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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #39DD6A it is the complementary color #C62295. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #39DD6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #39DD6A shade: #3EDD65, #4FEF78, #60FF8B, #71FF9E and #82FFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #39DD6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #39DD6A shade: #39DD6A, #28CB57, #17B944, #06A731 and #00951E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #39DD6A shade: #3ADD6B, #3ADD3F, #61DD3A, #8DDD3A and #B9DD3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #39DD6A shade: #3ADD6B, #3ADD97, #3ADDC3, #3ACCDD and #3AA0DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #39DD6A shade matches the following richer shades: #3ADD6B and #28F064

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #39DD6A shade: #3ADD6B, #4DCB72, #5FB87A, #72A681 and #859389

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #39DD6A shade: #63DD3A, #3ADD3D, #3ADD68, #3ADD94 and #3ADDBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #39DD6A shade: #1CA946, #22CC55, #3ADD6B, #5EE385 and #81E9A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #39DD6A shade: #39DD6A, #3A8EDD and #DD3A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #39DD6A shade: #39DD6A, #683ADD and #DD683A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #39DD6A shade: #39DD6A, #3A8EDD, #DD3AAF and #DD893A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #39DD6A shade: #39DD6A, #3A5EDD, #DD3AAF and #DDBA3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

Complementary color

CMYK 0 / 83 / 25 / 22

HEX #C62295

RGB 198 34 149

HSL 317.93, 0.71%, 0.45%

LAB 46.07, 70.17, -22.91

 

CMYK 72 / 0 / 54 / 13

HEX #3EDD65

RGB 62 221 101

HSL 134.72, 0.7%, 0.55%

LAB 78.27, -65.19, 46.84

 

CMYK 67 / 0 / 50 / 6

HEX #4FEF78

RGB 79 239 120

HSL 135.38, 0.83%, 0.62%

LAB 84.36, -65.91, 45.4

 

CMYK 62 / 0 / 45 / 0

HEX #60FF8B

RGB 96 255 139

HSL 136.23, 1%, 0.69%

LAB 89.8, -65.63, 43.24

 

CMYK 56 / 0 / 38 / 0

HEX #71FF9E

RGB 113 255 158

HSL 139.01, 1%, 0.72%

LAB 90.55, -59.06, 35.02

 

CMYK 49 / 0 / 31 / 0

HEX #82FFB1

RGB 130 255 177

HSL 142.56, 1%, 0.75%

LAB 91.43, -51.78, 26.78

 

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

CMYK 80 / 0 / 57 / 20

HEX #28CB57

RGB 40 203 87

HSL 137.3, 0.67%, 0.48%

LAB 72.13, -64.05, 45.93

 

CMYK 88 / 0 / 63 / 27

HEX #17B944

RGB 23 185 68

HSL 136.67, 0.78%, 0.41%

LAB 65.98, -62.32, 47.37

 

CMYK 96 / 0 / 71 / 35

HEX #06A731

RGB 6 167 49

HSL 136.02, 0.93%, 0.34%

LAB 59.8, -59.86, 48.59

 

CMYK 100 / 0 / 80 / 42

HEX #00951E

RGB 0 149 30

HSL 132.08, 1%, 0.29%

LAB 53.59, -56.42, 49.25

 

CMYK 74 / 0 / 52 / 13

HEX #3ADD6B

RGB 58 221 107

HSL 138.04, 0.71%, 0.55%

LAB 78.27, -64.95, 43.99

 

CMYK 74 / 0 / 71 / 13

HEX #3ADD3F

RGB 58 221 63

HSL 121.84, 0.71%, 0.55%

LAB 77.86, -69.9, 62.28

 

CMYK 56 / 0 / 74 / 13

HEX #61DD3A

RGB 97 221 58

HSL 105.64, 0.71%, 0.55%

LAB 78.79, -62.37, 65.27

 

CMYK 36 / 0 / 74 / 13

HEX #8DDD3A

RGB 141 221 58

HSL 89.45, 0.71%, 0.55%

LAB 80.56, -49.15, 67.61

 

CMYK 16 / 0 / 74 / 13

HEX #B9DD3A

RGB 185 221 58

HSL 73.25, 0.71%, 0.55%

LAB 83.09, -32.77, 70.93

 

CMYK 74 / 0 / 52 / 13

HEX #3ADD6B

RGB 58 221 107

HSL 138.04, 0.71%, 0.55%

LAB 78.27, -64.95, 43.99

 

CMYK 74 / 0 / 32 / 13

HEX #3ADD97

RGB 58 221 151

HSL 154.23, 0.71%, 0.55%

LAB 78.95, -57.19, 22.76

 

CMYK 74 / 0 / 12 / 13

HEX #3ADDC3

RGB 58 221 195

HSL 170.43, 0.71%, 0.55%

LAB 79.93, -46.92, 0.9

 

CMYK 74 / 8 / 0 / 13

HEX #3ACCDD

RGB 58 204 221

HSL 186.26, 0.71%, 0.55%

LAB 75.64, -31.94, -19.41

 

CMYK 74 / 28 / 0 / 13

HEX #3AA0DD

RGB 58 160 221

HSL 202.45, 0.71%, 0.55%

LAB 62.73, -9.18, -39.31

 

CMYK 74 / 0 / 52 / 13

HEX #3ADD6B

RGB 58 221 107

HSL 138.04, 0.71%, 0.55%

LAB 78.27, -64.95, 43.99

 

