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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B45C it is the complementary color #C64BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B45C shade: #3EB457, #4FC66A, #60D87D, #71EA90 and #82FCA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B45C shade: #39B45C, #28A249, #179036, #067E23 and #006C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B45C shade: #38B25B, #38B23A, #57B238, #78B238 and #99B238

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B45C shade: #38B25B, #38B27B, #38B29C, #38A6B2 and #3885B2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B45C shade matches the following richer shades: #38B25B, #25C552 and #12D84A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B45C shade: #38B25B, #4B9F63, #5E8C6B, #717973 and #84667B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B45C shade: #56B238, #38B23A, #38B25A, #38B27B and #38B29B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B45C shade: #24733A, #2E924B, #38B25B, #4DC66F and #6CD088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B45C shade: #39B45C, #3877B2 and #B23846

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B45C shade: #39B45C, #5A38B2 and #B25A38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B45C shade: #39B45C, #3877B2, #B2388F and #B27338

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B45C shade: #39B45C, #3852B2, #B2388F and #B29738

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

Complementary color

CMYK 0 / 62 / 18 / 22

HEX #C64BA3

RGB 198 75 163

HSL 317.07, 0.52%, 0.54%

LAB 51.48, 58.49, -22.9

 

CMYK 66 / 0 / 52 / 29

HEX #3EB457

RGB 62 180 87

HSL 132.71, 0.49%, 0.47%

LAB 65.24, -52.65, 37.73

 

CMYK 60 / 0 / 46 / 22

HEX #4FC66A

RGB 79 198 106

HSL 133.61, 0.51%, 0.54%

LAB 71.62, -53, 36.28

 

CMYK 56 / 0 / 42 / 15

HEX #60D87D

RGB 96 216 125

HSL 134.5, 0.61%, 0.61%

LAB 77.92, -53.12, 34.9

 

CMYK 52 / 0 / 38 / 8

HEX #71EA90

RGB 113 234 144

HSL 135.37, 0.74%, 0.68%

LAB 84.16, -53.11, 33.58

 

CMYK 48 / 0 / 35 / 1

HEX #82FCA3

RGB 130 252 163

HSL 136.23, 0.95%, 0.75%

LAB 90.33, -53, 32.34

 

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

CMYK 75 / 0 / 55 / 36

HEX #28A249

RGB 40 162 73

HSL 136.23, 0.6%, 0.4%

LAB 58.76, -52.07, 36.67

 

CMYK 84 / 0 / 63 / 44

HEX #179036

RGB 23 144 54

HSL 135.37, 0.72%, 0.33%

LAB 52.28, -50.71, 38.19

 

CMYK 95 / 0 / 72 / 51

HEX #067E23

RGB 6 126 35

HSL 134.5, 0.91%, 0.26%

LAB 45.75, -48.5, 39.49

 

CMYK 100 / 0 / 85 / 58

HEX #006C10

RGB 0 108 16

HSL 128.89, 1%, 0.21%

LAB 39.18, -44.96, 40.01

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 69 / 0 / 67 / 30

HEX #38B23A

RGB 56 178 58

HSL 120.98, 0.52%, 0.46%

LAB 64.15, -56.68, 49.78

 

CMYK 51 / 0 / 69 / 30

HEX #57B238

RGB 87 178 56

HSL 104.75, 0.52%, 0.46%

LAB 65.08, -49.33, 51.88

 

CMYK 33 / 0 / 69 / 30

HEX #78B238

RGB 120 178 56

HSL 88.52, 0.52%, 0.46%

LAB 66.61, -38.39, 53.95

 

CMYK 14 / 0 / 69 / 30

HEX #99B238

RGB 153 178 56

HSL 72.3, 0.52%, 0.46%

LAB 68.68, -25.43, 56.73

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 69 / 0 / 31 / 30

HEX #38B27B

RGB 56 178 123

HSL 152.95, 0.52%, 0.46%

LAB 65.05, -46.48, 18.58

 

CMYK 69 / 0 / 12 / 30

HEX #38B29C

RGB 56 178 156

HSL 169.18, 0.52%, 0.46%

LAB 65.81, -38.59, 1.51

 

CMYK 69 / 7 / 0 / 30

HEX #38A6B2

RGB 56 166 178

HSL 185.9, 0.52%, 0.46%

LAB 62.78, -26.64, -15.25

 

CMYK 69 / 25 / 0 / 30

HEX #3885B2

RGB 56 133 178

HSL 202.13, 0.52%, 0.46%

LAB 52.76, -8.97, -30.63

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 81 / 0 / 58 / 23

HEX #25C552

RGB 37 197 82

HSL 136.88, 0.68%, 0.46%

LAB 70.13, -63.09, 45.87

 

CMYK 92 / 0 / 66 / 15

HEX #12D84A

RGB 18 216 74

HSL 136.97, 0.85%, 0.46%

LAB 75.91, -71.4, 55.84

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 53 / 0 / 38 / 38

HEX #4B9F63

RGB 75 159 99

HSL 137.14, 0.36%, 0.46%

LAB 59.15, -39.2, 23.75

 

