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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3996C0 it is the complementary color #C6693F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3996C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3996C0 shade: #3E96BB, #4FA8CE, #60BAE1, #71CCF4 and #82DEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3996C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3996C0 shade: #3996C0, #2884AD, #17729A, #066087 and #004E74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3996C0 shade: #3996C0, #3972C0, #394DC0, #4939C0 and #6E39C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3996C0 shade: #3996C0, #3972C0, #394DC0 and #3939C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3996C0 shade matches the following richer shades: #3996C0, #259ED4 and #11A5E8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3996C0 shade: #3996C0, #4D8EAC, #618797, #767F83 and #8A776F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3996C0 shade: #39C0A0, #39BBC0, #3997C0, #3973C0 and #394FC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3996C0 shade: #266480, #2F7DA0, #3996C0, #56A7CC and #76B8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3996C0 shade: #3996C0, #7C39C0 and #C0B239

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3996C0 shade: #3996C0, #C03997 and #97C039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3996C0 shade: #3996C0, #7C39C0, #C06139 and #7CC039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3996C0 shade: #3996C0, #A539C0, #C06139 and #54C039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

Complementary color

CMYK 0 / 47 / 68 / 22

HEX #C6693F

RGB 198 105 63

HSL 18.67, 0.54%, 0.51%

LAB 54.52, 33.56, 39.61

 

CMYK 67 / 20 / 0 / 27

HEX #3E96BB

RGB 62 150 187

HSL 197.76, 0.5%, 0.49%

LAB 58.44, -14.5, -26.94

 

CMYK 62 / 18 / 0 / 19

HEX #4FA8CE

RGB 79 168 206

HSL 197.95, 0.56%, 0.56%

LAB 65.06, -15.26, -27.32

 

CMYK 57 / 17 / 0 / 12

HEX #60BAE1

RGB 96 186 225

HSL 198.14, 0.68%, 0.63%

LAB 71.58, -15.84, -27.68

 

CMYK 54 / 16 / 0 / 4

HEX #71CCF4

RGB 113 204 244

HSL 198.32, 0.86%, 0.7%

LAB 78.01, -16.29, -28.02

 

CMYK 49 / 13 / 0 / 0

HEX #82DEFF

RGB 130 222 255

HSL 195.84, 1%, 0.75%

LAB 84.07, -18.84, -24.54

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 77 / 24 / 0 / 32

HEX #2884AD

RGB 40 132 173

HSL 198.5, 0.62%, 0.42%

LAB 51.8, -12.39, -29.27

 

CMYK 85 / 26 / 0 / 40

HEX #17729A

RGB 23 114 154

HSL 198.32, 0.74%, 0.35%

LAB 45.01, -10.74, -28.79

 

CMYK 96 / 29 / 0 / 47

HEX #066087

RGB 6 96 135

HSL 198.14, 0.91%, 0.28%

LAB 38.12, -8.52, -28.22

 

CMYK 100 / 33 / 0 / 55

HEX #004E74

RGB 0 78 116

HSL 199.66, 1%, 0.23%

LAB 31.14, -5.46, -27.49

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 70 / 41 / 0 / 25

HEX #3972C0

RGB 57 114 192

HSL 214.67, 0.54%, 0.49%

LAB 47.89, 7.52, -46.36

 

CMYK 70 / 60 / 0 / 25

HEX #394DC0

RGB 57 77 192

HSL 231.11, 0.54%, 0.49%

LAB 37.81, 31.2, -62.61

 

CMYK 62 / 70 / 0 / 25

HEX #4939C0

RGB 73 57 192

HSL 247.11, 0.54%, 0.49%

LAB 34.29, 45.55, -68.33

 

CMYK 43 / 70 / 0 / 25

HEX #6E39C0

RGB 110 57 192

HSL 263.56, 0.54%, 0.49%

LAB 37.93, 51.51, -62.23

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 70 / 41 / 0 / 25

HEX #3972C0

RGB 57 114 192

HSL 214.67, 0.54%, 0.49%

LAB 47.89, 7.52, -46.36

 

CMYK 70 / 60 / 0 / 25

HEX #394DC0

RGB 57 77 192

HSL 231.11, 0.54%, 0.49%

LAB 37.81, 31.2, -62.61

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 83 / 25 / 0 / 17

HEX #259ED4

RGB 37 158 212

HSL 198.51, 0.7%, 0.49%

LAB 61.31, -13.41, -36.56

 

CMYK 93 / 29 / 0 / 9

HEX #11A5E8

RGB 17 165 232

HSL 198.7, 0.86%, 0.49%

LAB 64.04, -11.33, -43.36

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 55 / 17 / 0 / 33

HEX #4D8EAC

RGB 77 142 172

HSL 198.95, 0.38%, 0.49%

LAB 55.99, -12.02, -22.13

 

