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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39ACA8 it is the complementary color #C65357. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39ACA8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39ACA8 shade: #3EACA3, #4FBEB6, #60D0C9, #71E2DC and #82F4EF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39ACA8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39ACA8 shade: #39ACA8, #289A95, #178882, #06766F and #00645C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39ACA8 shade: #39ACA8, #39AC89, #39AC6A, #39AC4B and #46AC39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39ACA8 shade: #39ACA8, #3991AC, #3972AC, #3953AC and #3939AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39ACA8 shade matches the following richer shades: #39ACA8, #26BEB9, #14D1CA and #01E3DB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39ACA8 shade: #39ACA8, #4B9996, #5E8685, #717474 and #836163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39ACA8 shade: #39AC69, #39AC87, #39ACA6, #3993AC and #3974AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39ACA8 shade: #246E6B, #2F8D89, #39ACA8, #4BC3BF and #6ACDCA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39ACA8 shade: #39ACA8, #4A39AC and #AC7839

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39ACA8 shade: #39ACA8, #A639AC and #ACA639

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39ACA8 shade: #39ACA8, #4A39AC, #AC393F and #9AAC39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39ACA8 shade: #39ACA8, #6D39AC, #AC393F and #78AC39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

Complementary color

CMYK 0 / 58 / 56 / 22

HEX #C65357

RGB 198 83 87

HSL 357.91, 0.5%, 0.55%

LAB 50.55, 46.26, 21.08

 

CMYK 64 / 0 / 5 / 33

HEX #3EACA3

RGB 62 172 163

HSL 175.09, 0.47%, 0.46%

LAB 64.3, -32.98, -4.58

 

CMYK 58 / 0 / 4 / 25

HEX #4FBEB6

RGB 79 190 182

HSL 175.68, 0.46%, 0.53%

LAB 70.78, -33.31, -5.45

 

CMYK 54 / 0 / 3 / 18

HEX #60D0C9

RGB 96 208 201

HSL 176.25, 0.54%, 0.6%

LAB 77.17, -33.51, -6.25

 

CMYK 50 / 0 / 3 / 11

HEX #71E2DC

RGB 113 226 220

HSL 176.81, 0.66%, 0.66%

LAB 83.48, -33.61, -6.99

 

CMYK 47 / 0 / 2 / 4

HEX #82F4EF

RGB 130 244 239

HSL 177.37, 0.84%, 0.73%

LAB 89.71, -33.66, -7.68

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 74 / 0 / 3 / 40

HEX #289A95

RGB 40 154 149

HSL 177.37, 0.59%, 0.38%

LAB 57.78, -31.66, -6.39

 

CMYK 83 / 0 / 4 / 47

HEX #178882

RGB 23 136 130

HSL 176.81, 0.71%, 0.31%

LAB 51.15, -30.62, -5.31

 

CMYK 95 / 0 / 6 / 54

HEX #06766F

RGB 6 118 111

HSL 176.25, 0.9%, 0.24%

LAB 44.44, -29.1, -4.06

 

CMYK 100 / 0 / 8 / 61

HEX #00645C

RGB 0 100 92

HSL 175.2, 1%, 0.2%

LAB 37.64, -26.85, -2.58

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 67 / 0 / 20 / 33

HEX #39AC89

RGB 57 172 137

HSL 161.74, 0.5%, 0.45%

LAB 63.49, -40.58, 8.71

 

CMYK 67 / 0 / 38 / 33

HEX #39AC6A

RGB 57 172 106

HSL 145.57, 0.5%, 0.45%

LAB 62.86, -47.33, 24.8

 

CMYK 67 / 0 / 56 / 33

HEX #39AC4B

RGB 57 172 75

HSL 129.39, 0.5%, 0.45%

LAB 62.41, -52.39, 40.15

 

CMYK 59 / 0 / 67 / 33

HEX #46AC39

RGB 70 172 57

HSL 113.22, 0.5%, 0.45%

LAB 62.59, -51.55, 48.63

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 67 / 16 / 0 / 33

HEX #3991AC

RGB 57 145 172

HSL 194.09, 0.5%, 0.45%

LAB 56.19, -17.47, -21.89

 

CMYK 67 / 34 / 0 / 33

HEX #3972AC

RGB 57 114 172

HSL 210.26, 0.5%, 0.45%

LAB 46.82, 0.33, -36.46

 

CMYK 67 / 52 / 0 / 33

HEX #3953AC

RGB 57 83 172

HSL 226.43, 0.5%, 0.45%

LAB 37.91, 20.06, -50.68

 

CMYK 67 / 67 / 0 / 33

HEX #3939AC

RGB 57 57 172

HSL 240, 0.5%, 0.45%

LAB 31.29, 36.82, -61.44

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 80 / 0 / 3 / 25

HEX #26BEB9

RGB 38 190 185

HSL 178.03, 0.67%, 0.45%

LAB 69.99, -38.09, -8.35

 

CMYK 90 / 0 / 3 / 18

HEX #14D1CA

RGB 20 209 202

HSL 177.78, 0.83%, 0.45%

LAB 76.08, -42.82, -8.56

 

