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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #395293 it is the complementary color #C6AD6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #395293. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #395293 shade: #3E528E, #4F64A1, #6076B4, #7188C7 and #829ADA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #395293. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #395293 shade: #395293, #284080, #172E6D, #061C5A and #000A47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #395293 shade: #395292, #393992, #503992, #683992 and #813992

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #395293 shade: #395292, #393992 and #393992

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #395293 shade matches the following richer shades: #395292, #284AA3, #1843B3 and #073CC4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #395293 shade: #395292, #495982, #5A6071, #6A6861 and #7B6F50

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #395293 shade: #398292, #396A92, #395292, #393A92 and #4F3992

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #395293 shade: #223057, #2D4175, #395292, #4462B0 and #5E79C0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #395293 shade: #395293, #8B3992 and #769239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #395293 shade: #395293, #923952 and #529239

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #395293 shade: #395293, #8B3992, #927939 and #409239

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #395293 shade: #395293, #92397F, #927939 and #39924C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

Complementary color

CMYK 0 / 13 / 45 / 22

HEX #C6AD6C

RGB 198 173 108

HSL 43.33, 0.44%, 0.6%

LAB 71.54, 0.28, 36.63

 

CMYK 56 / 42 / 0 / 44

HEX #3E528E

RGB 62 82 142

HSL 225, 0.39%, 0.4%

LAB 36.01, 10.98, -35.69

 

CMYK 51 / 38 / 0 / 37

HEX #4F64A1

RGB 79 100 161

HSL 224.63, 0.34%, 0.47%

LAB 43.29, 9.86, -35.5

 

CMYK 47 / 34 / 0 / 29

HEX #6076B4

RGB 96 118 180

HSL 224.29, 0.36%, 0.54%

LAB 50.38, 8.98, -35.37

 

CMYK 43 / 32 / 0 / 22

HEX #7188C7

RGB 113 136 199

HSL 223.95, 0.43%, 0.61%

LAB 57.31, 8.26, -35.3

 

CMYK 40 / 29 / 0 / 15

HEX #829ADA

RGB 130 154 218

HSL 223.64, 0.54%, 0.68%

LAB 64.1, 7.66, -35.27

 

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

CMYK 69 / 50 / 0 / 50

HEX #284080

RGB 40 64 128

HSL 223.64, 0.52%, 0.33%

LAB 28.58, 13.4, -39

 

CMYK 79 / 58 / 0 / 57

HEX #172E6D

RGB 23 46 109

HSL 223.95, 0.65%, 0.26%

LAB 20.98, 15.82, -39.25

 

CMYK 93 / 69 / 0 / 65

HEX #061C5A

RGB 6 28 90

HSL 224.29, 0.88%, 0.19%

LAB 13.28, 19.18, -39.34

 

CMYK 100 / 86 / 0 / 72

HEX #000A47

RGB 0 10 71

HSL 231.55, 1%, 0.14%

LAB 6.07, 22.76, -38.16

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 61 / 61 / 0 / 43

HEX #393992

RGB 57 57 146

HSL 240, 0.44%, 0.4%

LAB 29.09, 27.84, -49.28

 

CMYK 45 / 61 / 0 / 43

HEX #503992

RGB 80 57 146

HSL 255.51, 0.44%, 0.4%

LAB 31.13, 32.58, -45.87

 

CMYK 29 / 61 / 0 / 43

HEX #683992

RGB 104 57 146

HSL 271.69, 0.44%, 0.4%

LAB 33.87, 38.37, -41.32

 

CMYK 12 / 61 / 0 / 43

HEX #813992

RGB 129 57 146

HSL 288.54, 0.44%, 0.4%

LAB 37.24, 44.88, -35.74

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 61 / 61 / 0 / 43

HEX #393992

RGB 57 57 146

HSL 240, 0.44%, 0.4%

LAB 29.09, 27.84, -49.28

 

CMYK 61 / 61 / 0 / 43

HEX #393992

RGB 57 57 146

HSL 240, 0.44%, 0.4%

LAB 29.09, 27.84, -49.28

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 75 / 55 / 0 / 36

HEX #284AA3

RGB 40 74 163

HSL 223.41, 0.61%, 0.4%

LAB 33.97, 20.15, -51.72

 

CMYK 87 / 63 / 0 / 30

HEX #1843B3

RGB 24 67 179

HSL 223.35, 0.76%, 0.4%

LAB 32.84, 29.56, -63.13

 

CMYK 96 / 69 / 0 / 23

HEX #073CC4

RGB 7 60 196

HSL 223.17, 0.93%, 0.4%

LAB 32.4, 39.89, -73.89

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 44 / 32 / 0 / 49

HEX #495982

RGB 73 89 130

HSL 223.16, 0.28%, 0.4%

LAB 38.15, 5.35, -24.94

 

