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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397CF2 it is the complementary color #C6830D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397CF2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397CF2 shade: #3E7CED, #4F8EFF, #60A0FF, #71B2FF and #82C4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397CF2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397CF2 shade: #397CF2, #286ADF, #1758CC, #0646B9 and #0034A6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397CF2 shade: #3A7DF2, #3A4BF2, #5B3AF2, #8C3AF2 and #BE3AF2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397CF2 shade: #3A7DF2, #3A4BF2 and #3A3AF2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397CF2 shade matches the following richer shades: #3A7DF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397CF2 shade: #3A7DF2, #4B81E1, #5C86D0, #6D8BBF and #7E8FAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397CF2 shade: #3AE0F2, #3AAEF2, #3A7DF2, #3A4CF2 and #593AF2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397CF2 shade: #0D52CD, #1363EF, #3A7DF2, #6196F4 and #88B0F7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397CF2 shade: #397CF2, #D33AF2 and #C7F23A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397CF2 shade: #397CF2, #F23A7D and #7DF23A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397CF2 shade: #397CF2, #D33AF2, #F2AE3A and #59F23A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397CF2 shade: #397CF2, #F23AD9, #F2AE3A and #3AF252

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

Complementary color

CMYK 0 / 34 / 93 / 22

HEX #C6830D

RGB 198 131 13

HSL 38.27, 0.88%, 0.41%

LAB 60.13, 17.79, 63.8

 

CMYK 74 / 48 / 0 / 7

HEX #3E7CED

RGB 62 124 237

HSL 218.74, 0.83%, 0.59%

LAB 53.55, 18.34, -62.78

 

CMYK 69 / 44 / 0 / 0

HEX #4F8EFF

RGB 79 142 255

HSL 218.52, 1%, 0.65%

LAB 60.09, 15.99, -62.18

 

CMYK 62 / 37 / 0 / 0

HEX #60A0FF

RGB 96 160 255

HSL 215.85, 1%, 0.69%

LAB 65.63, 8.04, -53.32

 

CMYK 56 / 30 / 0 / 0

HEX #71B2FF

RGB 113 178 255

HSL 212.54, 1%, 0.72%

LAB 71.26, 0.98, -44.39

 

CMYK 49 / 23 / 0 / 0

HEX #82C4FF

RGB 130 196 255

HSL 208.32, 1%, 0.75%

LAB 76.95, -5.26, -35.48

 

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

CMYK 82 / 52 / 0 / 13

HEX #286ADF

RGB 40 106 223

HSL 218.36, 0.74%, 0.52%

LAB 47.09, 22.2, -65.39

 

CMYK 89 / 57 / 0 / 20

HEX #1758CC

RGB 23 88 204

HSL 218.45, 0.8%, 0.45%

LAB 40.44, 25.35, -65.34

 

CMYK 97 / 62 / 0 / 27

HEX #0646B9

RGB 6 70 185

HSL 218.55, 0.94%, 0.37%

LAB 33.82, 29.09, -65.09

 

CMYK 100 / 69 / 0 / 35

HEX #0034A6

RGB 0 52 166

HSL 221.2, 1%, 0.33%

LAB 27.32, 33.4, -64.44

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 76 / 69 / 0 / 5

HEX #3A4BF2

RGB 58 75 242

HSL 234.46, 0.88%, 0.59%

LAB 41.76, 49.87, -84.81

 

CMYK 62 / 76 / 0 / 5

HEX #5B3AF2

RGB 91 58 242

HSL 250.76, 0.88%, 0.59%

LAB 40.67, 62.04, -86.52

 

CMYK 42 / 76 / 0 / 5

HEX #8C3AF2

RGB 140 58 242

HSL 266.74, 0.88%, 0.59%

LAB 45.65, 68.36, -78.15

 

CMYK 21 / 76 / 0 / 5

HEX #BE3AF2

RGB 190 58 242

HSL 283.04, 0.88%, 0.59%

LAB 52.27, 76.57, -67.09

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 76 / 69 / 0 / 5

HEX #3A4BF2

RGB 58 75 242

HSL 234.46, 0.88%, 0.59%

LAB 41.76, 49.87, -84.81

 

CMYK 76 / 76 / 0 / 5

HEX #3A3AF2

RGB 58 58 242

HSL 240, 0.88%, 0.59%

LAB 38.44, 59.15, -90.28

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 67 / 43 / 0 / 12

HEX #4B81E1

RGB 75 129 225

HSL 218.4, 0.71%, 0.59%

LAB 54.69, 12.82, -54.21

 

