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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39C64A it is the complementary color #C639B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39C64A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39C64A shade: #3EC645, #4FD858, #60EA6B, #71FC7E and #82FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39C64A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39C64A shade: #39C64A, #28B437, #17A224, #069011 and #007E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39C64A shade: #39C54A, #4EC539, #74C539, #99C539 and #BFC539

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39C64A shade: #39C54A, #39C570, #39C595, #39C5BB and #39A9C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39C64A shade matches the following richer shades: #39C54A, #24DA3A and #10EE2A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39C64A shade: #39C54A, #4EB059, #629C69, #778779 and #8B7388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39C64A shade: #73C539, #4EC539, #39C549, #39C56F and #39C594

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39C64A shade: #268532, #30A53E, #39C54A, #59CE67 and #79D884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39C64A shade: #39C64A, #3999C5 and #C53961

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39C64A shade: #39C64A, #4939C5 and #C54939

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39C64A shade: #39C64A, #3999C5, #C539B5 and #C56539

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39C64A shade: #39C64A, #396FC5, #C539B5 and #C58F39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

Complementary color

CMYK 0 / 71 / 9 / 22

HEX #C639B5

RGB 198 57 181

HSL 307.23, 0.55%, 0.5%

LAB 49.82, 68.04, -36.04

 

CMYK 69 / 0 / 65 / 22

HEX #3EC645

RGB 62 198 69

HSL 123.09, 0.54%, 0.51%

LAB 70.76, -61.25, 52.44

 

CMYK 63 / 0 / 59 / 15

HEX #4FD858

RGB 79 216 88

HSL 123.94, 0.64%, 0.58%

LAB 76.97, -62.03, 51.32

 

CMYK 59 / 0 / 54 / 8

HEX #60EA6B

RGB 96 234 107

HSL 124.78, 0.77%, 0.65%

LAB 83.12, -62.5, 50.07

 

CMYK 55 / 0 / 50 / 1

HEX #71FC7E

RGB 113 252 126

HSL 125.61, 0.96%, 0.72%

LAB 89.22, -62.74, 48.79

 

CMYK 49 / 0 / 43 / 0

HEX #82FF91

RGB 130 255 145

HSL 127.2, 1%, 0.75%

LAB 90.92, -57.03, 41.99

 

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

CMYK 78 / 0 / 69 / 29

HEX #28B437

RGB 40 180 55

HSL 126.43, 0.64%, 0.43%

LAB 64.46, -60.28, 51.24

 

CMYK 86 / 0 / 78 / 36

HEX #17A224

RGB 23 162 36

HSL 125.61, 0.75%, 0.36%

LAB 58.18, -58.27, 51.79

 

CMYK 96 / 0 / 88 / 44

HEX #069011

RGB 6 144 17

HSL 124.78, 0.92%, 0.29%

LAB 51.87, -55.31, 51.31

 

CMYK 100 / 0 / 100 / 51

HEX #007E00

RGB 0 126 0

HSL 120, 1%, 0.25%

LAB 45.53, -51.12, 49.34

 

CMYK 71 / 0 / 62 / 23

HEX #39C54A

RGB 57 197 74

HSL 127.29, 0.55%, 0.5%

LAB 70.38, -61.26, 49.84

 

CMYK 60 / 0 / 71 / 23

HEX #4EC539

RGB 78 197 57

HSL 111, 0.55%, 0.5%

LAB 70.77, -58.64, 57.33

 

CMYK 41 / 0 / 71 / 23

HEX #74C539

RGB 116 197 57

HSL 94.71, 0.55%, 0.5%

LAB 72.19, -47.8, 59.24

 

CMYK 22 / 0 / 71 / 23

HEX #99C539

RGB 153 197 57

HSL 78.86, 0.55%, 0.5%

LAB 74.19, -34.37, 61.9

 

CMYK 3 / 0 / 71 / 23

HEX #BFC539

RGB 191 197 57

HSL 62.57, 0.55%, 0.5%

LAB 76.86, -18.86, 65.43

 

CMYK 71 / 0 / 62 / 23

HEX #39C54A

RGB 57 197 74

HSL 127.29, 0.55%, 0.5%

LAB 70.38, -61.26, 49.84

 

CMYK 71 / 0 / 43 / 23

HEX #39C570

RGB 57 197 112

HSL 143.57, 0.55%, 0.5%

LAB 70.85, -55.81, 32.15

 

CMYK 71 / 0 / 24 / 23

HEX #39C595

RGB 57 197 149

HSL 159.43, 0.55%, 0.5%

LAB 71.54, -48.31, 13.53

 

CMYK 71 / 0 / 5 / 23

HEX #39C5BB

RGB 57 197 187

HSL 175.71, 0.55%, 0.5%

LAB 72.49, -38.64, -5.71

 

CMYK 71 / 14 / 0 / 23

HEX #39A9C5

RGB 57 169 197

HSL 192, 0.55%, 0.5%

LAB 64.38, -22.1, -23.42

 

CMYK 71 / 0 / 62 / 23

HEX #39C54A

RGB 57 197 74

HSL 127.29, 0.55%, 0.5%

LAB 70.38, -61.26, 49.84

 

CMYK 83 / 0 / 73 / 15

HEX #24DA3A

RGB 36 218 58

HSL 127.25, 0.72%, 0.5%

LAB 76.57, -72.12, 62.63

 

