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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B5FE it is the complementary color #C64A01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B5FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B5FE shade: #3EB5F9, #4FC7FF, #60D9FF, #71EBFF and #82FDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B5FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B5FE shade: #39B5FE, #28A3EB, #1791D8, #067FC5 and #006DB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B5FE shade: #39B5FE, #397FFE, #394AFE, #5C39FE and #9139FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B5FE shade: #39B5FE, #397FFE, #394AFE and #3939FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B5FE shade matches the following richer shades: #39B5FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B5FE shade: #39B5FE, #49B0ED, #59ACDD, #69A8CD and #79A4BD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B5FE shade: #39FEDD, #39EAFE, #39B5FE, #3981FE and #394CFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B5FE shade: #018FE3, #10A5FD, #39B5FE, #62C4FE and #8BD3FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B5FE shade: #39B5FE, #A839FE and #FEF739

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B5FE shade: #39B5FE, #FE39B5 and #B5FE39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B5FE shade: #39B5FE, #A839FE, #FE8139 and #8EFE39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B5FE shade: #39B5FE, #E339FE, #FE8139 and #53FE39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

Complementary color

CMYK 0 / 63 / 99 / 22

HEX #C64A01

RGB 198 74 1

HSL 22.23, 0.99%, 0.39%

LAB 48.14, 47.03, 58.4

 

CMYK 75 / 27 / 0 / 2

HEX #3EB5F9

RGB 62 181 249

HSL 201.82, 0.94%, 0.61%

LAB 70.11, -10.73, -43.07

 

CMYK 69 / 22 / 0 / 0

HEX #4FC7FF

RGB 79 199 255

HSL 199.09, 1%, 0.65%

LAB 75.9, -16.21, -37.25

 

CMYK 62 / 15 / 0 / 0

HEX #60D9FF

RGB 96 217 255

HSL 194.34, 1%, 0.69%

LAB 81.47, -22.84, -28.62

 

CMYK 56 / 8 / 0 / 0

HEX #71EBFF

RGB 113 235 255

HSL 188.45, 1%, 0.72%

LAB 87.07, -28.7, -20.06

 

CMYK 49 / 1 / 0 / 0

HEX #82FDFF

RGB 130 253 255

HSL 180.96, 1%, 0.75%

LAB 92.67, -33.89, -11.59

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 83 / 31 / 0 / 8

HEX #28A3EB

RGB 40 163 235

HSL 202.15, 0.83%, 0.54%

LAB 63.87, -7.79, -45.26

 

CMYK 89 / 33 / 0 / 15

HEX #1791D8

RGB 23 145 216

HSL 202.07, 0.81%, 0.47%

LAB 57.45, -5.61, -44.86

 

CMYK 97 / 36 / 0 / 23

HEX #067FC5

RGB 6 127 197

HSL 201.99, 0.94%, 0.4%

LAB 50.98, -2.94, -44.38

 

CMYK 100 / 39 / 0 / 30

HEX #006DB2

RGB 0 109 178

HSL 203.26, 1%, 0.35%

LAB 44.45, 0.35, -43.8

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 78 / 50 / 0 / 0

HEX #397FFE

RGB 57 127 254

HSL 218.68, 0.99%, 0.61%

LAB 55.28, 22.11, -69.42

 

CMYK 78 / 71 / 0 / 0

HEX #394AFE

RGB 57 74 254

HSL 234.82, 0.99%, 0.61%

LAB 42.65, 54.32, -90.06

 

CMYK 64 / 78 / 0 / 0

HEX #5C39FE

RGB 92 57 254

HSL 250.66, 0.99%, 0.61%

LAB 41.78, 65.95, -91.42

 

CMYK 43 / 78 / 0 / 0

HEX #9139FE

RGB 145 57 254

HSL 266.8, 0.99%, 0.61%

LAB 47.11, 72.27, -82.46

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 78 / 50 / 0 / 0

HEX #397FFE

RGB 57 127 254

HSL 218.68, 0.99%, 0.61%

LAB 55.28, 22.11, -69.42

 

CMYK 78 / 71 / 0 / 0

HEX #394AFE

RGB 57 74 254

HSL 234.82, 0.99%, 0.61%

LAB 42.65, 54.32, -90.06

 

CMYK 78 / 78 / 0 / 0

HEX #3939FE

RGB 57 57 254

HSL 240, 0.99%, 0.61%

LAB 39.5, 63.24, -95.27

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 69 / 26 / 0 / 7

HEX #49B0ED

RGB 73 176 237

HSL 202.32, 0.82%, 0.61%

LAB 68.45, -10.6, -39.13

 

