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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39B0CA it is the complementary color #C64F35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39B0CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39B0CA shade: #3EB0C5, #4FC2D8, #60D4EB, #71E6FE and #82F8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39B0CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39B0CA shade: #39B0CA, #289EB7, #178CA4, #067A91 and #00687E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39B0CA shade: #39B0CA, #3989CA, #3962CA, #393BCA and #5E39CA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39B0CA shade: #39B0CA, #3989CA, #3962CA, #393BCA and #3939CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39B0CA shade matches the following richer shades: #39B0CA, #25BDDE and #11CAF2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39B0CA shade: #39B0CA, #4DA3B6, #6296A2, #76898D and #8A7C79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39B0CA shade: #39CA95, #39CABC, #39B2CA, #398BCA and #3965CA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39B0CA shade: #25798C, #2D96AC, #39B0CA, #5ABDD3 and #7ACADB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39B0CA shade: #39B0CA, #6E39CA and #CAA839

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39B0CA shade: #39B0CA, #CA39B2 and #B2CA39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39B0CA shade: #39B0CA, #6E39CA, #CA5139 and #95CA39

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39B0CA shade: #39B0CA, #9A39CA, #CA5139 and #69CA39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

Complementary color

CMYK 0 / 60 / 73 / 22

HEX #C64F35

RGB 198 79 53

HSL 10.76, 0.58%, 0.49%

LAB 49.32, 46.02, 39.11

 

CMYK 69 / 11 / 0 / 23

HEX #3EB0C5

RGB 62 176 197

HSL 189.33, 0.54%, 0.51%

LAB 66.6, -24.98, -20.03

 

CMYK 63 / 10 / 0 / 15

HEX #4FC2D8

RGB 79 194 216

HSL 189.64, 0.64%, 0.58%

LAB 73.03, -25.65, -20.63

 

CMYK 59 / 10 / 0 / 8

HEX #60D4EB

RGB 96 212 235

HSL 189.93, 0.78%, 0.65%

LAB 79.37, -26.16, -21.18

 

CMYK 56 / 9 / 0 / 0

HEX #71E6FE

RGB 113 230 254

HSL 190.21, 0.99%, 0.72%

LAB 85.64, -26.55, -21.7

 

CMYK 49 / 3 / 0 / 0

HEX #82F8FF

RGB 130 248 255

HSL 183.36, 1%, 0.75%

LAB 91.28, -31.54, -13.67

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 78 / 14 / 0 / 28

HEX #289EB7

RGB 40 158 183

HSL 190.49, 0.64%, 0.44%

LAB 60.18, -23.01, -22.05

 

CMYK 86 / 15 / 0 / 36

HEX #178CA4

RGB 23 140 164

HSL 190.21, 0.75%, 0.37%

LAB 53.62, -21.54, -21.3

 

CMYK 96 / 16 / 0 / 43

HEX #067A91

RGB 6 122 145

HSL 189.93, 0.92%, 0.3%

LAB 46.98, -19.61, -20.45

 

CMYK 100 / 17 / 0 / 51

HEX #00687E

RGB 0 104 126

HSL 190.48, 1%, 0.25%

LAB 40.26, -17.01, -19.43

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 72 / 32 / 0 / 21

HEX #3989CA

RGB 57 137 202

HSL 206.9, 0.58%, 0.51%

LAB 55.1, -2.79, -40.65

 

CMYK 72 / 51 / 0 / 21

HEX #3962CA

RGB 57 98 202

HSL 223.03, 0.58%, 0.51%

LAB 44.05, 21.32, -58.29

 

CMYK 72 / 71 / 0 / 21

HEX #393BCA

RGB 57 59 202

HSL 239.17, 0.58%, 0.51%

LAB 34.52, 45.73, -73.83

 

CMYK 53 / 72 / 0 / 21

HEX #5E39CA

RGB 94 57 202

HSL 255.31, 0.58%, 0.51%

LAB 37.06, 51.56, -69.56

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 72 / 32 / 0 / 21

HEX #3989CA

RGB 57 137 202

HSL 206.9, 0.58%, 0.51%

LAB 55.1, -2.79, -40.65

 

CMYK 72 / 51 / 0 / 21

HEX #3962CA

RGB 57 98 202

HSL 223.03, 0.58%, 0.51%

LAB 44.05, 21.32, -58.29

 

CMYK 72 / 71 / 0 / 21

HEX #393BCA

RGB 57 59 202

HSL 239.17, 0.58%, 0.51%

LAB 34.52, 45.73, -73.83

 

CMYK 72 / 72 / 0 / 21

HEX #3939CA

RGB 57 57 202

HSL 240, 0.58%, 0.51%

LAB 34.11, 46.88, -74.52

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 83 / 15 / 0 / 13

HEX #25BDDE

RGB 37 189 222

HSL 190.7, 0.74%, 0.51%

LAB 70.91, -26.27, -27.19

 