CMYK 93 / 0 / 82 / 7

HEX #10EE2A

RGB 16 238 42

HSL 127.03, 0.87%, 0.5%

LAB 82.61, -80.1, 73.06

 

CMYK 71 / 0 / 62 / 23

HEX #39C54A

RGB 57 197 74

HSL 127.29, 0.55%, 0.5%

LAB 70.38, -61.26, 49.84

 

CMYK 56 / 0 / 49 / 31

HEX #4EB059

RGB 78 176 89

HSL 126.73, 0.39%, 0.5%

LAB 64.48, -47.17, 35.88

 

CMYK 37 / 0 / 33 / 39

HEX #629C69

RGB 98 156 105

HSL 127.24, 0.23%, 0.5%

LAB 59.34, -29.96, 20.89

 

CMYK 12 / 0 / 10 / 47

HEX #778779

RGB 119 135 121

HSL 127.5, 0.06%, 0.5%

LAB 54.69, -8.68, 5.56

 

CMYK 0 / 17 / 2 / 45

HEX #8B7388

RGB 139 115 136

HSL 307.5, 0.09%, 0.5%

LAB 51.3, 13.25, -7.96

 

CMYK 42 / 0 / 71 / 23

HEX #73C539

RGB 115 197 57

HSL 95.14, 0.55%, 0.5%

LAB 72.14, -48.13, 59.18

 

CMYK 60 / 0 / 71 / 23

HEX #4EC539

RGB 78 197 57

HSL 111, 0.55%, 0.5%

LAB 70.77, -58.64, 57.33

 

CMYK 71 / 0 / 63 / 23

HEX #39C549

RGB 57 197 73

HSL 126.86, 0.55%, 0.5%

LAB 70.37, -61.37, 50.27

 

CMYK 71 / 0 / 44 / 23

HEX #39C56F

RGB 57 197 111

HSL 143.14, 0.55%, 0.5%

LAB 70.84, -55.99, 32.64

 

CMYK 71 / 0 / 25 / 23

HEX #39C594

RGB 57 197 148

HSL 159, 0.55%, 0.5%

LAB 71.51, -48.54, 14.04

 

CMYK 71 / 0 / 62 / 48

HEX #268532

RGB 38 133 50

HSL 127.58, 0.56%, 0.34%

LAB 48.78, -45.07, 36.16

 

CMYK 71 / 0 / 62 / 35

HEX #30A53E

RGB 48 165 62

HSL 127.18, 0.55%, 0.42%

LAB 59.79, -53.24, 43.16

 

CMYK 71 / 0 / 62 / 23

HEX #39C54A

RGB 57 197 74

HSL 127.29, 0.55%, 0.5%

LAB 70.38, -61.26, 49.84

 

CMYK 57 / 0 / 50 / 19

HEX #59CE67

RGB 89 206 103

HSL 127.18, 0.54%, 0.58%

LAB 74.35, -54.22, 41.25

 

CMYK 44 / 0 / 39 / 15

HEX #79D884

RGB 121 216 132

HSL 126.95, 0.55%, 0.66%

LAB 78.95, -45.49, 32.87

 

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

CMYK 71 / 22 / 0 / 23

HEX #3999C5

RGB 57 153 197

HSL 198.86, 0.55%, 0.5%

LAB 59.6, -13.59, -30.79

 

CMYK 0 / 71 / 51 / 23

HEX #C53961

RGB 197 57 97

HSL 342.86, 0.55%, 0.5%

LAB 46.52, 57.74, 9.5

 

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

CMYK 63 / 71 / 0 / 23

HEX #4939C5

RGB 73 57 197

HSL 246.86, 0.55%, 0.5%

LAB 34.75, 47.11, -70.5

 

CMYK 0 / 63 / 71 / 23

HEX #C54939

RGB 197 73 57

HSL 6.86, 0.55%, 0.5%

LAB 48.17, 48.58, 35.56

 

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

CMYK 71 / 22 / 0 / 23

HEX #3999C5

RGB 57 153 197

HSL 198.86, 0.55%, 0.5%

LAB 59.6, -13.59, -30.79

 

CMYK 0 / 71 / 8 / 23

HEX #C539B5

RGB 197 57 181

HSL 306.86, 0.55%, 0.5%

LAB 49.66, 67.81, -36.31

 

CMYK 0 / 49 / 71 / 23

HEX #C56539

RGB 197 101 57

HSL 18.86, 0.55%, 0.5%

LAB 53.46, 34.93, 41.53

 

CMYK 71 / 0 / 63 / 22

HEX #39C64A

RGB 57 198 74

HSL 127.23, 0.55%, 0.5%

LAB 70.7, -61.6, 50.2

 

CMYK 71 / 44 / 0 / 23

HEX #396FC5

RGB 57 111 197

HSL 216.86, 0.55%, 0.5%

LAB 47.33, 11.22, -50.14

 

CMYK 0 / 71 / 8 / 23

HEX #C539B5

RGB 197 57 181

HSL 306.86, 0.55%, 0.5%

LAB 49.66, 67.81, -36.31

 

CMYK 0 / 27 / 71 / 23

HEX #C58F39

RGB 197 143 57

HSL 36.86, 0.55%, 0.5%

LAB 63.19, 12.17, 51.93

 

Description

Color code: HEX #39C64A | qconv.com Color code: HEX #39C64A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 198 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 198 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 63 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 63% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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