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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39595A it is the complementary color #C6A6A5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39595A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39595A shade: #3E5955, #4F6B68, #607D7B, #718F8E and #82A1A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39595A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39595A shade: #39595A, #284747, #173534, #062321 and #00110E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39595A shade: #39595A, #39505A, #39475A, #393E5A and #3D395A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39595A shade: #39595A, #39505A, #39475A, #393E5A and #39395A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39595A shade matches the following richer shades: #39595A, #2D6466, #216F72, #157A7E and #09868A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39595A shade: #39595A, #454D4E, #514242, #5D3736 and #692C2A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39595A shade: #395A49, #395A52, #39595A, #39505A and #39485A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39595A shade: #192727, #294041, #39595A, #497273 and #598B8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39595A shade: #39595A, #40395A and #5A4D39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39595A shade: #39595A, #5A3959 and #595A39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39595A shade: #39595A, #40395A, #5A3A39 and #535A39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39595A shade: #39595A, #4A395A, #5A3A39 and #495A39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

Complementary color

CMYK 0 / 16 / 17 / 22

HEX #C6A6A5

RGB 198 166 165

HSL 1.82, 0.22%, 0.71%

LAB 70.87, 11.53, 4.88

 

CMYK 30 / 0 / 4 / 65

HEX #3E5955

RGB 62 89 85

HSL 171.11, 0.18%, 0.3%

LAB 35.64, -11.06, -0.95

 

CMYK 26 / 0 / 3 / 58

HEX #4F6B68

RGB 79 107 104

HSL 173.57, 0.15%, 0.36%

LAB 43.03, -10.91, -1.66

 

CMYK 23 / 0 / 2 / 51

HEX #607D7B

RGB 96 125 123

HSL 175.86, 0.13%, 0.43%

LAB 50.2, -10.8, -2.32

 

CMYK 21 / 0 / 1 / 44

HEX #718F8E

RGB 113 143 142

HSL 178, 0.12%, 0.5%

LAB 57.18, -10.71, -2.95

 

CMYK 19 / 0 / 0 / 37

HEX #82A1A1

RGB 130 161 161

HSL 180, 0.14%, 0.57%

LAB 64.01, -10.65, -3.55

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 44 / 0 / 0 / 72

HEX #284747

RGB 40 71 71

HSL 180, 0.28%, 0.22%

LAB 27.88, -11.45, -3.62

 

CMYK 57 / 0 / 2 / 79

HEX #173534

RGB 23 53 52

HSL 178, 0.39%, 0.15%

LAB 19.95, -11.46, -2.83

 

CMYK 83 / 0 / 6 / 86

HEX #062321

RGB 6 35 33

HSL 175.86, 0.71%, 0.08%

LAB 11.62, -11.34, -1.86

 

CMYK 100 / 0 / 18 / 93

HEX #00110E

RGB 0 17 14

HSL 169.41, 1%, 0.03%

LAB 3.91, -5.39, -0.19

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 37 / 11 / 0 / 65

HEX #39505A

RGB 57 80 90

HSL 198.18, 0.22%, 0.29%

LAB 32.58, -5.97, -8.69

 

CMYK 37 / 21 / 0 / 65

HEX #39475A

RGB 57 71 90

HSL 214.55, 0.22%, 0.29%

LAB 29.7, -0.29, -13.06

 

CMYK 37 / 31 / 0 / 65

HEX #393E5A

RGB 57 62 90

HSL 230.91, 0.22%, 0.29%

LAB 26.89, 5.63, -17.4

 

CMYK 32 / 37 / 0 / 65

HEX #3D395A

RGB 61 57 90

HSL 247.27, 0.22%, 0.29%

LAB 25.73, 10.33, -19.16

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 37 / 11 / 0 / 65

HEX #39505A

RGB 57 80 90

HSL 198.18, 0.22%, 0.29%

LAB 32.58, -5.97, -8.69

 

CMYK 37 / 21 / 0 / 65

HEX #39475A

RGB 57 71 90

HSL 214.55, 0.22%, 0.29%

LAB 29.7, -0.29, -13.06

 

CMYK 37 / 31 / 0 / 65

HEX #393E5A

RGB 57 62 90

HSL 230.91, 0.22%, 0.29%

LAB 26.89, 5.63, -17.4

 

CMYK 37 / 37 / 0 / 65

HEX #39395A

RGB 57 57 90

HSL 240, 0.22%, 0.29%

LAB 25.36, 9, -19.77

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 56 / 2 / 0 / 60

HEX #2D6466

RGB 45 100 102

HSL 182.11, 0.39%, 0.29%

LAB 38.95, -17.4, -6.67

 

CMYK 71 / 3 / 0 / 55

HEX #216F72

RGB 33 111 114

HSL 182.22, 0.55%, 0.29%

LAB 42.62, -21.88, -8.53

 

