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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39C55E it is the complementary color #C63AA1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39C55E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39C55E shade: #3EC559, #4FD76C, #60E97F, #71FB92 and #82FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39C55E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39C55E shade: #39C55E, #28B34B, #17A138, #068F25 and #007D12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39C55E shade: #39C55E, #3AC539, #5FC539, #85C539 and #ABC539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39C55E shade: #39C55E, #39C584, #39C5AA, #39BBC5 and #3995C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39C55E shade matches the following richer shades: #39C55E, #24DA54 and #10EE4B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39C55E shade: #39C55E, #4EB068, #629C71, #77877B and #8B7385

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39C55E shade: #61C539, #3BC539, #39C55C, #39C581 and #39C5A7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39C55E shade: #26853F, #30A54F, #39C55E, #59CE78 and #79D892

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39C55E shade: #39C55E, #3986C5 and #C5394E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39C55E shade: #39C55E, #5C39C5 and #C55C39

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39C55E shade: #39C55E, #3986C5, #C539A2 and #C57839

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39C55E shade: #39C55E, #395CC5, #C539A2 and #C5A239

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

Complementary color

CMYK 0 / 71 / 19 / 22

HEX #C63AA1

RGB 198 58 161

HSL 315.86, 0.55%, 0.5%

LAB 49.01, 64.81, -25.52

 

CMYK 69 / 0 / 55 / 23

HEX #3EC559

RGB 62 197 89

HSL 132, 0.54%, 0.51%

LAB 70.65, -58.53, 43.32

 

CMYK 63 / 0 / 50 / 16

HEX #4FD76C

RGB 79 215 108

HSL 132.79, 0.63%, 0.58%

LAB 76.89, -59.07, 41.9

 

CMYK 59 / 0 / 45 / 9

HEX #60E97F

RGB 96 233 127

HSL 133.58, 0.76%, 0.65%

LAB 83.07, -59.36, 40.51

 

CMYK 55 / 0 / 42 / 2

HEX #71FB92

RGB 113 251 146

HSL 134.35, 0.95%, 0.71%

LAB 89.2, -59.46, 39.17

 

CMYK 49 / 0 / 35 / 0

HEX #82FFA5

RGB 130 255 165

HSL 136.8, 1%, 0.75%

LAB 91.23, -53.88, 32.54

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 78 / 0 / 58 / 30

HEX #28B34B

RGB 40 179 75

HSL 135.11, 0.63%, 0.43%

LAB 64.32, -57.68, 42.33

 

CMYK 86 / 0 / 65 / 37

HEX #17A138

RGB 23 161 56

HSL 134.35, 0.75%, 0.36%

LAB 58, -56.08, 43.73

 

CMYK 96 / 0 / 74 / 44

HEX #068F25

RGB 6 143 37

HSL 133.58, 0.92%, 0.29%

LAB 51.63, -53.66, 44.81

 

CMYK 100 / 0 / 86 / 51

HEX #007D12

RGB 0 125 18

HSL 128.64, 1%, 0.25%

LAB 45.24, -50.03, 45.04

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 71 / 0 / 71 / 23

HEX #3AC539

RGB 58 197 57

HSL 119.57, 0.55%, 0.5%

LAB 70.27, -62.76, 56.65

 

CMYK 52 / 0 / 71 / 23

HEX #5FC539

RGB 95 197 57

HSL 103.71, 0.55%, 0.5%

LAB 71.32, -54.24, 58.08

 

CMYK 32 / 0 / 71 / 23

HEX #85C539

RGB 133 197 57

HSL 87.43, 0.55%, 0.5%

LAB 73.03, -41.91, 60.37

 

CMYK 13 / 0 / 71 / 23

HEX #ABC539

RGB 171 197 57

HSL 71.14, 0.55%, 0.5%

LAB 75.38, -27.16, 63.48

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 71 / 0 / 33 / 23

HEX #39C584

RGB 57 197 132

HSL 152.14, 0.55%, 0.5%

LAB 71.19, -52.01, 22.15

 

CMYK 71 / 0 / 14 / 23

HEX #39C5AA

RGB 57 197 170

HSL 168.43, 0.55%, 0.5%

LAB 72.03, -43.19, 2.87

 

CMYK 71 / 5 / 0 / 23

HEX #39BBC5

RGB 57 187 197

HSL 184.29, 0.55%, 0.5%

LAB 69.78, -31.09, -15.22

 

CMYK 71 / 24 / 0 / 23

HEX #3995C5

RGB 57 149 197

HSL 200.57, 0.55%, 0.5%

LAB 58.41, -11.37, -32.64

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 83 / 0 / 61 / 15

HEX #24DA54

RGB 36 218 84

HSL 135.82, 0.72%, 0.5%

LAB 76.77, -69.59, 52.65

 

