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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39A0D0 it is the complementary color #C65F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39A0D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39A0D0 shade: #3EA0CB, #4FB2DE, #60C4F1, #71D6FF and #82E8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39A0D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39A0D0 shade: #39A0D0, #288EBD, #177CAA, #066A97 and #005884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39A0D0 shade: #38A0D0, #3877D0, #384ED0, #4B38D0 and #7438D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39A0D0 shade: #38A0D0, #3877D0, #384ED0 and #3838D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39A0D0 shade matches the following richer shades: #38A0D0, #24A7E4 and #11AEF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39A0D0 shade: #38A0D0, #4C99BC, #6091A8, #748A95 and #878381

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39A0D0 shade: #38D0AF, #38C8D0, #38A0D0, #3877D0 and #384FD0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39A0D0 shade: #226F93, #2A89B5, #38A0D0, #5AB0D8 and #7BC0E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39A0D0 shade: #39A0D0, #8738D0 and #D0C338

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39A0D0 shade: #39A0D0, #D038A0 and #A0D038

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39A0D0 shade: #39A0D0, #8738D0, #D06838 and #82D038

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39A0D0 shade: #39A0D0, #B438D0, #D06838 and #54D038

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

Complementary color

CMYK 0 / 52 / 76 / 22

HEX #C65F2F

RGB 198 95 47

HSL 19.07, 0.62%, 0.48%

LAB 52.28, 37.96, 45.37

 

CMYK 69 / 21 / 0 / 20

HEX #3EA0CB

RGB 62 160 203

HSL 198.3, 0.58%, 0.52%

LAB 62.06, -14.69, -30.32

 

CMYK 64 / 20 / 0 / 13

HEX #4FB2DE

RGB 79 178 222

HSL 198.46, 0.68%, 0.59%

LAB 68.59, -15.58, -30.7

 

CMYK 60 / 19 / 0 / 5

HEX #60C4F1

RGB 96 196 241

HSL 198.62, 0.84%, 0.66%

LAB 75.02, -16.28, -31.05

 

CMYK 56 / 16 / 0 / 0

HEX #71D6FF

RGB 113 214 255

HSL 197.32, 1%, 0.72%

LAB 81.19, -18.28, -29

 

CMYK 49 / 9 / 0 / 0

HEX #82E8FF

RGB 130 232 255

HSL 191.04, 1%, 0.75%

LAB 86.84, -23.83, -20.35

 

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

CMYK 79 / 25 / 0 / 26

HEX #288EBD

RGB 40 142 189

HSL 198.93, 0.65%, 0.45%

LAB 55.55, -12.36, -32.59

 

CMYK 86 / 27 / 0 / 33

HEX #177CAA

RGB 23 124 170

HSL 198.78, 0.76%, 0.38%

LAB 48.88, -10.57, -32.12

 

CMYK 96 / 30 / 0 / 41

HEX #066A97

RGB 6 106 151

HSL 198.62, 0.92%, 0.31%

LAB 42.13, -8.25, -31.55

 

CMYK 100 / 33 / 0 / 48

HEX #005884

RGB 0 88 132

HSL 200, 1%, 0.26%

LAB 35.29, -5.17, -30.84

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 73 / 43 / 0 / 18

HEX #3877D0

RGB 56 119 208

HSL 215.13, 0.62%, 0.52%

LAB 50.2, 10.11, -51.83

 

CMYK 73 / 63 / 0 / 18

HEX #384ED0

RGB 56 78 208

HSL 231.32, 0.62%, 0.52%

LAB 39.32, 36.15, -69.45

 

CMYK 64 / 73 / 0 / 18

HEX #4B38D0

RGB 75 56 208

HSL 247.5, 0.62%, 0.52%

LAB 35.75, 51.29, -75.26

 

CMYK 44 / 73 / 0 / 18

HEX #7438D0

RGB 116 56 208

HSL 263.68, 0.62%, 0.52%

LAB 39.74, 57.14, -68.55

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 73 / 43 / 0 / 18

HEX #3877D0

RGB 56 119 208

HSL 215.13, 0.62%, 0.52%

LAB 50.2, 10.11, -51.83

 

CMYK 73 / 63 / 0 / 18

HEX #384ED0

RGB 56 78 208

HSL 231.32, 0.62%, 0.52%

LAB 39.32, 36.15, -69.45

 

CMYK 73 / 73 / 0 / 18

HEX #3838D0

RGB 56 56 208

HSL 240, 0.62%, 0.52%

LAB 34.44, 49.31, -77.45

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 84 / 27 / 0 / 11

HEX #24A7E4

RGB 36 167 228

HSL 199.06, 0.78%, 0.52%

LAB 64.65, -12.79, -40.19

 

