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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #395496 it is the complementary color #C6AB69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #395496. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #395496 shade: #3E5491, #4F66A4, #6078B7, #718ACA and #829CDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #395496. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #395496 shade: #395496, #284283, #173070, #061E5D and #000C4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #395496 shade: #395497, #393B97, #503997, #6A3997 and #833997

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #395496 shade: #395497, #393B97 and #393997

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #395496 shade matches the following richer shades: #395497, #284DA8, #1746B9 and #063FCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #395496 shade: #395497, #4A5B86, #5B6375, #6C6A64 and #7D7153

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #395496 shade: #398797, #396E97, #395597, #393C97 and #4F3997

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #395496 shade: #22335B, #2E4479, #395497, #4465B5 and #607DC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #395496 shade: #395496, #8E3997 and #7B9739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #395496 shade: #395496, #973955 and #559739

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #395496 shade: #395496, #8E3997, #977B39 and #429739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #395496 shade: #395496, #973984, #977B39 and #39974C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

Complementary color

CMYK 0 / 14 / 47 / 22

HEX #C6AB69

RGB 198 171 105

HSL 42.58, 0.45%, 0.59%

LAB 70.98, 1.05, 37.47

 

CMYK 57 / 42 / 0 / 43

HEX #3E5491

RGB 62 84 145

HSL 224.1, 0.4%, 0.41%

LAB 36.76, 10.72, -36.31

 

CMYK 52 / 38 / 0 / 36

HEX #4F66A4

RGB 79 102 164

HSL 223.76, 0.35%, 0.48%

LAB 44.01, 9.58, -36.13

 

CMYK 48 / 34 / 0 / 28

HEX #6078B7

RGB 96 120 183

HSL 223.45, 0.38%, 0.55%

LAB 51.08, 8.69, -36

 

CMYK 44 / 32 / 0 / 21

HEX #718ACA

RGB 113 138 202

HSL 223.15, 0.46%, 0.62%

LAB 57.99, 7.96, -35.93

 

CMYK 41 / 29 / 0 / 13

HEX #829CDD

RGB 130 156 221

HSL 222.86, 0.57%, 0.69%

LAB 64.76, 7.35, -35.9

 

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

CMYK 69 / 50 / 0 / 49

HEX #284283

RGB 40 66 131

HSL 222.86, 0.53%, 0.34%

LAB 29.38, 13.19, -39.59

 

CMYK 79 / 57 / 0 / 56

HEX #173070

RGB 23 48 112

HSL 223.15, 0.66%, 0.26%

LAB 21.82, 15.62, -39.82

 

CMYK 94 / 68 / 0 / 64

HEX #061E5D

RGB 6 30 93

HSL 223.45, 0.88%, 0.19%

LAB 14.16, 19, -39.9

 

CMYK 100 / 84 / 0 / 71

HEX #000C4A

RGB 0 12 74

HSL 230.27, 1%, 0.15%

LAB 6.84, 23.16, -38.99

 

CMYK 62 / 44 / 0 / 41

HEX #395497

RGB 57 84 151

HSL 222.77, 0.45%, 0.41%

LAB 36.83, 11.78, -39.85

 

CMYK 62 / 61 / 0 / 41

HEX #393B97

RGB 57 59 151

HSL 238.72, 0.45%, 0.41%

LAB 29.99, 28.28, -50.87

 

CMYK 47 / 62 / 0 / 41

HEX #503997

RGB 80 57 151

HSL 254.68, 0.45%, 0.41%

LAB 31.5, 34.08, -48.33

 

CMYK 30 / 62 / 0 / 41

HEX #6A3997

RGB 106 57 151

HSL 271.28, 0.45%, 0.41%

LAB 34.45, 40.13, -43.43

 

CMYK 13 / 62 / 0 / 41

HEX #833997

RGB 131 57 151

HSL 287.23, 0.45%, 0.41%

LAB 37.82, 46.44, -37.84

 

CMYK 62 / 44 / 0 / 41

HEX #395497

RGB 57 84 151

HSL 222.77, 0.45%, 0.41%

LAB 36.83, 11.78, -39.85

 

CMYK 62 / 61 / 0 / 41

HEX #393B97

RGB 57 59 151

HSL 238.72, 0.45%, 0.41%

LAB 29.99, 28.28, -50.87

 

CMYK 62 / 62 / 0 / 41

HEX #393997

RGB 57 57 151

HSL 240, 0.45%, 0.41%

LAB 29.49, 29.58, -51.69

 

CMYK 62 / 44 / 0 / 41

HEX #395497

RGB 57 84 151

HSL 222.77, 0.45%, 0.41%

LAB 36.83, 11.78, -39.85

 

CMYK 76 / 54 / 0 / 34

HEX #284DA8

RGB 40 77 168

HSL 222.66, 0.62%, 0.41%

LAB 35.17, 20.07, -52.76

 

CMYK 88 / 62 / 0 / 27

HEX #1746B9

RGB 23 70 185

HSL 222.59, 0.78%, 0.41%

LAB 34.12, 29.83, -64.59

 

CMYK 97 / 69 / 0 / 21

HEX #063FCA

RGB 6 63 202

HSL 222.55, 0.94%, 0.41%

LAB 33.69, 40.2, -75.27

 