CMYK 93 / 0 / 68 / 7

HEX #10EE4B

RGB 16 238 75

HSL 135.95, 0.87%, 0.5%

LAB 82.79, -77.77, 62.87

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 56 / 0 / 41 / 31

HEX #4EB068

RGB 78 176 104

HSL 135.92, 0.39%, 0.5%

LAB 64.7, -44.78, 28.4

 

CMYK 37 / 0 / 28 / 39

HEX #629C71

RGB 98 156 113

HSL 135.52, 0.23%, 0.5%

LAB 59.49, -28.48, 16.67

 

CMYK 12 / 0 / 9 / 47

HEX #77877B

RGB 119 135 123

HSL 135, 0.06%, 0.5%

LAB 54.74, -8.28, 4.48

 

CMYK 0 / 17 / 4 / 45

HEX #8B7385

RGB 139 115 133

HSL 315, 0.09%, 0.5%

LAB 51.2, 12.66, -6.33

 

CMYK 51 / 0 / 71 / 23

HEX #61C539

RGB 97 197 57

HSL 102.86, 0.55%, 0.5%

LAB 71.4, -53.67, 58.18

 

CMYK 70 / 0 / 71 / 23

HEX #3BC539

RGB 59 197 57

HSL 119.14, 0.55%, 0.5%

LAB 70.29, -62.58, 56.68

 

CMYK 71 / 0 / 53 / 23

HEX #39C55C

RGB 57 197 92

HSL 135, 0.55%, 0.5%

LAB 70.58, -58.98, 41.77

 

CMYK 71 / 0 / 35 / 23

HEX #39C581

RGB 57 197 129

HSL 150.86, 0.55%, 0.5%

LAB 71.14, -52.62, 23.66

 

CMYK 71 / 0 / 15 / 23

HEX #39C5A7

RGB 57 197 167

HSL 167.14, 0.55%, 0.5%

LAB 71.96, -43.95, 4.39

 

CMYK 71 / 0 / 53 / 48

HEX #26853F

RGB 38 133 63

HSL 135.79, 0.56%, 0.34%

LAB 48.94, -43.21, 29.77

 

CMYK 71 / 0 / 52 / 35

HEX #30A54F

RGB 48 165 79

HSL 135.9, 0.55%, 0.42%

LAB 59.98, -50.94, 35.18

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 57 / 0 / 42 / 19

HEX #59CE78

RGB 89 206 120

HSL 135.9, 0.54%, 0.58%

LAB 74.59, -51.62, 33.06

 

CMYK 44 / 0 / 32 / 15

HEX #79D892

RGB 121 216 146

HSL 135.79, 0.55%, 0.66%

LAB 79.19, -43.14, 25.98

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 71 / 32 / 0 / 23

HEX #3986C5

RGB 57 134 197

HSL 207, 0.55%, 0.5%

LAB 53.98, -2.79, -39.58

 

CMYK 0 / 71 / 60 / 23

HEX #C5394E

RGB 197 57 78

HSL 351, 0.55%, 0.5%

LAB 46.11, 56.31, 20.59

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 53 / 71 / 0 / 23

HEX #5C39C5

RGB 92 57 197

HSL 255, 0.55%, 0.5%

LAB 36.43, 49.83, -67.69

 

CMYK 0 / 53 / 71 / 23

HEX #C55C39

RGB 197 92 57

HSL 15, 0.55%, 0.5%

LAB 51.63, 39.55, 39.49

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 71 / 32 / 0 / 23

HEX #3986C5

RGB 57 134 197

HSL 207, 0.55%, 0.5%

LAB 53.98, -2.79, -39.58

 

CMYK 0 / 71 / 18 / 23

HEX #C539A2

RGB 197 57 162

HSL 315, 0.55%, 0.5%

LAB 48.77, 65.05, -26.51

 

CMYK 0 / 39 / 71 / 23

HEX #C57839

RGB 197 120 57

HSL 27, 0.55%, 0.5%

LAB 57.65, 24.77, 46.09

 

CMYK 71 / 0 / 52 / 23

HEX #39C55E

RGB 57 197 94

HSL 135.86, 0.55%, 0.5%

LAB 70.6, -58.69, 40.84

 

CMYK 71 / 53 / 0 / 23

HEX #395CC5

RGB 57 92 197

HSL 225, 0.55%, 0.5%

LAB 42.09, 23.34, -58.58

 

CMYK 0 / 71 / 18 / 23

HEX #C539A2

RGB 197 57 162

HSL 315, 0.55%, 0.5%

LAB 48.77, 65.05, -26.51

 

CMYK 0 / 18 / 71 / 23

HEX #C5A239

RGB 197 162 57

HSL 45, 0.55%, 0.5%

LAB 68.03, 1.86, 56.88

 

Description

Color code: HEX #39C55E | qconv.com Color code: HEX #39C55E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 197 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 197 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 52 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 52% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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