CMYK 60 / 22 / 0 / 13

HEX #59ACDD

RGB 89 172 221

HSL 202.27, 0.66%, 0.61%

LAB 67.16, -10.91, -32.33

 

CMYK 49 / 18 / 0 / 20

HEX #69A8CD

RGB 105 168 205

HSL 202.2, 0.5%, 0.61%

LAB 66.07, -10.15, -25.13

 

CMYK 36 / 13 / 0 / 26

HEX #79A4BD

RGB 121 164 189

HSL 202.06, 0.34%, 0.61%

LAB 65.19, -8.23, -17.5

 

CMYK 78 / 0 / 13 / 0

HEX #39FEDD

RGB 57 254 221

HSL 169.95, 0.99%, 0.61%

LAB 90.31, -54.12, 2.36

 

CMYK 78 / 8 / 0 / 0

HEX #39EAFE

RGB 57 234 254

HSL 186.09, 0.99%, 0.61%

LAB 85.44, -36.32, -22.13

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 78 / 49 / 0 / 0

HEX #3981FE

RGB 57 129 254

HSL 218.07, 0.99%, 0.61%

LAB 55.81, 20.87, -68.56

 

CMYK 78 / 70 / 0 / 0

HEX #394CFE

RGB 57 76 254

HSL 234.21, 0.99%, 0.61%

LAB 43.05, 53.2, -89.39

 

CMYK 100 / 37 / 0 / 11

HEX #018FE3

RGB 1 143 227

HSL 202.3, 0.99%, 0.45%

LAB 57.27, -1.1, -51.31

 

CMYK 94 / 35 / 0 / 1

HEX #10A5FD

RGB 16 165 253

HSL 202.28, 0.98%, 0.53%

LAB 65.05, -3.72, -53.26

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 61 / 23 / 0 / 0

HEX #62C4FE

RGB 98 196 254

HSL 202.31, 0.99%, 0.69%

LAB 75.6, -11.97, -37.14

 

CMYK 45 / 17 / 0 / 0

HEX #8BD3FE

RGB 139 211 254

HSL 202.43, 0.98%, 0.77%

LAB 81.42, -11.42, -28.03

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 34 / 78 / 0 / 0

HEX #A839FE

RGB 168 57 254

HSL 273.81, 0.99%, 0.61%

LAB 49.99, 75.66, -77.64

 

CMYK 0 / 3 / 78 / 0

HEX #FEF739

RGB 254 247 57

HSL 57.87, 0.99%, 0.61%

LAB 95.11, -17.16, 84.12

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 0 / 78 / 29 / 0

HEX #FE39B5

RGB 254 57 181

HSL 322.23, 0.99%, 0.61%

LAB 59.28, 80.95, -20.62

 

CMYK 29 / 0 / 78 / 0

HEX #B5FE39

RGB 181 254 57

HSL 82.23, 0.99%, 0.61%

LAB 92.13, -48.84, 79.6

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 34 / 78 / 0 / 0

HEX #A839FE

RGB 168 57 254

HSL 273.81, 0.99%, 0.61%

LAB 49.99, 75.66, -77.64

 

CMYK 0 / 49 / 78 / 0

HEX #FE8139

RGB 254 129 57

HSL 21.93, 0.99%, 0.61%

LAB 67.33, 43.01, 58.46

 

CMYK 44 / 0 / 78 / 0

HEX #8EFE39

RGB 142 254 57

HSL 94.11, 0.99%, 0.61%

LAB 90.29, -61.82, 77.23

 

CMYK 78 / 29 / 0 / 0

HEX #39B5FE

RGB 57 181 254

HSL 202.23, 0.99%, 0.61%

LAB 70.23, -9.57, -45.6

 

CMYK 11 / 78 / 0 / 0

HEX #E339FE

RGB 227 57 254

HSL 291.78, 0.99%, 0.61%

LAB 58.43, 85.58, -63.57

 

CMYK 0 / 49 / 78 / 0

HEX #FE8139

RGB 254 129 57

HSL 21.93, 0.99%, 0.61%

LAB 67.33, 43.01, 58.46

 

CMYK 67 / 0 / 78 / 0

HEX #53FE39

RGB 83 254 57

HSL 112.08, 0.99%, 0.61%

LAB 88.46, -76.34, 74.84

 

Description

Color code: HEX #39B5FE | qconv.com Color code: HEX #39B5FE | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 181 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 181 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 78 cyan, 29 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
78% 29% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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