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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #398641 it is the complementary color #C679BE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #398641. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #398641 shade: #3E863C, #4F984F, #60AA62, #71BC75 and #82CE88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #398641. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #398641 shade: #398641, #28742E, #17621B, #065008 and #003E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #398641 shade: #388440, #458438, #598438, #6D8438 and #828438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #398641 shade: #388440, #388454, #388469, #38847D and #387684

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #398641 shade matches the following richer shades: #388440, #299334, #1AA228 and #0AB11C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #398641 shade: #388440, #47744C, #576558, #665664 and #754770

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #398641 shade: #598438, #458438, #388440, #388454 and #388468

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #398641 shade: #1F4A24, #2C6732, #388440, #44A04E and #57B761

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #398641 shade: #398641, #386D84 and #84384F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #398641 shade: #398641, #403884 and #844038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #398641 shade: #398641, #386D84, #84387C and #844F38

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #398641 shade: #398641, #385684, #84387C and #846538

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

Complementary color

CMYK 0 / 39 / 4 / 22

HEX #C679BE

RGB 198 121 190

HSL 306.23, 0.4%, 0.63%

LAB 61.13, 40.41, -23.66

 

CMYK 54 / 0 / 55 / 47

HEX #3E863C

RGB 62 134 60

HSL 118.38, 0.38%, 0.38%

LAB 49.98, -38.33, 32.77

 

CMYK 48 / 0 / 48 / 40

HEX #4F984F

RGB 79 152 79

HSL 120, 0.32%, 0.45%

LAB 56.77, -38.35, 31.4

 

CMYK 44 / 0 / 42 / 33

HEX #60AA62

RGB 96 170 98

HSL 121.62, 0.3%, 0.52%

LAB 63.44, -38.22, 30.07

 

CMYK 40 / 0 / 38 / 26

HEX #71BC75

RGB 113 188 117

HSL 123.2, 0.36%, 0.59%

LAB 70.01, -38.02, 28.8

 

CMYK 37 / 0 / 34 / 19

HEX #82CE88

RGB 130 206 136

HSL 124.74, 0.44%, 0.66%

LAB 76.48, -37.78, 27.6

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 66 / 0 / 60 / 55

HEX #28742E

RGB 40 116 46

HSL 124.74, 0.49%, 0.31%

LAB 42.97, -38.65, 31.42

 

CMYK 77 / 0 / 72 / 62

HEX #17621B

RGB 23 98 27

HSL 123.2, 0.62%, 0.24%

LAB 35.98, -37.71, 32.66

 

CMYK 93 / 0 / 90 / 69

HEX #065008

RGB 6 80 8

HSL 121.62, 0.86%, 0.17%

LAB 28.89, -35.68, 33

 

CMYK 100 / 0 / 100 / 76

HEX #003E00

RGB 0 62 0

HSL 120, 1%, 0.12%

LAB 21.75, -31.36, 29.28

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 48 / 0 / 58 / 48

HEX #458438

RGB 69 132 56

HSL 109.74, 0.4%, 0.37%

LAB 49.56, -35.87, 34.38

 

CMYK 33 / 0 / 58 / 48

HEX #598438

RGB 89 132 56

HSL 93.95, 0.4%, 0.37%

LAB 50.58, -28.83, 35.83

 

CMYK 17 / 0 / 58 / 48

HEX #6D8438

RGB 109 132 56

HSL 78.16, 0.4%, 0.37%

LAB 51.88, -20.77, 37.67

 

CMYK 2 / 0 / 58 / 48

HEX #828438

RGB 130 132 56

HSL 61.58, 0.4%, 0.37%

LAB 53.53, -11.66, 39.99

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 58 / 0 / 36 / 48

HEX #388454

RGB 56 132 84

HSL 142.11, 0.4%, 0.37%

LAB 49.48, -35.05, 19.03

 

CMYK 58 / 0 / 20 / 48

HEX #388469

RGB 56 132 105

HSL 158.68, 0.4%, 0.37%

LAB 49.93, -30.39, 7.58

 

CMYK 58 / 0 / 5 / 48

HEX #38847D

RGB 56 132 125

HSL 174.47, 0.4%, 0.37%

LAB 50.48, -25.14, -3.3

 

CMYK 58 / 11 / 0 / 48

HEX #387684

RGB 56 118 132

HSL 191.05, 0.4%, 0.37%

LAB 46.26, -15.64, -13.74

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 72 / 0 / 65 / 42

HEX #299334

RGB 41 147 52

HSL 126.23, 0.56%, 0.37%

LAB 53.59, -49.33, 40.69

 

CMYK 84 / 0 / 75 / 36

HEX #1AA228

RGB 26 162 40

HSL 126.18, 0.72%, 0.37%

LAB 58.24, -57.65, 50.47

 