CMYK 20 / 15 / 0 / 56

HEX #5A6071

RGB 90 96 113

HSL 224.35, 0.11%, 0.4%

LAB 40.79, 1.67, -10.39

 

CMYK 0 / 2 / 8 / 58

HEX #6A6861

RGB 106 104 97

HSL 46.67, 0.04%, 0.4%

LAB 43.99, -0.6, 4.21

 

CMYK 0 / 10 / 35 / 52

HEX #7B6F50

RGB 123 111 80

HSL 43.26, 0.21%, 0.4%

LAB 47.18, -0.34, 19

 

CMYK 61 / 11 / 0 / 43

HEX #398292

RGB 57 130 146

HSL 190.79, 0.44%, 0.4%

LAB 50.58, -17.64, -15.43

 

CMYK 61 / 27 / 0 / 43

HEX #396A92

RGB 57 106 146

HSL 206.97, 0.44%, 0.4%

LAB 43.14, -3.88, -26.88

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 61 / 60 / 0 / 43

HEX #393A92

RGB 57 58 146

HSL 239.33, 0.44%, 0.4%

LAB 29.34, 27.18, -48.87

 

CMYK 46 / 61 / 0 / 43

HEX #4F3992

RGB 79 57 146

HSL 254.83, 0.44%, 0.4%

LAB 31.03, 32.35, -46.04

 

CMYK 61 / 45 / 0 / 66

HEX #223057

RGB 34 48 87

HSL 224.15, 0.44%, 0.24%

LAB 20.6, 7.56, -25.41

 

CMYK 62 / 44 / 0 / 54

HEX #2D4175

RGB 45 65 117

HSL 223.33, 0.44%, 0.32%

LAB 28.44, 9.54, -32.3

 

CMYK 61 / 44 / 0 / 43

HEX #395292

RGB 57 82 146

HSL 223.15, 0.44%, 0.4%

LAB 35.95, 11.3, -38.23

 

CMYK 61 / 44 / 0 / 31

HEX #4462B0

RGB 68 98 176

HSL 223.33, 0.44%, 0.48%

LAB 42.91, 13.77, -44.97

 

CMYK 51 / 37 / 0 / 25

HEX #5E79C0

RGB 94 121 192

HSL 223.47, 0.44%, 0.56%

LAB 51.68, 10.4, -40.24

 

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

CMYK 5 / 61 / 0 / 43

HEX #8B3992

RGB 139 57 146

HSL 295.28, 0.44%, 0.4%

LAB 38.71, 47.54, -33.32

 

CMYK 19 / 0 / 61 / 43

HEX #769239

RGB 118 146 57

HSL 78.88, 0.44%, 0.4%

LAB 56.79, -24.03, 42.91

 

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

CMYK 0 / 61 / 44 / 43

HEX #923952

RGB 146 57 82

HSL 343.15, 0.44%, 0.4%

LAB 37.2, 39.93, 4.4

 

CMYK 44 / 0 / 61 / 43

HEX #529239

RGB 82 146 57

HSL 103.15, 0.44%, 0.4%

LAB 54.71, -37.62, 40

 

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

CMYK 5 / 61 / 0 / 43

HEX #8B3992

RGB 139 57 146

HSL 295.28, 0.44%, 0.4%

LAB 38.71, 47.54, -33.32

 

CMYK 0 / 17 / 61 / 43

HEX #927939

RGB 146 121 57

HSL 43.15, 0.44%, 0.4%

LAB 51.93, 1.75, 38.07

 

CMYK 56 / 0 / 61 / 43

HEX #409239

RGB 64 146 57

HSL 115.28, 0.44%, 0.4%

LAB 53.97, -43.1, 38.96

 

CMYK 61 / 44 / 0 / 42

HEX #395293

RGB 57 82 147

HSL 223.33, 0.44%, 0.4%

LAB 36.01, 11.65, -38.74

 

CMYK 0 / 61 / 13 / 43

HEX #92397F

RGB 146 57 127

HSL 312.81, 0.44%, 0.4%

LAB 38.85, 46.12, -21.38

 

CMYK 0 / 17 / 61 / 43

HEX #927939

RGB 146 121 57

HSL 43.15, 0.44%, 0.4%

LAB 51.93, 1.75, 38.07

 

CMYK 61 / 0 / 48 / 43

HEX #39924C

RGB 57 146 76

HSL 132.81, 0.44%, 0.4%

LAB 53.97, -42.22, 29.3

 

Description

Color code: HEX #395293 | qconv.com Color code: HEX #395293 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 82 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 82 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 44 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 44% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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