CMYK 83 / 0 / 58 / 6

HEX #28F064

RGB 40 240 100

HSL 138, 0.87%, 0.55%

LAB 83.8, -74.09, 53.76

 

CMYK 74 / 0 / 52 / 13

HEX #3ADD6B

RGB 58 221 107

HSL 138.04, 0.71%, 0.55%

LAB 78.27, -64.95, 43.99

 

CMYK 62 / 0 / 44 / 20

HEX #4DCB72

RGB 77 203 114

HSL 137.62, 0.55%, 0.55%

LAB 73.22, -54.07, 34.28

 

CMYK 48 / 0 / 34 / 28

HEX #5FB87A

RGB 95 184 122

HSL 138.2, 0.39%, 0.55%

LAB 68.11, -40.59, 23.48

 

CMYK 31 / 0 / 22 / 35

HEX #72A681

RGB 114 166 129

HSL 137.31, 0.23%, 0.55%

LAB 63.7, -25.16, 13.76

 

CMYK 10 / 0 / 7 / 42

HEX #859389

RGB 133 147 137

HSL 137.14, 0.06%, 0.55%

LAB 59.58, -7.04, 3.57

 

CMYK 55 / 0 / 74 / 13

HEX #63DD3A

RGB 99 221 58

HSL 104.91, 0.71%, 0.55%

LAB 78.85, -61.86, 65.36

 

CMYK 74 / 0 / 72 / 13

HEX #3ADD3D

RGB 58 221 61

HSL 121.1, 0.71%, 0.55%

LAB 77.85, -70.06, 62.98

 

CMYK 74 / 0 / 53 / 13

HEX #3ADD68

RGB 58 221 104

HSL 136.93, 0.71%, 0.55%

LAB 78.23, -65.37, 45.37

 

CMYK 74 / 0 / 33 / 13

HEX #3ADD94

RGB 58 221 148

HSL 153.13, 0.71%, 0.55%

LAB 78.9, -57.81, 24.24

 

CMYK 74 / 0 / 14 / 13

HEX #3ADDBF

RGB 58 221 191

HSL 168.96, 0.71%, 0.55%

LAB 79.83, -47.94, 2.89

 

CMYK 83 / 0 / 59 / 34

HEX #1CA946

RGB 28 169 70

HSL 137.87, 0.72%, 0.39%

LAB 60.84, -56.44, 40.55

 

CMYK 83 / 0 / 58 / 20

HEX #22CC55

RGB 34 204 85

HSL 138, 0.71%, 0.47%

LAB 72.35, -65.26, 47.09

 

CMYK 74 / 0 / 52 / 13

HEX #3ADD6B

RGB 58 221 107

HSL 138.04, 0.71%, 0.55%

LAB 78.27, -64.95, 43.99

 

CMYK 59 / 0 / 41 / 11

HEX #5EE385

RGB 94 227 133

HSL 137.59, 0.7%, 0.63%

LAB 81.3, -56.56, 35.25

 

CMYK 45 / 0 / 31 / 9

HEX #81E9A0

RGB 129 233 160

HSL 137.88, 0.7%, 0.71%

LAB 84.73, -45.83, 26.32

 

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

CMYK 74 / 36 / 0 / 13

HEX #3A8EDD

RGB 58 142 221

HSL 209.08, 0.71%, 0.55%

LAB 57.53, 1.15, -47.5

 

CMYK 0 / 74 / 65 / 13

HEX #DD3A4D

RGB 221 58 77

HSL 353.01, 0.71%, 0.55%

LAB 50.61, 63.14, 27.87

 

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

CMYK 53 / 74 / 0 / 13

HEX #683ADD

RGB 104 58 221

HSL 256.93, 0.71%, 0.55%

LAB 39.9, 57.8, -75.82

 

CMYK 0 / 53 / 74 / 13

HEX #DD683A

RGB 221 104 58

HSL 16.93, 0.71%, 0.55%

LAB 57.63, 42.8, 46.58

 

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

CMYK 74 / 36 / 0 / 13

HEX #3A8EDD

RGB 58 142 221

HSL 209.08, 0.71%, 0.55%

LAB 57.53, 1.15, -47.5

 

CMYK 0 / 74 / 21 / 13

HEX #DD3AAF

RGB 221 58 175

HSL 316.93, 0.71%, 0.55%

LAB 53.49, 72.26, -26.53

 

CMYK 0 / 38 / 74 / 13

HEX #DD893A

RGB 221 137 58

HSL 29.08, 0.71%, 0.55%

LAB 64.62, 25.72, 53.86

 

CMYK 74 / 0 / 52 / 13

HEX #39DD6A

RGB 57 221 106

HSL 137.93, 0.71%, 0.55%

LAB 78.24, -65.23, 44.42

 

CMYK 74 / 57 / 0 / 13

HEX #3A5EDD

RGB 58 94 221

HSL 226.75, 0.71%, 0.55%

LAB 44.41, 30.92, -68.57

 

CMYK 0 / 74 / 21 / 13

HEX #DD3AAF

RGB 221 58 175

HSL 316.93, 0.71%, 0.55%

LAB 53.49, 72.26, -26.53

 

CMYK 0 / 16 / 74 / 13

HEX #DDBA3A

RGB 221 186 58

HSL 47.12, 0.71%, 0.55%

LAB 76.55, -0.38, 65.67

 

Description

Color code: HEX #39DD6A | qconv.com Color code: HEX #39DD6A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 57 red, 221 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
57 221 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, none magenta, 52 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 0% 52% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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