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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3992C0 it is the complementary color #C66D3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3992C0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3992C0 shade: #3E92BB, #4FA4CE, #60B6E1, #71C8F4 and #82DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3992C0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3992C0 shade: #3992C0, #2880AD, #176E9A, #065C87 and #004A74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3992C0 shade: #3992C0, #396EC0, #3949C0, #4D39C0 and #7239C0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3992C0 shade: #3992C0, #396EC0, #3949C0 and #3939C0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3992C0 shade matches the following richer shades: #3992C0, #2598D4 and #119FE8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3992C0 shade: #3992C0, #4D8CAC, #618597, #767F83 and #8A786F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3992C0 shade: #39C0A5, #39B7C0, #3993C0, #396FC0 and #394BC0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3992C0 shade: #266280, #2F7AA0, #3992C0, #56A4CC and #76B5D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3992C0 shade: #3992C0, #8139C0 and #C0B739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3992C0 shade: #3992C0, #C03993 and #93C039

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3992C0 shade: #3992C0, #8139C0, #C06639 and #78C039

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3992C0 shade: #3992C0, #A939C0, #C06639 and #4FC039

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

Complementary color

CMYK 0 / 45 / 68 / 22

HEX #C66D3F

RGB 198 109 63

HSL 20.44, 0.54%, 0.51%

LAB 55.38, 31.44, 40.59

 

CMYK 67 / 22 / 0 / 27

HEX #3E92BB

RGB 62 146 187

HSL 199.68, 0.5%, 0.49%

LAB 57.24, -12.3, -28.79

 

CMYK 62 / 20 / 0 / 19

HEX #4FA4CE

RGB 79 164 206

HSL 199.84, 0.56%, 0.56%

LAB 63.89, -13.1, -29.12

 

CMYK 57 / 19 / 0 / 12

HEX #60B6E1

RGB 96 182 225

HSL 200, 0.68%, 0.63%

LAB 70.44, -13.72, -29.43

 

CMYK 54 / 18 / 0 / 4

HEX #71C8F4

RGB 113 200 244

HSL 200.15, 0.86%, 0.7%

LAB 76.89, -14.21, -29.73

 

CMYK 49 / 15 / 0 / 0

HEX #82DAFF

RGB 130 218 255

HSL 197.76, 1%, 0.75%

LAB 82.97, -16.8, -26.22

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 77 / 26 / 0 / 32

HEX #2880AD

RGB 40 128 173

HSL 200.3, 0.62%, 0.42%

LAB 50.58, -10.11, -31.18

 

CMYK 85 / 29 / 0 / 40

HEX #176E9A

RGB 23 110 154

HSL 200.15, 0.74%, 0.35%

LAB 43.75, -8.39, -30.76

 

CMYK 96 / 32 / 0 / 47

HEX #065C87

RGB 6 92 135

HSL 200, 0.91%, 0.28%

LAB 36.82, -6.07, -30.25

 

CMYK 100 / 36 / 0 / 55

HEX #004A74

RGB 0 74 116

HSL 201.72, 1%, 0.23%

LAB 29.81, -2.88, -29.59

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 70 / 43 / 0 / 25

HEX #396EC0

RGB 57 110 192

HSL 216.44, 0.54%, 0.49%

LAB 46.75, 10.02, -48.19

 

CMYK 70 / 62 / 0 / 25

HEX #3949C0

RGB 57 73 192

HSL 232.89, 0.54%, 0.49%

LAB 36.82, 33.75, -64.23

 

CMYK 60 / 70 / 0 / 25

HEX #4D39C0

RGB 77 57 192

HSL 248.89, 0.54%, 0.49%

LAB 34.62, 46.11, -67.78

 

CMYK 41 / 70 / 0 / 25

HEX #7239C0

RGB 114 57 192

HSL 265.33, 0.54%, 0.49%

LAB 38.39, 52.24, -61.46

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 70 / 43 / 0 / 25

HEX #396EC0

RGB 57 110 192

HSL 216.44, 0.54%, 0.49%

LAB 46.75, 10.02, -48.19

 

CMYK 70 / 62 / 0 / 25

HEX #3949C0

RGB 57 73 192

HSL 232.89, 0.54%, 0.49%

LAB 36.82, 33.75, -64.23

 

CMYK 70 / 70 / 0 / 25

HEX #3939C0

RGB 57 57 192

HSL 240, 0.54%, 0.49%

LAB 33.14, 43.57, -70.26

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 83 / 28 / 0 / 17

HEX #2598D4

RGB 37 152 212

HSL 200.57, 0.7%, 0.49%

LAB 59.53, -10.08, -39.34

 

