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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #394473 it is the complementary color #C6BB8C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #394473. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #394473 shade: #3E446E, #4F5681, #606894, #717AA7 and #828CBA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #394473. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #394473 shade: #394473, #283260, #17204D, #060E3A and #000027

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #394473 shade: #394474, #3D3974, #4D3974, #5D3974 and #6D3974

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #394473 shade: #394474 and #393974

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #394473 shade matches the following richer shades: #394474, #2B3B82, #1D3290, #0F2A9E and #0121AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #394473 shade: #394474, #474D66, #555558, #635E4A and #71673C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #394473 shade: #396474, #395474, #394574, #3D3974 and #4C3974

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #394473 shade: #1D233C, #2B3458, #394474, #46548F and #5465AB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #394473 shade: #394473, #743974 and #5C7439

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #394473 shade: #394473, #743945 and #457439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #394473 shade: #394473, #743974, #746839 and #397439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #394473 shade: #394473, #743962, #746839 and #39744A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

Complementary color

CMYK 0 / 6 / 29 / 22

HEX #C6BB8C

RGB 198 187 140

HSL 48.62, 0.34%, 0.66%

LAB 75.72, -3.39, 25.26

 

CMYK 44 / 38 / 0 / 57

HEX #3E446E

RGB 62 68 110

HSL 232.5, 0.28%, 0.34%

LAB 30.12, 9.47, -25.14

 

CMYK 39 / 33 / 0 / 49

HEX #4F5681

RGB 79 86 129

HSL 231.6, 0.24%, 0.41%

LAB 37.67, 8.7, -25.05

 

CMYK 35 / 30 / 0 / 42

HEX #606894

RGB 96 104 148

HSL 230.77, 0.21%, 0.48%

LAB 44.98, 8.08, -25.04

 

CMYK 32 / 27 / 0 / 35

HEX #717AA7

RGB 113 122 167

HSL 230, 0.23%, 0.55%

LAB 52.08, 7.57, -25.09

 

CMYK 30 / 25 / 0 / 27

HEX #828CBA

RGB 130 140 186

HSL 229.29, 0.29%, 0.62%

LAB 59.02, 7.13, -25.19

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 58 / 48 / 0 / 62

HEX #283260

RGB 40 50 96

HSL 229.29, 0.41%, 0.27%

LAB 22.22, 11, -28.75

 

CMYK 70 / 58 / 0 / 70

HEX #17204D

RGB 23 32 77

HSL 230, 0.54%, 0.2%

LAB 14.12, 12.86, -29.1

 

CMYK 90 / 76 / 0 / 77

HEX #060E3A

RGB 6 14 58

HSL 230.77, 0.81%, 0.13%

LAB 5.95, 14.81, -29.07

 

CMYK 100 / 100 / 0 / 85

HEX #000027

RGB 0 0 39

HSL 240, 1%, 0.08%

LAB 1.32, 9.3, -22.27

 

CMYK 51 / 41 / 0 / 55

HEX #394474

RGB 57 68 116

HSL 228.81, 0.34%, 0.34%

LAB 30.07, 10.07, -29.03

 

CMYK 47 / 51 / 0 / 55

HEX #3D3974

RGB 61 57 116

HSL 244.07, 0.34%, 0.34%

LAB 27.24, 18.51, -33.52

 

CMYK 34 / 51 / 0 / 55

HEX #4D3974

RGB 77 57 116

HSL 260.34, 0.34%, 0.34%

LAB 28.81, 22.97, -30.92

 

CMYK 20 / 51 / 0 / 55

HEX #5D3974

RGB 93 57 116

HSL 276.61, 0.34%, 0.34%

LAB 30.67, 27.8, -27.85

 

CMYK 6 / 51 / 0 / 55

HEX #6D3974

RGB 109 57 116

HSL 292.88, 0.34%, 0.34%

LAB 32.78, 32.81, -24.39

 

CMYK 51 / 41 / 0 / 55

HEX #394474

RGB 57 68 116

HSL 228.81, 0.34%, 0.34%

LAB 30.07, 10.07, -29.03

 

CMYK 51 / 51 / 0 / 55

HEX #393974

RGB 57 57 116

HSL 240, 0.34%, 0.34%

LAB 26.9, 17.48, -34.09

 

CMYK 51 / 41 / 0 / 55

HEX #394474

RGB 57 68 116

HSL 228.81, 0.34%, 0.34%

LAB 30.07, 10.07, -29.03

 

CMYK 67 / 55 / 0 / 49

HEX #2B3B82

RGB 43 59 130

HSL 228.97, 0.5%, 0.34%

LAB 27.44, 18.14, -42.07

 

CMYK 80 / 65 / 0 / 44

HEX #1D3290

RGB 29 50 144

HSL 229.04, 0.66%, 0.34%

LAB 25.43, 27.77, -54.08

 

CMYK 91 / 73 / 0 / 38

HEX #0F2A9E

RGB 15 42 158

HSL 228.67, 0.83%, 0.34%

LAB 24.41, 37.37, -64.39

 

CMYK 99 / 81 / 0 / 33

HEX #0121AC

RGB 1 33 172

HSL 228.77, 0.99%, 0.34%

LAB 23.91, 47.12, -73.7

 

