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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #397FBA it is the complementary color #C68045. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #397FBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #397FBA shade: #3E7FB5, #4F91C8, #60A3DB, #71B5EE and #82C7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #397FBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #397FBA shade: #397FBA, #286DA7, #175B94, #064981 and #00376E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #397FBA shade: #397FBB, #395CBB, #3939BB, #5C39BB and #7F39BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #397FBA shade: #397FBB, #395CBB, #3939BB and #3939BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #397FBA shade matches the following richer shades: #397FBB, #2581CF and #1183E2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #397FBA shade: #397FBB, #4D7EA7, #617C93, #747A7F and #88796C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #397FBA shade: #39BBB0, #39A3BB, #3980BB, #395EBB and #393BBB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #397FBA shade: #26547C, #2F6A9B, #397FBB, #5394CA and #73A7D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #397FBA shade: #397FBA, #8D39BB and #B4BB39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #397FBA shade: #397FBA, #BB3980 and #80BB39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #397FBA shade: #397FBA, #8D39BB, #BB7339 and #66BB39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #397FBA shade: #397FBA, #B439BB, #BB7339 and #40BB39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

Complementary color

CMYK 0 / 35 / 65 / 22

HEX #C68045

RGB 198 128 69

HSL 27.44, 0.53%, 0.52%

LAB 59.77, 21.52, 42.51

 

CMYK 66 / 30 / 0 / 29

HEX #3E7FB5

RGB 62 127 181

HSL 207.23, 0.49%, 0.48%

LAB 51.31, -3.45, -34.6

 

CMYK 61 / 28 / 0 / 22

HEX #4F91C8

RGB 79 145 200

HSL 207.27, 0.52%, 0.55%

LAB 58.12, -4.43, -34.73

 

CMYK 56 / 26 / 0 / 14

HEX #60A3DB

RGB 96 163 219

HSL 207.32, 0.63%, 0.62%

LAB 64.8, -5.19, -34.87

 

CMYK 53 / 24 / 0 / 7

HEX #71B5EE

RGB 113 181 238

HSL 207.36, 0.79%, 0.69%

LAB 71.37, -5.8, -35.01

 

CMYK 49 / 22 / 0 / 0

HEX #82C7FF

RGB 130 199 255

HSL 206.88, 1%, 0.75%

LAB 77.76, -6.87, -34.22

 

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

CMYK 76 / 35 / 0 / 35

HEX #286DA7

RGB 40 109 167

HSL 207.4, 0.61%, 0.41%

LAB 44.49, -1.02, -37.25

 

CMYK 84 / 39 / 0 / 42

HEX #175B94

RGB 23 91 148

HSL 207.36, 0.73%, 0.34%

LAB 37.49, 1.01, -37.07

 

CMYK 95 / 43 / 0 / 49

HEX #064981

RGB 6 73 129

HSL 207.32, 0.91%, 0.26%

LAB 30.37, 3.75, -36.8

 

CMYK 100 / 50 / 0 / 57

HEX #00376E

RGB 0 55 110

HSL 210, 1%, 0.22%

LAB 23.2, 7.55, -36.34

 

CMYK 70 / 32 / 0 / 27

HEX #397FBB

RGB 57 127 187

HSL 207.69, 0.53%, 0.48%

LAB 51.42, -2.18, -37.89

 

CMYK 70 / 51 / 0 / 27

HEX #395CBB

RGB 57 92 187

HSL 223.85, 0.53%, 0.48%

LAB 41.39, 19.68, -53.88

 

CMYK 70 / 70 / 0 / 27

HEX #3939BB

RGB 57 57 187

HSL 240, 0.53%, 0.48%

LAB 32.67, 41.9, -68.1

 

CMYK 51 / 70 / 0 / 27

HEX #5C39BB

RGB 92 57 187

HSL 256.15, 0.53%, 0.48%

LAB 35.58, 46.97, -63.21

 

CMYK 32 / 70 / 0 / 27

HEX #7F39BB

RGB 127 57 187

HSL 272.31, 0.53%, 0.48%

LAB 39.62, 53.54, -56.45

 

CMYK 70 / 32 / 0 / 27

HEX #397FBB

RGB 57 127 187

HSL 207.69, 0.53%, 0.48%

LAB 51.42, -2.18, -37.89

 

CMYK 70 / 51 / 0 / 27

HEX #395CBB

RGB 57 92 187

HSL 223.85, 0.53%, 0.48%

LAB 41.39, 19.68, -53.88

 

CMYK 70 / 70 / 0 / 27

HEX #3939BB

RGB 57 57 187

HSL 240, 0.53%, 0.48%

LAB 32.67, 41.9, -68.1

 

CMYK 70 / 70 / 0 / 27

HEX #3939BB

RGB 57 57 187

HSL 240, 0.53%, 0.48%

LAB 32.67, 41.9, -68.1

 

CMYK 70 / 32 / 0 / 27

HEX #397FBB

RGB 57 127 187

HSL 207.69, 0.53%, 0.48%

LAB 51.42, -2.18, -37.89

 

CMYK 82 / 38 / 0 / 19

HEX #2581CF

RGB 37 129 207

HSL 207.53, 0.7%, 0.48%

LAB 52.51, 1.49, -47.62

 

CMYK 92 / 42 / 0 / 11

HEX #1183E2

RGB 17 131 226

HSL 207.27, 0.86%, 0.48%

LAB 53.86, 6.22, -56.19

 

