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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39A6D4 it is the complementary color #C6592B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39A6D4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39A6D4 shade: #3EA6CF, #4FB8E2, #60CAF5, #71DCFF and #82EEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39A6D4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39A6D4 shade: #39A6D4, #2894C1, #1782AE, #06709B and #005E88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39A6D4 shade: #3AA6D3, #3A7CD3, #3A53D3, #4A3AD3 and #743AD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39A6D4 shade: #3AA6D3, #3A7CD3, #3A53D3 and #3A3AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39A6D4 shade matches the following richer shades: #3AA6D3, #27AEE7 and #13B6FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39A6D4 shade: #3AA6D3, #4D9EC0, #6196AD, #748E99 and #888686

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39A6D4 shade: #3AD3AD, #3AD1D3, #3AA8D3, #3A7FD3 and #3A56D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39A6D4 shade: #217699, #2990BB, #3AA6D3, #5CB5DB and #7EC4E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39A6D4 shade: #39A6D4, #843AD3 and #D3C13A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39A6D4 shade: #39A6D4, #D33AA8 and #A8D33A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39A6D4 shade: #39A6D4, #843AD3, #D3653A and #89D33A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39A6D4 shade: #39A6D4, #B23AD3, #D3653A and #5BD33A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

Complementary color

CMYK 0 / 55 / 78 / 22

HEX #C6592B

RGB 198 89 43

HSL 17.81, 0.64%, 0.47%

LAB 51.07, 40.81, 46.09

 

CMYK 70 / 20 / 0 / 19

HEX #3EA6CF

RGB 62 166 207

HSL 196.97, 0.6%, 0.53%

LAB 64, -16.61, -29.56

 

CMYK 65 / 19 / 0 / 11

HEX #4FB8E2

RGB 79 184 226

HSL 197.14, 0.72%, 0.6%

LAB 70.48, -17.5, -29.97

 

CMYK 61 / 18 / 0 / 4

HEX #60CAF5

RGB 96 202 245

HSL 197.32, 0.88%, 0.67%

LAB 76.87, -18.19, -30.35

 

CMYK 56 / 14 / 0 / 0

HEX #71DCFF

RGB 113 220 255

HSL 194.79, 1%, 0.72%

LAB 82.87, -21.32, -26.44

 

CMYK 49 / 7 / 0 / 0

HEX #82EEFF

RGB 130 238 255

HSL 188.16, 1%, 0.75%

LAB 88.5, -26.76, -17.84

 

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

CMYK 79 / 23 / 0 / 24

HEX #2894C1

RGB 40 148 193

HSL 197.65, 0.66%, 0.46%

LAB 57.54, -14.28, -31.77

 

CMYK 87 / 25 / 0 / 32

HEX #1782AE

RGB 23 130 174

HSL 197.48, 0.77%, 0.39%

LAB 50.92, -12.53, -31.24

 

CMYK 96 / 28 / 0 / 39

HEX #06709B

RGB 6 112 155

HSL 197.32, 0.93%, 0.32%

LAB 44.22, -10.25, -30.63

 

CMYK 100 / 31 / 0 / 47

HEX #005E88

RGB 0 94 136

HSL 198.53, 1%, 0.27%

LAB 37.45, -7.26, -29.88

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 73 / 41 / 0 / 17

HEX #3A7CD3

RGB 58 124 211

HSL 214.12, 0.63%, 0.53%

LAB 51.86, 8.39, -50.89

 

CMYK 73 / 61 / 0 / 17

HEX #3A53D3

RGB 58 83 211

HSL 230.2, 0.63%, 0.53%

LAB 40.88, 34.3, -68.61

 

CMYK 65 / 73 / 0 / 17

HEX #4A3AD3

RGB 74 58 211

HSL 246.27, 0.63%, 0.53%

LAB 36.34, 51.03, -76.02

 

CMYK 45 / 73 / 0 / 17

HEX #743AD3

RGB 116 58 211

HSL 262.75, 0.63%, 0.53%

LAB 40.32, 56.98, -69.35

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 73 / 41 / 0 / 17

HEX #3A7CD3

RGB 58 124 211

HSL 214.12, 0.63%, 0.53%

LAB 51.86, 8.39, -50.89

 

CMYK 73 / 61 / 0 / 17

HEX #3A53D3

RGB 58 83 211

HSL 230.2, 0.63%, 0.53%

LAB 40.88, 34.3, -68.61

 

CMYK 73 / 73 / 0 / 17

HEX #3A3AD3

RGB 58 58 211

HSL 240, 0.63%, 0.53%

LAB 35.26, 49.35, -77.84

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 83 / 25 / 0 / 9

HEX #27AEE7

RGB 39 174 231

HSL 197.81, 0.8%, 0.53%

LAB 66.88, -15.31, -38.35

 

