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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #396F5D it is the complementary color #C690A2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #396F5D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #396F5D shade: #3E6F58, #4F816B, #60937E, #71A591 and #82B7A4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #396F5D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #396F5D shade: #396F5D, #285D4A, #174B37, #063924 and #002711

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #396F5D shade: #396F5D, #396F4E, #396F40, #406F39 and #4F6F39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #396F5D shade: #396F5D, #396F6B, #39636F, #39556F and #39466F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #396F5D shade matches the following richer shades: #396F5D, #2B7C61, #1D8A66, #10976A and #02A56F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #396F5D shade: #396F5D, #466158, #545354, #62464F and #6F384A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #396F5D shade: #396F40, #396F4E, #396F5D, #396F6B and #39646F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #396F5D shade: #1D382F, #2B5346, #396F5D, #478A73 and #55A58A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #396F5D shade: #396F5D, #39406F and #6F4739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #396F5D shade: #396F5D, #5D396F and #6F5D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #396F5D shade: #396F5D, #39406F, #6F394B and #6F6739

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #396F5D shade: #396F5D, #42396F, #6F394B and #666F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

Complementary color

CMYK 0 / 27 / 18 / 22

HEX #C690A2

RGB 198 144 162

HSL 340, 0.32%, 0.67%

LAB 65.41, 23.13, -1.39

 

CMYK 44 / 0 / 21 / 56

HEX #3E6F58

RGB 62 111 88

HSL 151.84, 0.28%, 0.34%

LAB 42.91, -22.43, 7.68

 

CMYK 39 / 0 / 17 / 49

HEX #4F816B

RGB 79 129 107

HSL 153.6, 0.24%, 0.41%

LAB 50.01, -22.17, 6.66

 

CMYK 35 / 0 / 14 / 42

HEX #60937E

RGB 96 147 126

HSL 155.29, 0.21%, 0.48%

LAB 56.94, -21.92, 5.73

 

CMYK 32 / 0 / 12 / 35

HEX #71A591

RGB 113 165 145

HSL 156.92, 0.22%, 0.55%

LAB 63.73, -21.69, 4.88

 

CMYK 29 / 0 / 10 / 28

HEX #82B7A4

RGB 130 183 164

HSL 158.49, 0.27%, 0.61%

LAB 70.38, -21.48, 4.09

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 57 / 0 / 20 / 64

HEX #285D4A

RGB 40 93 74

HSL 158.49, 0.4%, 0.26%

LAB 35.55, -22.81, 5.62

 

CMYK 69 / 0 / 27 / 71

HEX #174B37

RGB 23 75 55

HSL 156.92, 0.53%, 0.19%

LAB 28.09, -22.76, 6.93

 

CMYK 89 / 0 / 37 / 78

HEX #063924

RGB 6 57 36

HSL 155.29, 0.81%, 0.12%

LAB 20.41, -22.28, 8.57

 

CMYK 100 / 0 / 56 / 85

HEX #002711

RGB 0 39 17

HSL 146.15, 1%, 0.08%

LAB 12.55, -20.25, 10.56

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 0 / 30 / 56

HEX #396F4E

RGB 57 111 78

HSL 143.33, 0.32%, 0.33%

LAB 42.44, -26.17, 12.95

 

CMYK 49 / 0 / 42 / 56

HEX #396F40

RGB 57 111 64

HSL 127.78, 0.32%, 0.33%

LAB 42.17, -28.92, 20.76

 

CMYK 42 / 0 / 49 / 56

HEX #406F39

RGB 64 111 57

HSL 112.22, 0.32%, 0.33%

LAB 42.39, -27.76, 25.07

 

CMYK 29 / 0 / 49 / 56

HEX #4F6F39

RGB 79 111 57

HSL 95.56, 0.32%, 0.33%

LAB 43.25, -22.16, 26.33

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 0 / 4 / 56

HEX #396F6B

RGB 57 111 107

HSL 175.56, 0.32%, 0.33%

LAB 43.21, -18.98, -3.34

 

CMYK 49 / 11 / 0 / 56

HEX #39636F

RGB 57 99 111

HSL 193.33, 0.32%, 0.33%

LAB 39.48, -11.09, -11.35

 

CMYK 49 / 23 / 0 / 56

HEX #39556F

RGB 57 85 111

HSL 208.89, 0.32%, 0.33%

LAB 35.03, -2.64, -18.15

 

CMYK 49 / 37 / 0 / 56

HEX #39466F

RGB 57 70 111

HSL 225.56, 0.32%, 0.33%

LAB 30.39, 7.05, -25.37

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 65 / 0 / 22 / 51

HEX #2B7C61

RGB 43 124 97

HSL 160, 0.49%, 0.33%

LAB 46.7, -31.41, 7.61

 

CMYK 79 / 0 / 26 / 46

HEX #1D8A66

RGB 29 138 102

HSL 160.18, 0.65%, 0.33%

LAB 51.15, -38.65, 10.94

 