CMYK 51 / 41 / 0 / 55

HEX #394474

RGB 57 68 116

HSL 228.81, 0.34%, 0.34%

LAB 30.07, 10.07, -29.03

 

CMYK 30 / 25 / 0 / 60

HEX #474D66

RGB 71 77 102

HSL 228.39, 0.18%, 0.34%

LAB 33.15, 4.03, -15.32

 

CMYK 3 / 3 / 0 / 65

HEX #555558

RGB 85 85 88

HSL 240, 0.02%, 0.34%

LAB 36.24, 0.65, -1.75

 

CMYK 0 / 5 / 25 / 61

HEX #635E4A

RGB 99 94 74

HSL 48, 0.14%, 0.34%

LAB 39.84, -1.64, 12.21

 

CMYK 0 / 9 / 47 / 56

HEX #71673C

RGB 113 103 60

HSL 48.68, 0.31%, 0.34%

LAB 43.56, -2.63, 25.62

 

CMYK 51 / 14 / 0 / 55

HEX #396474

RGB 57 100 116

HSL 196.27, 0.34%, 0.34%

LAB 39.99, -10.14, -13.63

 

CMYK 51 / 28 / 0 / 55

HEX #395474

RGB 57 84 116

HSL 212.54, 0.34%, 0.34%

LAB 34.95, -0.38, -21.39

 

CMYK 51 / 41 / 0 / 55

HEX #394574

RGB 57 69 116

HSL 227.8, 0.34%, 0.34%

LAB 30.37, 9.4, -28.56

 

CMYK 47 / 51 / 0 / 55

HEX #3D3974

RGB 61 57 116

HSL 244.07, 0.34%, 0.34%

LAB 27.24, 18.51, -33.52

 

CMYK 34 / 51 / 0 / 55

HEX #4C3974

RGB 76 57 116

HSL 259.32, 0.34%, 0.34%

LAB 28.7, 22.68, -31.1

 

CMYK 52 / 42 / 0 / 76

HEX #1D233C

RGB 29 35 60

HSL 228.39, 0.35%, 0.17%

LAB 14.34, 5.47, -16.93

 

CMYK 51 / 41 / 0 / 65

HEX #2B3458

RGB 43 52 88

HSL 228, 0.34%, 0.26%

LAB 22.56, 7.49, -22.93

 

CMYK 51 / 41 / 0 / 55

HEX #394474

RGB 57 68 116

HSL 228.81, 0.34%, 0.34%

LAB 30.07, 10.07, -29.03

 

CMYK 51 / 41 / 0 / 44

HEX #46548F

RGB 70 84 143

HSL 228.49, 0.34%, 0.42%

LAB 37.16, 11.93, -34.43

 

CMYK 51 / 41 / 0 / 33

HEX #5465AB

RGB 84 101 171

HSL 228.28, 0.34%, 0.5%

LAB 44.42, 13.67, -39.58

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 0 / 51 / 0 / 55

HEX #743974

RGB 116 57 116

HSL 300, 0.34%, 0.34%

LAB 33.77, 35.01, -22.77

 

CMYK 21 / 0 / 51 / 55

HEX #5C7439

RGB 92 116 57

HSL 84.41, 0.34%, 0.34%

LAB 45.72, -19.46, 29.56

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 0 / 51 / 41 / 55

HEX #743945

RGB 116 57 69

HSL 347.8, 0.34%, 0.34%

LAB 31.96, 27.24, 4.6

 

CMYK 41 / 0 / 51 / 55

HEX #457439

RGB 69 116 57

HSL 107.8, 0.34%, 0.34%

LAB 44.31, -28.41, 27.51

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 0 / 51 / 0 / 55

HEX #743974

RGB 116 57 116

HSL 300, 0.34%, 0.34%

LAB 33.77, 35.01, -22.77

 

CMYK 0 / 10 / 51 / 55

HEX #746839

RGB 116 104 57

HSL 47.8, 0.34%, 0.34%

LAB 44.1, -2.17, 28.04

 

CMYK 51 / 0 / 51 / 55

HEX #397439

RGB 57 116 57

HSL 120, 0.34%, 0.34%

LAB 43.74, -32.39, 26.68

 

CMYK 50 / 41 / 0 / 55

HEX #394473

RGB 57 68 115

HSL 228.62, 0.34%, 0.34%

LAB 30.01, 9.73, -28.49

 

CMYK 0 / 51 / 16 / 55

HEX #743962

RGB 116 57 98

HSL 318.31, 0.34%, 0.34%

LAB 32.96, 31.64, -12.61

 

CMYK 0 / 10 / 51 / 55

HEX #746839

RGB 116 104 57

HSL 47.8, 0.34%, 0.34%

LAB 44.1, -2.17, 28.04

 

CMYK 51 / 0 / 36 / 55

HEX #39744A

RGB 57 116 74

HSL 137.29, 0.34%, 0.34%

LAB 44.02, -29.41, 17.45

 

Description

Color code: HEX #394473 | qconv.com Color code: HEX #394473 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 68 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 68 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 41 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 41% 0% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

54% - Welcome to the Aquin...
Link: http://beatvenue.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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