CMYK 62 / 44 / 0 / 41

HEX #395497

RGB 57 84 151

HSL 222.77, 0.45%, 0.41%

LAB 36.83, 11.78, -39.85

 

CMYK 45 / 32 / 0 / 47

HEX #4A5B86

RGB 74 91 134

HSL 223, 0.29%, 0.41%

LAB 39, 5.61, -26.05

 

CMYK 22 / 15 / 0 / 54

HEX #5B6375

RGB 91 99 117

HSL 221.54, 0.13%, 0.41%

LAB 41.89, 1.2, -11.15

 

CMYK 0 / 2 / 7 / 58

HEX #6C6A64

RGB 108 106 100

HSL 45, 0.04%, 0.41%

LAB 44.82, -0.41, 3.64

 

CMYK 0 / 10 / 34 / 51

HEX #7D7153

RGB 125 113 83

HSL 42.86, 0.2%, 0.41%

LAB 48, -0.22, 18.38

 

CMYK 62 / 11 / 0 / 41

HEX #398797

RGB 57 135 151

HSL 190.21, 0.45%, 0.41%

LAB 52.32, -18.78, -15.7

 

CMYK 62 / 27 / 0 / 41

HEX #396E97

RGB 57 110 151

HSL 206.17, 0.45%, 0.41%

LAB 44.6, -4.58, -27.59

 

CMYK 62 / 44 / 0 / 41

HEX #395597

RGB 57 85 151

HSL 222.13, 0.45%, 0.41%

LAB 37.12, 11.13, -39.39

 

CMYK 62 / 60 / 0 / 41

HEX #393C97

RGB 57 60 151

HSL 238.09, 0.45%, 0.41%

LAB 30.24, 27.63, -50.46

 

CMYK 48 / 62 / 0 / 41

HEX #4F3997

RGB 79 57 151

HSL 254.04, 0.45%, 0.41%

LAB 31.4, 33.86, -48.49

 

CMYK 63 / 44 / 0 / 64

HEX #22335B

RGB 34 51 91

HSL 222.11, 0.46%, 0.25%

LAB 21.81, 6.97, -26.14

 

CMYK 62 / 44 / 0 / 53

HEX #2E4479

RGB 46 68 121

HSL 222.4, 0.45%, 0.33%

LAB 29.65, 9.2, -32.89

 

CMYK 62 / 44 / 0 / 41

HEX #395497

RGB 57 84 151

HSL 222.77, 0.45%, 0.41%

LAB 36.83, 11.78, -39.85

 

CMYK 62 / 44 / 0 / 29

HEX #4465B5

RGB 68 101 181

HSL 222.48, 0.45%, 0.49%

LAB 44.05, 13.62, -46.08

 

CMYK 51 / 36 / 0 / 24

HEX #607DC2

RGB 96 125 194

HSL 222.24, 0.45%, 0.57%

LAB 53, 9.08, -39.29

 

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

CMYK 6 / 62 / 0 / 41

HEX #8E3997

RGB 142 57 151

HSL 294.26, 0.45%, 0.41%

LAB 39.43, 49.29, -35.18

 

CMYK 19 / 0 / 62 / 41

HEX #7B9739

RGB 123 151 57

HSL 77.87, 0.45%, 0.41%

LAB 58.64, -24.46, 45.06

 

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

CMYK 0 / 62 / 44 / 41

HEX #973955

RGB 151 57 85

HSL 342.13, 0.45%, 0.41%

LAB 38.13, 41.98, 3.95

 

CMYK 44 / 0 / 62 / 41

HEX #559739

RGB 85 151 57

HSL 102.13, 0.45%, 0.41%

LAB 56.45, -38.8, 42.01

 

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

CMYK 6 / 62 / 0 / 41

HEX #8E3997

RGB 142 57 151

HSL 294.26, 0.45%, 0.41%

LAB 39.43, 49.29, -35.18

 

CMYK 0 / 19 / 62 / 41

HEX #977B39

RGB 151 123 57

HSL 42.13, 0.45%, 0.41%

LAB 52.99, 2.87, 39.42

 

CMYK 56 / 0 / 62 / 41

HEX #429739

RGB 66 151 57

HSL 114.26, 0.45%, 0.41%

LAB 55.67, -44.55, 40.93

 

CMYK 62 / 44 / 0 / 41

HEX #395496

RGB 57 84 150

HSL 222.58, 0.45%, 0.41%

LAB 36.77, 11.42, -39.35

 

CMYK 0 / 62 / 13 / 41

HEX #973984

RGB 151 57 132

HSL 312.13, 0.45%, 0.41%

LAB 39.87, 48.38, -22.82

 

CMYK 0 / 19 / 62 / 41

HEX #977B39

RGB 151 123 57

HSL 42.13, 0.45%, 0.41%

LAB 52.99, 2.87, 39.42

 

CMYK 62 / 0 / 50 / 41

HEX #39974C

RGB 57 151 76

HSL 132.13, 0.45%, 0.41%

LAB 55.61, -44.23, 31.35

 

Description

Color code: HEX #395496 | qconv.com Color code: HEX #395496 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 84 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 84 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 44 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 44% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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