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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39AC8F it is the complementary color #C65370. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39AC8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39AC8F shade: #3EAC8A, #4FBE9D, #60D0B0, #71E2C3 and #82F4D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39AC8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39AC8F shade: #39AC8F, #289A7C, #178869, #067656 and #006443

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39AC8F shade: #39AC8F, #39AC70, #39AC51, #40AC39 and #5FAC39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39AC8F shade: #39AC8F, #39AAAC, #398BAC, #396CAC and #394DAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39AC8F shade matches the following richer shades: #39AC8F, #26BE98, #14D1A1 and #01E3AA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39AC8F shade: #39AC8F, #4B9985, #5E867C, #717473 and #83616A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39AC8F shade: #39AC50, #39AC6E, #39AC8D, #39ACAC and #398DAC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39AC8F shade: #246E5B, #2F8D75, #39AC8F, #4BC3A5 and #6ACDB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39AC8F shade: #39AC8F, #3941AC and #AC5F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39AC8F shade: #39AC8F, #8D39AC and #AC8D39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39AC8F shade: #39AC8F, #3941AC, #AC3957 and #ACA439

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39AC8F shade: #39AC8F, #5439AC, #AC3957 and #91AC39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

Complementary color

CMYK 0 / 58 / 43 / 22

HEX #C65370

RGB 198 83 112

HSL 344.87, 0.5%, 0.55%

LAB 51.11, 48.53, 6.92

 

CMYK 64 / 0 / 20 / 33

HEX #3EAC8A

RGB 62 172 138

HSL 161.45, 0.47%, 0.46%

LAB 63.64, -39.46, 8.39

 

CMYK 58 / 0 / 17 / 25

HEX #4FBE9D

RGB 79 190 157

HSL 162.16, 0.46%, 0.53%

LAB 70.12, -39.62, 7.26

 

CMYK 54 / 0 / 15 / 18

HEX #60D0B0

RGB 96 208 176

HSL 162.86, 0.54%, 0.6%

LAB 76.52, -39.66, 6.24

 

CMYK 50 / 0 / 14 / 11

HEX #71E2C3

RGB 113 226 195

HSL 163.54, 0.66%, 0.66%

LAB 82.83, -39.62, 5.29

 

CMYK 47 / 0 / 12 / 4

HEX #82F4D6

RGB 130 244 214

HSL 164.21, 0.84%, 0.73%

LAB 89.07, -39.53, 4.42

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 74 / 0 / 19 / 40

HEX #289A7C

RGB 40 154 124

HSL 164.21, 0.59%, 0.38%

LAB 57.09, -38.58, 6.82

 

CMYK 83 / 0 / 23 / 47

HEX #178869

RGB 23 136 105

HSL 163.54, 0.71%, 0.31%

LAB 50.46, -37.71, 8.23

 

CMYK 95 / 0 / 27 / 54

HEX #067656

RGB 6 118 86

HSL 162.86, 0.9%, 0.24%

LAB 43.75, -36.32, 9.85

 

CMYK 100 / 0 / 33 / 61

HEX #006443

RGB 0 100 67

HSL 160.2, 1%, 0.2%

LAB 36.97, -34.09, 11.76

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 67 / 0 / 35 / 33

HEX #39AC70

RGB 57 172 112

HSL 148.7, 0.5%, 0.45%

LAB 62.96, -46.15, 21.71

 

CMYK 67 / 0 / 53 / 33

HEX #39AC51

RGB 57 172 81

HSL 132.52, 0.5%, 0.45%

LAB 62.48, -51.55, 37.29

 

CMYK 63 / 0 / 67 / 33

HEX #40AC39

RGB 64 172 57

HSL 116.35, 0.5%, 0.45%

LAB 62.42, -52.98, 48.38

 

CMYK 45 / 0 / 67 / 33

HEX #5FAC39

RGB 95 172 57

HSL 100.17, 0.5%, 0.45%

LAB 63.54, -44.39, 49.92

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 67 / 1 / 0 / 33

HEX #39AAAC

RGB 57 170 172

HSL 181.04, 0.5%, 0.45%

LAB 63.83, -30.25, -10.31

 

CMYK 67 / 19 / 0 / 33

HEX #398BAC

RGB 57 139 172

HSL 197.22, 0.5%, 0.45%

LAB 54.36, -14.2, -24.71

 

CMYK 67 / 37 / 0 / 33

HEX #396CAC

RGB 57 108 172

HSL 213.39, 0.5%, 0.45%

LAB 45.04, 4.02, -39.27

 

CMYK 67 / 55 / 0 / 33

HEX #394DAC

RGB 57 77 172

HSL 229.57, 0.5%, 0.45%

LAB 36.28, 23.99, -53.31

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 80 / 0 / 20 / 25

HEX #26BE98

RGB 38 190 152

HSL 165, 0.67%, 0.45%

LAB 69.12, -47.03, 8.43

 

CMYK 90 / 0 / 23 / 18

HEX #14D1A1

RGB 20 209 161

HSL 164.76, 0.83%, 0.45%

LAB 75.03, -53.75, 11.95

 