CMYK 56 / 36 / 0 / 18

HEX #5C86D0

RGB 92 134 208

HSL 218.28, 0.55%, 0.59%

LAB 55.97, 7.24, -42.58

 

CMYK 43 / 27 / 0 / 25

HEX #6D8BBF

RGB 109 139 191

HSL 218.05, 0.39%, 0.59%

LAB 57.54, 3.14, -30.43

 

CMYK 28 / 18 / 0 / 32

HEX #7E8FAE

RGB 126 143 174

HSL 218.75, 0.23%, 0.59%

LAB 59.1, 1.14, -18.28

 

CMYK 76 / 7 / 0 / 5

HEX #3AE0F2

RGB 58 224 242

HSL 185.87, 0.88%, 0.59%

LAB 82.17, -35.13, -20.74

 

CMYK 76 / 28 / 0 / 5

HEX #3AAEF2

RGB 58 174 242

HSL 202.17, 0.88%, 0.59%

LAB 67.71, -9.73, -43.04

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 76 / 69 / 0 / 5

HEX #3A4CF2

RGB 58 76 242

HSL 234.13, 0.88%, 0.59%

LAB 41.97, 49.29, -84.46

 

CMYK 63 / 76 / 0 / 5

HEX #593AF2

RGB 89 58 242

HSL 250.11, 0.88%, 0.59%

LAB 40.51, 61.83, -86.79

 

CMYK 94 / 60 / 0 / 20

HEX #0D52CD

RGB 13 82 205

HSL 218.44, 0.88%, 0.43%

LAB 38.77, 29.23, -68.65

 

CMYK 92 / 59 / 0 / 6

HEX #1363EF

RGB 19 99 239

HSL 218.18, 0.87%, 0.51%

LAB 46.03, 31.54, -76.14

 

CMYK 76 / 48 / 0 / 5

HEX #3A7DF2

RGB 58 125 242

HSL 218.15, 0.88%, 0.59%

LAB 54, 19.07, -64.84

 

CMYK 60 / 39 / 0 / 4

HEX #6196F4

RGB 97 150 244

HSL 218.37, 0.87%, 0.67%

LAB 62.41, 10.45, -52.4

 

CMYK 45 / 29 / 0 / 3

HEX #88B0F7

RGB 136 176 247

HSL 218.38, 0.87%, 0.75%

LAB 71.56, 4.85, -39.52

 

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

CMYK 13 / 76 / 0 / 5

HEX #D33AF2

RGB 211 58 242

HSL 289.89, 0.88%, 0.59%

LAB 55.37, 80.36, -61.94

 

CMYK 18 / 0 / 76 / 5

HEX #C7F23A

RGB 199 242 58

HSL 74.02, 0.88%, 0.59%

LAB 89.84, -36.86, 77.58

 

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

CMYK 0 / 76 / 48 / 5

HEX #F23A7D

RGB 242 58 125

HSL 338.15, 0.88%, 0.59%

LAB 55.47, 72.29, 6.37

 

CMYK 48 / 0 / 76 / 5

HEX #7DF23A

RGB 125 242 58

HSL 98.15, 0.88%, 0.59%

LAB 86.09, -62.34, 72.72

 

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

CMYK 13 / 76 / 0 / 5

HEX #D33AF2

RGB 211 58 242

HSL 289.89, 0.88%, 0.59%

LAB 55.37, 80.36, -61.94

 

CMYK 0 / 28 / 76 / 5

HEX #F2AE3A

RGB 242 174 58

HSL 37.83, 0.88%, 0.59%

LAB 75.73, 14.89, 65.64

 

CMYK 63 / 0 / 76 / 5

HEX #59F23A

RGB 89 242 58

HSL 109.89, 0.88%, 0.59%

LAB 84.96, -71.3, 71.24

 

CMYK 76 / 49 / 0 / 5

HEX #397CF2

RGB 57 124 242

HSL 218.27, 0.88%, 0.59%

LAB 53.7, 19.58, -65.32

 

CMYK 0 / 76 / 10 / 5

HEX #F23AD9

RGB 242 58 217

HSL 308.15, 0.88%, 0.59%

LAB 58.89, 82.57, -41.97

 

CMYK 0 / 28 / 76 / 5

HEX #F2AE3A

RGB 242 174 58

HSL 37.83, 0.88%, 0.59%

LAB 75.73, 14.89, 65.64

 

CMYK 76 / 0 / 66 / 5

HEX #3AF252

RGB 58 242 82

HSL 127.83, 0.88%, 0.59%

LAB 84.49, -74.7, 62.12

 

Description

Color code: HEX #397CF2 | qconv.com Color code: HEX #397CF2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 124 green and 242 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 124 242 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 49 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 49% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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