CMYK 94 / 0 / 84 / 31

HEX #0AB11C

RGB 10 177 28

HSL 126.47, 0.89%, 0.37%

LAB 63, -64.13, 58.65

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 39 / 0 / 34 / 55

HEX #47744C

RGB 71 116 76

HSL 126.67, 0.24%, 0.37%

LAB 44.73, -24.58, 17.36

 

CMYK 14 / 0 / 13 / 60

HEX #576558

RGB 87 101 88

HSL 124.29, 0.07%, 0.37%

LAB 41.28, -8.15, 5.57

 

CMYK 0 / 16 / 2 / 60

HEX #665664

RGB 102 86 100

HSL 307.5, 0.09%, 0.37%

LAB 38.55, 9.32, -5.62

 

CMYK 0 / 39 / 4 / 54

HEX #754770

RGB 117 71 112

HSL 306.52, 0.24%, 0.37%

LAB 36.85, 26.55, -15.49

 

CMYK 33 / 0 / 58 / 48

HEX #598438

RGB 89 132 56

HSL 93.95, 0.4%, 0.37%

LAB 50.58, -28.83, 35.83

 

CMYK 48 / 0 / 58 / 48

HEX #458438

RGB 69 132 56

HSL 109.74, 0.4%, 0.37%

LAB 49.56, -35.87, 34.38

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 58 / 0 / 36 / 48

HEX #388454

RGB 56 132 84

HSL 142.11, 0.4%, 0.37%

LAB 49.48, -35.05, 19.03

 

CMYK 58 / 0 / 21 / 48

HEX #388468

RGB 56 132 104

HSL 157.89, 0.4%, 0.37%

LAB 49.91, -30.63, 8.13

 

CMYK 58 / 0 / 51 / 71

HEX #1F4A24

RGB 31 74 36

HSL 126.98, 0.41%, 0.21%

LAB 27.62, -24.36, 18.21

 

CMYK 57 / 0 / 51 / 60

HEX #2C6732

RGB 44 103 50

HSL 126.1, 0.4%, 0.29%

LAB 38.67, -31.53, 24.11

 

CMYK 58 / 0 / 52 / 48

HEX #388440

RGB 56 132 64

HSL 126.32, 0.4%, 0.37%

LAB 49.15, -38.57, 29.62

 

CMYK 58 / 0 / 51 / 37

HEX #44A04E

RGB 68 160 78

HSL 126.52, 0.4%, 0.45%

LAB 58.9, -44.89, 34.48

 

CMYK 52 / 0 / 47 / 28

HEX #57B761

RGB 87 183 97

HSL 126.25, 0.4%, 0.53%

LAB 67.09, -46.49, 35.17

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 0 / 58 / 40 / 48

HEX #84384F

RGB 132 56 79

HSL 341.84, 0.4%, 0.37%

LAB 34.6, 35.1, 2.27

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 52 / 58 / 0 / 48

HEX #403884

RGB 64 56 132

HSL 246.32, 0.4%, 0.37%

LAB 28.34, 25.17, -41.8

 

CMYK 0 / 52 / 58 / 48

HEX #844038

RGB 132 64 56

HSL 6.32, 0.4%, 0.37%

LAB 35.71, 28.39, 18.43

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 58 / 17 / 0 / 48

HEX #386D84

RGB 56 109 132

HSL 198.16, 0.4%, 0.37%

LAB 43.42, -10.54, -18.07

 

CMYK 0 / 58 / 6 / 48

HEX #84387C

RGB 132 56 124

HSL 306.32, 0.4%, 0.37%

LAB 36.35, 41.95, -23.58

 

CMYK 0 / 40 / 58 / 48

HEX #844F38

RGB 132 79 56

HSL 18.16, 0.4%, 0.37%

LAB 39.21, 19.8, 22.93

 

CMYK 57 / 0 / 51 / 47

HEX #398641

RGB 57 134 65

HSL 126.23, 0.4%, 0.37%

LAB 49.86, -38.99, 29.98

 

CMYK 58 / 35 / 0 / 48

HEX #385684

RGB 56 86 132

HSL 216.32, 0.4%, 0.37%

LAB 36.29, 3.53, -29.15

 

CMYK 0 / 58 / 6 / 48

HEX #84387C

RGB 132 56 124

HSL 306.32, 0.4%, 0.37%

LAB 36.35, 41.95, -23.58

 

CMYK 0 / 23 / 58 / 48

HEX #846538

RGB 132 101 56

HSL 35.53, 0.4%, 0.37%

LAB 44.94, 6.83, 30.01

 

Description

Color code: HEX #398641 | qconv.com Color code: HEX #398641 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 134 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 134 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 51 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 51% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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