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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39CEF3 it is the complementary color #C6310C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39CEF3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39CEF3 shade: #3ECEEE, #4FE0FF, #60F2FF, #71FFFF and #82FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39CEF3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39CEF3 shade: #39CEF3, #28BCE0, #17AACD, #0698BA and #0086A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39CEF3 shade: #39CEF3, #399CF3, #396AF3, #3A39F3 and #6D39F3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39CEF3 shade: #39CEF3, #399CF3, #396AF3 and #3939F3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39CEF3 shade matches the following richer shades: #39CEF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39CEF3 shade: #39CEF3, #4AC4E2, #5BBAD1, #6CAFC0 and #7DA5AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39CEF3 shade: #39F3B2, #39F3E3, #39D1F3, #399FF3 and #396EF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39CEF3 shade: #0CA7CE, #12C4F1, #39CEF3, #60D8F5 and #87E1F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39CEF3 shade: #39CEF3, #8039F3 and #F3CB39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39CEF3 shade: #39CEF3, #F339D1 and #D1F339

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39CEF3 shade: #39CEF3, #8039F3, #F35B39 and #ACF339

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39CEF3 shade: #39CEF3, #B839F3, #F35B39 and #74F339

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

Complementary color

CMYK 0 / 75 / 94 / 22

HEX #C6310C

RGB 198 49 12

HSL 11.94, 0.89%, 0.41%

LAB 44.56, 56.97, 53.41

 

CMYK 74 / 13 / 0 / 7

HEX #3ECEEE

RGB 62 206 238

HSL 190.91, 0.84%, 0.59%

LAB 76.88, -27.27, -26.66

 

CMYK 69 / 12 / 0 / 0

HEX #4FE0FF

RGB 79 224 255

HSL 190.57, 1%, 0.65%

LAB 83.02, -28.82, -26.3

 

CMYK 62 / 5 / 0 / 0

HEX #60F2FF

RGB 96 242 255

HSL 184.91, 1%, 0.69%

LAB 88.55, -34.93, -17.88

 

CMYK 56 / 0 / 0 / 0

HEX #71FFFF

RGB 113 255 255

HSL 180, 1%, 0.72%

LAB 92.69, -38.08, -11.63

 

CMYK 49 / 0 / 0 / 0

HEX #82FFFF

RGB 130 255 255

HSL 180, 1%, 0.75%

LAB 93.23, -34.82, -10.77

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 82 / 16 / 0 / 12

HEX #28BCE0

RGB 40 188 224

HSL 191.74, 0.75%, 0.52%

LAB 70.73, -24.88, -28.56

 

CMYK 89 / 17 / 0 / 20

HEX #17AACD

RGB 23 170 205

HSL 191.54, 0.8%, 0.45%

LAB 64.43, -23.18, -27.83

 

CMYK 97 / 18 / 0 / 27

HEX #0698BA

RGB 6 152 186

HSL 191.33, 0.94%, 0.38%

LAB 58.08, -21.07, -27.01

 

CMYK 100 / 20 / 0 / 35

HEX #0086A7

RGB 0 134 167

HSL 191.86, 1%, 0.33%

LAB 51.66, -18.45, -26.08

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 77 / 36 / 0 / 5

HEX #399CF3

RGB 57 156 243

HSL 208.06, 0.89%, 0.59%

LAB 62.61, 0.67, -51.63

 

CMYK 77 / 56 / 0 / 5

HEX #396AF3

RGB 57 106 243

HSL 224.19, 0.89%, 0.59%

LAB 49.07, 31.2, -73.39

 

CMYK 76 / 77 / 0 / 5

HEX #3A39F3

RGB 58 57 243

HSL 240.32, 0.89%, 0.59%

LAB 38.37, 59.97, -90.96

 

CMYK 55 / 77 / 0 / 5

HEX #6D39F3

RGB 109 57 243

HSL 256.77, 0.89%, 0.59%

LAB 42.23, 64.81, -84.46

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 77 / 36 / 0 / 5

HEX #399CF3

RGB 57 156 243

HSL 208.06, 0.89%, 0.59%

LAB 62.61, 0.67, -51.63

 

CMYK 77 / 56 / 0 / 5

HEX #396AF3

RGB 57 106 243

HSL 224.19, 0.89%, 0.59%

LAB 49.07, 31.2, -73.39

 

CMYK 77 / 77 / 0 / 5

HEX #3939F3

RGB 57 57 243

HSL 240, 0.89%, 0.59%

LAB 38.32, 59.9, -91.05

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 67 / 13 / 0 / 11

HEX #4AC4E2

RGB 74 196 226

HSL 191.84, 0.72%, 0.59%

LAB 73.82, -24.42, -24.85

 

