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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B5A2 it is the complementary color #C64A5D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B5A2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B5A2 shade: #3EB59D, #4FC7B0, #60D9C3, #71EBD6 and #82FDE9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B5A2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B5A2 shade: #39B5A2, #28A38F, #17917C, #067F69 and #006D56

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B5A2 shade: #39B6A3, #39B681, #39B65F, #39B63E and #56B639

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B5A2 shade: #39B6A3, #39A7B6, #3986B6, #3964B6 and #3942B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B5A2 shade matches the following richer shades: #39B6A3, #26C9B0 and #12DCBD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B5A2 shade: #39B6A3, #4CA295, #608F88, #737B7A and #87686D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B5A2 shade: #39B65E, #39B680, #39B6A1, #39A9B6 and #3988B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B5A2 shade: #25776A, #2F9687, #39B6A3, #50C8B5 and #70D1C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B5A2 shade: #39B5A2, #3D39B6 and #B66F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B5A2 shade: #39B5A2, #A139B6 and #B6A139

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B5A2 shade: #39B5A2, #3D39B6, #B6394E and #B2B639

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B5A2 shade: #39B5A2, #6339B6, #B6394E and #8CB639

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

Complementary color

CMYK 0 / 63 / 53 / 22

HEX #C64A5D

RGB 198 74 93

HSL 350.81, 0.52%, 0.53%

LAB 49.12, 50.85, 15.57

 

CMYK 66 / 0 / 13 / 29

HEX #3EB59D

RGB 62 181 157

HSL 167.9, 0.49%, 0.48%

LAB 66.9, -38.72, 2.56

 

CMYK 60 / 0 / 12 / 22

HEX #4FC7B0

RGB 79 199 176

HSL 168.5, 0.52%, 0.55%

LAB 73.31, -39.02, 1.54

 

CMYK 56 / 0 / 10 / 15

HEX #60D9C3

RGB 96 217 195

HSL 169.09, 0.61%, 0.61%

LAB 79.64, -39.17, 0.6

 

CMYK 52 / 0 / 9 / 8

HEX #71EBD6

RGB 113 235 214

HSL 169.67, 0.75%, 0.68%

LAB 85.9, -39.24, -0.26

 

CMYK 49 / 0 / 8 / 1

HEX #82FDE9

RGB 130 253 233

HSL 170.24, 0.97%, 0.75%

LAB 92.08, -39.24, -1.07

 

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

CMYK 75 / 0 / 12 / 36

HEX #28A38F

RGB 40 163 143

HSL 170.24, 0.61%, 0.4%

LAB 60.45, -37.54, 0.93

 

CMYK 84 / 0 / 14 / 43

HEX #17917C

RGB 23 145 124

HSL 169.67, 0.73%, 0.33%

LAB 53.91, -36.54, 2.2

 

CMYK 95 / 0 / 17 / 50

HEX #067F69

RGB 6 127 105

HSL 169.09, 0.91%, 0.26%

LAB 47.28, -35.06, 3.66

 

CMYK 100 / 0 / 21 / 57

HEX #006D56

RGB 0 109 86

HSL 167.34, 1%, 0.21%

LAB 40.59, -32.86, 5.36

 

CMYK 69 / 0 / 10 / 29

HEX #39B6A3

RGB 57 182 163

HSL 170.88, 0.52%, 0.47%

LAB 67.25, -38.39, -0.25

 

CMYK 69 / 0 / 29 / 29

HEX #39B681

RGB 57 182 129

HSL 154.56, 0.52%, 0.47%

LAB 66.45, -46.65, 17.26

 

CMYK 69 / 0 / 48 / 29

HEX #39B65F

RGB 57 182 95

HSL 138.24, 0.52%, 0.47%

LAB 65.87, -53.11, 34.45

 

CMYK 69 / 0 / 66 / 29

HEX #39B63E

RGB 57 182 62

HSL 122.4, 0.52%, 0.47%

LAB 65.49, -57.46, 49.57

 

CMYK 53 / 0 / 69 / 29

HEX #56B639

RGB 86 182 57

HSL 106.08, 0.52%, 0.47%

LAB 66.31, -51.07, 52.77

 

CMYK 69 / 0 / 10 / 29

HEX #39B6A3

RGB 57 182 163

HSL 170.88, 0.52%, 0.47%

LAB 67.25, -38.39, -0.25

 

CMYK 69 / 8 / 0 / 29

HEX #39A7B6

RGB 57 167 182

HSL 187.2, 0.52%, 0.47%

LAB 63.25, -25.78, -16.79

 

CMYK 69 / 26 / 0 / 29

HEX #3986B6

RGB 57 134 182

HSL 203.04, 0.52%, 0.47%

LAB 53.27, -8.01, -32.12

 

CMYK 69 / 45 / 0 / 29

HEX #3964B6

RGB 57 100 182

HSL 219.36, 0.52%, 0.47%

LAB 43.3, 12.7, -47.89

 

CMYK 69 / 64 / 0 / 29

HEX #3942B6

RGB 57 66 182

HSL 235.68, 0.52%, 0.47%

LAB 34.28, 34.66, -62.5

 

CMYK 69 / 0 / 10 / 29

HEX #39B6A3

RGB 57 182 163

HSL 170.88, 0.52%, 0.47%

LAB 67.25, -38.39, -0.25

 

CMYK 81 / 0 / 12 / 21

HEX #26C9B0

RGB 38 201 176

HSL 170.8, 0.68%, 0.47%

LAB 73.1, -45.44, 1.13

 