CMYK 93 / 30 / 0 / 3

HEX #11AEF8

RGB 17 174 248

HSL 199.22, 0.94%, 0.52%

LAB 67.4, -10.54, -46.83

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 60 / 19 / 0 / 26

HEX #4C99BC

RGB 76 153 188

HSL 198.75, 0.46%, 0.52%

LAB 59.84, -13.32, -25.3

 

CMYK 43 / 14 / 0 / 34

HEX #6091A8

RGB 96 145 168

HSL 199.17, 0.29%, 0.52%

LAB 57.62, -10.26, -17.28

 

CMYK 22 / 7 / 0 / 42

HEX #748A95

RGB 116 138 149

HSL 200, 0.13%, 0.52%

LAB 56.15, -5.31, -8.49

 

CMYK 0 / 3 / 4 / 47

HEX #878381

RGB 135 131 129

HSL 20, 0.02%, 0.52%

LAB 55.04, 1.12, 1.6

 

CMYK 73 / 0 / 16 / 18

HEX #38D0AF

RGB 56 208 175

HSL 166.97, 0.62%, 0.52%

LAB 75.48, -46.75, 5.15

 

CMYK 73 / 4 / 0 / 18

HEX #38C8D0

RGB 56 200 208

HSL 183.16, 0.62%, 0.52%

LAB 74, -34.14, -14.87

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 73 / 43 / 0 / 18

HEX #3877D0

RGB 56 119 208

HSL 215.13, 0.62%, 0.52%

LAB 50.2, 10.11, -51.83

 

CMYK 73 / 62 / 0 / 18

HEX #384FD0

RGB 56 79 208

HSL 230.92, 0.62%, 0.52%

LAB 39.56, 35.52, -69.05

 

CMYK 77 / 24 / 0 / 42

HEX #226F93

RGB 34 111 147

HSL 199.12, 0.62%, 0.35%

LAB 43.97, -10.39, -26.25

 

CMYK 77 / 24 / 0 / 29

HEX #2A89B5

RGB 42 137 181

HSL 198.99, 0.62%, 0.44%

LAB 53.73, -12.15, -30.87

 

CMYK 73 / 23 / 0 / 18

HEX #38A0D0

RGB 56 160 208

HSL 198.95, 0.62%, 0.52%

LAB 62.11, -13.85, -33.05

 

CMYK 58 / 19 / 0 / 15

HEX #5AB0D8

RGB 90 176 216

HSL 199.05, 0.62%, 0.6%

LAB 68.15, -14.41, -28.05

 

CMYK 45 / 14 / 0 / 12

HEX #7BC0E0

RGB 123 192 224

HSL 199.01, 0.62%, 0.68%

LAB 74.38, -13.39, -22.76

 

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

CMYK 35 / 73 / 0 / 18

HEX #8738D0

RGB 135 56 208

HSL 271.18, 0.62%, 0.52%

LAB 42.05, 60.41, -64.69

 

CMYK 0 / 6 / 73 / 18

HEX #D0C338

RGB 208 195 56

HSL 54.87, 0.62%, 0.52%

LAB 77.71, -10.69, 67.09

 

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

CMYK 0 / 73 / 23 / 18

HEX #D038A0

RGB 208 56 160

HSL 318.95, 0.62%, 0.52%

LAB 50.42, 67.83, -22.61

 

CMYK 23 / 0 / 73 / 18

HEX #A0D038

RGB 160 208 56

HSL 78.95, 0.62%, 0.52%

LAB 77.8, -36.72, 65.95

 

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

CMYK 35 / 73 / 0 / 18

HEX #8738D0

RGB 135 56 208

HSL 271.18, 0.62%, 0.52%

LAB 42.05, 60.41, -64.69

 

CMYK 0 / 50 / 73 / 18

HEX #D06838

RGB 208 104 56

HSL 18.95, 0.62%, 0.52%

LAB 55.68, 37.69, 44.92

 

CMYK 38 / 0 / 73 / 18

HEX #82D038

RGB 130 208 56

HSL 90.79, 0.62%, 0.52%

LAB 76.16, -47.68, 63.79

 

CMYK 73 / 23 / 0 / 18

HEX #39A0D0

RGB 57 160 208

HSL 199.07, 0.62%, 0.52%

LAB 62.14, -13.72, -33.01

 

CMYK 13 / 73 / 0 / 18

HEX #B438D0

RGB 180 56 208

HSL 288.95, 0.62%, 0.52%

LAB 48.37, 69.01, -54.17

 

CMYK 0 / 50 / 73 / 18

HEX #D06838

RGB 208 104 56

HSL 18.95, 0.62%, 0.52%

LAB 55.68, 37.69, 44.92

 

CMYK 60 / 0 / 73 / 18

HEX #54D038

RGB 84 208 56

HSL 108.95, 0.62%, 0.52%

LAB 74.37, -61.14, 61.41

 

Description

Color code: HEX #39A0D0 | qconv.com Color code: HEX #39A0D0 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 160 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 160 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 23 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 23% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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