CMYK 93 / 17 / 0 / 5

HEX #11CAF2

RGB 17 202 242

HSL 190.67, 0.9%, 0.51%

LAB 75.31, -27.25, -31.27

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 58 / 10 / 0 / 29

HEX #4DA3B6

RGB 77 163 182

HSL 190.86, 0.42%, 0.51%

LAB 62.63, -20.29, -17.66

 

CMYK 40 / 7 / 0 / 36

HEX #6296A2

RGB 98 150 162

HSL 191.25, 0.26%, 0.51%

LAB 58.99, -14.09, -11.78

 

CMYK 16 / 3 / 0 / 45

HEX #76898D

RGB 118 137 141

HSL 190.43, 0.09%, 0.51%

LAB 55.75, -5.93, -4.45

 

CMYK 0 / 10 / 12 / 46

HEX #8A7C79

RGB 138 124 121

HSL 10.59, 0.07%, 0.51%

LAB 53.17, 4.81, 3.58

 

CMYK 72 / 0 / 26 / 21

HEX #39CA95

RGB 57 202 149

HSL 158.07, 0.58%, 0.51%

LAB 73.08, -50.34, 15.69

 

CMYK 72 / 0 / 7 / 21

HEX #39CABC

RGB 57 202 188

HSL 174.21, 0.58%, 0.51%

LAB 74.02, -40.62, -3.99

 

CMYK 72 / 12 / 0 / 21

HEX #39B2CA

RGB 57 178 202

HSL 189.93, 0.58%, 0.51%

LAB 67.26, -25.12, -21.8

 

CMYK 72 / 31 / 0 / 21

HEX #398BCA

RGB 57 139 202

HSL 206.07, 0.58%, 0.51%

LAB 55.68, -3.95, -39.73

 

CMYK 72 / 50 / 0 / 21

HEX #3965CA

RGB 57 101 202

HSL 221.79, 0.58%, 0.51%

LAB 44.86, 19.4, -56.98

 

CMYK 74 / 14 / 0 / 45

HEX #25798C

RGB 37 121 140

HSL 191.07, 0.58%, 0.35%

LAB 46.92, -18.09, -17.53

 

CMYK 74 / 13 / 0 / 33

HEX #2D96AC

RGB 45 150 172

HSL 190.39, 0.59%, 0.43%

LAB 57.41, -21.87, -20.04

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 57 / 10 / 0 / 17

HEX #5ABDD3

RGB 90 189 211

HSL 190.91, 0.58%, 0.59%

LAB 71.74, -22.65, -19.83

 

CMYK 44 / 8 / 0 / 14

HEX #7ACADB

RGB 122 202 219

HSL 190.52, 0.57%, 0.67%

LAB 76.98, -20.13, -16.13

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 46 / 72 / 0 / 21

HEX #6E39CA

RGB 110 57 202

HSL 261.93, 0.58%, 0.51%

LAB 38.73, 54.12, -66.75

 

CMYK 0 / 17 / 72 / 21

HEX #CAA839

RGB 202 168 57

HSL 45.93, 0.58%, 0.51%

LAB 70.08, 0.84, 59.09

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 0 / 72 / 12 / 21

HEX #CA39B2

RGB 202 57 178

HSL 309.93, 0.58%, 0.51%

LAB 50.33, 68.53, -33.44

 

CMYK 12 / 0 / 72 / 21

HEX #B2CA39

RGB 178 202 57

HSL 69.93, 0.58%, 0.51%

LAB 77.28, -26.7, 65.51

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 46 / 72 / 0 / 21

HEX #6E39CA

RGB 110 57 202

HSL 261.93, 0.58%, 0.51%

LAB 38.73, 54.12, -66.75

 

CMYK 0 / 60 / 72 / 21

HEX #CA5139

RGB 202 81 57

HSL 9.93, 0.58%, 0.51%

LAB 50.38, 46.73, 38.3

 

CMYK 26 / 0 / 72 / 21

HEX #95CA39

RGB 149 202 57

HSL 81.93, 0.58%, 0.51%

LAB 75.41, -38.17, 63.03

 

CMYK 72 / 13 / 0 / 21

HEX #39B0CA

RGB 57 176 202

HSL 190.76, 0.58%, 0.51%

LAB 66.66, -24.11, -22.71

 

CMYK 24 / 72 / 0 / 21

HEX #9A39CA

RGB 154 57 202

HSL 280.14, 0.58%, 0.51%

LAB 44.32, 62.27, -57.42

 

CMYK 0 / 60 / 72 / 21

HEX #CA5139

RGB 202 81 57

HSL 9.93, 0.58%, 0.51%

LAB 50.38, 46.73, 38.3

 

CMYK 48 / 0 / 72 / 21

HEX #69CA39

RGB 105 202 57

HSL 100.14, 0.58%, 0.51%

LAB 73.25, -53.24, 60.16

 

Description

Color code: HEX #39B0CA | qconv.com Color code: HEX #39B0CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 176 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 176 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 13 magenta, none yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 13% 0% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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