CMYK 93 / 31 / 0 / 9

HEX #119FE8

RGB 17 159 232

HSL 200.37, 0.86%, 0.49%

LAB 62.29, -7.98, -46.12

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 55 / 19 / 0 / 33

HEX #4D8CAC

RGB 77 140 172

HSL 200.21, 0.38%, 0.49%

LAB 55.39, -10.9, -23.05

 

CMYK 36 / 12 / 0 / 41

HEX #618597

RGB 97 133 151

HSL 200, 0.22%, 0.49%

LAB 53.55, -7.92, -13.67

 

CMYK 10 / 3 / 0 / 49

HEX #767F83

RGB 118 127 131

HSL 198.46, 0.05%, 0.49%

LAB 52.59, -2.47, -3.32

 

CMYK 0 / 13 / 20 / 46

HEX #8A786F

RGB 138 120 111

HSL 20, 0.11%, 0.49%

LAB 51.82, 5.4, 7.49

 

CMYK 70 / 0 / 14 / 25

HEX #39C0A5

RGB 57 192 165

HSL 168, 0.54%, 0.49%

LAB 70.38, -42.3, 3.19

 

CMYK 70 / 5 / 0 / 25

HEX #39B7C0

RGB 57 183 192

HSL 184, 0.54%, 0.49%

LAB 68.42, -30.65, -14.52

 

CMYK 70 / 23 / 0 / 25

HEX #3993C0

RGB 57 147 192

HSL 200, 0.54%, 0.49%

LAB 57.6, -11.95, -31.08

 

CMYK 70 / 42 / 0 / 25

HEX #396FC0

RGB 57 111 192

HSL 216, 0.54%, 0.49%

LAB 47.03, 9.39, -47.73

 

CMYK 70 / 61 / 0 / 25

HEX #394BC0

RGB 57 75 192

HSL 232, 0.54%, 0.49%

LAB 37.31, 32.48, -63.42

 

CMYK 70 / 23 / 0 / 50

HEX #266280

RGB 38 98 128

HSL 200, 0.54%, 0.33%

LAB 39.08, -8.99, -22.41

 

CMYK 71 / 24 / 0 / 37

HEX #2F7AA0

RGB 47 122 160

HSL 200.18, 0.55%, 0.41%

LAB 48.34, -10.29, -27.1

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 58 / 20 / 0 / 20

HEX #56A4CC

RGB 86 164 204

HSL 200.34, 0.54%, 0.57%

LAB 64.07, -12.39, -27.72

 

CMYK 45 / 15 / 0 / 16

HEX #76B5D6

RGB 118 181 214

HSL 200.63, 0.54%, 0.65%

LAB 70.7, -11.5, -22.94

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 33 / 70 / 0 / 25

HEX #8139C0

RGB 129 57 192

HSL 272, 0.54%, 0.49%

LAB 40.24, 55.11, -58.36

 

CMYK 0 / 5 / 70 / 25

HEX #C0B739

RGB 192 183 57

HSL 56, 0.54%, 0.49%

LAB 73.13, -11.35, 61.82

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 0 / 70 / 23 / 25

HEX #C03993

RGB 192 57 147

HSL 320, 0.54%, 0.49%

LAB 47.29, 61.75, -19.91

 

CMYK 23 / 0 / 70 / 25

HEX #93C039

RGB 147 192 57

HSL 80, 0.54%, 0.49%

LAB 72.36, -34.41, 59.95

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 33 / 70 / 0 / 25

HEX #8139C0

RGB 129 57 192

HSL 272, 0.54%, 0.49%

LAB 40.24, 55.11, -58.36

 

CMYK 0 / 47 / 70 / 25

HEX #C06639

RGB 192 102 57

HSL 20, 0.54%, 0.49%

LAB 52.95, 32.39, 40.76

 

CMYK 38 / 0 / 70 / 25

HEX #78C039

RGB 120 192 57

HSL 92, 0.54%, 0.49%

LAB 70.86, -44.37, 57.95

 

CMYK 70 / 24 / 0 / 25

HEX #3992C0

RGB 57 146 192

HSL 200.44, 0.54%, 0.49%

LAB 57.3, -11.4, -31.54

 

CMYK 12 / 70 / 0 / 25

HEX #A939C0

RGB 169 57 192

HSL 289.78, 0.54%, 0.49%

LAB 45.86, 63.41, -49.02

 

CMYK 0 / 47 / 70 / 25

HEX #C06639

RGB 192 102 57

HSL 20, 0.54%, 0.49%

LAB 52.95, 32.39, 40.76

 

CMYK 59 / 0 / 70 / 25

HEX #4FC039

RGB 79 192 57

HSL 110.22, 0.54%, 0.49%

LAB 69.22, -56.62, 55.74

 

Description

Color code: HEX #3992C0 | qconv.com Color code: HEX #3992C0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 146 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 146 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 24 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 24% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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