CMYK 36 / 11 / 0 / 41

HEX #618797

RGB 97 135 151

HSL 197.78, 0.22%, 0.49%

LAB 54.14, -9.04, -12.78

 

CMYK 10 / 3 / 0 / 49

HEX #767F83

RGB 118 127 131

HSL 198.46, 0.05%, 0.49%

LAB 52.59, -2.47, -3.32

 

CMYK 0 / 14 / 20 / 46

HEX #8A776F

RGB 138 119 111

HSL 17.78, 0.11%, 0.49%

LAB 51.55, 5.98, 7.11

 

CMYK 70 / 0 / 17 / 25

HEX #39C0A0

RGB 57 192 160

HSL 165.78, 0.54%, 0.49%

LAB 70.25, -43.57, 5.74

 

CMYK 70 / 3 / 0 / 25

HEX #39BBC0

RGB 57 187 192

HSL 182.22, 0.54%, 0.49%

LAB 69.62, -32.57, -12.71

 

CMYK 70 / 21 / 0 / 25

HEX #3997C0

RGB 57 151 192

HSL 198.22, 0.54%, 0.49%

LAB 58.8, -14.16, -29.22

 

CMYK 70 / 40 / 0 / 25

HEX #3973C0

RGB 57 115 192

HSL 214.22, 0.54%, 0.49%

LAB 48.18, 6.9, -45.9

 

CMYK 70 / 59 / 0 / 25

HEX #394FC0

RGB 57 79 192

HSL 230.22, 0.54%, 0.49%

LAB 38.32, 29.91, -61.78

 

CMYK 70 / 22 / 0 / 50

HEX #266480

RGB 38 100 128

HSL 198.67, 0.54%, 0.33%

LAB 39.72, -10.18, -21.42

 

CMYK 71 / 22 / 0 / 37

HEX #2F7DA0

RGB 47 125 160

HSL 198.58, 0.55%, 0.41%

LAB 49.26, -12.01, -25.66

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 58 / 18 / 0 / 20

HEX #56A7CC

RGB 86 167 204

HSL 198.81, 0.54%, 0.57%

LAB 64.94, -14.01, -26.37

 

CMYK 45 / 14 / 0 / 16

HEX #76B8D6

RGB 118 184 214

HSL 198.75, 0.54%, 0.65%

LAB 71.55, -13.1, -21.65

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 35 / 70 / 0 / 25

HEX #7C39C0

RGB 124 57 192

HSL 269.78, 0.54%, 0.49%

LAB 39.61, 54.14, -59.42

 

CMYK 0 / 7 / 70 / 25

HEX #C0B239

RGB 192 178 57

HSL 53.78, 0.54%, 0.49%

LAB 71.79, -8.77, 60.48

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 0 / 70 / 21 / 25

HEX #C03997

RGB 192 57 151

HSL 318.22, 0.54%, 0.49%

LAB 47.45, 62.28, -22.06

 

CMYK 21 / 0 / 70 / 25

HEX #97C039

RGB 151 192 57

HSL 78.22, 0.54%, 0.49%

LAB 72.61, -32.84, 60.28

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 35 / 70 / 0 / 25

HEX #7C39C0

RGB 124 57 192

HSL 269.78, 0.54%, 0.49%

LAB 39.61, 54.14, -59.42

 

CMYK 0 / 49 / 70 / 25

HEX #C06139

RGB 192 97 57

HSL 17.78, 0.54%, 0.49%

LAB 51.9, 35.02, 39.58

 

CMYK 35 / 0 / 70 / 25

HEX #7CC039

RGB 124 192 57

HSL 90.22, 0.54%, 0.49%

LAB 71.06, -42.98, 58.22

 

CMYK 70 / 22 / 0 / 25

HEX #3996C0

RGB 57 150 192

HSL 198.67, 0.54%, 0.49%

LAB 58.5, -13.61, -29.69

 

CMYK 14 / 70 / 0 / 25

HEX #A539C0

RGB 165 57 192

HSL 288, 0.54%, 0.49%

LAB 45.26, 62.55, -50.01

 

CMYK 0 / 49 / 70 / 25

HEX #C06139

RGB 192 97 57

HSL 17.78, 0.54%, 0.49%

LAB 51.9, 35.02, 39.58

 

CMYK 56 / 0 / 70 / 25

HEX #54C039

RGB 84 192 57

HSL 108, 0.54%, 0.49%

LAB 69.38, -55.36, 55.96

 

Description

Color code: HEX #3996C0 | qconv.com Color code: HEX #3996C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 150 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 150 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 22 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 22% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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