CMYK 56 / 11 / 0 / 18

HEX #5BBAD1

RGB 91 186 209

HSL 191.69, 0.56%, 0.59%

LAB 70.83, -21.51, -20.11

 

CMYK 44 / 9 / 0 / 25

HEX #6CAFC0

RGB 108 175 192

HSL 192.14, 0.4%, 0.59%

LAB 67.76, -16.77, -15.34

 

CMYK 29 / 6 / 0 / 31

HEX #7DA5AF

RGB 125 165 175

HSL 192, 0.24%, 0.59%

LAB 65.25, -11.12, -9.58

 

CMYK 77 / 0 / 27 / 5

HEX #39F3B2

RGB 57 243 178

HSL 159.03, 0.89%, 0.59%

LAB 86.1, -59.93, 18.63

 

CMYK 77 / 0 / 7 / 5

HEX #39F3E3

RGB 57 243 227

HSL 174.84, 0.89%, 0.59%

LAB 87.25, -47.97, -5.25

 

CMYK 77 / 14 / 0 / 5

HEX #39D1F3

RGB 57 209 243

HSL 190.97, 0.89%, 0.59%

LAB 77.84, -27.72, -27.88

 

CMYK 77 / 35 / 0 / 5

HEX #399FF3

RGB 57 159 243

HSL 207.1, 0.89%, 0.59%

LAB 63.46, -1.06, -50.29

 

CMYK 77 / 55 / 0 / 5

HEX #396EF3

RGB 57 110 243

HSL 222.9, 0.89%, 0.59%

LAB 50.09, 28.69, -71.73

 

CMYK 94 / 19 / 0 / 19

HEX #0CA7CE

RGB 12 167 206

HSL 192.06, 0.89%, 0.43%

LAB 63.48, -21.77, -29.86

 

CMYK 93 / 19 / 0 / 5

HEX #12C4F1

RGB 18 196 241

HSL 192.11, 0.89%, 0.51%

LAB 73.52, -24.54, -33.49

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 61 / 12 / 0 / 4

HEX #60D8F5

RGB 96 216 245

HSL 191.68, 0.88%, 0.67%

LAB 80.84, -25.27, -24.27

 

CMYK 46 / 9 / 0 / 3

HEX #87E1F8

RGB 135 225 248

HSL 192.21, 0.89%, 0.75%

LAB 84.88, -21.08, -19.6

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 47 / 77 / 0 / 5

HEX #8039F3

RGB 128 57 243

HSL 262.9, 0.89%, 0.59%

LAB 44.21, 67.28, -81.13

 

CMYK 0 / 16 / 77 / 5

HEX #F3CB39

RGB 243 203 57

HSL 47.1, 0.89%, 0.59%

LAB 82.95, 0.17, 72.78

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 0 / 77 / 14 / 5

HEX #F339D1

RGB 243 57 209

HSL 310.97, 0.89%, 0.59%

LAB 58.59, 81.95, -37.9

 

CMYK 14 / 0 / 77 / 5

HEX #D1F339

RGB 209 243 57

HSL 70.97, 0.89%, 0.59%

LAB 90.76, -33.44, 78.96

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 47 / 77 / 0 / 5

HEX #8039F3

RGB 128 57 243

HSL 262.9, 0.89%, 0.59%

LAB 44.21, 67.28, -81.13

 

CMYK 0 / 63 / 77 / 5

HEX #F35B39

RGB 243 91 57

HSL 10.97, 0.89%, 0.59%

LAB 58.82, 56.65, 49.39

 

CMYK 29 / 0 / 77 / 5

HEX #ACF339

RGB 172 243 57

HSL 82.9, 0.89%, 0.59%

LAB 88.53, -47.45, 76.09

 

CMYK 77 / 15 / 0 / 5

HEX #39CEF3

RGB 57 206 243

HSL 191.94, 0.89%, 0.59%

LAB 76.97, -26.24, -29.21

 

CMYK 24 / 77 / 0 / 5

HEX #B839F3

RGB 184 57 243

HSL 280.97, 0.89%, 0.59%

LAB 51.37, 76.04, -69.15

 

CMYK 0 / 63 / 77 / 5

HEX #F35B39

RGB 243 91 57

HSL 10.97, 0.89%, 0.59%

LAB 58.82, 56.65, 49.39

 

CMYK 52 / 0 / 77 / 5

HEX #74F339

RGB 116 243 57

HSL 100.97, 0.89%, 0.59%

LAB 86.06, -65.25, 72.88

 

Description

Color code: HEX #39CEF3 | qconv.com Color code: HEX #39CEF3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 206 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 206 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 15 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 15% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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