CMYK 33 / 0 / 24 / 45

HEX #5E8C6B

RGB 94 140 107

HSL 136.96, 0.2%, 0.46%

LAB 54.24, -22.99, 12.74

 

CMYK 7 / 0 / 5 / 53

HEX #717973

RGB 113 121 115

HSL 135, 0.03%, 0.46%

LAB 50.01, -4.23, 2.25

 

CMYK 0 / 23 / 7 / 48

HEX #84667B

RGB 132 102 123

HSL 318, 0.13%, 0.46%

LAB 46.76, 15.77, -7.08

 

CMYK 52 / 0 / 69 / 30

HEX #56B238

RGB 86 178 56

HSL 105.25, 0.52%, 0.46%

LAB 65.05, -49.62, 51.83

 

CMYK 69 / 0 / 67 / 30

HEX #38B23A

RGB 56 178 58

HSL 120.98, 0.52%, 0.46%

LAB 64.15, -56.68, 49.78

 

CMYK 69 / 0 / 49 / 30

HEX #38B25A

RGB 56 178 90

HSL 136.72, 0.52%, 0.46%

LAB 64.5, -52.61, 35.27

 

CMYK 69 / 0 / 31 / 30

HEX #38B27B

RGB 56 178 123

HSL 152.95, 0.52%, 0.46%

LAB 65.05, -46.48, 18.58

 

CMYK 69 / 0 / 13 / 30

HEX #38B29B

RGB 56 178 155

HSL 168.69, 0.52%, 0.46%

LAB 65.79, -38.85, 2.03

 

CMYK 69 / 0 / 50 / 55

HEX #24733A

RGB 36 115 58

HSL 136.71, 0.52%, 0.3%

LAB 42.68, -37.3, 24.64

 

CMYK 68 / 0 / 49 / 43

HEX #2E924B

RGB 46 146 75

HSL 137.4, 0.52%, 0.38%

LAB 53.65, -44.76, 29.35

 

CMYK 69 / 0 / 49 / 30

HEX #38B25B

RGB 56 178 91

HSL 137.21, 0.52%, 0.46%

LAB 64.51, -52.45, 34.78

 

CMYK 61 / 0 / 44 / 22

HEX #4DC66F

RGB 77 198 111

HSL 136.86, 0.51%, 0.54%

LAB 71.63, -52.63, 33.76

 

CMYK 48 / 0 / 35 / 18

HEX #6CD088

RGB 108 208 136

HSL 136.8, 0.52%, 0.62%

LAB 76.12, -44.98, 26.95

 

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

CMYK 69 / 33 / 0 / 30

HEX #3877B2

RGB 56 119 178

HSL 209.02, 0.52%, 0.46%

LAB 48.57, -0.74, -37.19

 

CMYK 0 / 69 / 61 / 30

HEX #B23846

RGB 178 56 70

HSL 353.11, 0.52%, 0.46%

LAB 42.36, 50.13, 19.93

 

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

CMYK 49 / 69 / 0 / 30

HEX #5A38B2

RGB 90 56 178

HSL 256.72, 0.52%, 0.46%

LAB 34.43, 44.58, -59.77

 

CMYK 0 / 49 / 69 / 30

HEX #B25A38

RGB 178 90 56

HSL 16.72, 0.52%, 0.46%

LAB 48.34, 33.03, 35.52

 

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

CMYK 69 / 33 / 0 / 30

HEX #3877B2

RGB 56 119 178

HSL 209.02, 0.52%, 0.46%

LAB 48.57, -0.74, -37.19

 

CMYK 0 / 69 / 20 / 30

HEX #B2388F

RGB 178 56 143

HSL 317.21, 0.52%, 0.46%

LAB 44.63, 57.89, -21.8

 

CMYK 0 / 35 / 69 / 30

HEX #B27338

RGB 178 115 56

HSL 29.02, 0.52%, 0.46%

LAB 54.04, 19.34, 41.95

 

CMYK 68 / 0 / 49 / 29

HEX #39B45C

RGB 57 180 92

HSL 137.07, 0.52%, 0.46%

LAB 65.19, -52.85, 35.12

 

CMYK 69 / 54 / 0 / 30

HEX #3852B2

RGB 56 82 178

HSL 227.21, 0.52%, 0.46%

LAB 38, 22.74, -54.08

 

CMYK 0 / 69 / 20 / 30

HEX #B2388F

RGB 178 56 143

HSL 317.21, 0.52%, 0.46%

LAB 44.63, 57.89, -21.8

 

CMYK 0 / 15 / 69 / 30

HEX #B29738

RGB 178 151 56

HSL 46.72, 0.52%, 0.46%

LAB 63.25, -0.62, 51.81

 

Description

Color code: HEX #39B45C | qconv.com Color code: HEX #39B45C | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 180 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 180 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 49 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 49% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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