LAB 24.77, 44.88, -71.66

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 36 / 30 / 0 / 56

HEX #474E6F

RGB 71 78 111

HSL 229.5, 0.22%, 0.36%

LAB 33.85, 6, -19.9

 

CMYK 10 / 8 / 0 / 62

HEX #565860

RGB 86 88 96

HSL 228, 0.05%, 0.36%

LAB 37.49, 1, -4.89

 

CMYK 0 / 3 / 19 / 60

HEX #656252

RGB 101 98 82

HSL 50.53, 0.1%, 0.36%

LAB 41.39, -1.83, 9.55

 

CMYK 0 / 7 / 42 / 55

HEX #746C43

RGB 116 108 67

HSL 50.2, 0.27%, 0.36%

LAB 45.42, -3.36, 24.06

 

CMYK 56 / 17 / 0 / 51

HEX #38697E

RGB 56 105 126

HSL 198, 0.38%, 0.36%

LAB 41.92, -10.15, -16.76

 

CMYK 56 / 31 / 0 / 51

HEX #38577E

RGB 56 87 126

HSL 213.43, 0.38%, 0.36%

LAB 36.3, 0.82, -25.47

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 50 / 56 / 0 / 51

HEX #3F387E

RGB 63 56 126

HSL 246, 0.38%, 0.36%

LAB 27.82, 22.97, -38.88

 

CMYK 35 / 56 / 0 / 51

HEX #52387E

RGB 82 56 126

HSL 262.29, 0.38%, 0.36%

LAB 29.73, 27.86, -35.71

 

CMYK 55 / 46 / 0 / 73

HEX #1F2545

RGB 31 37 69

HSL 230.53, 0.38%, 0.2%

LAB 15.72, 7.93, -21.01

 

CMYK 55 / 47 / 0 / 62

HEX #2C3462

RGB 44 52 98

HSL 231.11, 0.38%, 0.28%

LAB 23.25, 11.32, -28.4

 

CMYK 56 / 46 / 0 / 51

HEX #38447E

RGB 56 68 126

HSL 229.71, 0.38%, 0.36%

LAB 30.6, 13.27, -34.47

 

CMYK 55 / 46 / 0 / 39

HEX #45539B

RGB 69 83 155

HSL 230.23, 0.38%, 0.44%

LAB 37.51, 16.38, -41.12

 

CMYK 52 / 44 / 0 / 30

HEX #5665B3

RGB 86 101 179

HSL 230.32, 0.38%, 0.52%

LAB 45, 16.72, -43.34

 

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

CMYK 0 / 56 / 2 / 51

HEX #7E387C

RGB 126 56 124

HSL 301.71, 0.38%, 0.36%

LAB 35.44, 40.17, -25.06

 

CMYK 24 / 0 / 56 / 51

HEX #607E38

RGB 96 126 56

HSL 85.71, 0.38%, 0.36%

LAB 49.12, -23.1, 34.23

 

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

CMYK 0 / 56 / 46 / 51

HEX #7E3844

RGB 126 56 68

HSL 349.71, 0.38%, 0.36%

LAB 33.31, 31.57, 7.38

 

CMYK 46 / 0 / 56 / 51

HEX #447E38

RGB 68 126 56

HSL 109.71, 0.38%, 0.36%

LAB 47.54, -33.53, 31.97

 

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

CMYK 0 / 56 / 2 / 51

HEX #7E387C

RGB 126 56 124

HSL 301.71, 0.38%, 0.36%

LAB 35.44, 40.17, -25.06

 

CMYK 0 / 9 / 56 / 51

HEX #7E7338

RGB 126 115 56

HSL 50.57, 0.38%, 0.36%

LAB 48.24, -4.02, 33.79

 

CMYK 56 / 0 / 53 / 51

HEX #387E3B

RGB 56 126 59

HSL 122.57, 0.38%, 0.36%

LAB 47.08, -36.78, 29.71

 

CMYK 55 / 46 / 0 / 51

HEX #39447E

RGB 57 68 126

HSL 230.43, 0.38%, 0.36%

LAB 30.67, 13.51, -34.36

 

CMYK 0 / 56 / 18 / 51

HEX #7E3867

RGB 126 56 103

HSL 319.71, 0.38%, 0.36%

LAB 34.48, 36.44, -13.34

 

CMYK 0 / 9 / 56 / 51

HEX #7E7338

RGB 126 115 56

HSL 50.57, 0.38%, 0.36%

LAB 48.24, -4.02, 33.79

 

CMYK 56 / 0 / 37 / 51

HEX #387E50

RGB 56 126 80

HSL 140.57, 0.38%, 0.36%

LAB 47.42, -33.15, 18.55

 

Description

Color code: HEX #39447E | qconv.com Color code: HEX #39447E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 68 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 68 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 46 magenta, none yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 46% 0% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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