CMYK 100 / 0 / 4 / 11

HEX #01E3DB

RGB 1 227 219

HSL 177.88, 0.99%, 0.45%

LAB 81.87, -46.33, -9.05

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 51 / 0 / 2 / 40

HEX #4B9996

RGB 75 153 150

HSL 177.69, 0.34%, 0.45%

LAB 58.49, -24.69, -5.81

 

CMYK 30 / 0 / 1 / 47

HEX #5E8685

RGB 94 134 133

HSL 178.5, 0.18%, 0.45%

LAB 53.08, -14.01, -3.93

 

CMYK 3 / 0 / 0 / 55

HEX #717474

RGB 113 116 116

HSL 180, 0.01%, 0.45%

LAB 48.59, -1.13, -0.4

 

CMYK 0 / 26 / 24 / 49

HEX #836163

RGB 131 97 99

HSL 356.47, 0.15%, 0.45%

LAB 44.63, 14.11, 4.25

 

CMYK 67 / 0 / 39 / 33

HEX #39AC69

RGB 57 172 105

HSL 145.04, 0.5%, 0.45%

LAB 62.84, -47.52, 25.31

 

CMYK 67 / 0 / 22 / 33

HEX #39AC87

RGB 57 172 135

HSL 160.7, 0.5%, 0.45%

LAB 63.45, -41.07, 9.75

 

CMYK 67 / 0 / 3 / 33

HEX #39ACA6

RGB 57 172 166

HSL 176.87, 0.5%, 0.45%

LAB 64.26, -32.94, -6.32

 

CMYK 67 / 15 / 0 / 33

HEX #3993AC

RGB 57 147 172

HSL 193.04, 0.5%, 0.45%

LAB 56.8, -18.55, -20.96

 

CMYK 67 / 33 / 0 / 33

HEX #3974AC

RGB 57 116 172

HSL 209.22, 0.5%, 0.45%

LAB 47.42, -0.89, -35.52

 

CMYK 67 / 0 / 3 / 57

HEX #246E6B

RGB 36 110 107

HSL 177.57, 0.51%, 0.29%

LAB 42.14, -23.05, -5.01

 

CMYK 67 / 0 / 3 / 45

HEX #2F8D89

RGB 47 141 137

HSL 177.45, 0.5%, 0.37%

LAB 53.45, -27.88, -5.92

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 62 / 0 / 2 / 24

HEX #4BC3BF

RGB 75 195 191

HSL 178, 0.5%, 0.53%

LAB 72.42, -33.94, -7.95

 

CMYK 48 / 0 / 1 / 20

HEX #6ACDCA

RGB 106 205 202

HSL 178.18, 0.5%, 0.61%

LAB 76.67, -29.71, -7.48

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 57 / 67 / 0 / 33

HEX #4A39AC

RGB 74 57 172

HSL 248.87, 0.5%, 0.45%

LAB 32.61, 39.42, -59.22

 

CMYK 0 / 30 / 67 / 33

HEX #AC7839

RGB 172 120 57

HSL 32.87, 0.5%, 0.45%

LAB 54.55, 13.97, 41.81

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 3 / 67 / 0 / 33

HEX #A639AC

RGB 166 57 172

HSL 296.87, 0.5%, 0.45%

LAB 44.25, 59.1, -39.88

 

CMYK 0 / 3 / 67 / 33

HEX #ACA639

RGB 172 166 57

HSL 56.87, 0.5%, 0.45%

LAB 66.78, -11.2, 54.86

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 57 / 67 / 0 / 33

HEX #4A39AC

RGB 74 57 172

HSL 248.87, 0.5%, 0.45%

LAB 32.61, 39.42, -59.22

 

CMYK 0 / 67 / 63 / 33

HEX #AC393F

RGB 172 57 63

HSL 356.87, 0.5%, 0.45%

LAB 41.3, 47.25, 22.66

 

CMYK 10 / 0 / 67 / 33

HEX #9AAC39

RGB 154 172 57

HSL 69.39, 0.5%, 0.45%

LAB 67.03, -21.98, 54.67

 

CMYK 67 / 0 / 2 / 33

HEX #39ACA8

RGB 57 172 168

HSL 177.91, 0.5%, 0.45%

LAB 64.32, -32.37, -7.35

 

CMYK 37 / 67 / 0 / 33

HEX #6D39AC

RGB 109 57 172

HSL 267.13, 0.5%, 0.45%

LAB 36.28, 46.14, -53.09

 

CMYK 0 / 67 / 63 / 33

HEX #AC393F

RGB 172 57 63

HSL 356.87, 0.5%, 0.45%

LAB 41.3, 47.25, 22.66

 

CMYK 30 / 0 / 67 / 33

HEX #78AC39

RGB 120 172 57

HSL 87.13, 0.5%, 0.45%

LAB 64.8, -35.63, 51.64

 

Description

Color code: HEX #39ACA8 | qconv.com Color code: HEX #39ACA8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 172 green and 168 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 172 168 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 2 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 2% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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