CMYK 70 / 32 / 0 / 27

HEX #397FBB

RGB 57 127 187

HSL 207.69, 0.53%, 0.48%

LAB 51.42, -2.18, -37.89

 

CMYK 54 / 25 / 0 / 35

HEX #4D7EA7

RGB 77 126 167

HSL 207.33, 0.37%, 0.48%

LAB 51.02, -4.47, -26.91

 

CMYK 34 / 16 / 0 / 42

HEX #617C93

RGB 97 124 147

HSL 207.6, 0.2%, 0.48%

LAB 50.76, -3.84, -15.56

 

CMYK 9 / 4 / 0 / 50

HEX #747A7F

RGB 116 122 127

HSL 207.27, 0.05%, 0.48%

LAB 50.88, -1.18, -3.51

 

CMYK 0 / 11 / 21 / 47

HEX #88796C

RGB 136 121 108

HSL 27.86, 0.11%, 0.48%

LAB 51.83, 3.53, 9.23

 

CMYK 70 / 0 / 6 / 27

HEX #39BBB0

RGB 57 187 176

HSL 174.92, 0.53%, 0.48%

LAB 69.14, -37.13, -4.64

 

CMYK 70 / 13 / 0 / 27

HEX #39A3BB

RGB 57 163 187

HSL 191.08, 0.53%, 0.48%

LAB 62.21, -22.18, -21.16

 

CMYK 70 / 32 / 0 / 27

HEX #3980BB

RGB 57 128 187

HSL 207.23, 0.53%, 0.48%

LAB 51.72, -2.78, -37.42

 

CMYK 70 / 50 / 0 / 27

HEX #395EBB

RGB 57 94 187

HSL 222.92, 0.53%, 0.48%

LAB 41.94, 18.39, -52.99

 

CMYK 70 / 68 / 0 / 27

HEX #393BBB

RGB 57 59 187

HSL 239.08, 0.53%, 0.48%

LAB 33.1, 40.71, -67.38

 

CMYK 69 / 32 / 0 / 51

HEX #26547C

RGB 38 84 124

HSL 207.91, 0.53%, 0.32%

LAB 34.41, -1.81, -27.25

 

CMYK 70 / 32 / 0 / 39

HEX #2F6A9B

RGB 47 106 155

HSL 207.22, 0.53%, 0.4%

LAB 43.18, -2.58, -32.21

 

CMYK 70 / 32 / 0 / 27

HEX #397FBB

RGB 57 127 187

HSL 207.69, 0.53%, 0.48%

LAB 51.42, -2.18, -37.89

 

CMYK 59 / 27 / 0 / 21

HEX #5394CA

RGB 83 148 202

HSL 207.23, 0.53%, 0.56%

LAB 59.24, -4.71, -34.1

 

CMYK 46 / 21 / 0 / 17

HEX #73A7D4

RGB 115 167 212

HSL 207.84, 0.53%, 0.64%

LAB 66.55, -5.19, -28.22

 

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

CMYK 25 / 70 / 0 / 27

HEX #8D39BB

RGB 141 57 187

HSL 278.77, 0.53%, 0.48%

LAB 41.5, 56.43, -53.33

 

CMYK 4 / 0 / 70 / 27

HEX #B4BB39

RGB 180 187 57

HSL 63.23, 0.53%, 0.48%

LAB 73.25, -18.51, 61.6

 

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

CMYK 0 / 70 / 32 / 27

HEX #BB3980

RGB 187 57 128

HSL 327.23, 0.53%, 0.48%

LAB 45.7, 58, -10.91

 

CMYK 32 / 0 / 70 / 27

HEX #80BB39

RGB 128 187 57

HSL 87.23, 0.53%, 0.48%

LAB 69.77, -39.36, 56.96

 

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

CMYK 25 / 70 / 0 / 27

HEX #8D39BB

RGB 141 57 187

HSL 278.77, 0.53%, 0.48%

LAB 41.5, 56.43, -53.33

 

CMYK 0 / 39 / 70 / 27

HEX #BB7339

RGB 187 115 57

HSL 26.77, 0.53%, 0.48%

LAB 55.2, 23.26, 43.05

 

CMYK 45 / 0 / 70 / 27

HEX #66BB39

RGB 102 187 57

HSL 99.23, 0.53%, 0.48%

LAB 68.5, -48.27, 55.26

 

CMYK 69 / 32 / 0 / 27

HEX #397FBA

RGB 57 127 186

HSL 207.44, 0.53%, 0.48%

LAB 51.37, -2.54, -37.39

 

CMYK 4 / 70 / 0 / 27

HEX #B439BB

RGB 180 57 187

HSL 296.77, 0.53%, 0.48%

LAB 47.26, 64.93, -43.78

 

CMYK 0 / 39 / 70 / 27

HEX #BB7339

RGB 187 115 57

HSL 26.77, 0.53%, 0.48%

LAB 55.2, 23.26, 43.05

 

CMYK 66 / 0 / 70 / 27

HEX #40BB39

RGB 64 187 57

HSL 116.77, 0.53%, 0.48%

LAB 67.22, -58.26, 53.52

 

Description

Color code: HEX #397FBA | qconv.com Color code: HEX #397FBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 127 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 127 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 32 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 32% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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