CMYK 89 / 0 / 30 / 41

HEX #10976A

RGB 16 151 106

HSL 160, 0.81%, 0.33%

LAB 55.36, -44.29, 14.51

 

CMYK 99 / 0 / 33 / 35

HEX #02A56F

RGB 2 165 111

HSL 160.12, 0.98%, 0.33%

LAB 59.95, -49.31, 18.04

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 28 / 0 / 9 / 62

HEX #466158

RGB 70 97 88

HSL 160, 0.16%, 0.33%

LAB 38.82, -12.17, 1.89

 

CMYK 0 / 1 / 0 / 67

HEX #545354

RGB 84 83 84

HSL 300, 0.01%, 0.33%

LAB 35.42, 0.62, -0.45

 

CMYK 0 / 29 / 19 / 62

HEX #62464F

RGB 98 70 79

HSL 340.71, 0.17%, 0.33%

LAB 33.01, 13.56, -0.63

 

CMYK 0 / 50 / 33 / 56

HEX #6F384A

RGB 111 56 74

HSL 340.36, 0.33%, 0.33%

LAB 31.12, 26.52, 0.04

 

CMYK 49 / 0 / 42 / 56

HEX #396F40

RGB 57 111 64

HSL 127.78, 0.32%, 0.33%

LAB 42.17, -28.92, 20.76

 

CMYK 49 / 0 / 30 / 56

HEX #396F4E

RGB 57 111 78

HSL 143.33, 0.32%, 0.33%

LAB 42.44, -26.17, 12.95

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 0 / 4 / 56

HEX #396F6B

RGB 57 111 107

HSL 175.56, 0.32%, 0.33%

LAB 43.21, -18.98, -3.34

 

CMYK 49 / 10 / 0 / 56

HEX #39646F

RGB 57 100 111

HSL 192.22, 0.32%, 0.33%

LAB 39.8, -11.67, -10.86

 

CMYK 48 / 0 / 16 / 78

HEX #1D382F

RGB 29 56 47

HSL 160, 0.32%, 0.17%

LAB 21.19, -12.92, 2.42

 

CMYK 48 / 0 / 16 / 67

HEX #2B5346

RGB 43 83 70

HSL 160.5, 0.32%, 0.25%

LAB 32.13, -17.7, 3.25

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 0 / 17 / 46

HEX #478A73

RGB 71 138 115

HSL 159.4, 0.32%, 0.41%

LAB 52.68, -27.15, 5.78

 

CMYK 48 / 0 / 16 / 35

HEX #55A58A

RGB 85 165 138

HSL 159.75, 0.32%, 0.49%

LAB 62.23, -31.2, 6.48

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 42 / 0 / 56

HEX #39406F

RGB 57 64 111

HSL 232.22, 0.32%, 0.33%

LAB 28.6, 11.06, -28.2

 

CMYK 0 / 36 / 49 / 56

HEX #6F4739

RGB 111 71 57

HSL 15.56, 0.32%, 0.33%

LAB 34.36, 15.37, 15.46

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 16 / 49 / 0 / 56

HEX #5D396F

RGB 93 57 111

HSL 280, 0.32%, 0.33%

LAB 30.4, 26.58, -25.11

 

CMYK 0 / 16 / 49 / 56

HEX #6F5D39

RGB 111 93 57

HSL 40, 0.32%, 0.33%

LAB 40.42, 2.02, 23.33

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 49 / 42 / 0 / 56

HEX #39406F

RGB 57 64 111

HSL 232.22, 0.32%, 0.33%

LAB 28.6, 11.06, -28.2

 

CMYK 0 / 49 / 32 / 56

HEX #6F394B

RGB 111 57 75

HSL 340, 0.32%, 0.33%

LAB 31.38, 26.09, -0.23

 

CMYK 0 / 7 / 49 / 56

HEX #6F6739

RGB 111 103 57

HSL 51.11, 0.32%, 0.33%

LAB 43.32, -3.87, 26.98

 

CMYK 49 / 0 / 16 / 56

HEX #396F5D

RGB 57 111 93

HSL 160, 0.32%, 0.33%

LAB 42.81, -22.68, 4.51

 

CMYK 41 / 49 / 0 / 56

HEX #42396F

RGB 66 57 111

HSL 250, 0.32%, 0.33%

LAB 27.39, 18.29, -30.08

 

CMYK 0 / 49 / 32 / 56

HEX #6F394B

RGB 111 57 75

HSL 340, 0.32%, 0.33%

LAB 31.38, 26.09, -0.23

 

CMYK 8 / 0 / 49 / 56

HEX #666F39

RGB 102 111 57

HSL 70, 0.32%, 0.33%

LAB 44.93, -12.46, 28.77

 

Description

Color code: HEX #396F5D | qconv.com Color code: HEX #396F5D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 111 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 111 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 16 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 16% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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