CMYK 92 / 0 / 14 / 14

HEX #12DCBD

RGB 18 220 189

HSL 170.79, 0.85%, 0.47%

LAB 79.04, -51.16, 2.75

 

CMYK 69 / 0 / 10 / 29

HEX #39B6A3

RGB 57 182 163

HSL 170.88, 0.52%, 0.47%

LAB 67.25, -38.39, -0.25

 

CMYK 53 / 0 / 8 / 36

HEX #4CA295

RGB 76 162 149

HSL 170.93, 0.36%, 0.47%

LAB 61.26, -29.2, -1.15

 

CMYK 33 / 0 / 5 / 44

HEX #608F88

RGB 96 143 136

HSL 171.06, 0.2%, 0.47%

LAB 56, -17.52, -1.36

 

CMYK 7 / 0 / 1 / 52

HEX #737B7A

RGB 115 123 122

HSL 172.5, 0.03%, 0.47%

LAB 50.94, -3.18, -0.49

 

CMYK 0 / 23 / 19 / 47

HEX #87686D

RGB 135 104 109

HSL 350.32, 0.13%, 0.47%

LAB 47.18, 13.22, 1.97

 

CMYK 69 / 0 / 48 / 29

HEX #39B65E

RGB 57 182 94

HSL 137.76, 0.52%, 0.47%

LAB 65.85, -53.27, 34.94

 

CMYK 69 / 0 / 30 / 29

HEX #39B680

RGB 57 182 128

HSL 154.08, 0.52%, 0.47%

LAB 66.43, -46.87, 17.77

 

CMYK 69 / 0 / 12 / 29

HEX #39B6A1

RGB 57 182 161

HSL 169.92, 0.52%, 0.47%

LAB 67.2, -38.92, 0.77

 

CMYK 69 / 7 / 0 / 29

HEX #39A9B6

RGB 57 169 182

HSL 186.24, 0.52%, 0.47%

LAB 63.85, -26.78, -15.87

 

CMYK 69 / 25 / 0 / 29

HEX #3988B6

RGB 57 136 182

HSL 202.08, 0.52%, 0.47%

LAB 53.87, -9.16, -31.19

 

CMYK 69 / 0 / 11 / 53

HEX #25776A

RGB 37 119 106

HSL 170.49, 0.53%, 0.31%

LAB 45.12, -27.71, -0.02

 

CMYK 69 / 0 / 10 / 41

HEX #2F9687

RGB 47 150 135

HSL 171.26, 0.52%, 0.39%

LAB 56.25, -32.79, -0.64

 

CMYK 69 / 0 / 10 / 29

HEX #39B6A3

RGB 57 182 163

HSL 170.88, 0.52%, 0.47%

LAB 67.25, -38.39, -0.25

 

CMYK 60 / 0 / 10 / 22

HEX #50C8B5

RGB 80 200 181

HSL 170.5, 0.52%, 0.55%

LAB 73.77, -38.02, -0.5

 

CMYK 46 / 0 / 7 / 18

HEX #70D1C2

RGB 112 209 194

HSL 170.72, 0.51%, 0.63%

LAB 77.84, -32.24, -1.43

 

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

CMYK 66 / 69 / 0 / 29

HEX #3D39B6

RGB 61 57 182

HSL 241.92, 0.52%, 0.47%

LAB 32.47, 40.72, -65.45

 

CMYK 0 / 39 / 69 / 29

HEX #B66F39

RGB 182 111 57

HSL 25.92, 0.52%, 0.47%

LAB 53.61, 23.34, 41.11

 

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

CMYK 12 / 69 / 0 / 29

HEX #A139B6

RGB 161 57 182

HSL 289.92, 0.52%, 0.47%

LAB 44.06, 59.78, -46.12

 

CMYK 0 / 12 / 69 / 29

HEX #B6A139

RGB 182 161 57

HSL 49.92, 0.52%, 0.47%

LAB 66.31, -4.18, 54.67

 

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

CMYK 66 / 69 / 0 / 29

HEX #3D39B6

RGB 61 57 182

HSL 241.92, 0.52%, 0.47%

LAB 32.47, 40.72, -65.45

 

CMYK 0 / 69 / 57 / 29

HEX #B6394E

RGB 182 57 78

HSL 349.92, 0.52%, 0.47%

LAB 43.39, 51.6, 16.48

 

CMYK 2 / 0 / 69 / 29

HEX #B2B639

RGB 178 182 57

HSL 61.92, 0.52%, 0.47%

LAB 71.7, -16.84, 60.01

 

CMYK 69 / 0 / 10 / 29

HEX #39B5A2

RGB 57 181 162

HSL 170.81, 0.52%, 0.47%

LAB 66.92, -38.2, -0.19

 

CMYK 46 / 69 / 0 / 29

HEX #6339B6

RGB 99 57 182

HSL 260.16, 0.52%, 0.47%

LAB 35.9, 46.81, -59.7

 

CMYK 0 / 69 / 57 / 29

HEX #B6394E

RGB 182 57 78

HSL 349.92, 0.52%, 0.47%

LAB 43.39, 51.6, 16.48

 

CMYK 23 / 0 / 69 / 29

HEX #8CB639

RGB 140 182 57

HSL 80.16, 0.52%, 0.47%

LAB 68.99, -32.52, 56.38

 

Description

Color code: HEX #39B5A2 | qconv.com Color code: HEX #39B5A2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 181 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 181 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 10% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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