CMYK 92 / 27 / 0 / 2

HEX #13B6FA

RGB 19 182 250

HSL 197.66, 0.96%, 0.53%

LAB 69.82, -14.11, -44.11

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 60 / 18 / 0 / 25

HEX #4D9EC0

RGB 77 158 192

HSL 197.74, 0.48%, 0.53%

LAB 61.51, -14.6, -24.98

 

CMYK 44 / 13 / 0 / 32

HEX #6196AD

RGB 97 150 173

HSL 198.16, 0.32%, 0.53%

LAB 59.32, -11.36, -17.54

 

CMYK 24 / 7 / 0 / 40

HEX #748E99

RGB 116 142 153

HSL 197.84, 0.15%, 0.53%

LAB 57.42, -6.6, -8.88

 

CMYK 0 / 1 / 1 / 47

HEX #888686

RGB 136 134 134

HSL 0, 0.01%, 0.53%

LAB 56.09, 0.75, 0.26

 

CMYK 73 / 0 / 18 / 17

HEX #3AD3AD

RGB 58 211 173

HSL 165.1, 0.63%, 0.53%

LAB 76.38, -48.25, 7.52

 

CMYK 73 / 1 / 0 / 17

HEX #3AD1D3

RGB 58 209 211

HSL 180.78, 0.63%, 0.53%

LAB 76.8, -37.23, -12.28

 

CMYK 73 / 20 / 0 / 17

HEX #3AA8D3

RGB 58 168 211

HSL 196.86, 0.63%, 0.53%

LAB 64.65, -16.91, -30.78

 

CMYK 73 / 40 / 0 / 17

HEX #3A7FD3

RGB 58 127 211

HSL 212.94, 0.63%, 0.53%

LAB 52.71, 6.55, -49.53

 

CMYK 73 / 59 / 0 / 17

HEX #3A56D3

RGB 58 86 211

HSL 229.02, 0.63%, 0.53%

LAB 41.62, 32.4, -67.4

 

CMYK 78 / 23 / 0 / 40

HEX #217699

RGB 33 118 153

HSL 197.5, 0.65%, 0.36%

LAB 46.42, -12.39, -26

 

CMYK 78 / 23 / 0 / 27

HEX #2990BB

RGB 41 144 187

HSL 197.67, 0.64%, 0.45%

LAB 56.09, -14.06, -30.62

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 58 / 17 / 0 / 14

HEX #5CB5DB

RGB 92 181 219

HSL 197.95, 0.64%, 0.61%

LAB 69.78, -15.77, -27.19

 

CMYK 44 / 13 / 0 / 11

HEX #7EC4E2

RGB 126 196 226

HSL 198, 0.63%, 0.69%

LAB 75.7, -14.22, -21.81

 

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

CMYK 37 / 73 / 0 / 17

HEX #843AD3

RGB 132 58 211

HSL 269.02, 0.63%, 0.53%

LAB 42.21, 59.72, -66.18

 

CMYK 0 / 9 / 73 / 17

HEX #D3C13A

RGB 211 193 58

HSL 52.94, 0.63%, 0.53%

LAB 77.46, -8.29, 66.22

 

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

CMYK 0 / 73 / 20 / 17

HEX #D33AA8

RGB 211 58 168

HSL 316.86, 0.63%, 0.53%

LAB 51.5, 68.95, -25.64

 

CMYK 20 / 0 / 73 / 17

HEX #A8D33A

RGB 168 211 58

HSL 76.86, 0.63%, 0.53%

LAB 79.17, -34.87, 66.77

 

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

CMYK 37 / 73 / 0 / 17

HEX #843AD3

RGB 132 58 211

HSL 269.02, 0.63%, 0.53%

LAB 42.21, 59.72, -66.18

 

CMYK 0 / 52 / 73 / 17

HEX #D3653A

RGB 211 101 58

HSL 16.86, 0.63%, 0.53%

LAB 55.54, 40.47, 43.89

 

CMYK 35 / 0 / 73 / 17

HEX #89D33A

RGB 137 211 58

HSL 89.02, 0.63%, 0.53%

LAB 77.41, -46.38, 64.45

 

CMYK 73 / 22 / 0 / 17

HEX #39A6D4

RGB 57 166 212

HSL 197.81, 0.64%, 0.53%

LAB 64.08, -15.63, -32.22

 

CMYK 16 / 73 / 0 / 17

HEX #B23AD3

RGB 178 58 211

HSL 287.06, 0.63%, 0.53%

LAB 48.5, 68.46, -55.69

 

CMYK 0 / 52 / 73 / 17

HEX #D3653A

RGB 211 101 58

HSL 16.86, 0.63%, 0.53%

LAB 55.54, 40.47, 43.89

 

CMYK 57 / 0 / 73 / 17

HEX #5BD33A

RGB 91 211 58

HSL 107.06, 0.63%, 0.53%

LAB 75.52, -60.34, 61.94

 

Description

Color code: HEX #39A6D4 | qconv.com Color code: HEX #39A6D4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 166 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 166 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 22 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 22% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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