CMYK 100 / 0 / 25 / 11

HEX #01E3AA

RGB 1 227 170

HSL 164.87, 0.99%, 0.45%

LAB 80.65, -59.13, 15.1

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 51 / 0 / 13 / 40

HEX #4B9985

RGB 75 153 133

HSL 164.62, 0.34%, 0.45%

LAB 58.01, -29.11, 3.16

 

CMYK 30 / 0 / 7 / 47

HEX #5E867C

RGB 94 134 124

HSL 165, 0.18%, 0.45%

LAB 52.82, -16.16, 0.92

 

CMYK 3 / 0 / 1 / 55

HEX #717473

RGB 113 116 115

HSL 160, 0.01%, 0.45%

LAB 48.56, -1.34, 0.15

 

CMYK 0 / 26 / 19 / 49

HEX #83616A

RGB 131 97 106

HSL 344.12, 0.15%, 0.45%

LAB 44.82, 15.26, 0.3

 

CMYK 67 / 0 / 53 / 33

HEX #39AC50

RGB 57 172 80

HSL 132, 0.5%, 0.45%

LAB 62.47, -51.69, 37.77

 

CMYK 67 / 0 / 36 / 33

HEX #39AC6E

RGB 57 172 110

HSL 147.65, 0.5%, 0.45%

LAB 62.93, -46.55, 22.74

 

CMYK 67 / 0 / 18 / 33

HEX #39AC8D

RGB 57 172 141

HSL 163.83, 0.5%, 0.45%

LAB 63.59, -39.6, 6.63

 

CMYK 67 / 0 / 0 / 33

HEX #39ACAC

RGB 57 172 172

HSL 180, 0.5%, 0.45%

LAB 64.45, -31.22, -9.4

 

CMYK 67 / 18 / 0 / 33

HEX #398DAC

RGB 57 141 172

HSL 196.17, 0.5%, 0.45%

LAB 54.97, -15.3, -23.77

 

CMYK 67 / 0 / 17 / 57

HEX #246E5B

RGB 36 110 91

HSL 164.59, 0.51%, 0.29%

LAB 41.66, -27.68, 3.96

 

CMYK 67 / 0 / 17 / 45

HEX #2F8D75

RGB 47 141 117

HSL 164.68, 0.5%, 0.37%

LAB 52.88, -33.43, 4.81

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 62 / 0 / 15 / 24

HEX #4BC3A5

RGB 75 195 165

HSL 165, 0.5%, 0.53%

LAB 71.72, -40.69, 5.19

 

CMYK 48 / 0 / 12 / 20

HEX #6ACDB4

RGB 106 205 180

HSL 164.85, 0.5%, 0.61%

LAB 76.08, -35.1, 3.51

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 67 / 62 / 0 / 33

HEX #3941AC

RGB 57 65 172

HSL 235.83, 0.5%, 0.45%

LAB 33.2, 31.78, -58.32

 

CMYK 0 / 45 / 67 / 33

HEX #AC5F39

RGB 172 95 57

HSL 19.83, 0.5%, 0.45%

LAB 48.57, 27.93, 35.02

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 18 / 67 / 0 / 33

HEX #8D39AC

RGB 141 57 172

HSL 283.83, 0.5%, 0.45%

LAB 40.52, 53.25, -46.05

 

CMYK 0 / 18 / 67 / 33

HEX #AC8D39

RGB 172 141 57

HSL 43.83, 0.5%, 0.45%

LAB 59.99, 2.25, 47.75

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 67 / 62 / 0 / 33

HEX #3941AC

RGB 57 65 172

HSL 235.83, 0.5%, 0.45%

LAB 33.2, 31.78, -58.32

 

CMYK 0 / 67 / 49 / 33

HEX #AC3957

RGB 172 57 87

HSL 344.35, 0.5%, 0.45%

LAB 41.82, 49.14, 8.44

 

CMYK 0 / 5 / 67 / 33

HEX #ACA439

RGB 172 164 57

HSL 55.83, 0.5%, 0.45%

LAB 66.23, -10.15, 54.29

 

CMYK 67 / 0 / 17 / 33

HEX #39AC8F

RGB 57 172 143

HSL 164.87, 0.5%, 0.45%

LAB 63.64, -39.1, 5.59

 

CMYK 51 / 67 / 0 / 33

HEX #5439AC

RGB 84 57 172

HSL 254.09, 0.5%, 0.45%

LAB 33.54, 41.18, -57.67

 

CMYK 0 / 67 / 49 / 33

HEX #AC3957

RGB 172 57 87

HSL 344.35, 0.5%, 0.45%

LAB 41.82, 49.14, 8.44

 

CMYK 16 / 0 / 67 / 33

HEX #91AC39

RGB 145 172 57

HSL 74.09, 0.5%, 0.45%

LAB 66.38, -25.73, 53.79

 

Description

Color code: HEX #39AC8F | qconv.com Color code: HEX #39AC8F | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 172 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 172 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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