CMYK 83 / 3 / 0 / 51

HEX #157A7E

RGB 21 122 126

HSL 182.29, 0.71%, 0.29%

LAB 46.43, -25.16, -10.02

 

CMYK 93 / 3 / 0 / 46

HEX #09868A

RGB 9 134 138

HSL 181.86, 0.88%, 0.29%

LAB 50.62, -28.06, -10.79

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 12 / 1 / 0 / 69

HEX #454D4E

RGB 69 77 78

HSL 186.67, 0.06%, 0.29%

LAB 32.09, -2.97, -1.69

 

CMYK 0 / 19 / 19 / 68

HEX #514242

RGB 81 66 66

HSL 0, 0.1%, 0.29%

LAB 29.51, 6.45, 2.42

 

CMYK 0 / 41 / 42 / 64

HEX #5D3736

RGB 93 55 54

HSL 1.54, 0.27%, 0.29%

LAB 27.64, 16.83, 7.82

HEX #5D3736

CMYK 0 / 58 / 60 / 59

HEX #692C2A

RGB 105 44 42

HSL 1.9, 0.43%, 0.29%

LAB 26.65, 27.16, 14.69

HEX #692C2A

CMYK 37 / 0 / 19 / 65

HEX #395A49

RGB 57 90 73

HSL 149.09, 0.22%, 0.29%

LAB 35.33, -16.29, 6.04

 

CMYK 37 / 0 / 9 / 65

HEX #395A52

RGB 57 90 82

HSL 165.45, 0.22%, 0.29%

LAB 35.58, -14.08, 0.8

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 37 / 11 / 0 / 65

HEX #39505A

RGB 57 80 90

HSL 198.18, 0.22%, 0.29%

LAB 32.58, -5.97, -8.69

 

CMYK 37 / 20 / 0 / 65

HEX #39485A

RGB 57 72 90

HSL 212.73, 0.22%, 0.29%

LAB 30.02, -0.93, -12.58

 

CMYK 36 / 0 / 0 / 85

HEX #192727

RGB 25 39 39

HSL 180, 0.22%, 0.13%

LAB 14.42, -5.93, -1.93

 

CMYK 37 / 2 / 0 / 75

HEX #294041

RGB 41 64 65

HSL 182.5, 0.23%, 0.21%

LAB 25.32, -8.62, -3.48

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 37 / 1 / 0 / 55

HEX #497273

RGB 73 114 115

HSL 181.43, 0.22%, 0.37%

LAB 45.21, -13.97, -5.11

 

CMYK 36 / 1 / 0 / 45

HEX #598B8C

RGB 89 139 140

HSL 181.18, 0.22%, 0.45%

LAB 54.54, -16.44, -5.87

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 29 / 37 / 0 / 65

HEX #40395A

RGB 64 57 90

HSL 252.73, 0.22%, 0.29%

LAB 26.02, 11.35, -18.69

 

CMYK 0 / 14 / 37 / 65

HEX #5A4D39

RGB 90 77 57

HSL 36.36, 0.22%, 0.29%

LAB 33.51, 2.07, 13.89

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 0 / 37 / 1 / 65

HEX #5A3959

RGB 90 57 89

HSL 301.82, 0.22%, 0.29%

LAB 28.96, 20.52, -13.26

 

CMYK 1 / 0 / 37 / 65

HEX #595A39

RGB 89 90 57

HSL 61.82, 0.22%, 0.29%

LAB 37.36, -6.26, 18.97

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 29 / 37 / 0 / 65

HEX #40395A

RGB 64 57 90

HSL 252.73, 0.22%, 0.29%

LAB 26.02, 11.35, -18.69

 

CMYK 0 / 36 / 37 / 65

HEX #5A3A39

RGB 90 58 57

HSL 1.82, 0.22%, 0.29%

LAB 28.1, 14.04, 6.43

 

CMYK 8 / 0 / 37 / 65

HEX #535A39

RGB 83 90 57

HSL 72.73, 0.22%, 0.29%

LAB 36.83, -8.94, 18.18

 

CMYK 37 / 1 / 0 / 65

HEX #39595A

RGB 57 89 90

HSL 181.82, 0.22%, 0.29%

LAB 35.5, -11.37, -4.31

 

CMYK 18 / 37 / 0 / 65

HEX #4A395A

RGB 74 57 90

HSL 270.91, 0.22%, 0.29%

LAB 27.07, 14.88, -16.97

 

CMYK 0 / 36 / 37 / 65

HEX #5A3A39

RGB 90 58 57

HSL 1.82, 0.22%, 0.29%

LAB 28.1, 14.04, 6.43

 

CMYK 19 / 0 / 37 / 65

HEX #495A39

RGB 73 90 57

HSL 90.91, 0.22%, 0.29%

LAB 36.03, -13.28, 16.98

 

Description

Color code: HEX #39595A | qconv.com Color code: HEX #39595A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 89 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 89 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, 1 magenta, none yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 1% 0% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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